dragonhoardsbookz
The cake is a lie, there is only passion
Biochemist from Germany, queer (pronouns: they/them). Walking the fine line between confidence and existential crisis. Producer of weird headcanons and occasional fic. My askbox is always open, feel free to message me anytime. Beta services available, enquire within. Current fandoms: Star Wars, ATLA, Dishonored, Good Omens, (Tolkien, MCU, FMA).
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I want, need, and to be frank deserve some kind of scifi show where a human has to buy their alien companions time to escape an approaching enemy- and they know if they do this they aren’t coming back and we the audience know they aren’t coming back.
so the rescue vessel or whatever launches and the enemy of some stripe is coming up and like our protagonist doesn’t have to win this fight, and will not win this fight, they just gotta make sure the other guy wastes all the time they have.
And the human in question- don’t even care, pick a human, my current one is like a butch Asian American lady but honestly whatever- has a playlist for this. They’ve had playlists the whole show, you see, we’ve witnessed lots of touching and funny moments related to Human’s Music and this playlist just has one song on it and you see the title of the playlist first, right, which is Smoke Em If You Got Em, and the song is MCR’s Welcome To The Black Parade.
Our protagonist listens to this song, which starts out tinny and obviously coming from like IDK bootlegged Bluetooth speakers from Neptune or whatever, as they set up guns to autofire and lay out ammo and get knocked around as the shields slowly die and around the same time the curtain drops in the original music video the shields DO go, and the music moves from tinny to soundtrack as protagonist proceeds to kick as much ass as humanly possible.
It’s sort of inevitable that they get backed up all the way to the bridge of <insert whatever kind of superscifi ship here> and they are NOT looking good.
At the word ‘on’ in the line ‘your weary widow marches on’ they hit the self destruct just before they drop from blood loss.
The final drumbeats are played out over a debris field in space, and that last beat stops as the camera hovers on their headphones which took an entire episode of fun alien hijinks to replace in the middle of the first season.
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New cloneOC thought:
CT-5050 ,
name CHANCE
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do y’all remember that scene in the last unicorn where the prince essentially said he’d be cool with dating a horse? bc i sure do
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my favorite thing about Corporal Carrot is that he’s a romantic hero plopped right in the middle of the greediest cesspit of a chaotic neutral city ever to debase the pages of literature, and yet instead of having his shining idealism destroyed by an uncaring reality, he makes reality embarrassedly put down the weapons and agree to make nice, and then mutter an awkward “Good morning” whenever it passes him on the street.
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Felt like drawing some silly cats :)
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GIFMAKING FOR BEGINNERS
as requested! this is a super super detailed tutorial for the a-z of gifmaking basics, starting from getting photoshop & downloading hq movies/videos alll the way to tagging & scheduling your gifsets on tumblr for max interaction. if you’ve wanted to get into gifmaking but feel intimidated or you don’t know where to start, this is the tutorial for you!!! making gifs might seem overwhelming at first, but with practice, it’s quite easy to get the basics down. for reference, this post is up to date as of nov. 2020. please rb if this helps!
TUTORIAL UNDER THE CUT:
software needed
how to download hq movies/videos
screencapping
importing to photoshop
cropping & resizing
animation
gif speed
actions
sharpening
coloring
text
exporting the gif
fixing gif speed
captioning gifsets
how to tag gifsets on tumblr
when to post gifsets on tumblr
other helpful tutorials/resources!
Keep reading
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A kitchen is a research lab for new ways to say I love you
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people will hear you talk about struggling with mental illness and say “you can do anything if you just put your mind to it”. brother what part of the body does the mental illness happen in. what do you think is the problem
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where's the merit badge/award ribbon for "did not strangle my coworker"
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the thing about Murderbot's """relationship""" with Gurathin is that the first time it vocally expressed its dislike for Gurathin was the very first time it was ever able to vocally express its dislike for anyone.
And it was not punished! Nothing bad happened to it because of this! The PreservationAux team was just like, fine, your opinion is noted and valid, we still all have to work together to not die though.
for someone who was never allowed to let anyone else know it even had opinions, this is a big fucking deal.
its actions toward Gurathin later on (especially obvious in Fugitive Telemetry) show that it considers Gurathin a trusted and valued teammate. And maybe it will never remove the "I don't like him" tag from Gurathin's internal profile but that is not a sign of their friendship needing repair, it is a sign that Murderbot feels safe and free enough to be a little bitchy hater. and i say, good for it!
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😳 <- this emoji but without the blush or romantic connotation. im not blushing im staring you directly in your fucking eyes
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A loving, married couple wake up one day to find that they have returned to their high school days, when they were the most popular student and the class geek.
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I see a lot of people clowning on the people of Pelican Town for not repairing the community center themselves or clowning on Lewis for embezzling and. like. Those criticisms aren't entirely unfair. But I think instead of coming at it from a perspective of "why can't the townspeople do this" we should be asking "why and how can the farmer do this?"
Like. Think about it. The farmer arrives in Stardew Valley on the first day of spring. By the first day they're obviously different. By day five the spirits of the forest who haven't been seen by the townsfolk in years or generations are speaking to them. By the second week they've developed a rapport with the wizard that lives outside town.
In the spring they go foraging and find more than even Linus, who's spent so many years learning the ways of the valley. Maybe he knows, when he sees them walking back home. Maybe he looks at them and understands that they're different, chosen somehow.
In the summer they fish in the lakes and the ocean for hours on end, catching fish that even Willy's only ever heard of, fish that he thought were the stuff of legend. They pull up giants from the deep and mutated monstrosities from the sewers.
In the fall, their crops grow incredibly immense; pumpkins twice as tall as a person, big enough that someone could live inside. The farmer cuts it down with an axe without even batting an eye. Does Lewis wonder, when he checks the collection bin that night and finds it full to the brim with pumpkin flesh? What does he think? Does he even leave the money? Does he have the funds to pay the farmer millions of dollars for the massive amounts of wine they sell? Or is it someone--something--else entirely?
In the winter, the farmer delves into the mines. No one in Pelican Town has been down there in decades. No one in living memory has been to the bottom. The farmer gets there within the season. They return to the surface with stories of dwarven ruins and shadow people, stories they only tell to Vincent and Jas, whose retellings will be dismissed by the adults as flights of fancy. People walking by the entrance to the mines sometimes hear the farmer in there, speaking in a language no one can understand. Something speaks back.
The farmer speaks to the the wizard. They speak to the spirit of a bear inside a centuries-old stone. They speak to the shadow people and the dwarves, ancient enemies, and they try to mend the rift. They speak to the Junimos, ancient spirits of the forest and the river and the mountain. They taste the nectar of the stardrops and speak to the valley itself. They change Pelican Town, and they change the valley. Things are waking up.
And what does Evelyn think? She's the oldest person in the valley; she was here when the farmer's grandfather was young. (How old *is* she, anyway? She never seems to age. She doesn't remember the year she was born.) Does she see the farmer and think of their grandfather? Does she try to remember if he was like this too, strange and wild and given the gifts of the forest?
And does their grandfather haunt the valley? He haunts the farm, still there even after his death; his body died somewhere else, but his spirit could never stay away for long. Does Abigail, using her ouija board on a stormy night, almost drop the planchette when she realizes it's moving on its own? Does Shane, walking to work long before anyone else leaves their house, catch glimpses of a wispy figure floating through the town? Does the farmer know their grandfather came back to the place they both love so much?
Mr. Qi takes interest in the farmer. He's different, too; in a different way, maybe, but the principles are the same. They're both exceptional, and no matter what Qi says about it being hard work and dedication, they both know the truth: the world bends around the both of them, changing to fit their needs. Most people aren't visited by fairies or witches. Most people don't have meteorites crash in their yard. Most people couldn't chop down trees all day without a break or speak to bears and mice and frogs.
The farmer is different. The rules of the world don't work for them the way they work for everyone else. The farmer goes fishing and finds the stuff of fairy tales. The farmer goes mining and fights shadow beasts and flying snakes. The farmer looks at paths the townspeople walk every day and finds buried in the dirt relics of lost civilizations.
The farmer is a violent, irrepressible miracle, chosen by the valley and destined to return to it someday. Even if they'd never received the letter, they would've come home.
They always come home eventually.
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In Ehren des Speak Your Language Days präsentiere ich das beste Wort der deutschen Sprache:
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