daylee-depresso
yall i dont even know anymore
aroace, queer and quesitoning, caboodle of nonsense
197 posts
Don't wanna be here? Send us removal request.
Last Seen Blogs
artestarr
'Til the End.
alexjames2022
Untitled
virgo-dream
𝓁𝑜𝓋𝒾𝓃𝑔 𝑒𝓃𝒹𝓁𝑒𝓈𝓈𝓁𝓎
tobys-buttchin
Safe place to land ♥
sympetali
Rough Puff Pastry
Text
"Kill them with kindness" Nah, fuck that, CRICKET BAT 🏏 🏏🏏🏏*SMACK* 🏏🏏🏏🏏🏏🏏🏏🏏🏏🏏🏏🏏🏏🏏🏏🏏🏏🏏🏏🏏🏏*SMACK*🏏🏏🏏🏏🏏*SMACK*🏏🏏🏏🏏🏏🏏🏏🏏🏏🏏🏏🏏🏏🏏🏏🏏🏏🏏🏏🏏🏏🏏🏏*SMACK*🏏🏏🏏🏏🏏🏏🏏🏏🏏🏏🏏🏏🏏🏏🏏🏏🏏🏏🏏🏏🏏🏏🏏🏏🏏*SMACK*🏏🏏🏏🏏🏏*SMACK*🏏🏏🏏🏏🏏🏏🏏🏏🏏🏏🏏🏏🏏🏏🏏🏏🏏🏏
17K notes
·
View notes
Text
Sharing this here too
I do not usually make posts like this but recently I have seen a lot of content on Instagram, Twitter and I think tiktok too misunderstanding the meaning of intrusive thoughts, which may cause people experiencing them to be upset.
I have tried to shortly explain the difference of impulsive and intrusive and hope it will help people to understand and use the words correctly.
Reblogs are very much appreciated!
47K notes
·
View notes
Note
I have discovered automatic super boops and now you're my only target so...
Share your secrets
#tumblr boops#automatic boop machine#yes i know i missed the boops by a month#but auti boops are still cool
8 notes
·
View notes
Photo
Have you ever been to earth?
On earth, we use the word “burrito” to describe a tortilla filled with things you eat. Pretty simple stuff, and I’m surprised you at least got that part right. My burrito was, in fact, filled with food. In this, you and I agree and are friends. But this is also where my lifelong hatred begins for you and anyone else whose brain has been repeatedly scrubbed with the same mixture of bleach and Pop Rocks as yours has. Because that should have killed you, but left you around long enough to do what you did to me today. Let me explain:
You’re an idiot.
Let me further explain:
Burritos are eaten from one end to the other. So that means when you assemble a burrito with motherfucking ZONES of ingredients going that direction, you create a disgusting experience for the burrito’s end user. When you make a burrito, you should put the ingredients in layerslengthwise. That way, every bite has AT LEAST A FUCKING CHANCE of getting at least two types of ingredients, and there is little chance of becoming almost hopelessly trapped in a goddamned cilantro cavern.
Have you ever eaten one of the things you make all fucking day? You should try one. They are pretty good WHEN YOU ARE NOT WILLING YOURSELF THROUGH THE FUCKING EMPIRE OF SOUR CREAM ONLY TO END UP IN LETTUCE COUNTRY.
When you eat a burrito, you don’t stand it up and bite down on it lengthwise like a fucking Rancor. Humans can’t usually dislocate their jaws, and I’m not a fucking pelican. But you must think that’s how it’s done, since that would be THE ONLY FUCKING WAY to take a bite of your crapstrosity and have it taste like a burrito.
And guess what else, player? You probably can’t guess anything, because I’m pretty sure you’re just a mop with a hat on it that fell over and spilled some shit into a tortilla, but just in case, here’s what:
Humans also don’t eat burritos like fucking corn on the cob. Like a fucking typewriter from one end to the other a little at a time and then DING next line. But today I wish I had tried that. Because at least THEN I would be able to eat some rice, then beans, then be all like HEY BEANS I’LL BE RIGHT BACK JUST GOING OVER HERE TO THE GUACAMOLE FOR A SECOND.
Nope.
My experience was more like HEY BEANS IT’S JUST GOING TO BE YOU AND I FOR A MINUTE UNTIL I CAN FUCKING EXCAVATE THE RICE FROM BENEATH YOU BUT BY THEN YOU WILL BE A FADING MEMORY OH HEY I WAS WRONG I’M IN THE FUCKING CHEESEOSPHERE NOW RICE MUST BE NEXT I HOPE IT’S NOT ANOTHER FUCKING SALSA POCKET.
You built this thing like a fucking pack of LifeSavers.
And don’t even fucking think I’m about to open this shit up and re-engineer your nonsense 90 degrees. I ALREADY PUT A HOLE IN IT WITH MY FUCKING MOUTH. YEAH. THAT’S HOW I DISCOVERED YOU FUCKING SUCK AT LOOKING AT THINGS. I AM NOT GOING TO DO FUCKING TORTILLA ORIGAMI TO GET THIS SHIT BACK TOGETHER, ONLY TO END UP WITH A BURRITO THAT’S BEEN SHOT IN THE GUT AND IS BLEEDING YOUR INEPTITUDE.
What’s that? I should ask you to mix it up first next time? IS THIS JAMBA JUICE? I DON’T WANT TO DRINK MY FUCKING BURRITO THROUGH A BENDY STRAW, AND I DON’T WANT A PILE OF BURRITO SOUP IN A FLOUR CAN.
I just want a burrito.
In conclusion:
You’re the worst thing that has ever happened to the universe, you owe everyone everywhere an apology for this burritobomination, and I hope your babies look like monkeys.
UPDATE FOR EVERYONE WHO SAID “JUST EAT IT WITH A FORK”:
A fucking fork?
I DIDN’T ORDER THE FUCKING COBBURRITO SALAD.
If anyone ever handed me a burrito with a fork, THEY WOULD BE WEARING A BRAND NEW BURRITO HAT FROM MY FALL COLLECTION TEN SECONDS LATER.
That’s like buying a car and having them hand you a fucking wrench with the keys. Like YEAH WE KNOW THIS MOTHERFUCKER’S GOING TO EXPLODE AND BE SPREAD ACROSS EIGHT LANES AS SOON AS YOU HIT THE GAS, BUT SHIT, WE GAVE YOU A WRENCH, SO BE COOL.
Jesus already gave me two burrito forks. One at the end of each arm. They’re called fucking HANDS.
A fork. My god. I haven’t cried since I was six, but I’m fucking sobbing now.
People eat burritos with forks?
God is sorry he made us.
(Source)
271K notes
·
View notes
Text
fuck u i opend notifs and lost again
thanks, kanan kaliwa
It's come to my attention that a good portion of the younger generation has not been made aware of one of the greatest and most hated PILLARS of millennial society.
So I apologize, but I must take on this task. A new hand must touch the beacon. The knowledge must be passed on. The chain can not be broken.
So.
The Game.
The following are the rules of The Game:
there is no winning The Game
once you know of The Game, you are always playing the game
the point of The Game is to not think about The Game
if you think about The Game, you have lost The Game, and must announce this to those around you - causing them to also lose The Game
A "reset period" of roughly an hour or two before loss announcements is common in colloquial rules to allow yourself and those around you to properly temporarily "forget" about The Game, however that is not an official rule.
Go forth, you next generation, and I am sorry.
108K notes
·
View notes
Text
@gabrielkoshkin git over 'ere an come lookat this
By LabradoriteKing on Pinterest
113K notes
·
View notes
Text
Caves are weirder and more varied than you think
153K notes
·
View notes
Text
tv shows with time travel organizations/bureaus/police/agencies/whatever should have a department with instead of a tech genius eating candy, it’s a harried seamstress or fashion designer who is like
“1450 italy? does it look like I have the time to dye you wool? nO. YOU’RE GOING TO THE 1980s”
and throws shoulder pads at the hapless time agent
262K notes
·
View notes
Text
i pinned my crochet to my bed bc i dont have a blocking board but this also means i cant sleep in that bed and it is 12pm i have been trying to sleep since 1 but now my back hurts bc i slept on the extra bed that ive already been sleeping on for the past week bc its closer to my study why does my back hurt
#wondering why i didnt just pin it to the spare bed?#so am i#its bc ive been using the spare so its messy#and my actual bed is fixed so i dont need to#move shit out of the way
0 notes
Text
squoosh
#swlkoosh#plushies#i misspelled suooshh but okay#hesus mare kristo my fingers are no funtining#pig#this is a plush pig in a dino hoodie yes yes
2 notes
·
View notes
Photo
jesus christ this post is almost as old as i am
85K notes
·
View notes
Text
lost the game for the 3rd time this month
thanks, Bettina
It's come to my attention that a good portion of the younger generation has not been made aware of one of the greatest and most hated PILLARS of millennial society.
So I apologize, but I must take on this task. A new hand must touch the beacon. The knowledge must be passed on. The chain can not be broken.
So.
The Game.
The following are the rules of The Game:
there is no winning The Game
once you know of The Game, you are always playing the game
the point of The Game is to not think about The Game
if you think about The Game, you have lost The Game, and must announce this to those around you - causing them to also lose The Game
A "reset period" of roughly an hour or two before loss announcements is common in colloquial rules to allow yourself and those around you to properly temporarily "forget" about The Game, however that is not an official rule.
Go forth, you next generation, and I am sorry.
108K notes
·
View notes
Text
Choose a new password :
potato
Sorry, password must contain at least 8 letters.
boiled potato
Sorry, password must contain at least one number.
1 boiled potato
Sorry, password cannot contain spaces
50fuckingboiledpotatoes
Sorry, password must contain capital letters.
50FUCKINGboiledpotatoes
Sorry, capital letters must not be consecutive.
IwillShove50FuckingBoiledPotatoesUpYourAss,IfYouDoNotGiveMeAccessImmediately
Sorry, password must not contain punctuation.
NowIamSeriouslyGettingPissedOffIwillShove50FuckingBoiledPotatoesUpYourAssIfYouDoNotGiveMeAccessImmediately
Sorry, you can’t change your password to a password that has already been used with this account. Choose a new password :
7K notes
·
View notes
Photo
:/
Gordon Ramsey fursona reveal!
275K notes
·
View notes
Text
“Show, Don’t Tell”…But This Time Someone Explains It
If you’ve ever been on the hunt for writing advice, you've definitely seen the phrase “Show, Don’t Tell.”
Writeblr coughs up these three words on the daily; it’s often considered the “Golden Rule” of writing. However, many posts don't provide an in-depth explanation about what this "Golden Rule" means (This is most likely to save time, and under the assumption that viewers are already informed).
More dangerously, some posts fail to explain that “Show, Don’t Tell” occasionally doesn’t apply in certain contexts, toeing a dangerous line by issuing a blanket statement to every writing situation.
The thing to take away from this is: “Show, Don’t Tell” is an essential tool for more immersive writing, but don't feel like a bad writer if you can’t make it work in every scenario (or if you can’t get the hang of it!)
1. What Does "Show, Don't Tell" Even Mean?
“Show, Don’t Tell” is a writing technique in which the narrative or a character’s feelings are related through sensory details rather than exposition. Instead of telling the reader what is happening, the reader infers what is happening due to the clues they’ve been shown.
EXAMPLE 1:
Telling: The room was very cold.
Showing: She shivered as she stepped into the room, her breath steaming in the air.
EXAMPLE 2:
Telling: He was furious.
Showing: He grabbed the nearest book and hurled it against the wall, his teeth bared and his eyes blazing.
EXAMPLE 3 ("SHOW, DON'T TELL" DOESN'T HAVE TO MEAN "WRITE A LOT MORE")
Telling: The room hadn't been lived in for a very long time.
Showing: She shoved the door open with a spray of dust.
Although the “showing” sentences don’t explicitly state how the characters felt, you as the reader use context clues to form an interpretation; it provides information in an indirect way, rather than a direct one.
Because of this, “Show, Don’t Tell” is an incredibly immersive way to write; readers formulate conclusions alongside the characters, as if they were experiencing the story for themselves instead of spectating.
As you have probably guessed, “showing” can require a lot more words (as well as patience and effort). It’s a skill that has to be practiced and improved, so don’t feel discouraged if you have trouble getting it on the first try!
2. How Do I Use “Show, Don’t Tell” ?
There are no foolproof parameters about where you “show” and not “tell" or vice versa; it’s more of a writing habit that you develop rather than something that you selectively decide to employ.
In actuality, most stories are a blend of both showing and telling, and more experienced writers instinctively switch between one and another to cater to their narrative needs. You need to find a good balance of both in order to create a narrative that is both immersive and engaging.
i. Help When Your Writing Feels Bare-Bones/Soulless/Boring
Your writing is just not what you’ve pictured in your head, no matter how much you do it over. Conversations are stilted. The characters are flat. The sentences don’t flow as well as they do in the books you've read. What’s missing?
It’s possibly because you’ve been “telling” your audience everything and not “showing”! If a reader's mind is not exercised (i.e. they're being "spoon-fed" all of the details), your writing may feel boring or uninspired!
Instead of saying that a room was old and dingy, maybe describe the peeling wallpaper. The cobwebs in the corners. The smell of dust and old mothballs. Write down what you see in your mind's eye, and allow your audience to formulate their own interpretations from that. (Scroll for a more in-depth explanation on HOW to develop this skill!)
ii. Add More Depth and Emotion to Your Scenes
Because "Show, Don't Tell" is a more immersive way of writing, a reader is going to feel the narrative beats of your story a lot more deeply when this rule is utilized.
Describing how a character has fallen to their knees sobbing and tearing our their hair is going to strike a reader's heart more than saying: "They were devastated."
Describing blood trickling through a character's fingers and staining their clothes will seem more dire than saying: "They were gravely wounded."
iii. Understand that Sometimes Telling Can Fit Your Story Better
Telling can be a great way to show your characters' personalities, especially when it comes to first-person or narrator-driven stories. Below, I've listed a few examples; however, this list isn't exclusive or comprehensive!
Initial Impressions and Character Opinions
If a character describes someone's outfit as "gaudy" or a room as "absolutely disgusting," it can pack more of a punch about their initial impression, rather than describing the way that they react (and can save you some words!).
In addition, it can provide some interesting juxtaposition (i.e. when a character describes a dog as "hideous" despite telling their friend it looks cute).
2. Tone and Reader Opinions
Piggybacking off of the first point, you can "tell, not show" when you want to be certain about how a reader is supposed to feel about something. "Showing" revolves around readers drawing their own conclusions, so if you want to make sure that every reader draws the same conclusion, "telling" can be more useful!
For example, if you describe a character's outfit as being a turquoise jacket with zebra-patterned pants, some readers may be like "Ok yeah a 2010 Justice-core girlie is slaying!" But if you want the outfit to come across as badly arranged, using a "telling" word like "ridiculous" or "gaudy" can help set the stage.
3. Pacing
"Show, don't tell" can often take more words; after all, describing a character's reaction is more complicated than stating how they're feeling. If your story calls for readers to be focused more on the action than the details, such as a fight or chase scene, sometimes "telling" can serve you better than "showing."
A lot of writers have dedicated themselves to the rule "tell action, show emotion," but don't feel like you have to restrict yourself to one or the other.
iv. ABOVE ALL ELSE: Getting Words on the Page is More Important!
If you’re stuck on a section of your story and just can’t find it in yourself to write poetic, flowing prose, getting words on the paper is more important than writing something that’s “good.” If you want to be able to come back and fix it later, put your writing in brackets that you can Ctrl + F later.
Keeping your momentum is the hardest part of writing. Don't sacrifice your inspiration in favor of following rules!
3. How Can I Get Better at “Show, Don’t Tell”?
i. Use the Five Senses, and Immerse Yourself!
Imagine you’re the protagonist, standing in the scene that you have just created. Think of the setting. What are things about the space that you’d notice, if you were the one in your character’s shoes?
Smell? Hear? See? Touch? Taste?
Sight and sound are the senses that writers most often use, but don’t discount the importance of smell and taste! Smell is the most evocative sense, triggering memories and emotions the moment someone walks into the room and has registered what is going on inside—don’t take it for granted. And even if your character isn’t eating, there are some things that can be “tasted” in the air.
EXAMPLE:
TELLING: She walked into the room and felt disgusted. It smelled, and it was dirty and slightly creepy. She wished she could leave.
SHOWING: She shuffled into the room, wrinkling her nose as she stepped over a suspicious stain on the carpet. The blankets on the bed were moth-bitten and yellowed, and the flowery wallpaper had peeled in places to reveal a layer of blood-red paint beneath…like torn cuticles. The stench of cigarettes and mildew permeated the air.
“How long are we staying here again?” she asked, flinching as the door squealed shut.
The “showing” excerpt gives more of an idea about how the room looks, and how the protagonist perceives it. However, something briefer may be more suited for writers who are not looking to break the momentum in their story. (I.e. if the character was CHASED into this room and doesn’t have time to take in the details.)
ii. Study Movies and TV Shows: Think like a Storyteller, Not Just a Writer
Movies and TV shows quite literally HAVE TO "show, and not tell." This is because there is often no inner monologue or narrator telling the viewers what's happening. As a filmmaker, you need to use your limited time wisely, and make sure that the audience is engaged.
Think about how boring it would be if a movie consisted solely of a character monologuing about what they think and feel, rather than having the actor ACT what they feel.
(Tangent, but there’s also been controversy that this exposition/“telling” mindset in current screenwriting marks a downfall of media literacy. Examples include the new Percy Jackson and Avatar: The Last Airbender remakes that have been criticized for info-dumping dialogue instead of “showing.”)
If you find it easy to envision things in your head, imagine how your scene would look in a movie. What is the lighting like? What are the subtle expressions flitting across the actors' faces, letting you know just how they're feeling? Is there any droning background noise that sets the tone-- like traffic outside, rain, or an air conditioner?
How do the actors convey things that can't be experienced through a screen, like smell and taste?
Write exactly what you see in your mind's eye, instead of explaining it with a degree of separation to your readers.
iii. Listen to Music
I find that because music evokes emotion, it helps you write with more passion—feelings instead of facts! It’s also slightly distracting, so if you’re writing while caught up in the music, it might free you from the rigid boundaries you’ve put in place for yourself.
Here’s a link to my master list of instrumental writing playlists!
iv. Practice, Practice, Practice! And Take Inspiration from Others!
“Show Don’t Tell” is the core of an immersive scene, and requires tons of writing skills cultivated through repeated exposure. Like I said before, more experienced writers instinctively switch between showing and telling as they write— but it’s a muscle that needs to be constantly exercised!
If I haven’t written in a while and need to get back into the flow of things, I take a look at a writing prompt, and try cultivating a scene that is as immersive as possible! Working on your “Show, Don’t Tell” skills by practicing writing short, fun one-shots can be much less restrictive than a lengthier work.
In addition, get some inspiration and study from reading the works of others, whether it be a fanfiction or published novel!
If you need some extra help, feel free to check out my Master List of Writing Tips and Advice, which features links to all of my best posts, each of them categorized !
Hope this helped, and happy writing!
2K notes
·
View notes
Text
ITS ON MY DASH ITS ON MY DASH ITS ON MY DASH OMGGGGGGGGGG
I’m A Lesbiab
196K notes
·
View notes
