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coconut-cluster Ā· 2 days
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iā€™ve logged into tumbler after 5 years and just wanted to say what a rush of nostalgia finding your account wasā€”last time i was here i was in middle school and my tss obsession was in full swing, now iā€™m about to go to college and finding your account really gave me an ā€œeverything staysā€ moment (adventure time reference lol). anyway, itā€™s so cool that youā€™re still updating the same fanfics i kept up with back then!
this is about to make me cry full send Iā€™m literally at the senior send off movie night with my college group of friends right now šŸ˜­ I understand exactly and Iā€™m so glad you ended up back for a sec!! best of luck and much love for college! šŸ’š
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coconut-cluster Ā· 1 month
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I find it rly funny that in tss we have four pretty normal dudes and then there's Bill cipher and evil Luigi
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coconut-cluster Ā· 1 month
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Whats a fulbright! Im glad you won!
Take you time writing lexi <3 weve waited this long we can wait longer (i can at least im incredibly patient lol)
Itā€™s a grant/scholarship for American students to do personalized research or study abroad! Itā€™s not, like, the most competitive scholarship but itā€™s still insane to me because I just applied to see what would happen and now Iā€™m going insane! (They have them for faculty too, and for international students to come to America, but Iā€™m an American undergrad so I got a US student award lol) but thank you!!!!! šŸ’ššŸ’š
yeah im trying to be mindful of the time gap between things lol, im so happy some people were excited about the notes so im doing my best to get it done!
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coconut-cluster Ā· 1 month
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hello all I just wanted to pop in and say I am in fact writing chapter 5 of Crowns and Cutlasses, I didnā€™t just dip after posting the notes lol but I WON A FULBRIGHT so i have been busy and insane
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coconut-cluster Ā· 2 months
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logan sanders my beloved
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coconut-cluster Ā· 2 months
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šŸ’ŖšŸ”„ā€¼ļøšŸ“ā€ā˜ ļø
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coconut-cluster Ā· 2 months
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Crowns and Cutlasses: Chapter 4
First Ā |Ā  Previous Ā | Next |Ā Ā AO3 | Ā my masterlist Ā | kofi
tw: this chapter has a lot of flashbacks and memories of implied child abuse, and some violence at the beginning, as well as mentions of knives and swords (not used in the aforementioned violence, theyā€™re just in the chapter). please use discretion in reading!! otherwise enjoy :)
ā€“
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coconut-cluster Ā· 2 months
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@spacedouterri I FOUND IT
The church bells used to ring in the morning.Ā 
Roman remembered them clearly, even now, even after everything. He remembered waking up - always before Remus and their parents, sometimes before the sun rose - and eating breakfast on the porch, closing his eyes to feel the morning breeze brush his face, and in the distance, at six and noon on the dot, the bells would ring out from the church a few blocks away. It was an old church, with bells you had to manually pull ropes to play. The sound was almost haunting when the rest of the world was silent, but Roman liked the way it carried across rooftops to him; it was like a song played just for him, a way to know that no matter what, someone was out there ringing a bell to tell him a new day had begun, that everything would be alright.
But things hadnā€™t been alright for a while now - he didnā€™t need a song to know that.Ā 
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coconut-cluster Ā· 2 months
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Do you remember your apocolypse fic
in stricken silence? the one with Roman and Remus where like the weather is insane? if so yessssss
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coconut-cluster Ā· 2 months
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lexi I am losing my mind ,, I can't believe you're back. I love the lil uni au addition and am happy you came back to it. I was literally on my way back from camping and saw it in my notifs and screamed. I completely get the burnout with writing and glad to see you taking baby steps. Your writing always made me really happy
also an old ask but oh i will actually cry. baby steps indeed but I love you all and your thoughts and messages and encouragement still mean the world to me šŸ’š
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coconut-cluster Ā· 2 months
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okay but champ de violette actually moved me to tears- the writing style of it is truly amazing
sorry it took me forever to answer this but omg thank you! itā€™s one Iā€™ve wanted to go back to and edit for a while but Iā€™m so glad to hear people loved it and think about it sometimes šŸ˜­šŸ’š
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coconut-cluster Ā· 2 months
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Seeing you go through a reblog spree made me remember how much I loved your bullet point fics back in the day, and I just wanted to send a quick thank you <3 <3
no thank YOU i will cry
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coconut-cluster Ā· 2 months
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I know we could argue Side order (who came into existence first and whatnot) day in and day out, but I like the concept of Virgil being one of the younger ones just because I like the possibility of only Logan, Patton, and Deceit remembering the old Creativity. Virgil was too new to know him for any great length of time, so those three never really mention Creativity to him - they decided after the split to never mention him to Roman or Remus, either, to just keep their memories of him under wraps.
Sometimes, though, Virgil notices things. He sees Patton start to say something, then cut off with wide eyes and change the subject really quickly. He sees Logan zone out while Roman or Remus is talking, his face unreadable save for a very small, almost sad smile. He even sees Deceit watch the twins sometimes, his eyes flickering between them like heā€™s trying to add them together, take features from both and piece them into something (or someone) else.
Virgil can be thoughtless, but heā€™s not stupid. He connects the dots.
For a while, he debates who to ask, and for that matter, what exactly it is heā€™s asking. He wants to know why they never mention Creativity, why heā€™s been conveniently left out of the loop about a Side who was no doubt invaluable to Thomas in his early years. He wants to know what Remus and Roman know. He wants to know what everyone remembers.
And then, before heā€™s actually settled on the what and who and when of it all, Deceit, Logan, and Patton are together in the living room, coexisting for a short time to brainstorm a solution to one of Thomasā€™ dilemmas of the day, and Virgil sees his chance.
Heā€™s at the coffee table in a split second, grabbing the notebook splayed in front of them to force their curious (and disgruntled) eyes on him. Deceitā€™s face drops the minute he sees Virgilā€™s expression, as if he can predict Virgilā€™s next words just from the look in his eyes.
ā€œWe need to talk about Creativity.ā€
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coconut-cluster Ā· 2 months
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Yā€™know, with as scared or hesitant as Roman seems to be of sharing his issues in full with the others, I wouldnā€™t be surprised if his next move after the events of POF is just. to pretend it didnā€™t happen.Ā 
If he takes some time to fume before realizing, no, he can smooth everything over if he just pretends heā€™s absolutely fine - if he can act like his breakdown in the video was a temporary lapse in common sense, like itā€™s all water under the bridge now that heā€™s thought it through on his own, then no one will push it. No one will ask him if heā€™s okay with that wary look in their eyes, no one will act disappointed that his facade crumbled at the worst time, no one will linger on his jeer or Janusā€™ bite back. Itā€™ll be okay, as long as he can pretend.Ā 
So he does. By the time Patton comes to check on him after the video, heā€™s scrounged up a smile thatā€™s just the right mix of rueful and hopeful, and he lies through his teeth that heā€™s fine, heā€™s sorry he freaked out back there, is Patton alright? What about Thomas? Thatā€™s good, heā€™s glad. Yes, he promises heā€™s fine- you know him, prone to overreactions and dramatics, nothing out of the ordinary here. And Patton gives a relieved sigh and a small smile, and after a hug that Roman isnā€™t prepared for, too stiff and brittle and close to breaking again, the moral Side wishes him goodnight and leaves. And Roman realizes this is going to work.Ā 
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coconut-cluster Ā· 2 months
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ā€œIf you laugh at me one more time, Iā€™m going to walk home.ā€Ā 
ā€œI am not laughing at you.ā€
ā€œReally? Because it sounds an awful lot like laughter from back here.ā€Ā 
Logan glanced over his shoulder and stifled another smile, forcing a cough when Janus just glared. And then almost fell over. Again.Ā 
ā€œI can help you,ā€ Logan offered for the millionth time that night, turning to glide on his skates backward like it was second nature.Ā 
And for the millionth time, Janus huffed, grabbed onto the railing, and hauled himself back to a standing position.Ā ā€œI can manage, thank you.ā€Ā 
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coconut-cluster Ā· 2 months
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2024-Lexiā€™s note on this is that I loved magic and love magic and fantasy and magic. thank you
wait why was virgil going to be executed?
Okay so one day the crew gets a little lost and ends up in a tiny town, right
It seems quaint at first!!! The buildings are cute, thereā€™s a few shop fronts with pastries and tapestries in the windows, there are little kids playing hopscotch and patty-cake in the dirt road, itā€™s pretty run-of-the-mill and sweet.
But as the crew gets to the set of gates just outside the town, a guy with a big smile and embroidered insignia on his vest greets them.
He introduces himself as Carac, the overseer of the town, and tells them theyā€™re all welcome into the village! So long as none of them are magic.
Of course, thatā€™s kind of a weird thing to specify, considering almost every kingdom they know of kind of depends on magic users for certain duties - most kingdoms, in fact, have councils of sorcerers and wizards that function right along with their advisors and generals. Logan tells them later that he hadnā€™t heard of a magic-exclusionary settlement in years.
Janus is the first one to ask Carac why.
Carac eyes him for a moment - Janus smiles humorlessly and assures him the scales on half his face are the result of botched deal made by his father when he was born, not magic of his own, which seems to bring Carac back to his cheery self - and tells them a sob story about how their monarch was killed mercilessly by the magic population of the city when they revolted long ago. Since then, he says, ā€œmagic folkā€ arenā€™t even allowed in.
ā€œWhat if they come in anyway?ā€ Roman asks without thinking, holding in a wince as Janus elbows his side discreetly.
ā€œWell,ā€ Carac grins, ā€œweā€™ll cross that bridge when we come to it, wonā€™t we?ā€
ā€œIf you come to it,ā€ Logan says evenly from the back of the group. Carac brightens at him, then gives a hearty nod, surveying their group; his eyes linger on Virgilā€™s cloak.
ā€œExactly.ā€
--
"I donā€™t like the sound of their dealing with it,ā€ Virgil tells them as soon as theyā€™re past Carac and the gate.
They follow his gaze to a platform far down the road, empty but demanding attention, acknowledgement. They all stare at it as they walk - it isnā€™t until they see a little girl toss a robe-adorned doll off the side of the wooden box sheā€™s dancing it across, her siblings cheering beside her, that they realize itā€™s a scaffold.
ā€œOh,ā€ Patton breathes in, fingers curling tight around his satchel strap. ā€œThey just- parade them around? Like criminals?ā€
As they pass a set of guards and Janus points out a row of cakes in a window to draw attention away from them, Logan, Roman, and Virgil spot the ropes looped over the tree branches above the platform. Parading them around is the least of their worries.
All is well for the first day theyā€™re there, though. Logan and Virgil walk through the town a few times, intentionally past guards, and talk as if theyā€™re both just scribes for the queen (as suggested by Janus). Virgil leaves his cloak in the inn theyā€™re staying at, hiding it beneath Pattonā€™s satchel and Loganā€™s coat. They all avoid any mention of magic or sorcery or elements, period, as they go about gathering supplies and resting before they leave to continue their quest.
And then Pattonā€™s sleeves catches just barely on a candle one night, and without thinking, Virgil waves the tiny flame away.
It takes them all a moment to process it, but as soon as they do, they go still.
Virgilā€™s heart is pounding in his chest as he stares at the plate of food in front of him, praying that everyone else had been busy with their own meals; Janus takes a casual look around the room to see who may have witnessed the fatal slip-up.
A second later, he returns to his food like nothing happened and mutters under his breath, ā€œI think weā€™re good.ā€ Ā 
They all let out the breath theyā€™d been holding and continue eating as nonchalantly as possible. They finish their meal in peace, get back to their rooms without fanfare, and late in the night, they decide itā€™s best to get out now before they risk another slip up with much less luck on their side.
Theyā€™re out of the inn easy, and set down the road to the exit gate of the town, quiet and quick.
It only takes one minute.
One minute, and Virgil realizes heā€™s left his cloak in the inn. One minute where he turns to go back for it without thinking, because he put so much work and time and comfort into that cloak so long ago, his most prized possession, thereā€™s no doubt that he needs it. One minute for him to rush in and out off the inn, already shrugging it back on.
One minute behind the group, and then heā€™s cornered.
Thereā€™s men - only two of them, but taller than him, and even with the dim light of the moon, he recognizes the all-too-cheery face of Carac and the guard by his side.
ā€œWell, what are you doing out so late?ā€ Carac beams, adjusting his vest and brushing off the insignia as Virgil just stares at him, wide-eyed, his mind working too quickly and shakily to be of any help. ā€œHad to get your cloak? Itā€™s very well-made, I donā€™t blame you. Whereā€™d you get it from?ā€
Virgilā€™s gaze flicks to the guard, to the sword at his side. ā€œI made it,ā€ he says after a second, low and forcibly calm.
ā€œOh! Well, itā€™s lovely. You know, I could have sworn Iā€™ve seen that embroiderinā€™ style somewhere before. It was a long time ago, Iā€™m not sure I can remember exactly what,ā€ he says, tilting his head, ā€œbut you know whatā€™s funny? I do believe Iā€™ve seen it in a tapestry or two.ā€
ā€œTapestries tend to use embroidery,ā€ Virgil deadpans.
Carac smiles brighter. ā€œThat they do, that they do. But did you know tapestries can tell stories? And the stories I always see those curly hems in are about our townā€™s poor revolt.ā€
ā€œInteresting.ā€ Carac narrows his eyes, his smile just a shadow. ā€œIf you donā€™t mind, though, I really need to go-ā€
ā€œWe know youā€™re magic, boy.ā€ Virgilā€™s mouth snaps shut as Carac blocks his path, motioning for the guard to step forward. Just past their heads, Virgil can see the scaffold, can just make out the ropes dangling over the scuffed wood. His stomach sinks as he imagines that wood dropping from under his feet. ā€œI thought our town rules were clear - we like to be courteous to our guests, you know. It really hurts when our hospitality is taken advantage of. But at least weā€™ll get a show tomorrow.ā€
And Virgil knows, as gutwrenching as it is in his chest to realize, that he has two choices and two choices only. He could try and run now, pray to whatever higher power existed that he could outrun Carac and the guard and whatever forces they had hiding in the shadows - or he could use his magic and prove his guilt, risking his friends and his life should the townspeople see him. Both feel like a death wish.
But if heā€™s going to die, as his moment of fight-or-flight tells him he might, then heā€™s going out on fight.
He digs his heels into the ground, focuses on the sensation of heat buzzing in his palms, readies the strongest flame his adrenaline and skill allow (and barely notices that fire usually doesnā€™t buzz)-
And then an arrow flies past his head.
It takes him a second to realize it wasnā€™t aimed at him - it skimmed Caracā€™s left ear, drawing blood and an indignant cry from the man as he and the guard whip around to face their assailant. Virgilā€™s flame dies out as he looks with them- and thereā€™s Roman in the road with his bow, another arrow already knocked and aimed directly at Caracā€™s forehead.
ā€œNice to see you again, Carac,ā€ he says brightly, like he isnā€™t ready to headshot a guy. ā€œIā€™m terribly sorry to interrupt, but I need that fellow,ā€ he nods his head to Virgil without moving the arrow from its target, ā€œso our crew can be on our merry way. Itā€™s getting late, you know, and we really need to get back on the road; Iā€™m sure you understand.ā€
Caracā€™s lips curl. Ā The guard beside Carac places his hand on his swordā€™s handle, looking like a deer caught by its hunter when Romanā€™s gaze flicks to him for just a second. ā€œHeā€™s a sorcerer, in our town. Heā€™s not going anywhere.ā€
Roman raises his eyebrows - it almost feels as if heā€™s mocking Carac, feigning surprise, though his bow stays steady. ā€œVirgil, you should have told me. This whole time weā€™ve been spending hours trying to light fires and you could have just zapped one into existence for us? I feel betrayed.ā€
ā€œDonā€™t play dumb,ā€ Carac snaps, and Romanā€™s playful expression drops to something between boredom and annoyance. ā€œWeā€™ve been watching you lot since you walked up to the gates - we donā€™t take kindly to magic, and especially not when they lie to invade our town. Iā€™d suggest you run along, pretty boy, and get out with the rest of your crew before we kill all of you for aiding a criminal.ā€
For a moment, the town is dead quiet; Roman just stares at him, his jaw set.
ā€œIā€™d suggest letting him go,ā€ Roman says quietly, slowly, as he pulls his arrow back farther, ā€œbefore I give you a third eye.ā€
Carac stares right back. The guard beside him noticeably steps to the side, the hand on his sword handle dropping back down; Carac spares him a split second look with the fire of a betrayed commander in his eyes, before he glances at Virgil and back to Roman, his teeth grinding. Ā 
Roman raises his chin, perfects his aim. ā€œMy arms are getting tired, so Iā€™d act quickly if I were you.ā€
ā€œFine,ā€ Carac hisses, reaching back to grab Virgilā€™s arm and shoving him into the street toward Roman. ā€œYou lot have one minute to get out of my town before I kill you all myself. If we ever see you here again, I wonā€™t be so merciful.ā€
He grabs the guard by the arms, drags him into the nearest building, and slams the door.
ā€œAnd you say Iā€™m always getting myself into trouble,ā€ Roman says brightly, finally lowering his bow.
Virgil stares at him, eyes wide and heart still threatening to beat out of his chest. He canā€™t tell if itā€™s the adrenaline or shock of the situation that renders him speechless, but instead of a reply, he just grabs Romanā€™s wrist and takes off down the road toward the exit gate - he doesnā€™t know if Caracā€™s one minute window was literal, but heā€™s not taking any chances.
When they get back to the group - the other three are waiting just by the gate, with Janus smiling brightly at a guard with a knife embedded in the wall by his head and Logan figuring out how to work the opening mechanisms. Patton lights up when he sees them and hurriedly motions for them to come closer, out of the shop lightsā€™ view.
They donā€™t ask questions. Virgil is glad, because frankly, he doesnā€™t know if heā€™d be able to answer them; his wrists are still shaking by the time Logan gets the gate open, and his body is on high alert until the sun rises and they canā€™t see the little town behind them anymore; his mind flickers back to that grim platform long after that. Ā 
Funny enough, though, he doesnā€™t think heā€™d even need to answer any questions, should they ask. Roman sends his sidelong glances as they walk, makes up random conversations whenever Virgilā€™s silence drags on longer than usual, responds to Logan and Janusā€™ curious looks with unreadable ones that seem to answer their questions enough.
Virgil and Roman had yet to get along on this godforsaken quest, but with this far less combatant side of Roman now being presented to him, it might be more feasible than Virgil thought.
And he did kind of owe Roman his life.
...He could manage some friendlier banter.
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coconut-cluster Ā· 2 months
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OKAY as per my last post - Logan would steal an artifact from a museum to study it, among other things - please imagine a story where thereā€™s this precious, ancient tablet of unknown origin being displayed at a big museum in the city. Itā€™s priceless, but the museum owner refuses to donate it to anthropologists/etc. until heā€™s made his profit. Well, heā€™s not the only one who wants the tablet, and neither are the anthropologists.Ā 
Thereā€™s Virgil, right - he got in with the wrong crowd when he was younger and desperate. Heā€™s out of it now, but still desperate, because that wrong crowd is very much upset that one of their own betrayed them and ran away, so theyā€™re chasing after him. Heā€™s sure if he can just pay them off, theyā€™ll leave him alone (he just wants to be left alone). He sees the tablet in a museum flier on the street, and he sees his chance to pay his debt and finally be free. Could this land him in hot water? Maybe. But he doubts the heat could get any worse than the boiling stuff heā€™s in now.Ā 
Then thereā€™s Janus. Janus doesnā€™t care for rich people. Itā€™s nothing personal - not always, anyway - he just isnā€™t fond of luxurious excess when there are people dying in the streets because they canā€™t afford a drink of clean water. Heā€™s no stranger to the greed of those with everything they could want already, and heā€™s definitely no stranger to the thrill of taking away something they want very, very bad, so when he finds out about little olā€™ museum owner and his oh-so-precious tablet, the next course of action is easy to think up: swipe it and watch the rich old man have a meltdown. Heā€™s not sure what heā€™ll do with the tablet afterwards, but heā€™ll figure something brilliant out - something to really rub salt in the wound.Ā 
Thereā€™s also Roman - now, Roman doesnā€™t want the tablet for himself. He fancies himself a Robin Hood of sorts; having had his family treasures ripped away from him for the sake of rich tourists gawking at them through a wall of glass, Roman knows the pain of losing something that unique. So he has a life mission: take back what was stolen and return them to their original owners, those who deserve to keep them tangible in their history. When he sees the tablet, he knows what he needs to do. He knows the cluelessness about its origin will be solved sooner or later, but heā€™d rather get it done sooner; just a little snatch, and heā€™ll have it off to someone who knows how to find who it should be with, and all will be well.
On that note, thereā€™s Remus. Remus also doesnā€™t care to own the tablet itself - he didnā€™t get any of the family heirlooms, and honestly he doesnā€™t care for antiques anyway, so his brotherā€™s wholeĀ ā€œgive to the rightful ownersā€ motif doesnā€™t strike him as worthwhile (although heā€™s not actually aware his brother follows through with it). No, he just likes the thrill of a heist. Everything from the breaking in to the breaking out to the getaway is an adrenaline rush for him, and heā€™s not exactly troubled by jailtime; even prisons have exits.Ā 
And thereā€™s Patton. Patton, whoā€™s struggling to keep his late parentsā€™ business afloat. Patton, who knows how hard his father worked to keep his family above his work. Patton, who knows his uncle has no such philosophy, who watched his fatherā€™s health slowly decline as his uncle abandoned them all in their moment of need to curate his own prosperity on exploiting others. Patton, who believes in goodness, but who is willing to hold that up for a little bit for a tiny smidgen of vindication. And what better way to get that than to take the pride and joy of his uncleā€™s new exhibit? Not forever - not even for long - and not for himself. For his dad and the miserable end to his life because his brother couldnā€™t stand to lose a little foot traffic.Ā 
And there is, of course, an anthropologist. Logan was one of the first people to hear about the tabletā€™s discovery, and itā€™s not like anything heā€™s ever seen, so the knowledge trapped in its carvings and cracks is no doubt invaluable - so you can imagine his outrage when he found out researchers like him wouldnā€™t get their hands (gloved, of course) on it for months, maybe years. Well, long story short, heā€™s not waiting that long.
This is all fine and dandy, of course. Crime is nothing new - and heists are a classic! The only issue is when all six of them show up on the same night, and of course, only one of them can really carry out their plan in the moment. Sort of. When they set sight on each other, their first thought is a fight - well, what they get is security around the corner. So they scatter.Ā 
What they quickly realize is one of them did get the tablet, but the others arenā€™t giving up the fight that quickly - cue a scavenger hunt/hot potato game across the city as they all scramble to be the owner of one ancient artifact come morning light.Ā 
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