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cheerioskid · 1 day
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“It Is an Honor to Be Suspended for Palestine”
Dispatches from the Solidarity Encampment at Columbia University
https://crimethinc.com/Columbia2024
In this in-depth report, participants offer a blow-by-blow account of the events at Columbia, appraising the tactics that the demonstrators have employed and the challenges that they face.
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cheerioskid · 1 day
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somehow the poor cops who we were told are simply too understaffed and underpaid because of Woke to deal with 'rampant rising crime' have found the strength to beat the shit out of college students across the whole country for peacefully saying "divest from the country killing innocent palestinians in the tens of thousands"
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cheerioskid · 1 day
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cheerioskid · 6 days
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Certain words can change your brain forever and ever so you do have to be very careful about it.
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cheerioskid · 6 days
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save me duct tape converse bdubs
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cheerioskid · 8 days
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This isn't really a funny and the resolution is terrible but this is my favorite screenshot from the event and I would be delighted if you saw fit to draw it. Thanks for the awesome art!
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[29]🌌
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cheerioskid · 8 days
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[25] face of a man whose stomach is burning with hellfire
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cheerioskid · 9 days
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"rebelle painter has an in depth brush engine to simulate traditional painting techniques" is all well and good until you only use your digital painting method. at least the impasto is really pretty
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cheerioskid · 10 days
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Drew 5 different Pearl design with
@cheerioskid postmaster Pearl @nickyyyy eppy PJ Pearl @redlover411 default Pearl
@maplehazels Scarlet Pearl @stakansolik anime Pearl
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cheerioskid · 11 days
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Fun fact! No hermit knows / understands what a ‘gender’ is! :D
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cheerioskid · 11 days
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You are a skrimble-wimble, some may say a little whimsy, maybe a bit of schkidoopble hidookle - a skrunkalicious silly little guy; I would like to put you in a jar and observe you, giving you a little pen and paper, for enrichment of course. You would make the sound of one of those squeaky toys if I was to squish you badunkle crunkle
~ All love Anon <3
can i come out of the jar now im hungry
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cheerioskid · 11 days
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Hi someone I follow got a hate anon and to be honest I don’t even think you run in the same circles at all but I am love anon to counteract their hate
I followed you originally for skyblings art but oh my god your art is so amazing it’s insane. I have a very specific purpose on tumblr you are one of few blogs that does not align with that because I had to make sure I saw all your posts. I don’t know how you do that with a pencil. I still regularly search your blog or twitter for the skyblings art and look at it again it’s so cute
I am someone who generally struggles understanding what’s going on with artworks but yours even without colour are so clear.
I’ve tried to break down a favourite artwork of mine from people but genuinely I can not pick for you. Please keep creating art the world is better when you create and inspire others to create (something I know for sure you are doing because your art is too phenomenal to not be an inspiration)
this is so so kind oh my god!!! i genuinely don't even know if anything i can say in response will match the time and energy you took to write this thank you so much !! i really appreciate the kind words and i'm not sure if im considered a part of any circles? (though i would hope no one i follow or anyone that follows me is sending hate messages to anyone)
i still am in disbelief that some people take the time to look at my artwork for more than 5 seconds like i do all the time for other artists that i look up to like it's still so crazy to me that i can be that person for someone else ??
also i'm glad you like the skyblings art!! they are so precious to me and i really want to draw more of them soon but am going thru a tiny drawing rut rn so here are some pony versions of the skyblings kiddos
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cheerioskid · 12 days
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s10 boatem ponies!
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cheerioskid · 13 days
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pearl dance solo in scars latest video
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cheerioskid · 13 days
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guys you should listen to the valley by the oh hellos
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eat you alive is also a good song
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cheerioskid · 14 days
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s10 boatem ponies!
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cheerioskid · 14 days
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hi, i ireally love your work and i don't know if you've answered this before but, what kinds of studies do you do or how did you learn color theory? i wanna get better at rendering and anatomy but im having trouble TT TT
Hi! Long answer alert. Once a chatterbox, always a chatterbox.
When I started actively learning how to draw about 10 1/2 years ago, I exclusively did graphite studies in sketchbooks. Here's a few examples—I mostly stuck to doing line drawings to drill basic shapes/contours and proportions into my brain. The more rendered sketches helped me practice edge control & basic values, and they were REALLY good for learning the actual 3D structure behind what I was drawing.
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I'd use reference images that I grabbed from fitness forums, Instagram, Tumblr, Pinterest, and some NSFW places, but you could find adequate ref material from figure drawing sites like Line of Action. LoA has refs for people (you can filter by clothed/unclothed, age, & gender), animals, expressions, hands/feet, and a few other useful things as well. Love them.
Learning how to render digitally was a similar story; it helped a lot that I had a pretty strong foundation for value/anatomy going in. I basically didn't touch color at all for ~2 years (except for a few attempts at bad digital or acrylic paint studies), which may not have been the best idea. I learned color from a lot of trial and error, honestly, and I'm pretty sure this process involved a lot of imitation—there were a number of digital/traditional painters whose styles I really wanted to emulate (notably their edge control, color choices, value distributions, and shape design), so I kiiind of did a mixture of that + my own experimentation.
For example, I really found Benjamin Björklund's style appealing, especially his softened/lost edges & vibrant pops of saturated color, so here's a study I did from some photograph that I'm *pretty* sure was painted with him in mind.
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Learning how to detail was definitely a slow process, and like all the aforementioned things (anatomy/color/edge control/values/etc.) I'm still figuring it out. Focusing on edge control first (that is, deciding on where to place hard/soft edges for emphasizing/de-emphasizing certain areas of the image) is super useful, because you can honestly fool a viewer into thinking there's more detail in a piece than there actually is if you're very economical about where you place your hard edges.
The most important part, to me, is probably just doing this stuff over and over again. You're likely not going to see improvement in a few weeks or even a few months, so don't fret about not getting the exact results you want and just keep studying + making art. I like to think about learning art as a process where you *need* to fail and make crappy art/studies—there's literally no way around it—so you might as well fail right now. See, by making bad art you're actually moving forward—isn't that a fun prospect!!
It's useful to have a folder with art you admire, especially if you can dissect the pieces and understand why you like them so much. You can study those aspects (like, you can redraw or repaint that person's work) and break down whether this is art that you just like to look at, or if it's the kind of art that you want to *make.* There's a LOT of art out there that I love looking at, probably tens of thousands of styles/mediums, but there's a very narrow range that I want to make myself.
I've mentioned it in some ask reply in the past, but I really do think looking at other artist's work is such a cheat code for improving your own skills—the other artist does the work to filter reality/ideas for you, and this sort of allows you to contact the subject matter more directly. I can think of so many examples where an artist I admired exaggerated, like, the way sunlight rested on a face and created that orange fringe around its edge, or the greys/dull blues in a wheat field, or the bright indigo in a cast shadow, or the red along the outside of a person's eye, and it just clicked for me that this was a very available & observable aspect of reality, which had up until that point gone completely unnoticed! If you're really perceptive about the art you look at, it's shocking how much it can teach you about how to see the world (in this particular case I mean this literally, in that the art I looked at fully changed the way I visually processed the world, but of course it has had a strong effect on my worldviews/relationships/beliefs).
Thanks so much for sending in a question (& for reading, if you got this far)! I read every single ask I receive, including the kind words & compliments, which I genuinely always appreciate. Best of luck with learning, my friend :)
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