byllibylli
Things You Won't Let Go
Bylli (like Billy)
| London-based Designer & Artist | Downtime Dancer
Blog: https://theworldlywitch.wordpress.com
Portfolio:
https://byllidhupat.wordpress.com
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Roy Colmer (British: 1935-2014), Untitled #55, 1973. Acrylic on canvas
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Osias Beert (c. 1580-1623)
"Still life with oysters, roasted chicken, sweets and dried fruits" (1610-1619)
Oil on panel
Located in the Kunstberatung Zürich AG, Zürich, Switzerland
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I’m learning to love the sound of my feet walking away from things not meant for me.
Unknown
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Ane Crabtree’s costumes for “The Handmaid’s Tale” convey the repression at the core of the dystopian drama. The Handmaids’ white, hood like bonnets protect them from the gazes of others and function as blinders. “We decided to use [the bonnets] as a vehicle to heighten the cages that they were in mentally, physically, emotionally,” Crabtree said. See this iconic costume in person in “Designs for Different Futures."
Handmaid’s Costume from the Television Series “The Handmaid’s Tale,” designed 2017, by Ane Crabtree (Courtesy of Metro-Goldwyn-Mayer Studios)
#handmaid's tale#costume#the handmaid's tale#ane crabtree#designs for different futures#dfdf#future#design#art#exhibition#art museum#philamuseum#philadelphia museum of art#philadelphia art museum#philadelphia#philly
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edits alphabet ◦ ━━ The song of Achilles
“That is — your friend?“
”P h i l t a t o s,“ Achilles replied, sharply. Most b e l o v e d.”
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I think that Elizabethan actors had an instinctive apprehension of all this. They didn’t have some of the distractions that we have in our day. They depended more than we do on the spoken word. It was like food, and they probably used words much more sensually, almost eating words.
Alan Howard, quoted in John Barton, Playing Shakespeare (via m-l-rio)
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Chamomile smells so damn good 🌿🖤 https://www.instagram.com/p/Bm53_9NhZUy/?utm_source=ig_tumblr_share&igshid=67es3d8eh4ad
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