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lionofchaeronea · 2 months
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Poplars, Claude Monet, 1891
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didoofcarthage · 1 month
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Self-Portrait by Jacopo Robusti, called Il Tintoretto
Italian, c. 1546-1548
oil on canvas
Philadelphia Museum of Art
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arthistoryanimalia · 1 month
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#MonochromeMonday :
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Alexandre-Gabriel Decamps (French, 1803-60)
The Rat Who Withdrew from the World, c.1847
Charcoal w/ stumping & white opaque watercolor on wove paper
on view at Philadelphia Museum of Art
“This drawing illustrates a fable about a rat who chooses to retire from the troubles of the world, taking up residence in a ball of cheese. Alexandre-Gabriel Decamps draws the moment in the tale when deputies of ‘Ratopolis’ visit the recluse in hopes of receiving his assistance in their ‘warfare against the cat.’
Decamps's choice of subject may have been prompted by his own growing sense of disillusionment with the French art establishment. His potential sympathy with a reclusive rodent offers an alternative, if surprising avatar for a French artist of the 1800s.”
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digitalfashionmuseum · 6 months
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Purple silk dress, ca. 1900, English.
By Liberty & Co.
Philadelphia Museum of Art.
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oncanvas · 3 months
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Sunflowers, Vincent van Gogh, 1889
Oil on canvas 36 ⅜ x 28 in. (92.4 x 71.1 cm) Philadelphia Museum of Art, Philadelphia, PA, USA
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garadinervi · 5 months
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Hsiao Chin, Rose Fried Gallery, New York, NY, December 19, 1967 – January 13, 1968 [Philadelphia Museum of Art, Philadelphia, PA]
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Franz Xaver Winterhalter (1805-1873) "Portrait of Countess Marie Branicka de Bialacerkiew" (1865) Oil on canvas Located in the Philadelphia Museum of Art, Philadelphia, Pennsylvania, United States The Countess Marie Branicka de Bialacerkiew [née Princess Sapicka] belonged to a socially prominent and wealthy Polish family living in Paris, where this portrait was painted
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empirearchives · 10 months
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The Monastery of Vallombrosa and the Arno Valley Seen from Paradisino, c. 1797
Louis Gauffier 
Gauffier was a French artist who settled in Rome, but popular unrest following the execution of Louis XVI led him to flee with his wife to Florence. He could not receive patronage from France because he was branded a royalist, and this curtailed his career as a history painter. When Napoleon marched his troops into Italy in 1796 and occupied Florence in 1799, Gauffier painted officers’ portraits. He painted very beautiful landscape scenes of Napoleonic Italy, such as this painting.
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petsincollections · 10 months
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Recumbent Animal
1644-1911 or later
Artist/maker unknown, Chinese
https://philamuseum.org/collection
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fashionbooksmilano · 3 months
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Best Dressed
Fashion from the Birth of Couture to Today
Dilys E.Blum and H. Kristina Haugland
Photography by Lynn Rosenthal and Graydon Wood
Philadelphia Museum of Art, Philadelphia 1997, 87 pages, 21x31,10cm, paperback, ISBN 0-87633-118-5
euro 24,00
email if you want to buy [email protected]
Published on the occasion of the exhibition at the Philadelphia Museum of Art from October 21, 1997 to January 4, 1998
Best Dressed: 250 Years of Style is the most comprehensive costume exhibition ever mounted by the Museum, with some 200 costumes and accessories covering nearly three centuries of fashion. Drawn from the Museum's important holdings of Western and non-Western dress, the exhibition will feature costumes from the Middle East and Asia as well as Europe and United States. The show will present the finest pieces in the collection including regional dress; eighteenth-century and early nineteenth-century high-style from Europe and the United States; a selection of important late nineteenth-century gowns designed by great Parisian couturiers, including Charles Frederick Worth; works by renowned twentieth-century fashion designers, such as Elsa Schiaparelli who gave the Museum a significant collection of her work; and one of the most popular items in the Museum's collection, the wedding dress worn by Princess Grace of Monaco, the former Grace Kelly of Philadelphia.
03/02/24
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nicholask-la · 6 months
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From October, 2023
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lionofchaeronea · 11 months
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The Moorish Chief, Eduard Charlemont, 1878
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arthistoryanimalia · 1 month
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#TwoForTuesday + #TilesOnTuesday:
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Joseph-Théodore Deck (French, 1823-1891)
Tile Plaques, c.1880
Earthenware with underglaze & overglaze enamel decoration
Each tile: 10 x 10 in (25.4 x 25.4 cm)
Each panel: 40 x 20 in (101.6 x 50.8 cm)
On view at Philadelphia Museum of Art
The vibrant turquoise blue in these works was one of the signature glazes developed by ceramist Joseph-Théodore Deck, who was inspired by Turkish ceramics. The turquoise came to be so closely identified with the artist that it came to be known in the late 1800s as ‘Deck blue.’”
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oncanvas · 4 months
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Evening at Damvillers, Jules Bastien-Lepage, 1882
Oil on canvas 26 ⅛ x 31 ⅝ in. (66.4 x 80.3 cm) Philadelphia Museum of Art, Philadelphia, PA, USA
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hyperallergic · 10 months
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Thought to be an anonymous copy of Vermeer’s “The Guitar Player,” this mysterious oil painting might actually be an original work by the artist.
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garadinervi · 10 months
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Almir Mavignier, Almir Mavignier. Posters, Serigraphies, Philadelphia Museum of Art, Philadelphia, PA, April 6 – May 11, 1966 [MoMA, New York, NY. © Almir Mavignier]
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