Angel. // Love someone who is kinder to you than you are to yourself.//
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What the fuck is this movie going to be, I'm so excited
Nobody look at me or I'll throw up
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they dropped the trailer on pride month because theyre in gay love and having nasty gay monstersex. hope this helps.
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first man to win the wanting to fuck her so bad he looks stupid olympics
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700 Palestinians were killed in the last 24 hours and the airstrikes are more violent each night. Gaza's hospitals have fuel left for two more days. Israel only allowed aid into Gaza on the condition they didn't carry fuel. The Indonesian hospital has shut down already, because doctors have no supplies and no choice but to let the wounded die. They're calling it a collapse but the term doesn't do it justice.
Over a 100 incubator babies are at risk. There are 50.000 pregnant women in Gaza right now, and 5.500 due to give birth this month. Menstruating people are taking pills in order to stop their periods, because they do not have pads or water to maintain hygiene. Surgeons are operating without anesthesia. Water is not reaching Gazans because there's no electricity or fuel for water pumps.
There's no excuse for this. Israel justifies the airstrikes by saying they want to destroy Hamas infrastructure and release the hostages, but they have refused to negotiate for their release. Hamas informed Israel they wanted to release two elderly women without anything in return, and Israel refused. Netanyahu said they wouldn't take their own civilians back because it was "mendacious propaganda." When the hostages were finally released, Netanyahu prohibited the hospital from giving press releases. Yocheved Lifshitz went behind their backs and talked to the press anyway, saying she was treated very well by Hamas, but the government abandoned them. They're being used as straw men. Israel is conditioning the entry of fuel to the release of hostages and yet, according to The Wall Street Journal, when Hamas proposed to exchange 50 hostages for fuel they denied. IDF officials have said they fear the release of more hostages because that might withhold the order to their ground invasion. They do not care as long as they can use the hostages as a pretext for their slaughtering.
There's a turning tide for Palestine in public support. Support for Israel was built through decades of propaganda and we are making a dent into it. Zionists are desperate, holding zoom meetings to promote zionism, but we have to do so much more. We have to shame people in power into supporting the Palestinian cause.
Keep yourself updated and share Palestinian voices, looking to inform yourself from the sources. Palestinians have asked of us only that we share, tweet and post, over and over. Muna El-Kurd said every tweet is like a treasure to them, because their voices are repressed on social media and even on this very app. Make it your action item to share something about the Palestinian plight everyday. Here are some resources:
Al Jazeera
Anadolu Agency
Mondoweiss
Boycott Divest Sanction Movement
Palestinian Youth Movement
Mohammed El-Kurd (twitter / instagram)
Al-Shabaka (twitter / instagram)
Mariam Barghouti (twitter / instagram)
Muhammad Shehada (twitter)
Motaz Azaiza (instagram) - reporting directly from Gaza
Take action. You can participate in boycotts wherever you are in the world, through BDS guidelines. Right now, they are focusing on boycotting (don't be overwhelmed by gigantic boycott lists. Only boycott additional brands if you can):
Carrefour
HP
Puma
Sabra
Sodastream
Ahava cosmetics
Israeli fruits and vegetables
Push for a cultural boycott - pressure your favorite artist to speak out on Palestine and cancel any upcoming performances on occupied territory (Lorde cancelled her gig in Israel because of this. It works.)
If you can, participate in direct action or donate. Palestine Action works to shut down Israeli weapons factories in the UK and USA, and have successfully shut down one of their firms in London. Some of the activists are going on trial and are calling for mobilizing on court.
Call your representatives. The Labour Party in the UK had an emergency meeting after several councilors threatened to resign if they didn't condemn Israeli war crimes. Calling to show your complaints works, even more if you live in a country that funds genocide.
FOR PEOPLE IN THE USA: USCPR has developed this toolkit for calls
FOR PEOPLE IN THE UK: Friends of Al-Aqsa UK and Palestine Solidarity UK have made toolkits for calls and emails
FOR PEOPLE IN GERMANY: Here's a toolkit to contact your representatives by Voices in Europe for Peace
FOR PEOPLE IN IRELAND: Here's a toolkit by Voices in Europe for Peace
FOR PEOPLE IN POLAND: Here's a toolkit by Voices in Europe for Peace
FOR PEOPLE IN DENMARK: Here's a toolkit by Voices in Europe for Peace
FOR PEOPLE IN SWEDEN: Here's a toolkit by Voices in Europe for Peace
FOR PEOPLE IN AUSTRALIA: Here's a toolkit by Stand With Palestine
FOR PEOPLE IN CANADA: Here's a toolkit by Indepent Jewish Voices for Canada
Join a protest. Here's a constantly updating list of protests:
Global calendar
USA calendar
Australia calendar
Here are upcoming events:
CANBERRA/NGUNNAWAL, AUSTRALIA – Wed Oct 25, 11 am, National Press Club. Info: https://www.instagram.com/p/Cyh1xy1BMrU/
OXFORD, ENGLAND – Wed Oct 25, 12:15 pm, Cornmarket. Info: https://www.instagram.com/p/CykroKeInz3/?utm_source=ig_web_copy_link
SMITH COLLEGE (US) – Wed Oct 25, 12 pm, Chapin Lawn. Info: https://www.instagram.com/p/CymT8f5vnHN/?img_index=1
ST CATHERINES, ON ( CANADA) – Wed Oct 25, 6 pm, 61 Geneva St Info: https://www.facebook.com/events/889319005528757/
TORONTO, CANADA – Wed Oct 25, 5 pm, Sidney Smith Hall. Info: https://www.instagram.com/p/CyjVbpGvva8/
SANT CUGAT, CATALONIA, SPAIN – Thurs Oct 26, 6 pm, Davant l’Ajuntament. Info: https://www.instagram.com/p/CynL834tgg9/?img_index=4
MELBOURNE, AUSTRALIA – Fri Oct 27, 7 pm, Federation Square. Info: https://www.instagram.com/p/Cyhyd0vhP8t/
LIVORNO, ITALY – Sat Oct 28, 2:30 pm, Piazza Cavour. Info https://www.instagram.com/p/CyiWJ06MXpM/
MINNEAPOLIS, MN (US) – Sat Oct 28, 1 pm, Lake Street and Minnehaha.
ROME, ITALY – Sat Oct 28, Rome. Info: https://www.instagram.com/p/Cyi7ey-MMs1/?img_index=1
ROME, ITALY – Sat Nov 4, Rome. Info TBA: https://www.instagram.com/p/CyndKUitnMU/
WASHINGTON, DC (USA) – Sat Nov 4, 12 pm, White House. Info: https://www.instagram.com/p/CyiecRtr9-B/
Wollongong: Rally at Crown Street Mall Amphitheatre on 21 Oct at 1 PM
Melbourne: Blak and Palestinian Solidarity Rally at Victorian Parliament House Steps on 25 Oct at 6 PM
HOUSTON: Thursday, October 26th, 5:45PM, Rice University, Central Quad
VANCOUVER: OCT 28 at 2PM, Vancouver Art Gallery
KITCHENER: Wednesday October 25th at 5 PM at CBC Kitchener
SANTA ANA: 20 Civic Center Plaza, Santa Ana, CA 92701, October 25th at 5:30 pm
TORONTO: WED. OCT 25 at 7PM at Queen's Park
[CAR RALLY] WASHINGTON D.C: Wednesday 10/25 outside the US State Department on the 23rd Street side
Feel free to add more.
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if i cannot be wanted
i will be needed
and if i cannot be needed
let me be used until there’s nothing left of me
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People now in gaza strip are facing the danger of hunger again and displaced since the occupation invaded rafah please can you help this family is for my cousin they need money to survive in gaza to buy food and water since everything is so expensive
And my cousin family are close to me if you can't donate share it
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I liked it better when Katara released Aang from his 100 year slumber through the pure unfiltered rage of a feminist rant at her brother
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So, uh, Netflix Avatar, huh? Yeah. I guess I'll make a really long post about it because ATLA brainrot has is a cornerstone of my personality at this point.
So.
It's okay. B, maybe a C+.
That's it.
Now for the spoilers:
The biggest issue with the Netflix version is the pacing. Scenes come out of nowhere and many of the episodes are disjointed. Example: Aang escaping from Zuko's ship. We see him getting the key and going "aha!", and in the next scene he's in Zuko's room. And then he just runs out, no fun acrobatics or fights, and immediately they go to the Southern Air Temple where he sees Gyatso's corpse, goes into the Avatar state, and then sees Gyatso being really cheesy, comes out of it, and resolves that conflict. Nothing seems to lead into anything. The characters don't get to breathe.
The show's worst mistake (aside from Iroh fucking murdering Zhao) is its' first one: they start in the past. Instead of immediately introducing us to our main characters and dropping us into a world where we have a perfect dynamic where Aang doesn't know the current state of the world and Katara and Sokka don't know about the past, thus allowing for seamless and organic worldbuilding and exposition, they just... tell us. "Hey, this is what happened, ok, time for Aang!" There's no mystery, no intrigue, just a stream of information being shoved down the audience's throats and then onto the next set piece.
The visuals are for the most part great, but like with most Netflix productions, they just don't have great art direction. It feels like a video game cinematic, where everything is meant to be Maximum Cool - and none of the environments get to breathe. It's like they have tight indoor sets (with some great set design) and then they have a bunch of trailer shots. It's oozing with a kind of very superficial love.
Netflix still doesn't know how to do lighting, and with how disjointed the scenes are, the locations end up feeling like a parade of sets rather than actual cities or forests or temples. As for the costumes, Netflix still doesn't know how to do costumes that look like they're meant to be actually worn, so many of the characters seem weirdly uncomfortable, like they're afraid of creasing their pristine costumes.
The acting is decent to good, for the most part. I can't tell if the weaker moments come down to the actors or the direction and editing, but if I had to guess, I'd say the latter. Iroh and Katara are the weakest, Sokka is the most consistent, Zuko hits the mark most of the time, and Aang is okay. I liked Suki (though... she was weirdly horny? Like?) but Yue just fell kind of flat.
The tight fight choreography of the original is replaced with a bunch of spinny moves and Marvel fighting, though there are some moments of good choreography, like the Agni Kai between Ozai and Zuko (there's a million things I could say about how bad it was thematically, but this post is overly long already.) There's an actually hilarious moment in the first episode when Zuko is shooting down Aang, and he does jazz hands to charge up his attack.
Then there's the characters. Everybody feels very static - Zuko especially gets to have very little agency. A great example of that is the scene in which Iroh tells Lieutenant Jee the story of Zuko's scar.
In the original, it's a very intimate affair, and he doesn't lead the crew into any conclusions. Here, Iroh straight up tells the crew "you are the 41st, he saved your lives" and then the crew shows Zuko some love. A nice moment, but it feels unearned, when contrasted with the perfection of The Storm. In The Storm, Zuko's words and actions directly contradict each other, and Iroh's story gives the crew (and the audience) context as to why, which makes Zuko a compelling character. We get to piece it out along with them. Here - Iroh just flat out says it. He just says it, multiple times, to hammer in the point that hey, Zuko is Good Actually.
And then there's Iroh. You remember the kindly but powerful man who you can see gently nudging Zuko to his own conclusions? No, he's a pretty insecure dude who just tells Zuko that his daddy doesn't love him a lot and then he kills Zhao. Yeah. Iroh just plain kills Zhao dead. Why?
Iroh's characterization also makes Zuko come off as dumb - not just clueless and deluded, no, actually stupid. He constantly gets told that Iroh loves him and his dad doesn't, and he doesn't have any good answers for that, so he just... keeps on keeping on, I guess? This version of Zuko isn't conflicted and willfully ignorant like the OG, he's just... kind of stupid. He's not very compelling.
In the original, Zuko is well aware of Azula's status as the golden child. It motivates him - he twists it around to mean that he, through constant struggle, can become even stronger than her, than anyone. Here, Zhao tells him that "no, ur dad likes her better tee hee" and it's presented as some kind of a revelation. And then Iroh kills Zhao. I'm sorry I keep bringing that up, but it's just such an unforgiveable thematic fuckup that I have to. In the original, Zhao falls victim to his hubris, and Zuko gets to demonstrate his underlying compassion and nobility when he offers his hand to Zhao. Then we get some ambiguity in Zhao: does he refuse Zuko's hand because of his pride, or is it his final honorable action to not drag Zuko down with him? A mix of both? It's a great ending to his character. Here, he tries to backstab Zuko and then Iroh, who just sort of stood off to the side for five minutes, goes "oh well, it's murderin' time :)"
They mess with the worldbuilding in ways that didn't really need to be messed with. The Ice Moon "brings the spirit world and the mortal world closer together"? Give me a break. That's something you made up, as opposed to the millenia of cultural relevance that the Solstice has. That's bad, guys. You replaced something real with something you just hastily made up. There's a lot of that. We DID NOT need any backstory for Koh, for one. And Katara and Sokka certainly didn't need to be captured by Koh. I could go on and on, but again, this post is already way too long.
It's, um, very disappointing. A lot of telling and not very much showing, and I feel like all of the characters just... sort of end up in the same place they started out in. I feel like we don't see any of the characters grow: they're just told over and over again how they need to grow and what they need to do.
To sum it up: Netflix Avatar is a mile wide, but an inch deep.
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The thing about Katara is that she was angry.
She was angry that the Fire Nation killed her mother.
She was angry that her father left them.
She was angry that she was the only Waterbender left in the south pole.
She was angry that the only person her age was her brother, who constantly disregarded her interests and her role in the tribe.
She was angry that what little waterbending she knew, had to be self-taught and how she struggled with that.
she was angry that a twelve year old instantly picked up what had taken her a long time to learn.
she was also angry that her tribe wanted to kick that twelve year old into the wilderness over a mistake.
she was angry over the earth-benders the fire nation had captured and put into a metal box.
she was angry.
And she knew she was angry.
Because she knew her own anger, she was the first to empathize with Aang when he got angry.
And it was because of it she could tell Aang forcing himself to lock his emotions up was not the answer.
Because she knew her own anger, she kept herself under control in the dessert, when everyone else was a mess.
Her anger empowered her. where anger was a tool of self-destruction for firebenders, for her it was what helped her push forward.
It was her anger that freed Aang.
It was her anger that helped her stand to Pakku.
Her anger was her strenght.
She was angry. And this was neither a mistake, nor a writing flaw.
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there’s a reason why the entire story of avatar the last airbender begins and ends with katara. there’s a reason why we are introduced to katara first before we are introduced to any other character. there’s a reason why katara is the narrator. there’s a reason why the creators have emphasized over and over again that katara is just as titular to the story as aang - she’s the other main character.
when you water down katara - remove her compassion, her ability to connect with others, her nurturing role, her ANGER and RAGE and DRIVE - you water down the very fundamentals of the story. you drastically and severely alter the core dynamics of the gaang, because katara was so important to the development of every single one of them. she was the rock and glue that held team avatar together.
katara was unlike any other character to ever appear on television; she was a young brown girl who took no shit from anyone, yet at the same time remained kind and compassionate and nurturing. katara was a force of nature; proud of her heritage and culture, burdened by the responsibility of being the last southern water bender of the water tribe, angered over the death of her mother and everything that the fire nation took from her, determined to help every single person in need, determined to change the world, angry and resentful because old men and rules and laws kept telling her what she could or could not do, thus, she was determined to restructure thousands of years of patriarchy that stood against her from accomplishing her goals and dreams.
watering down katara into at most 2-3 tangible characteristics, stripping her away of all her motivation and agency and nuance, telling the audience that she wants to help and change the world only to have her stand in the background with an air of grief, demonstrates that the writers of the live action fundamentally misunderstand the spirit of avatar. and that’s something so unforgivable. no matter how many changes they decide to make, or how much they decide to stay true to the original story in other areas, no matter how many flashy VFX fight scenes we get - if you fail to properly understand katara, you fail to understand the heart and soul of avatar the last airbender, everything that makes avatar such a timeless classic.
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it's so fun how they removed sokka's sexism because it's "problematic" but then took away every aspect of katara that made her who she is and completely flattened her personality in a way that leaves none of the aspects that made her a feminist character and in a way that is only ever done to female characters and by fun i mean im going to kill them
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The biggest casualties of the Netflix Avatar show are Katara and Iroh. I already talked about Iroh, so, Katara...
Spoilers below. And anger below. Lots of rage. Sorry, guys.
Katara's anger is gone. "NO WAY AM I APOLOGIZING TO A SOUR OLD MAN LIKE YOU! I'll be outside if you're man enough to fight me." is instead "no uh i wouldn't have accepted that if i knew, uh, you're afraid of what you might learn if you fought me :(" and it's so fucking disheartening to see a 2020s production that doesn't know how to show justified feminine rage. Which Katara has, and which she's FUCKING ICONIC for.
Netflix Katara is such a pushover. OG Katara is compassionate, kind, nurturing, and FUCKING FURIOUS. Her compassion and kindness have a deep backdrop of RAGE to them. The world isn't how Katara wants it to be? Katara will FIGHT THE WORLD, and meanwhile, the Gaang will EAT THEIR VEGETABLES.
Like. Fuck. In my last, longer post I tried to be, like, fairly even and shit and channel my inner reviewer, and in this post, I RAGE ABOUT THE CHARACTER ASSASSINATION OF KATARA. Katara is not a meek dishrag. Katara is a smothering rageball and Katara is a kind, even-tempered person. Katara is capable of putting aside her own needs ("you have to learn from master Pakku, even if he is a big jerk", because yes, saving the world is the biggest priority) and then absolutely demanding her worth ("YOU CAN'T KNOCK ME DOWN!").
Real angry about that, in case you couldn't tell. They might have just put a necklace on a wooden plank and written "GIRL" on it.
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