Finally watched the Addams Family Values recently! and honestly. my main takeaway is
Debbie slays. And Joan Cusack is a QUEEN
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so true demi
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for those who don’t know, hulu’s under the bridge is based off of the very real and brutal death of a 14-year-old girl. the story of reena virk is widely known and is still talked about where i grew up. her family has run anti-bullying campaigns across the province for as long as i can remember.
so while i know a lot of people will watch it in the coming days for lily gladstone and riley keough, i hope you also take away the message that i think the show is doing a god job of delivering so far: if bullying and racism go unchecked, the consequences can be dire for those who are the the most vulnerable. if you are silent, you are complicit.
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yknow i never noticed the sheer rareness of images having ids or alt text on this website until i started adding alt text to my art (and trying to remember to add it to any images i post in general, especially text screenshots) and that makes me kinda sad
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arsenal vs chelsea (23rd april, 2024) / 📸 Julian Finney
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Girl photographed by Hugh Magnum c. 1909
Magnum’s photographs are notable for their informality, which was unusual for the period. I just adore the series of this girl, she’s such a beauty.
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Stills from We Are Lady Parts season 2, coming May 30
A NOTE FROM NIDA MANZOOR (CREATOR/WRITER/DIRECTOR/EXECUTIVE PRODUCER) IN PEACOCK'S PRESS RELEASE:
Making season one of We Are Lady Parts was immense for me. It was a trial by fire, but I found my voice, my style and my confidence in creating this show. Most importantly, I found my tribe - from actors and crew to producers and studio execs. So, coming to season two, I was galvanised. The characters, the world, the tone - it was all there, established, and ready to go. Now it was time to turn things up to 11. I wanted to go bolder, sillier, darker and deeper and that is exactly what we strived to do.
In season two, we explore the interior lives of each of the women in more depth. Each of them facing new, existential challenges with all the silliness, pratfalls and banter of season one. The music is bigger too - more wild original tunes (penned by me and my siblings) and dare I say it, even better covers. The season overall asks the question of success. What is success? For a punk band - is fame, stadium shows and major record deals the answer? I wanted to explore the uncomfortable tension between art and commerce and ask how much compromise is too much. I'm really proud of what we achieved, and can't wait to share it with old fans and new.
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