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aliensupastar · 11 days
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aliensupastar · 25 days
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I love you sassy reader I love you meek reader I love you slutty reader I love you virgin reader I love you reader with an insane background I love you reader who's inserted into Canon I love you Mary sues I love you poorly disguised self insert
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aliensupastar · 1 month
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Love him 😭
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aliensupastar · 2 months
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aliensupastar · 3 months
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have to remind myself to breathe sometimes.
prints + merch + commission info
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aliensupastar · 3 months
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aliensupastar · 3 months
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i suck at writing but i promise i still do it 🫶
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aliensupastar · 4 months
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i wake up thirsty and i think of palestine. i go to the doctor’s office and i think of palestine. a sign in the corner of the waiting room says ‘this is a place of healing, disruptive behavior will not be tolerated’ and i think of palestine. they probably weren’t thinking of bombs and snipers and mass graves in parking lots. i call my parents and i think of palestine. i drive to the grocery store and i think of palestine. i look at the clear blue sky and i think of palestine. i put the dishes away and i think of palestine. i feed my cat and i think of palestine. i listen to music and i think of palestine. i read poetry and i think of palestine. i text my friends and i think of palestine. i think of palestine and i think of palestine and i think of palestine
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aliensupastar · 4 months
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Being inclusive with your reader insert fic is a kindness. It tells people of color (poc) that you are considering someone who does not look like you in your fic. It shows love and dedication to our craft. It tells poc that they belong here too and they can see themselves in your story.
Poc aren’t look for activism in fic, we know fandom isn’t that serious, but we should be able to have that same level of escapism when we turn to fic and fandom. We belong here too. This space is for everyone, not just one group of people.
Just to give a few examples of how simple it can be: say “skin warmed” instead of blushed, say “cradled your head” instead of running fingers through hair, say “angles yourself to kiss” instead of standing on tiptoes, use italics to indicate Spanish to take out a throwaway line of “you didn’t understand Spanish” things like that. Small changes that do not impact the fic at all but make a world of difference in inclusivity!
And for anything you can’t/don’t want to change, simply add warning in the beginning. Things like hair descriptors, anything reader might wear, some backstory for reader (especially involving family or where the story is set), readers job, things like that. A lot of times just having that heads up before the fic makes a world of difference!
And one example of kindness we as writers always worked to change: until recently (just a couple years ago) it wasn’t common to label the gender of the reader. But those who aren’t female asked writers to label it so they know which to read and which to avoid, and now it’s common to label the gender/pronouns of the reader. So it is possible! It just takes effort! And I’m a writer myself so I know it can be done!
We can pretend to be a bartender or a bounty hunter or an actress or anything else. But we shouldn’t have to imagine we’re a white one.
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aliensupastar · 4 months
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“FUCK MY LIFE TO DEATH” — Ancient Italian proverb, unattributed
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aliensupastar · 5 months
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I do think that Coryo fell in love with Lucy Gray, but i also fully believe that such love would never have been possible had he not be given the near-total control over her fate in the games, and by extension, her fate in the Capitol.
Listen. Here is a boy who has nothing but his last name, posing around pretending like he owned everything while scrambling for a scrap of something. Here is a boy who had to share everything he had ever owned, who was never fully in control of anything except for his words.  Here is a boy, who, due to the lie he's been controlling, can never let anyone in -- not even his pseudo-older sister and not even his most affectionate classmate -- for it poses the risk of being perceived, and potentially punished for his lack of ownership.
And then suddenly this boy -- who's so desperate to own something -- is granted the ownership of another person  a full-pass to control everything about her; her words, her image, her story. And sure, she wasn't his first pick, but the thought of having something gave him a sense of relief and dignity his lies could never give him, and that dignity, that slight restoration of confidence, gave way for that first crack on his chest after being guarded for so long.
And then the person he "owned" showed up, and she was the most interesting person of the pick. She gave the people a show and she made a song on top of it, turning his confidence to pride. I truly believe that had he been assigned to another person, he would not have showed up to the train station, simply due the fact that they were not interesting enough to warrant his  visit -- or his grandma'am's roses. Him showing up to the train wasn't just done in goodwill; it was also a stake of ownership -- it was him, acknowledging to himself that this was something worth owning, and like other things worth owning, it could be taken away from him if he lets his guard slips.
And that becomes the initial foundation to their interaction; the talking, the bringing up food... sure, Lucy Gray was interesting, but he was detached of her charm in those first meeting, seeing her in the lens of how others might measure her and her worth. his main focus was "taking care of her"; making sure his precious thing survived, making sure his ownership of her -- and thus his pride -- will not dissipate.
And then the tributes started plotting to kill him, only to be stopped by Lucy Gray. Sure, for her, he might seem as if he was doing something a kind -- even if useless -- meeting her in this run-down train station, and that perhaps was part of the reason why she defended him, and part of the reason why she stood by him in that Zoo cage. But for Coryo, his visit was calculated, his rose a chip of bargain, his zoo visit a byproduct of refusing to be caught slipping. For him, Lucy Gray stepping up for him was uncalled for, a surprising kindness.
He tried to rationalize it best as he could, but he was stumped. And I think this was when he started to really listen to Lucy Gray, to stop being detached from her. He was his father's son, and he believed in knowing the things he owned in order to properly maintain it. And it was this desire to know that melted his walls, that made him vulnerable, because to understand her fully he opened himself up to be understood, which had never happened before.
I think Coryo did love Lucy Gray, however tainted and terrible that love was. I think it was the first time of him making the effort to perceive someone and be reciprocated back -- fully, thoroughly, and wholeheartedly. It helped (or didn't help?) That Lucy Gray was a poet, that she fed him with pretty words; the only things that -- up until she showed up -- he'd ever truly owned for himself. For him, that connection -- added over the fact that he had "owned her", as everyone else kept saying -- must have felt like a drug. It must have felt intoxicating, to own something so lovely, something that adored him. It must have been a new, exhilarating feeling for Coryo, who never owned anything but worthless scraps and his pretty, pretty words. And yes, that was such a terrible way to put it, but love is many things; it can be terrible too.
I think Coryo loved Lucy Gray, and had they stayed in Capitol, he would have been able to continue to "love her". Billy Taupe was just some name, the Covey some story. What for Lucy Gray was history, was only pretty words for him. For all he chose to believe in, they could be the same pretty words he said; mostly lie, some exaggeration. In the Capitol, she is his, fully. And Coryo can love only what he owns.
But they didn't stay at Capitol, they moved to twelve. Suddenly, all her pretty words were honest and real, something he couldn't ignore, much less control. Suddenly, there was the Covey, and Billy Taupe, and Mayor Lipp, and even if her eyes were for him only he still had to share the rest of her -- her voice, her charm, her poise -- with other people. Twelve highlighted that he'd never truly owned her, we all know that. But here's another thing that twelve highlighted; it was him who chose to be the soldier in a rundown district, him who chose to follow her. If there was any ownership to be had here, it was her that owned him.
And Coryo? He doesn't share, yes, but worse than anything, he despises being owned.
This is where TBOSAS shone its brilliance; president Snow is the way he was not because he is an unfeeling sadist the was Volumnia Gaul is. He was the way he was because of love. Because of the vulnerability that comes with that love, and the refusal to surrender to it. President Snow would not be as ruthless and despicable had he been desensitized, and it was his feelings, his capability to love, that led him to employ some of the most gruesome tactics to win the games.
Here's the heartbreaking thing; once upon a time, Coryo loves Lucy Gray, and that love was true. Here's another heartbreaking thing; that love was built on poison, and its toxic vines ruined him so completely, decimated him so thoroughly, he was reborn anew evil; president Snow would not have happened without Lucy Gray, without Coryo's time in Twelve.
President Snow said, "it's the thing we love most that destroys us," and he said this as a warning to Katniss, yes, but he also said it to Coryo's shadow, standing behind her, who was looking at the back of the Girl on Fire, thinking the wavy black hair and the whispered songs were that of someone else's.
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aliensupastar · 5 months
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what i like about the ballad of songbirds and snakes is the way that snow isn’t some kind of psychopathic sadist with a natural penchant for evil or anything. he’s a symptom of a system and is so unremarkably human. coriolanus snow is a prissy broke old money little shit whose sole driving force is being the best debate kid, not a fascist oppressor. and when it comes down to it, he chooses the option that will allow him to be as cushy and safe as possible. he doesn’t originally want a power high, he just wants to stop being insecure. and his complacency is what ultimately breeds his corruption.
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aliensupastar · 5 months
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i think what’s interesting about this is the reason he is like this: the classist system of panem, which he is born into at the top, and taught that he deserves to keep that position no matter what. “snow lands on top”, but also generally, the people in the Capitol believe they deserve to be there in the lap of luxury and that the people of the districts deserve to suffer, because they’re violent rebels, because they can’t control themselves and must be kept under strict rule, the narrative shifts over time but the message stays the same. the system is just and it must be upheld.
snow blames the people of the districts for his loss of power and status during the dark days, he despises sejanus for being able to ascend to a class he wasn’t born into, he feels this loss of control over his life is because of the people in the districts and that’s why he cannot let go of the status and luxury he was born into, he genuinely believes he deserves it. that’s why he can’t let sejanus go unpunished, that’s why he can’t trust lucy gray and let her go, he has to hunt her down, he has to control her. he has to land on top! and that’s why he was never going to run off with her, why he would always go back to the Capitol, because he fundamentally believes he is better than them for having been born there. the way it warps his world view is so interesting to watch, especially in those last scenes with lucy gray.
I think Snow was a such an interesting and well-written villain in the trilogy. This is largely because Snow makes very few physical appearances in the book; he exists as this sort of ominous omniscient character that presents a looming sense of danger. We see this with the rose(s) he left for Katniss, the sending of peacekeepers to 12, the sewer mutts, etc. He elicits such a strong reaction, namely one of fear, within Katniss without ever having to be physically present. But even when he is physically present, his physical description also adds to that ominous aura that emanates from him: the “snake eyes” and faint stench of blood that is barely covered by the smell of rose perfume.
And yet, he still exudes a certain amount of charm about him as we see through his interaction with Mrs. Everdeen and even somewhat through his last conversation with Katniss. And this is something which we see even more of in TBOSAS. But what always stuck the most out to me about Snow is how he said that lying is a way to cover up weakness and he makes an agreement with Katniss to never lie to one another. Something about that honesty and his ability to be candid about what he does to some extent is what makes him truly terrifying.
As for the end of TBOSAS, Snow’s transformation is tragic and infuriating all at once. Namely because, he could’ve acted otherwise. And that is one of the messages of the novel. We aren’t born inherently bad, however we can become that through our actions and reactions. Snow had these opportunities to grow and to learn from the different perspectives he encountered. And yet every-time he failed to do so. He could have let Sejanus go, even if he didn’t agree. He could have let Lucy Gray go. He had so many chances to learn to love—truly love. But everytime, he chose power and control over human beings which evokes within us a frustration and anger. There is definitely nuance here: Gaul’s manipulations and his own trauma. However, this doesn’t justify his actions especially in the third act of the novel. But it doesn’t make it any less tragic to see someone with the capacity for goodness go down the wrong path. Snow wasn’t destined for this. It was of his own agency combined with some other external factors (to a lesser extent) that he ended up where he did. And when you understand this, and his agency within his actions, it makes him all that much more horrible when we see him in the trilogy.
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aliensupastar · 6 months
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mikey is canonically a scorpio, but i choose to believe that carmy is a cancer and sugar is a pisces
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aliensupastar · 6 months
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MILES TELLER as LT. BRADLEY 'ROOSTER' BRADSHAW in TOP GUN: MAVERICK (2022)
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aliensupastar · 6 months
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thank u sm for your kind words on this part + previous parts !! 🥹🥹 the support means so much
i wouldn’t ask you
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Rating: Mature
Pairing: Carmy Berzatto/GN!Reader
Word Count: 2.1k
Summary: You try to break your promise. Carmy won’t let you. Follow-up to “shouldn’t feel like a crime”
Part I Part II
Warnings: angst, hurt/comfort, fluff, depiction of an eating disorder, food issues, heart-to hearts, arguments, swearing
A/N: once again, thank y'all so much for the love on parts one and two of this fic, it brings me so much joy!! also, im terribly sorry for how long it took to write this. school happened and i think it got away from me a little bit, i did a lot of rewrites, and it's shorter than i'd like it to be but it’s something i’m finally satisfied with, and i hope you guys enjoy it! to anyone who’s sent me asks, left comments or replies telling me they connected with this fic, i hope it continues to bring you comfort as it has for me. i can’t express to you enough how much all your responses have meant to me. this will be the last part for this lil series, but im grateful to anyone who’s read n supported it. title insp by "i wouldn’t ask you" by clairo, gif by riickgrimes <3
Logically, you know that healing — if that’s what you could call what you were trying to do — isn’t linear. You’ve heard it a thousand times, and on some level, you know it’s true. Knowing it doesn’t stop the shame you feel when you start skipping the train, opting instead to walk, or on shittier days, run to work. 
At first you thought you’d been able to escape the anxiety that came with eating anything you didn’t know the exact calorie count of, that you’d been able to eat Carmy’s spaghetti without complication. In retrospect, it had merely been delayed, the calm and warmth afforded to you by Carmy’s presence wearing off as soon as you’d gotten into bed that night; you’d laid awake for another hour, paralyzed by your own panic. 
The only solution you found fit was to force yourself into physical activity, making your travel to and from work ten times more miserable, waking up an hour and a half earlier than usual just to get to the restaurant on time and still have ten minutes to freshen up and change into your uniform. You at least managed to make the change in your routine go unnoticed, still looking presentable once it was time to open for service, or at least you thought so. 
“Did you run here?” Sydney asks one morning, spotting you right as you clocked in and rushed to your locker to pull out your uniform. 
“Uh, yeah, I did.” You’re a little too breathless to come up with an excuse, to properly deflect her concern and surprise. 
“Okay…” She watches as you shove your other belongings into the locker space haphazardly. “Does that, like, happen often, or-“
“No,” You say, too quickly, shaking your head. “Just, uh, don’t tell Carmy?” 
You look up at her, eyes pleading, hoping she accepts this one request without question, hoping she can disregard something just this one time. 
“Tell Carmy what?” Hearing your boss’s voice makes you jump in shock, as he comes around the corner and spots you, hair messy and sweat still dripping down your temple. 
Your skill for being unnoticeable is escaping you, that much is clear. You’re essentially caught red-handed, a deer in headlights, eyes bouncing between Sydney and Carmy as you struggle to come up with something, anything to respond with. But Sydney swoops in just seconds after you freeze, granting you mercy, this one time. 
“Tell you to mind your own business, chef,” She says, her tone light-hearted so that you know to force out a laugh, and Carmy takes it. He gives a half-smile and shakes his head, heading over to his prep station and as soon as he’s out of sight, you look back at Sydney. 
“Thank you,” You whisper as you head for the bathroom, uniform in hand, and she nods, still looking concerned but thankfully, dropping it. 
Carmy’s the one who won’t drop it. It stays on his mind all day, even after you’ve changed clothes and fixed your hair and erased any trace of the mess you looked that morning; every free moment he has, he spends thinking of you. 
He wants to believe that you’d simply missed your train. An innocent, easy mistake. But the way you avoid meeting his eyes during service hours, no matter how many times he tries to get your attention, or get you to just look at him and confirm that you’re okay, tells him it’s more than that. 
He rushes through closing duties that night, just to make sure he’s good to leave before you finish closing up the front with Richie. He waits, sits in his office chair pretending to be busy until he sees you heading for the lockers, ready to clock out, and then moves to lean as casually as possible against the doorway. 
“You want a ride home?” He asks, interrupting you as you pull clothes out from the locker; the clothes you were wearing this morning, he realizes, a sweatshirt and biker shorts. Like you expect to break a sweat on the way home, too. 
“Nope. Thank you, chef, I’m good.” You barely even look over at him as you say it, and Carmy has to stop himself from making a face, making his displeasure visible. 
“I really don’t mind,” He tries again, but you just close your locker door and shake your head, ready — and desperate — to change out of your uniform in the bathroom before it’s time to lock up. You put on what you hope is an easy smile, but it comes off tense.
“I’m okay, Carm, really. It’s not like it’s raining-“
“Chef,” He interrupts you, suddenly stern. “C’mon.” 
He nods his head motioning for you to follow him, and it’s clear from his tone that there will be no room to argue. 
You trail behind him while he locks up, and on the way out to his car, you can feel that frustration building up inside you again. The same resentment and irritation you felt in the hospital, when he wouldn’t take your bullshit excuses in the same way that nurse or your other coworkers would, it rises and rises till you’re gripping your backpack strap a little too tight and shutting the car door a little too hard. 
You’re grateful, at the very least, that he says nothing when tears start to spill out and down your face as he drives you home. 
You sit in silence for a minute when Carmy pulls into your building’s parking lot. You can’t bring yourself to leave at first, part of you still craving to savor his presence for as long as you can, even if the other part of you is too angry to even look at him. 
“You wanna talk?” He asks quietly. 
“Nope.” His question is enough to set you off, pushing the car door open and furiously wiping away your tears as you haul yourself out. 
Logically, Carmy knows it might be best to leave you alone for tonight. Let you calm down and attempt reconciliation tomorrow morning. Knowing it doesn’t stop the feeling that he can’t just leave you alone, and let you walk away upset. 
“Hey,” He calls out, opening his own door and moving to follow you. “C’mon-“
“Fuck you, Carmen.” You spit out. 
He’s undeterred, even if you don’t turn back to face him once, refusing to acknowledge him tailing you the entire way up to your apartment. 
You don’t tell him to leave you alone, to stop following you, to fuck off. You don’t even slam your front door in his face like he half-expects you to. Instead it hangs open as you storm into your living room, a silent invitation. An invitation Carmy doesn’t hesitate to accept, stepping through your door and carefully closing it behind him. 
He’s still wracking his brain on what to say, clueless on how to stop the tears flowing down your face as you toss your backpack down and meekly lower yourself to sit on the floor between your couch and the coffee table, knees pulled into your chest. 
“Will you just fuckin’ talk to me?” He finds himself pleading with you again after a minute, but his helplessness in the face of your distress makes his words come out callous, and you just scoff. 
“Don’t be a dickhead, Carmy.”
“I’m a dickhead? I-I’m the dickhead, for giving a fuck?” You lift your head to glare at him, and you can see that he wants to match your anger; all the tell-tale signs of an upcoming screaming match appearing in his features, scrunching up his face as he repeats your words back to you, and you know you’re not being fair. You promised him you’d let him in, allow him to help stop you from going off the deep end again, and yet you’re the one resisting him. You wish he’d let the frustration on his face overtake him, walk out your door and leave you alone with your mind. 
He doesn’t, no matter how much you will him to. His eyes meet your own, filled with misplaced ire, and all he does is lean his head back and sigh, running a hand over his face and forcing himself to curtail the urge to give in to your bait. 
“You don’t wanna talk, I’ll talk,” He starts tentatively, before saying maybe the last thing you’d expect: “I’m sorry.” 
Your narrowed eyes widen, the contempt in them turning to pure shock, but he barely notices. 
“I didn’t mean to- if I went too far, the other day, with the spaghetti. I didn’t mean to set you off like that. I’m sorry.” The absolute sincerity in his voice as he apologizes for something you know isn’t on him — it’s too much. 
You’d love to pass the blame off on somebody else. If you could find a single other person to hold accountable for causing the near-constant state of discomfort that you’ve been stuck in for weeks, the distress of living in your own body, you think you’d jump at the chance. But you can’t bring yourself to do it to the one person who’s offered to take the fault away from you, because even now, after you’ve lashed out at him, he’s deliberately gentle with you. 
You can see Carmy is ready to move towards your front door, you’ve sat here for too long without giving him a response, weeping silently. And maybe that would be the right thing to do after breaking your promise, letting him worry over you till he thinks he’s the one who owes you an apology. But selfishly, you reach up and grasp his arm before he can even turn to leave, gently tugging him down to sit with you, and he lets you. 
“I’m sorry,” You start once he’s settled next to you, your voice still thick with tears. “I know what we talked about in the hospital. I haven’t been- I fucked all that up, I know, I’m sorry.” He’s shaking his head, looking like he wants to refute you, but you continue on.
“I just… I’m so fucking scared,” You nearly choke on your words, but it’s a relief to get them out, and suddenly you can’t stop the rest from spilling from your mouth. “I’m scared of getting better. I can’t stand the thought of it, I don’t even- I don’t know what I’d be for, if I wasn’t like this all the time. And it’s fucking embarrassing. That’s all I feel, all the time, just- constant fear, and shame. I can’t fucking stop myself.” 
You take a pause, doing your best to breathe deep and avoid Carmy’s intent gaze, so you don’t lose your nerve.
“We were good, for a bit, and I wasn’t so… out of control. But then I fucked it, and I-I couldn’t just, tell you. Felt like, for once there was someone who understood, and I just wanted to keep the rest of it out of sight, I guess.” 
It’s the most you’ve expressed to anyone about this. You think maybe you’ve gone too far, that maybe now you’ll have alienated the one person you’ve been honest with in years. But when you finally look up at Carmy, he’s nodding thoughtfully, no trace of judgment or pity in his expression. 
“I don’t.” He says carefully. “I don’t really understand. I-I don’t think I could, uh-” He pauses, clasping one hand over the other tightly, like it pains him to force his words out, too. “I guess, growin’ up, food was basically a love language. It was how I bonded with Mikey, it’s why I wanted to do this job in the first place. So, to avoid food… I don’t think I can imagine what that’s like.” 
All you can do is nod. You shouldn’t have made him listen to you vent your emotions, you should’ve let him walk out your door-
“But, I’d like to try. If that’s what you want.” He says, interrupting your spiral. “I just need to know you’re safe. Shutting me out like this – it’s bullshit. I’m not gonna just- stop caring. Even if it’s ugly. Just don’t shut me out.” 
His earnestness practically shoots you in the chest, filling you with that warm, familiar feeling that usually comes with his presence. You want to push against it, you haven’t earned it back, it’s too damn much.
“Even if I… end up in the hospital again?” You say, trying to keep your tone light, but you can’t keep the pleading out of your voice. 
“I’d drive you to the hospital a hundred times.” Carmy replies, completely genuine, and now you can’t push back against the urge to throw your arms around him, burying your face in his chest. 
You don’t know how long you sit there, on the hard floors of your living room, arms tight around each other, breathing together. All you know is that you don’t want him to leave; he makes no move to go. 
a few people asked to be tagged on this part, so here you go! @rexorangecouny @moonlight-sonata99 @kpopgirlbtssvt
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aliensupastar · 6 months
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