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yuuki101percent · 8 years
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*Watches an interview with Rebecca Sugar on SU*
Daww this is cu-hey wait whats that on the shelf there?
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IS THAT PENGUINDRUM FIGURES??
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OMFG
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yuuki101percent · 8 years
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少女革命ウテナ/わたし革命ファルサリア<<起源譜>>
http://www.amazon.co.jp/dp/B01ANHOQ2C/
少女革命ウテナ/わたし革命ファルサリア<<変身譜>>
http://www.amazon.co.jp/dp/B01ANHORM6/
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yuuki101percent · 9 years
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When I was working on ‘Alone Together’ over a year ago I remember being struck with a REALLY dire need to draw Stevonnie in an Utena Duelist uniform… Anyway I recently found the sketch I did of it so I cleaned it up and here it is. I hope someone understands this. 
( Also thanks everyone for your kind messages, I don’t have time to reply to all of them but I appreciate them so much! )
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yuuki101percent · 10 years
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A million thank you’s to my lovely scottiexiggy for giving me this rad Utena poster for my birthday , which was made by super talented irishais ! Best birthday ever ^o^
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yuuki101percent · 10 years
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Utena fan art!!!
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yuuki101percent · 10 years
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Anyone else crazy about Mawaru-Penguindrum? I loved it…
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yuuki101percent · 11 years
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The results for Good Smile Company’s scale figure photo-contest were announced earlier today, and much to my surprise, my picture actually won a Jury Prize! I’m so glad! Here’s the photo though. I will upload it to MFC tomorrow.
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yuuki101percent · 11 years
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Aomori Elegy
Aomori Elegy 
Kenji Miyazawa, 1923
Note: This was written by Miyazawa after losing his younger sister, and it’s probably the poem of his that has the biggest influence on Penguindrum’s themes and imagery. It’s long, so I’ve bolded passages that I find partricularly relevant, but please read it all the way through. It’s absolutely heartbreakingly beautiful.
  When going through fields on a dark night like this
The windows of train cars become windows in an aquarium
                (Rows of dry telegraph poles
                Seem swiftly passing by,
                The train in the galaxy’s luminous lens
                Is running through a big hydrogen apple)
It is running through an apple
But where in the world is this station?
A fence of burnt railroad ties lined up
                (Night’s silence, August’s agar)
A row of poles with crossbars
Is made only of dear old penumbras
Two yellow lamps lighted, and
The tall and pale stationmaster’s
Brass baton cannot be seen,
His shadow too cannot be seen
                (The university assistant in entomology
                Within such liquid filling the interior of the train car
                With a tangle of lusterless, red hair
                Is dozing leaning on a valise)
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yuuki101percent · 11 years
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チヨウ
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yuuki101percent · 11 years
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During the Rose of Versailles, by wearing the uniform, Oscar hid her own body line - her own femininity. But now, times have changed. Even though it’s not yet a world where all women are free, this costume might allow her the chance to be a “woman.” We’re trying to envision a world where a woman can decide what she does with her own body. Utena decided to show off her own beautiful legs. She’s comfortable with her own beauty. That’s the type of world we were trying to portray.
Kunihiko Ikuhara,  Animerica Extra Magazine, 2000 (via geekykristie)
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yuuki101percent · 11 years
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DREAMING
鉛筆 アクリルガッシュ Pencil,Acrylic Gouache 652×530mm
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yuuki101percent · 11 years
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Photography by Kirsty Mitchell (part of the Wonderland Series)
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yuuki101percent · 11 years
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Utena BJD - better photos! Uses Obitsu 50cm body, and set to release (sometime?) in 2013.
No official word on the price yet, but I will guess around Y60,000 ($650 USD).
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yuuki101percent · 11 years
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Art exhibition of KOBAYASHI Shichiro, the Animation series general art director of “Utena, la fillette révolutionnaire”.
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yuuki101percent · 12 years
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Starchild opened the site of Rebolutionary girl utena BD.
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yuuki101percent · 12 years
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if you’re a fan of the series, look here for the full set of 20 pictures: pixiv
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yuuki101percent · 12 years
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Mawaru Penguindrum Guide Book - Interview with Kunihiko Ikuhara (director)
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This is probably the one you’ve waited for the most, and you’ll all feel trolled because it’s so shooort, includes mostly talk about the series’ composition, and doesn’t really tell you anyhting “new” about the story. However, this is not the only Ikuhara-talk in the book, there’s still another one where he talks to author Mizuki Tsujimura, and that one is fucking long. (Actually though, the interview with Lily Hoshino, which is the next one to come, is probably far more interesting)
Also: oh god this interview is full of so many… “art”-expressions (;;°_°;;) I’ll probably edit around in this one in a few days because it was really hard for me to express it properly, even though I do understand it :x
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