your future self loves you. they will look through old photos of you with affection, not disgust, nor embarrassment. they wish they could tell you stories of your future, of how much you’ll change, of the people you’ll meet, of how you’ll eventually learn to accept yourself, then love yourself. they will read your diary entries and poems and favourite lyrics, heart aching, tears in their eyes. if only you knew...
your future self loves you. if only they could show you. they are living proof. you’ll turn out okay after all. they wish they were there to console you, dance with you, and make you write it a hundred times: “I AM LOVED”. they will listen to playlists you made, just to experience you again. they will write you a letter - of forgiveness, longing, reassurance. you will never read it. but you will know.
Knives Out hints at the self-righteous Thrombeys’ racist views of Latino people and immigrants in general well before they target Marta and threaten to have her mother detained. In the film’s early flashbacks, the Thrombeys each referred to Marta’s country of origin as a different place. To one, she was a lovely young woman from Ecuador; to another, Marta hailed from Paraguay. Their cluelessness is played for comedic relief as the film’s tension builds, and Johnson’s message is clear: The Thrombeys’ ignorance is the joke, not Marta’s heritage.