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writer-s-a-tyler · 6 days
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WRITE IT!!! WRITE THAT SELF INDULGENT SHIT!!!
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writer-s-a-tyler · 12 days
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writer-s-a-tyler · 19 days
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I’m in my first ever semester of community college, I was super nervous the first day but seeing your quote helped me calm down. Thanks for being quotable I guess
I'm glad I was there.
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writer-s-a-tyler · 20 days
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Honestly? My main piece of advice for writing well-rounded characters is to make them a little bit lame. No real living person is 100% cool and suave 100% of the time. Everyone's a little awkward sometimes, or gets too excited about something goofy, or has a silly fear, or laughs about stupid things. Being a bit of a loser is an incurable part of the human condition. Utilize that in your writing.
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writer-s-a-tyler · 2 months
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the point of creating is not to create something that has never been done before. it is to take an idea, explain it your way, and put it out there for people who are experiencing that idea for the first time. to those people, your version of The Idea is now their touchstone. they cannot judge you based on what came before, but they may judge all others by you
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writer-s-a-tyler · 2 months
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writer-s-a-tyler · 4 months
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So for over a month and a half I’ve been told in my Creative writing MA class that my writing is too poetic and abstract to work in the form of a novel and that I need to simplify my meanings and sentences. I did as I was told and lost all interest in writing if I have to write in the same style that every other novelist does. Today I received this note from a classmate and didn’t realise how much I needed to hear it. Don’t change your art just because other people don’t get it. Don’t change your style to fit in with everyone else. It’s your story not theirs.
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writer-s-a-tyler · 8 months
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writer-s-a-tyler · 8 months
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writer-s-a-tyler · 8 months
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writer-s-a-tyler · 8 months
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that moment when you have ONE specific scene in your brain and absolutely nothing surrounding it and you want to write it but it's TOO SHORT to be anything but you can't figure out what comes before and after so you just have to sit there and let it live in your brain
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writer-s-a-tyler · 8 months
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I keep seeing people making fun of using growled, hissed, roared, snarled etc in writing and it’s like.
have you never heard someone speak with the gravel in their voice when they get angry? Because that’s what a growl is.
Have you never heard someone sharply whisper something through the thin space of their teeth? Or when your mother sharply told you to stop it in public as a kid when you were acting up/being too loud? Because that’s what a hiss is.
Have you never heard a man get so blackout angry that their voice BOOMS through the house? Because that’s what a roar is.
Have you never seen someone bare their teeth while talking to accentuate their frustration or anger while speaking with a vicious tone? Because that’s what snarling is.
It’s not meant to be a literal animal noise. For the love of god, not every description is literal. I get some people are genuinely confused, but also some of these people are genuinely unimaginative as fuck.
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writer-s-a-tyler · 8 months
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You can analyze your favourite writers' techniques. You all know that right?
When you read a book or fic or whatever and are blown away by how amazing the writing is you can just go, "huh, how is the writer doing this? what things are they doing to get this affect?"
And if you can't figure it out you are allowed to google it. Check out YouTube videos, blog posts, and the wealth of posts on Tumblr even. If the writer is famous enough there might even be full-length academic papers on Google Scholar or JSTOR, or even 100+ page published books dissecting their style (Tolkien, for example, if you like his style). If you still can't find the information, ask someone. Ask more experienced writers or writers who write in a similar style. Ask writing advice blogs/channels. Ask the writer/author themselves.
And if you still can't figure it out, you can keep trying things and reading similar stuff, observing until it clicks.
I just say this because, well, reading someone else's writing and feeling like yours is horrible in comparison is pretty much a universal writer experience. I see a lot a posts on Tumblr offering encouragement like, "it is okay if you writing isn't like theirs, you just have different strengths," and "actually your writing is better than you think it is, you've just been staring at it too long." And these are valid.
But also, just because you can't write like that now doesn't mean you can't learn. You don't have to resign yourself to a particular style just because it comes easier to you. It is completely okay to be happy with the style you have, but it is also okay to not be happy with it and wish you could write like your favourite writers instead.
Just... when you get that, "oh my gosh, I will never be as good as them," feeling, maybe try figuring out what it is they are doing that you like so much. Maybe being patient with yourself doesn't mean accepting that this is your best work. Maybe it means accepting that this isn't and that it will take time, knowledge, and practice to get there. But you will, you just have to keep trying.
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writer-s-a-tyler · 8 months
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reminder to worldbuilders: don't get caught up in things that aren't important to the story you're writing, like plot and characters! instead, try to focus on what readers actually care about: detailed plate tectonics
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writer-s-a-tyler · 8 months
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Every movie makes it look so easy to snap someone's neck by twisting their head really fast and hard, and it's used all the time, but it can't possibly be that easy or effective can it? It's not like every Joe Schmoe on the street can start going around snapping necks can they? They also love to have people snap necks between their thighs, I imagine that's even harder and less likely to work.
So, breaking someone's neck with your bare hands basicallyisn't a thing. Actually breaking your neck doesn't take a lot of force, but the whole neck snap thing takes an absolutely comical amount of force to work, and even if it did, it wouldn't necessarily be lethal. The idea is that it severs the spinal column or the brain stem, but in practice, all you'd be able to do is abuse some dense muscles and ligatures.
This is a real risk in auto accidents, particularly if the victim isn't properly belted, but the version you see in films is pure fiction.
Choking someone out is a lot more viable. This can either come from asphyxiation, or from obstructing blood flow to the brain. The former is slow, and is likely to cause the victim to panic while they slowly lose consciousness. The latter (sometimes called a blood choke, or triangle choke) can quickly lead to death, as you starve the brain of oxygen by cutting it off after it's been absorbed by the body. You do sometimes see these in film, though the amount of time needed to subdue someone is hilariously abbreviated. If you're just choking someone, that will take minutes before they'll lose consciousness, and they're going to seriously start to freak out once they realize they can't breath. Blood chokes, as mentioned earlier, are faster, but you're still looking at a long time in a fight.
Neck snapping with the thighs is about as plausible as the neck twist. Choking someone out with the thighs is slightly more credible. Legs can be used in submission holds while grappling. But, if we're being honest, I think we all know that this isn't used because it's realistic, it's the sex appeal. Without speaking from personal experience, I suspect thigh chokes are harder to get out of, simply because your legs are significantly stronger than your arms, but I'm speculating.
Also, importantly, suffering a broken neck isn't (usually) going to be immediately lethal. As mentioned earlier, unless the spinal chord is severed or the brain stem is damaged, they'll survive. This may result in a life altering injury, but it's not going to be an, “oh, they're instantly, and quietly, dead.”
I remember running across a news report, when we last covered this, where a couple of teens had decided to kill someone by snapping their neck. The victim ended up with some soreness in their neck, and the teens went away for attempted murder. Moral of the story, this doesn't work.
-Starke
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writer-s-a-tyler · 8 months
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Hello Mr. Gaiman. Recently I have failed to accomplish a life-long goal that cost me a lot of effort and time I won't get back. I don't want to go into details, I just want to know if you have some words of solace or comofrt for this poor soul.
The best comfort I can give is that most of the good things that have happened to me were preceded by awful, terrible things I wouldn't have wished upon an enemy. And if the bad things hadn't happened, the good things couldn't have happened either. I'm not saying "Cheer up, things always work out for the best" or anythng like that. But life, in retrospect, is an odd thing, and looking back I'd even keep most of the bad bits.
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writer-s-a-tyler · 8 months
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Building a fantasy world is like being the world's most specific historian.
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