weregonnagetyou - Tumblr blog

weregonnagetyou · 14 hours

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send "you're the prettiest thing i've ever seen." to see my muse's reaction. ♡ [feel free to add context / actions / other dialogue as needed.]

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weregonnagetyou · 15 hours

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HEROIC INTERVENTION. ( A PROMPT LIST! )

so i was writing this headcanon for one of my characters, and it got me thinking about how some characters are absolutely, to their very core, protectors, and even then they still need protecting! so i made this list which is similar to about five other memes i've made. feel free to add a "reverse" if you so wish! DO NOT ADD TO THIS LIST NOR CLAIM IT AS YOUR OWN. THANK YOU.

FROM THE SENDER TO THE THREAT:

[ TO THE THREAT ]: " is there a problem over here? "

[ TO THE THREAT ]: " can i help you with something? "

[ TO THE THREAT ]: " i think it's time you were leaving. "

[ TO THE THREAT ]: " why don't you and i go outside for a sec? "

[ TO THE THREAT ]: " you wanna tell me why you're hassling my friend? "

[ TO THE THREAT ]: " you better start running before i really get pissed. "

[ TO THE THREAT ]: " i'm sure there's a rational explanation behind you upsetting this person? "

[ TO THE THREAT ]: " i hope you're not thinking of staying here a moment longer. "

[ TO THE THREAT ]: " get out. "

[ TO THE THREAT ]: " right, either you leave or i kick you out. your choice. "

[ TO THE THREAT ]: " i think it's fairly obvious my friend doesn't want anything to do with you, don't you? "

[ TO THE THREAT ]: " leave them alone. now. "

[ TO THE THREAT ]: " didn't you hear them? back off! "

[ TO THE THREAT ]: " don't even think of pretending you didn't hear me the first time: leave! "

FROM THE SENDER TO THE RECEIVER:

[ TO THE RECEIVER ]: " hey, are you okay? "

[ TO THE RECEIVER ]: " don't worry. i'll take care of this. "

[ TO THE RECEIVER ]: " why don't you go on out back? i got this, it's okay. "

[ TO THE RECEIVER ]: " here. you go on into the car, alright? i'm right behind you. "

[ TO THE RECEIVER ]: " is this person bothering you? "

[ TO THE RECEIVER ]: " it's okay. hey, hey… look at me. they're gone. "

[ TO THE RECEIVER ]: " hey… what's going on? what's wrong? i… has this person said something to you? "

[ TO THE RECEIVER ]: " it's alright. the others just went out to the car; why don't you join them? i'll handle this. "

[ TO THE RECEIVER ]: " hey, hey… talk to me, huh? what's the matter? you look like you've seen a ghost… who was that? "

[ TO THE RECEIVER ]: " don't be scared. i'm going to take care of this. i promise. "

[ TO THE RECEIVER ]: " you don't need to say anything. just nod if you want me to kick them out, okay? "

[ TO THE RECEIVER ]: " you're alright. i'm right here, don't worry. and they'll be gone before you can blink, that's another promise. "

ACTIONS:

[ HAND ]: sender, having seen the receiver's encounter with the threat, gently takes the receiver's hand to assure them they aren't alone.

[ INTERVENE ]: sender wordlessly steps in between the receiver and the threat, facing the threat while shielding the receiver from them.

[ BLOCK ]: sender steps in between the receiver and the threat, this time facing the receiver while turning their back to the threat and blocking them from the receiver's line of sight.

[ BACK ]: sender places a protective and gentle hand on the receiver's back, preparing to guide them away from the threat.

[ DOOR ]: sender firmly but politely insists that the threat leave the building, and escorts them out of the door.

[ EXIT ]: sender physically catches hold of the threat and drags them away from the receiver, and outside of the building.

[ PUSH ]: sender places a careful hand on the threat to keep them at arm's length, and steps forward again to give the receiver more space between them and the threat.

[ SHOVE ]: sender runs over and forcefully shoves the threat back and away from the receiver.

[ SPACE ]: sender pushes between the receiver and the threat and begins to move forward, invading the threat's personal space as both a means of intimidation and a way of getting them away from the receiver.

[ DIVERT ]: sender arrives behind the threat and gains their attention, distracting them from the receiver so as to give them time to leave the area.

[ CLEAR ]: the sender firmly and clearly tells the threat that they are no longer allowed in the premises nor anywhere near the receiver.

[ ARM ]: sender wraps a protective arm around the receiver and guides them away from the threat and out of the premises.

[ PUNCH ]: the sender, having seen the receiver's reaction to the threat and the threat's lack of consideration, moves forward and punches the threat in the face.

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weregonnagetyou · 15 hours

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𝐍𝐎𝐍 𝐒𝐄𝐗𝐔𝐀𝐋 𝐀𝐂𝐓𝐒 𝐎𝐅 𝐀𝐅𝐅𝐄𝐂𝐓𝐈𝐎𝐍

[ 𝐓𝐎𝐔𝐂𝐇 ] My muse gently touches a bruise on your muse’s body.

[ 𝐁𝐑𝐔𝐒𝐇 ] My muse brushes a strand of hair out of your muse’s face.

[ 𝐋𝐀𝐔𝐆𝐇 ] My muse attempts to make yours laugh when they are sad.

[ 𝐖𝐀𝐑𝐌𝐓𝐇 ] My muse wraps yours in a warm blanket.

[ 𝐁𝐎𝐎𝐏 ] My muse pokes your muse’s nose.

[ 𝐈𝐍𝐓𝐄𝐑𝐓𝐖𝐈𝐍𝐄 ] My muse intertwines their fingers with yours.

[ Cuddle ] My muse cuddles up in bed to yours.

[ 𝐆𝐔𝐀𝐑𝐃 ] My muse sits by your muse’s bedside while they are sick/hurt.

[ 𝐃𝐀𝐍𝐂𝐄 ] My muse takes your muse’s hand and slow dances with them.

[ 𝐖𝐄𝐓 ] My muse helps yours out of sopping wet clothes.

[ 𝐒𝐓𝐑𝐎𝐊𝐄 ] My muse gently runs a hand over your muse’s back.

[ 𝐇𝐔𝐆 ] My muse hugs yours tightly.

[ 𝐒𝐇𝐈𝐄𝐋𝐃 ] My muse steps protectively in front of yours.

[ 𝐇𝐎𝐋𝐃 ] My muse holds yours while they cry.

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weregonnagetyou · 18 hours

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Evil Dead (2013) dir. Fede Álvarez

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weregonnagetyou · 18 hours

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Evil Dead (2013) dir. Fede Álvarez

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weregonnagetyou · 18 hours

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A FAREWELL TO ARMS EVIL DEAD II (1987) dir. Sam Raimi EVIL DEAD (2013) dir. Fede Alvarez

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weregonnagetyou · 18 hours

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Evil Dead heroes with chainsaws.

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weregonnagetyou · 18 hours

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EVIL DEAD (2013) dir. FEDE ALVAREZ

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weregonnagetyou · 18 hours

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#{fc}

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weregonnagetyou · 18 hours

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#{fc}

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weregonnagetyou · 18 hours

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#{fc}

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weregonnagetyou · 20 hours

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Send me 🛌 to crawl into bed with my muse!

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weregonnagetyou · 21 hours

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PROMPTS FOR THE FORCED PROXIMITY TROPE * assorted dialogue for the moments and circumstances that force two characters to spend time together, adjust as necessary

who said i agreed to any of this?

i said i would help you. i didn't say i would be nice to you while i'm helping you.

you scratch my back and i'll scratch yours.

oh no. don't tell me it's locked.

i was hired to protect you. that's my job.

i'm actually starting to tolerate you, believe it or not.

i don't want to be stuck here with you.

i'll work with anyone but you.

i'm not letting you sleep on the floor.

they're forcing me to work with you and i don't like it.

how long do you think we'll be stuck here?

is that the only tent we have?

i think we're snowed in here. we'd better find a way to stay warm.

it's going to take a few days for them to reach us.

you sleep in that room, and i'll take this one.

you can't get rid of me that easily.

i'm just going to come right out and say it - i hate being here just as much as you do, but we have to make this work.

don't get any ideas.

i'm going to see if they'll switch my room.

until you came along, i had this under control.

if we're going to survive this, we'd better work together.

why did they sit me next to you?

i'd like to be as far away from you as possible.

out of all the people in the world, i had to get stuck with you.

guess you're just gonna have to get over it.

i thought you were worse than this.

i'm not going anywhere, and neither are you.

you're not exactly my favorite person to be around.

well, get used to it. i'm not leaving.

i told them i don't need a bodyguard.

i never wanted to spend this much time with you.

all this time spent together has really opened my eyes.

you're not as bad as i thought you were.

we might as well try to get along.

i guess i should learn a little bit about you.

i think that means we're the only ones left.

there's no way i'm sharing a room with you.

you again? i've seen enough of you already.

i thought [name] was coming. why are you here?

they're counting on us to save them.

since we'll be here for a while... might as well make the best out of it.

i think we can set aside our differences for two minutes and work this out.

honestly, i think i was wrong about you at first.

there's absolutely no way i'm working with you.

fine, but you're sleeping on the floor. i'll take the bed.

as your bodyguard, i'm supposed to stay with you at all times.

i think we're snowed in for a while.

you could always sleep on this side of the bed.

we have to at least pretend we like each other.

the whole point in having a bodyguard is for me to keep you safe.

i don't like asking for your help, but here i am, asking.

you and i are the only ones who can deal with this.

you don't have a say in the matter.

looks like we're stuck here.

just sleep in the bed with me. i'll even make a pillow wall between us.

i'm not sharing a tent with you.

i need you to stay out of my way.

could you at least "guard" me from over there? why do you have to stand so close?

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weregonnagetyou · 21 hours

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🐝 * ― 𝑵𝑶𝑵-𝑽𝑬𝑹𝑩𝑨𝑳 𝑨𝑵𝑮𝑺𝑻 𝑷𝑹𝑶𝑴𝑷𝑻𝑺. ( some triggering content ahead. add " + " to reverse the action. )

[ wipe ] sender wipes away receiver's tears [ hurt ] sender hurts receiver with words [ lonely ] sender finds receiver alone in a dark room [ wounded ] sender patches up receiver's wounds [ crying ] sender finds receiver crying [ help ] sender runs to receiver when they scream for help [ nightmare ] sender wakes receiver up from a nightmare [ dying breath ] sender talks to receiver before dying [ hold on ] sender pulls receiver into their arms [ anger ] sender takes their anger out on receiver [ argue ] sender gets into a heated argument with receiver [ scared ] sender scares receiver [ sick ] sender cares for receiver while they are sick [ palm ] sender places a hand on receiver to stop them from doing something [ fight ] sender gets into a physical fight with receiver [ comfort ] sender tries to comfort receiver [ blood ] sender notices that receiver is bleeding [ collapse ] sender collapses into receiver's arms [ pressure ] sender puts pressure on receiver's wound [ slap ] sender slaps receiver in the face [ panic ] sender helps receiver through a panic attack [ lie ] sender catches receiver in a lie [ sobs ] sender sobs uncontrollably while receiver holds them [ hiding ] sender finds out that receiver has hidden an injury from them [ death ] sender just died, receiver finds out [ chin up ] sender lifts receiver's chin to stop them from hiding their tears [ fears ] sender talks to receiver about their fears [ scream ] sender screams at receiver [ coping ] sender teaches receiver some coping mechanisms [ loss ] sender is there for receiver after they've lost someone important to them [ needs ] sender asks receiver what they need [ bullet ] sender takes a bullet for receiver [ bruises ] sender finds bruises of unknown origin on receiver [ rainfall ] sender finds receiver out alone in the rain [ hospital ] sender wakes up in a hospital bed and finds receiver sitting by their bedside [ intrude ] sender walks in on receiver treating their wounds [ calming ] sender tries to calm down receiver [ inspection ] sender holds receiver's face while inspecting an injury they got [ rescue ] sender carries receiver to safety [ clean ] sender cleans blood off of receiver's body

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weregonnagetyou · 23 hours

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Evil Dead fandom gonna be eating good. We got 2 new movies in the works. Let's hope we can keep our streak of having zero bad movies 🤞

#{out of the cellar}

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weregonnagetyou · 1 day

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I might do an evil dead marathon today :)

#{out of the cellar}#[i started a childs play one last weekend but only watched the first one and remake]#[now i'm feeling a little deaditeish]

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weregonnagetyou · 1 day

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| for killmenots

Mia took a sip of her water before shoving the bottle back into her bag. With an annoyed sigh, she kept walking. She did her best to avoid tree roots and rocks. Mia was not a hiker and after everything that happened at the cabin, she definitely was not a fan of the woods. But she had to come out here to find something.

Using her one hand to lean on a tree for a moment, she looked up. It was going to get dark soon. Being out here at night would be worse than the day.

Looking ahead, Mia noticed some structures through the trees. She headed towards them. She stopped when she noticed a sign.

"Camp Crystal Lake..." She read aloud. "I've never been to summer camp."

@killmenots

#killmenots #v:{main}#[i think you said you wanted it for pamela so here you go!]#[sorry it took a minute!]#{liked for starter}

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