baby what's wrong, you've barely touched your 18 pounds of cokane 12 pounds of crake and 7 male stripers (diverse)

A little drawing of them. For me. As a treat

eleventh plague. emails. 

post-trimax vash meets stampede wolfwood

[ID: Black and white comic of Vash and Wolfwood of their Stampede versions. The comic starts with Wolfwood continuing off a conversation, saying “I didn’t mean t’say anythin’ bad to her. She just took it the wrong way. But anyway…” Wolfwood speaks with a hand gestured flippantly while Vash, who’s seated next to him, just listens. Vash thinks to himself, “Talks more about himself… Honest expressions… Immature, though he was pretty immature too.” He smiles and continues to think, “And yet…”

A panel of Vash’s eye directed now to the sky. He thinks, “Some things are bound to be the same with us…” He thinks of a memory, the version from Maximum of him and Wolfwood, back shown as they chatted underneath two moons, one moon with a hole through it. Vash continues, “Isn’t that right, W-“ His thoughts are interrupted by Wolfwood coming into a view, a close up his deadpan expression. Vash utters out “-olfwood..?” with a nervous expression. He starts to explain, “Um. Sorry if it seemed like I wasn’t listening, I was! So, let’s keep talking?”

Vash smiles and puts his hands together as he says, “okay?” Wolfwood glares at him with gritted teeth and Vash immediately remembers, “Right, he’s more short-tempered…” He continues to think, “Maybe Plan B works with him—“ before he’s grabbed by his coat collar aggressively and changes thoughts, “OK, never mind, brace for impact..!” But he’s surprised when he’s tugged instead, him and Wolfwood flops against the ground. Wolfwood puts an arm over Vash and says, “I don’t need to be entertained, blondie. If yer tired, we can go to sleep.”

Two close up panels of Wolfwood and Vash’s eyes looking at each other, Wolfwood taking off Vash’s glasses as he says, “Am I wrong?” Vash thinks to himself, “Actually… I was being genuine when I said I wanted to keep talking. I don’t feel tired at all. But, I think you know this body more than I do.”

Vash’s thoughts continue, “I can’t deny the me you’re fond of from being taken care of. And I could never deny your kindness. Even though…” Vash finally smiles and says, “You’re not wrong…” Wolfwood smiles back before tugging Vash closer and says, “Then, let’s sleep.” Vash asks, “Should we get a blanket?” Wolfwood asks, “Why?” before kissing Vash on the cheek, “I’ll keep you warm.” Vash puts his face into both his hands and flushes. Wolfwood smiles cheekily and asks, “What?” Vash responds, “I was caught off guard..” Wolfwood says, “You’ve said worse though.” Vash responds, “Did I…” The panel phases out and the dialogue returns to Vash’s thoughts. He thinks, “I want to stay a bit longer. Talk a bit longer.

You’re tired here too. The future is always going to be unfair to you. I want to protect you from it. I want to hold you close so you won’t go far.” The thoughts overlap the scene of Wolfwood now sleeping peacefully against Vash with an arm over him, Vash’s jacket draped against him as a blanket. Vash looks at him and a small thought bubble thinks, “He can fall asleep first…” His previous thoughts continue, “I know I can’t. I already had that chance.” A close up of Vash putting his hand over Wolfwood’s. He continues, “I wasn’t capable once, I can’t be sure I’d be capable a second time. And in a way…”

Vash’s thoughts continue with the back drop of the sky, Stampede’s sky of two moons without holes, “Some things are bound to be the same. But I know you’ll be loved again and again in a way I’d never know.” A split panel, one half contains the sleeping face of Wolfwood from Stampede, the other of Wolfwood from Trimax. In turn, the Vash lying down looking fondly at Wolfwood shifts to the post Trimax Vash while the other versions, Stampede and earlier Trimax, are faintly drawn next to him doing the same. Vash closes his eyes and finally drifts to sleep as the final text reads, “Goodnight, Wolfwood.”

Hair + Clothes swap!

Quick plaice doodle

Sometimes Reddit comments are great writing inspiration:

hot artists don't gatekeep

I've been resource gathering for YEARS so now I am going to share my dragons hoard

Floorplanner. Design and furnish a house for you to use for having a consistent background in your comic or anything! Free, you need an account, easy to use, and you can save multiple houses.

Comparing Heights. Input the heights of characters to see what the different is between them. Great for keeping consistency. Free.

Magma. Draw online with friends in real time. Great for practice or hanging out. Free, paid plan available, account preferred.

Smithsonian Open Access. Loads of free images. Free.

SketchDaily. Lots of pose references, massive library, is set on a timer so you can practice quick figure drawing. Free.

SculptGL. A sculpting tool which I am yet to master, but you should be able to make whatever 3d object you like with it. free.

Pexels. Free stock images. And the search engine is actually pretty good at pulling up what you want.

Figurosity. Great pose references, diverse body types, lots of "how to draw" videos directly on the site, the models are 3d and you can rotate the angle, but you can't make custom poses or edit body proportions. Free, account option, paid plans available.

Line of Action. More drawing references, this one also has a focus on expressions, hands/feet, animals, landscapes. Free.

Animal Photo. You pose a 3d skull model and select an animal species, and they give you a bunch of photo references for that animal at that angle. Super handy. Free.

Height Weight Chart. You ever see an OC listed as having a certain weight but then they look Wildly different than the number suggests? Well here's a site to avoid that! It shows real people at different weights and heights to give you a better idea of what these abstract numbers all look like. Free to use.

hi, i ireally love your work and i don't know if you've answered this before but, what kinds of studies do you do or how did you learn color theory? i wanna get better at rendering and anatomy but im having trouble TT TT

Hi! Long answer alert. Once a chatterbox, always a chatterbox.

When I started actively learning how to draw about 10 1/2 years ago, I exclusively did graphite studies in sketchbooks. Here's a few examples—I mostly stuck to doing line drawings to drill basic shapes/contours and proportions into my brain. The more rendered sketches helped me practice edge control & basic values, and they were REALLY good for learning the actual 3D structure behind what I was drawing.

I'd use reference images that I grabbed from fitness forums, Instagram, Tumblr, Pinterest, and some NSFW places, but you could find adequate ref material from figure drawing sites like Line of Action. LoA has refs for people (you can filter by clothed/unclothed, age, & gender), animals, expressions, hands/feet, and a few other useful things as well. Love them.

Learning how to render digitally was a similar story; it helped a lot that I had a pretty strong foundation for value/anatomy going in. I basically didn't touch color at all for ~2 years (except for a few attempts at bad digital or acrylic paint studies), which may not have been the best idea. I learned color from a lot of trial and error, honestly, and I'm pretty sure this process involved a lot of imitation—there were a number of digital/traditional painters whose styles I really wanted to emulate (notably their edge control, color choices, value distributions, and shape design), so I kiiind of did a mixture of that + my own experimentation.

For example, I really found Benjamin Björklund's style appealing, especially his softened/lost edges & vibrant pops of saturated color, so here's a study I did from some photograph that I'm *pretty* sure was painted with him in mind.

Learning how to detail was definitely a slow process, and like all the aforementioned things (anatomy/color/edge control/values/etc.) I'm still figuring it out. Focusing on edge control first (that is, deciding on where to place hard/soft edges for emphasizing/de-emphasizing certain areas of the image) is super useful, because you can honestly fool a viewer into thinking there's more detail in a piece than there actually is if you're very economical about where you place your hard edges.

The most important part, to me, is probably just doing this stuff over and over again. You're likely not going to see improvement in a few weeks or even a few months, so don't fret about not getting the exact results you want and just keep studying + making art. I like to think about learning art as a process where you *need* to fail and make crappy art/studies—there's literally no way around it—so you might as well fail right now. See, by making bad art you're actually moving forward—isn't that a fun prospect!!

It's useful to have a folder with art you admire, especially if you can dissect the pieces and understand why you like them so much. You can study those aspects (like, you can redraw or repaint that person's work) and break down whether this is art that you just like to look at, or if it's the kind of art that you want to *make.* There's a LOT of art out there that I love looking at, probably tens of thousands of styles/mediums, but there's a very narrow range that I want to make myself.

I've mentioned it in some ask reply in the past, but I really do think looking at other artist's work is such a cheat code for improving your own skills—the other artist does the work to filter reality/ideas for you, and this sort of allows you to contact the subject matter more directly. I can think of so many examples where an artist I admired exaggerated, like, the way sunlight rested on a face and created that orange fringe around its edge, or the greys/dull blues in a wheat field, or the bright indigo in a cast shadow, or the red along the outside of a person's eye, and it just clicked for me that this was a very available & observable aspect of reality, which had up until that point gone completely unnoticed! If you're really perceptive about the art you look at, it's shocking how much it can teach you about how to see the world (in this particular case I mean this literally, in that the art I looked at fully changed the way I visually processed the world, but of course it has had a strong effect on my worldviews/relationships/beliefs).

Thanks so much for sending in a question (& for reading, if you got this far)! I read every single ask I receive, including the kind words & compliments, which I genuinely always appreciate. Best of luck with learning, my friend :)

have i ever shown u people my hand sofa

More Trigun DnD AU!

was lamenting the fact that my eczema is flaring up when the thought "the itcher" popped into my head fully formed and unprompted and now i can't stop laughing