me: i need to make a playlist for velma
the playlist:
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* @crucifys , ♡ ♩
“ you investigatin’ a crime? how ‘bout prohibition. ” velma smirks at her own cleverness, meeting the others’ eye. “ or that goon’s face over there. ”
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⌛️
“ my mom had this tom cat. ”
velma’s sitting, one leg crossed over the other, thigh visible, upon a bunch of velvet cushions -- -- she’s poised with the fire of a 15th century king, backed to her neck with loyal, self - sacrificing soldiers of the nobility. THE NOBILITY OF VELMA KELLY. AND LORD KNOWS; THERE AIN’T A BETTER NOBILITY. to her left rests an ash tray -- -- heavily used, of course . . . flowers, sent by some johnny, and a pile of newspaper clippings with mentions of the KELLY SISTER SENSATION and VELMA & VERONICA BACK BY POPULAR DEMAND sprawled, chaotically, across a small side table.
she’ll talk about anything. even that goddamn cat.
a long, drawn out exhale -- like the steam engine on a rail line -- velma releases her hold. for some reason, she remembers that goddamn cat perfectly, bright as day. so many other things about her childhood . . . her floozy mother, veronica’s crying and whining, school, her dad . . . are blurry . . . but THAT CAT comes back, like he’s sitting right in front of her now. didn’t matter what she did, how she yelled, how many matches she threw off the railing . . . what the newest guy around the house screamed about. that tom cat was always sitting there on the rail at night like an unchanging gargoyle.
“ that thing was always hangin’ around our front steps. ain’t got a goddamn clue why. my mom didn’t keep house or nothin’. barely fed us. don’t know what good she had with a cat lyin’ around. ” velma’s lips purse with annoyance. those amber eyes, that matted fur. what a freeloader. “ that thing was always starin’ at me. the nights i’d get shut out he’d sit there lookin’ at me like i was the antichrist or some shit. always like he was JUDGIN’ me. like i ain’t had enough of THAT in my life without a cat doin’ it. ” velma looks to the side, shifting her crossed leg from one to the other. “ i hate cats. ”
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For every “⏳” I receive, my muse will openly talk about a bit of their backstory.
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* @shelassos , ♡ ♩
“ you the one they’re sendin’ over from paris? ”
velma’s leaning against the wall outside of the theater, enjoying her cigarette. she’s referring to the talent agent her stagehand has been yakking about, day in and day out, for the past two weeks. destined to arrive any day now. CONTRACTS FOR A WORLD TOUR. THAT COULD BE YOU, VELMA ! you know. all of that other junk that’s making velma have to suck up to the every johnny and nancy that shows their face in the place.
velma pushes herself forward, away from the wall, drops her butt on the sidewalk, and steps on it. she does a once-over of the other woman’s body. broad’s tall. nice legs . . . and some gaudy, weird looking dressage on her arms. HAS to be in the theater. she nods at her. “ got the gams of a dancer. ” god, she hated being nice.
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Velma was “raised” by a single mom —— though the term raised is used incredibly loosely. Simply put, her father, Dean Kelly, was never around, and left the home when Velma was only a little older than two years, right after Veronica was born. Velma doesn’t remember her dad well at all, with only vaguely fuzzy pictures of him in her head; he had black hair and a loud voice. Unbeknownst to Velma, too, she resembles him quite a bit.
Dean had been a bootlegger, which was the family’s main source of income —— they were very poor otherwise. After his departure from the home, Velma’s mother, Evelyn, had no way of making any money reliably. A single mother in the early 20th century of Chicago had very limited options to keep herself afloat. She managed to hold onto their home in the slums of the city through odd jobs, and, oftentimes, through soliciting sex from strange men. She was incredibly neglectful of both Velma and Veronica as a result.
Velma was, most of the time, left to her own devices. Even when Evelyn had been home, she was too busy with her newest boyfriend to pay her children much mind at all. This led to a knack in Velma for getting into trouble young, and acting out for attention —— most often this was accomplished simply through bullying Veronica, the younger of the two sisters. When that became boring, she graduated onto other kids in the neighborhood. As she grew older, she started participating in illegal acts with other children, such as vandalism or shoplifting.
Velma’s grandiose sense of self image, her insatiable desire for the spotlight, and her fascination with having money all stem from her neglectful childhood, and have played a major role in her developing narcissistic personality as a defense mechanism and trauma response. Of course, this is something that is completely hidden to her; it’s not something that she even remotely understands, or even cares to try to.
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* @feartempts , ♡ ♩
“ you got an extra smoke, johnny? ” he definitely looks like the type of guy that would have a smoke. velma’s finished her last one earlier. goddamn weekends. too many hours in between shows and rehearsals. not enough cigarettes in the world to fill the gaps.
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one of my favorite gay moments of chicago is when matron mama morton charges velma $50 for a phone call and then roxie gets offended because she overheard it but when she needs mama to make a phone call she gets charged a higher price of $100. roxie. think about why velma gets discounts
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“No I’m no one’s wife, but oh, I love my life and all that jazz.”
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velma, while i’m writing starters for people: this broad’s got on some weird shit. she out of barnum’s circus or somethin’? what the hell am i gonna say to some dame like that, huh?
me: velma, be nice. you’ve been back twenty minutes.
velma: whatever. lady’s got on some weird shit. she out of barnum’s circus or somethin’?
me:
velma: *takes drag and holds*
velma: write that
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* @mxdam , ♡
“ how many horses came outta kentucky to get your entourage here, eh ? ” velma’s noticed the other woman’s attire immediately . . . and, of particular note, her jewelry. “ you got friends here ? ” what she means is should i take note of anyone else with money with you that might be willing to pay for more than one show, but velma knows, at least with the snob crowd, shit like manners are always preferred. and so, she settles with that.
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* @despiite , for lana winters.
“ hey, you doin’ a press release or somethin’ ? ” she’s holding a marlboro between her pointer and middle fingers, pausing to take a drag. “ i got a story for you. ”
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i’m still setting up this idiot, but LIKE this if you want an insult a dialogue starter?
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‘ it wasn’t until later, when i was washing the blood off my hands that I even knew they were 𝗗𝗘𝗔𝗗. ✘ revamped 2021.
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* —— velma kelly of CHICAGO (2002). headcanon based. very crossover friendly. triggering themes may be present; viewer discretion is advised. written and adored by jenn, 21+, she/her, est.
↪ about. promo.
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