I learnt a lot about keeping a tidy document and just how important that is throughout this paper. As well as upping my skills in InDesign and Photoshop and my ability to work from home, I picked up some really key insights into document precision which I know I’ll take with me. Taking the time to clean up a document and make sure it’s clear “what’s what” makes a huge difference when viewing other people’s documents when working collaboratively.
I really value the knowledge I’ve picked up in this time and know my documents will be looking clean as from now on!
Note: Most images are psd files due to the nature of multiplying and the overlapping layers in my doc (just in case it takes a while to load).
While lockdown has done a lot of good it does make test printing difficult! I printed my brochure on A4 to check everything read well. It was only in doing this that i discovered I’d made a fatal error : I’d put my front and back cover the wrong way round. I was then able to see the relationships between each section more accurately and decided the AUT map needed to be moved and the intro needed to be correctly aligned. It was cool to see it printed and see how the food worked with my content even if this is all it will ever be.
This was a very fast implementation of a single column text box made obvious by Nadine, Carol and Paula. I found single column created a disconnect between the text and the speaker and brought too much attention to the imagery. A double column connects the speakers no matter how much text there is - speaker connected to shape and shape to text.
Shapes created in Illustrator now all have clean lines - straight vertical and horizontal where necessary compared with the handcut. Round shapes were all created using ellipse tool.
I experimented with a way to add grain to my poster without having to group all the information. I decided on creating a grain layer in Photoshop that I could multiply over my InDesign document. This texture reinforces the retro idea
I was inspired by the shapes of retro 50s/60s posters. Having done a lot of research in first year about retro design and the nostalgia it creates, I believed a poster that calls on vintage styles would reflect typography’s history within a living memory. Using colours, shapes and textures of this era gives people an immediate idea of history while contrasting with a modern san serif type that eludes to the future as well.