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Video
vimeo
CHS - HOME from Unlimited Time Only on Vimeo.
Official music video for "Home" by CHS.
chsveryhigh.com/
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CHS의 음악은 언제나 어딘가를 향해있다.
그들의 음악을 들을 때면,
때론 땡볕이 내리쬐는 드넓은 백사장이었다가, 때론 발리의 오래된 뒷골목이 된다.
지금 우리가 존재하는 이곳이 아닌
그 어딘가로 떠나는 여정이, 영화 같은 서사와 함께 펼쳐진다.
여름의 뜨거움과 푸른 바다의 시원함.
긴 겨울과 찰나 같은 봄을 지나, 오랜 기다림 끝에 만나는 눈부신 날들.
껍데기를 모두 벗어던지고 온전히 나를 드러낼 수 있는, 그런 바다.
그들이 연주하는 그 계절의 바다는 마치 오랫동안 꿈꾸고 그리워했던 유토피아인 듯하다.
[꿈에 그리던 ‘이상향’을 향해 돌아가는 여정]
그렇게 치열하게 ‘여름’을, ‘바다’를 부르짖던 그들이 불현듯 ‘HOME’을 노래하는 것은 왜일까?
떠나온 이들에게 있어 ‘고향’은 언제나 특별한 감정들을 선사한다.
오랜 시간이 지나도, 그 낯선 도시는
여전히 익숙한 공기와 바람, 그리고 이제는 흐릿해진 기억들로 가득하다.
반겨주는 이 없는 그곳이
현실을 뒤로한 채 언젠가 돌아가고픈.
한 번도 만난 적 없는 ‘이상향’의 기억으로 존재하는 것이다.
그런 의미에서 CHS에게 ‘HOME’은 곧 ‘여름’, 그리고 ‘바다’이다.
그들이 음악과 함게 향하던 그 ‘유토피아’가 바로 우리가 돌아가고픈 ‘고향’인 것이다.
그곳은 한 번도 가본적 없지만 우리 모두의 기억 속에 존재하고,
그곳엔 한 번도 만나지 못했던 그 누군가가 우리를 기다리고 있다.
그렇게 그들은 지나간 ‘여름’에 따뜻한 작별의 인사를 건네고
다시 만날 ‘바다’에 즐거운 재회의 인사를 전한다.
“Summer, we go Home”
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CHS's music always goes somewhere.
When we listen to their music,
Sometimes it is a wide sandy beach with the scorching sun,
but sometimes it becomes an old street in Bali. not where we are now.
The journey to somewhere is shown with a cinematic narrative.
The heat of summer and the coolness of the blue sea.
After a long winter and a fleeting spring, dazzling days meet after a long wait.
A sea like that where you can throw off all your shells and fully expose yourself.
The sea they play in that season seems to be the utopia they have long dreamed of and longed for.
[The Journey Back to the 'Utopia']
Why are they suddenly singing 'HOME', who were chanting 'summer' and 'sea' so fiercely?
For those who have left, 'hometown' always presents special emotions.
Even after a long time, that strange city
It is still full of familiar air and wind, and memories that have now faded.
A place where no one welcomes you
We want to leave reality behind and go back someday...
It exists as a memory of a 'utopia' that has never been met.
In that sense, for CHS, 'HOME' is 'the summer' and 'the sea'.
The 'utopia' they went to with their music is the 'hometown' we want to return to.
We've never been there, but it's there in our memories,
There is someone waiting for us that we have never met.
So they said a warm goodbye to the past 'summer'
Sending greetings from a pleasant reunion to the ‘sea’, where we will meet again.
“Summer, we go Home”
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Costume and Styling by 박현나
Directed and animated by Unlimited Time Only.
unlimitedtimeonly.com
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Video
vimeo
Jankovics Marcell: Sisyphus (1974) from Living Lines Library on Vimeo.
Academy Award nominated short film by the Winsor McCay Award winner Hungarin director Marcell Jankovics.
livlily.blogspot.com/
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Video
vimeo
Reel 2019 from Tall Glass with Ice Studio on Vimeo.
How do you like our stuff? Give Lewie (612.701.8583) or Noah (612.987.5151) a call.
"Cowboys are special"
- The Electric Horseman (Our favorite movie)
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Video
vimeo
Legal Smuggling with Christine Choy from Tall Glass with Ice Studio on Vimeo.
Academy Award nominated documentary filmmaker, Christine Choy, undergoes an adventure of wild proportions when she accidentally illegally smuggles cigarettes.
Official Selections:
Sundance 2017, 54th New York Film Festival, Guanajuato International Film Festival, Sheffield Doc Fest, Florida Film Festival, Le Cinema Club, Video Consortium, Sydney Film Festival, Twin Cities Film Festival, Sarasota Film Festival, RSC Shorts Film Fest, Dallas International Film Festival, Hamptons International Film Festival, Port Townsend Film Festival, Loft Film Fest, Philadelphia Film Festival, International Film Festival of Manhattan
Special Events:
BamCinematek Curated outdoor screening, "Movies with a View" & IFC Center screenings, "Short Attention Span Cinema: Shorts from the Sundance Film Festival"
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Video
vimeo
Fashion Visuals with 3D Scanned Models from Tobias Gremmler on Vimeo.
Fabric and skin is translated into a digital mesh that acts like a dynamic membrane between body and the surrounding space. Like fashion, it constructs/deconstructs identity and becomes a media that propagates information in form of textures, patterns and shapes. The work visualizes this underlying forces in forms of threads weaving together and tearing apart fragments of cloth and skin. Exhibited as scenographic media installation at Osage Gallery during HK|Runway.
Organised by Osage Art Foundation and The Hong Kong Design Institute, HK|Runway! is an unconventional multidisciplinary project in which fashion is redefined as multifaceted enterprise and artistic process. By juxtaposing garments, design, art, music, choreography, and architecture, HKIRunway! moves beyond the traditional givens of a fashion week-catwalks.
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Video
vimeo
共感覚おばけ from Atsushi Makino on Vimeo.
sasanomaly
sasanomaly.com/
Production company : P.I.C.S.
P.I.C.S.
pics.tokyo
Producer : Hideyuki Matsui
Director : Atsushi Makino
Assistant : Kaori Munemura
Production Manager : Narumi Kitagawa
Yayoi Ozawa
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Video
vimeo
EMUNAH from DOMCAKE on Vimeo.
+ Student Academy Award 2018 Finalist +
+ Featured on Motionographer +
+ Featured on STASH +
+ Featured on CG Bros +
+ PSIAF 2018 Official Selection +
+ Autodesk The Rookies 2018 finalist for this years 'Film of the Year - VFX Category' +
+ SVA Premiere 2018 Hollywood Screening Selection +
+ SVA Outstanding Achievement Award +
+ SVA Tech Staff Choice Award +
+ EMUNAH +
A full CGI film produced at the School of Visual Arts, class of 2018.
+ CREATED BY +
Sang Hyoun Han (a.k.a DOMCAKE)
+ SYNOPSIS +
Excessive competition between countries has created a perfect artificial intelligence. Artificial intelligence has excellent learning ability, but they have no imagination ability. Therefore, A.I. plans to steal the human’s as imagination makes everything possible. But at the same time, A.I. concludes that it is a human error as the ability can limit people due to the over imaginative mind. It makes humans to be afraid of death and leads people to believe in God which becomes a religion. Thus, A.I. creates a new religion by combining the characteristics of all gods so that every single human being can worship. All that faith has become energy sources that gives a power to A.I. to absorb the imagination ability from humans. Finally, artificial intelligence becomes perfect. In the end, the excessive desire of man toward information and technology causes the destruction of a mankind.
+ INFORMATION +
Website: domcake.net/
Facebook: facebook.com/domcakevideo
Instagram: instagram.com/dom_cake
LinkedIn: linkedin.com/in/domcake/
Visual & Music all done by DOMCAKE
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Video
vimeo
Skin for Skin from National Film Board of Canada on Vimeo.
Skin for Skin is a dark allegory of greed and spiritual reckoning set during the early days of the fur trade. In 1823, the Governor of the largest fur-trading company in the world travels across his Dominion, extracting ever-greater riches from the winter bounty of animal furs. In his brutal world of profit and loss, animals are slaughtered to the brink of extinction until the balance of power shifts, and the forces of nature exact their own terrible price.
With nods to Melville and Coleridge, directors Kevin D.A. Kurytnik & Carol Beecher have created a visually stunning contemporary myth about the cost of arrogance and greed.
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Video
vimeo
SPECTRUM from Artur Zaremba on Vimeo.
"Great work!! Thank you" - Jerry Saltz
Who is the masculine man?
SPECTRUM questions the concept of masculinity in dance and society as a whole.
In collaboration with: Jontae McCrory and Stefanos Dimoulas
Director: Artur Zaremba
Produced by: Haze Creative Collective
Director of Photography: Fergus Thom
1st AC: Julie Sande
1st AD: Steven Meiklem
Directors Notes: directorsnotes.com/2018/07/13/artur-zaremba-spectrum/
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Video
vimeo
We, fragments from RUBBISHBELT on Vimeo.
I was sitting in the den and I got up.
Then I got off the bus and went up to Berlin.
The shaman was waiting for me with his friend Smile.
We crossed the bridge to sit by the river. We walked into the green.
The white looks whiter here and now.
It astounds me yet.
The sound of footsteps below me. The trees here have a plate even though they don't move.
Sitting in the vessel's bath, waiting for the time it will flow away.
I had never seen the sky, I had never heard the sound of insects.
I have never looked through my hands.
Animation and Music by Stefano Buro
Made with Adobe AfterEffect, Adobe Photoshop, Ableton Live, Wacom Tablet, black paper and white ink.
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Video
vimeo
RUBBISHBELT - ANIMATION REEL from RUBBISHBELT on Vimeo.
2D animation by: Stefano Buro and Pierluigi Piantoni
w/
00:09 | background art: Tommaso Carozzi
00:32; 01:16; 01:22; 01:32 | background art, character: Giuseppe Pasinato
00:48 | background art, character: Tommaso Carozzi
01:08 | concept: Paolo Comparin
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Video
vimeo
DAVID BOWIE & TRENT REZNOR I'm Afraid of Americans from D O M & N I C on Vimeo.
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Video
vimeo
DECHEN from Kaukab Basheer on Vimeo.
Dechen is a Ladhaki, Tibetan Buddhist monk-in-training with a passion for gardening. One stormy night, he rescues an exquisite flower by bringing it indoors. However, despite his care and concerns, the flower inexplicably starts to fall apart and the boy struggles to accept the situation. Finally, Angmo, the head monk is forced to intervene and rescue Dechen from himself. Dechen finds peace at last when he understands how to truly save his dying flower - by eliminating the need to possess and control.
Winner of the "Outstanding Achievement in Traditional Animation" Dusty Award (2012). DECHEN premiered at the 23rd Dusty Film & Animation Festival at the School of Visual Arts Theater in NYC on May 7. This was my BFA thesis project and I was given a little over 2 semesters to work on it. The story was shaped by an experience I had while trying to get a beloved feral colony cat adopted in to a home and new surroundings.
DECHEN was animated traditionally on paper, the layouts were created out of mixed media and the animated frames were scanned and colored in Photoshop. I worked with SVA Film faculty member and noted musician, Nana Simopoulos once more to compose the overall music for the film, while my friend and professional musician, Marlon Cherry played the bells and the beautiful Kalimba. A couple of supportive and talented animation friends helped color the frames. Noted wildlife watercolorist and my drawing teacher, Deborah Ross sprinkled my credits with her lovely paintings. BFA Film Sound Design major, Steven Burgess (also a thesis student at the time) handled the sound design elements of my film. Don Poynter was my awesome thesis advisor, while dear friend and animation veteran, Howard Beckerman was the light at the end of the story-tunnel.
I could not have created and finished this film without the patience and support of my SVA teachers and supportive peers, friends, my super-patient husband and my beloved cats (both the indoor and outdoor ones).
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Video
vimeo
FRGMENTS installation (the 10 contexts) from Julien Bayle on Vimeo.
This video capture figures 10 of the contexts of FRGMENTS installation designed for four 4K screens and a specific ambisonic spatialization 6.2 sound system. The sound has been reduced to 2 speakers binaural and the video figures the whole texture for 4 screens (unfortunately recompressed by vimeo)
Here is a video captured at Julien Bayle Studio during the production time, mid september 2017.
Original video is 4x 4K video signals, which means a whole texture 15360 x 2 160.
The official website is : julienbayle.net/frgments
FRGMENTS is a real-time programmed system that displays pre-shooted video footage and then, assemble them again, sort them, cut them time-wise (scrambled playing order, unexpected time loops) and space-wise (fragmentation of the video matrix itself, unexpected collage of part of videos). It runs a specific generative narration which plays following different contexts, being able to be completely autonomous (installation version) and also controlled (live performance version). It spreads and generates sound, some parts that have been partially written using a specific set of rules and algorithms, playing with metric, bars, time and loop concepts.
FRGMENTS is inspired by the cut-up concept/technique, created by Brion Gysin and deeply applied, especially, by William S. Burroughs, but also by Tristan Tzara and his folding techniques. Since 20s, dadaists used decontextualization & reuse of pre-existing work for creating a new matter, sometimes new texts as Burroughs did, but also as Ellsworth Kelly did with his cut & re-assembled paintings. Julien Bayle made a reference to cut-up also by manipulating the name of his project FRAGMENTS by removing the « A » and by glueing the two separated parts of the word.
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Video
vimeo
Asaf Avidan // Love It Or Leave It - Official Video (WARNING, CONTAINS NUDITY) from Alteroy on Vimeo.
Directing & Editing: Asaf Avidan
Cinematography: Ori Bahat
Design & Animation by Alteroy
Producer: Adi Mahalu
Mask by Tomer Rubens
-----------------
Music credits:
Written & Composed by - Asaf Avidan
Produced By - Tamir Muskat
Arranged by - Asaf Avidan & Tamir Muskat
Recorded & Mixed by - Tamir Muskat
Mastered By Vlado Meler @ Masterdisk NYC, Assisted by Mark Santagelo
Vocals - Asaf Avidan
All Instruments - Asaf Avidan & Tamir Muskat
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Video
vimeo
Elements - Art film by Maxim Zhestkov from Zhestkov on Vimeo.
Elements is an experimental art film by Maxim Zhestkov about nature, physics, art and love. More than 2 billion elements / particles governed by tensions and forces of nature were used to tell stories and show emotions through the motion of collective behavior.
The film is a trial to explore the idea that everything around us and inside us is made from simple elements / blocks which can be arranged in complex relationships and become compound structures. We could project this idea into emotions, behaviours, thought processes, relationships, life, planets and the universe.
Design / Animation / Sound by Maxim Zhestkov.
Links:
Zhestkov.com/elements
Behance.net/gallery/56209167/Elements-Art-Film
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Video
vimeo
Parasitic endeavours (2017) from Simon Christoph Krenn on Vimeo.
Parasitic endeavours (2017)
Sounddesign by Matthias Urban (matthiasurban.com)
facebook.com/simonchristophkrenn
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