“Vampire help hotline, what can I do for you?” “I just… I miss garlic bread…”
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“Vampire help hotline, what can I do for you?” “I just… I miss garlic bread…”
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No WONDER I have back problems.. I b carrying around this BIG ass heart all mf day
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10 or 11 little ducks have been spotted crossing the dash board
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Anyone have the gif’s of the Chilean goalkeeper Christiane Endler lifting two of her teammates with ease.
I need them for um reasons lol
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I’m not bitter
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i don’t want it for their first time but i need them to bring back whatta man for them at some point.
idk - comedic c plot of them struggling to find free time for each other and at the end of the episode they come home to find the house empty and they laugh and stumble towards the bedroom?
give it. give it dammit. GIVE. IT.
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still
T | 9.3k | ao3
For the first time, Buck longs for a bullet wound to treat. Dirt to dig at. A door to break through. Something. There’s nothing.
“Your guess was correct, Diaz,” the bomb technician tells them, as he gestures to the orange circle. “You’re standing on a large sensor plate, wired to a detonator. It’s incredibly important that you don’t move. Don’t shift. When you put your weight down, it was like cocking a gun - you take your weight off, this thing is powerful enough to take the entire house with it."
Inspired by Castle, S05E22: Still
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Me being happy that one of the firefighters on the firefighter show is finally canonically Bi despite never watching a single episode:
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1. what is he doing
2. they do NAWT know that many people
3. chimney is COOKED
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you're gonna be okay, kid. / we're gonna be okay.
9-1-1: 3.01 • Kids Today | 3.04 • Triggers
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i hate when ppl act like the only reason to not like a "sad" ending is because you can't take it or whatever. personally as a tragedy enjoyer, i hate a poorly written ending. i hate an ending that is just kind of a bummer. i hate an ending that feels mean-spirited to the audience. i hate an ending that's redundant. i love a sad ending that is thematically consistent, poignant, and bespoke to the rest of its narrative.
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