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the-rollerchloster · 15 hours
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being an adult is just saying to yourself “this is the weekend i’ll clean my [x]” and then proceeding to not do that because it’s the weekend and you deserve to relax, goddamnit
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the-rollerchloster · 2 days
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reblog to give somebody a fucking hug because we are all struggling to get through it. solidarity in this tough ass world.
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the-rollerchloster · 2 days
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EVAN BUCKLEY, MADDIE BUCKLEY and CHIMNEY HAN | 9-1-1 → 7x04 Buck, Bothered and Bewildered
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the-rollerchloster · 2 days
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1st time
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3rd time
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4th time
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last time
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screaming, crying, fucking throwing up
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the-rollerchloster · 2 days
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the-rollerchloster · 2 days
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Dog tax for prev tags. At least she still loves me 🥰
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the-rollerchloster · 2 days
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the-rollerchloster · 2 days
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“Dean, like it or not, the stuff you don’t talk about doesn’t just go away. It builds up, like whatever’s eating at you right now.”
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the-rollerchloster · 2 days
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Must admit that one thing that changed the way I see fandom discourse is realizing that a lot of fandom is just… playing with dolls. We're playing with dolls. Shipping? Playing with dolls. AUs? Dolls. Darkfic? Dolls.
Lotta people very agitated about the other kids playing with dolls wrong.
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the-rollerchloster · 2 days
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🦔
This is Charles. He wants to go on a journey around tumblr. could you show him around?
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the-rollerchloster · 2 days
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watching an actor's soul leave a television show five seasons before their body does
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the-rollerchloster · 2 days
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the-rollerchloster · 2 days
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In an ordinary suburban house, on a lovely tree-lined street, in the middle of 1970s America, lived the five beautiful, dreamy Lisbon sisters, whose doomed fates indelibly marked the neighborhood boys who to this day continue to obsess over them. (Starring James Woods, Kathleen Turner, Kirsten Dunst, A.J. Cook, Hanna R. Hall, Leslie Hayman, Chelse Swain, Josh Hartnett, Anthony Desimone, Lee Kagan, Robert Schwartzman, Noah Shebib, Jonathan Tucker, Michael Paré, Scott Glenn, Danny DeVito, Hayden Christensen, and Giovanni Ribisi)
Released May 19, 1999
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the-rollerchloster · 2 days
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anyway claire novak girlies go see abigail there’s a bit in it where kathryn newton is in a situation that made me go “oh i know she wishes she could have done this in her claire spin off show”
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the-rollerchloster · 2 days
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the-rollerchloster · 2 days
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We're not talking enough about how Maddie's "wow..." was her finally putting 2 + 2 together about Eddie.
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Their convo revealed that Maddie didn't actually know about Buck's bisexual inclinations. But his coming out to her was entirely incidental and completely beside the point, to Buck.
The entire conversation was framed around Buck's hyperfocus on Eddie.
Maddie knows her brother so well, knows his abandonment trauma, the well of grief and loss he carries around inside of him. One that they share, only he spent most of his life not knowing what it even was.
She knows Buck's yearning for a family of his own, his search for a partner, a great love story. How she would have witnessed Buck getting more and more deeply embedded in Eddie and Christopher's life. While his own romantic life was a mess, at best. How she might sometimes worry he could get hurt, his attachment to them holding him back in finding love for himself, that life partner he longs for. Ultimately, she does understand and leaves it be. Sure, what Buck has with Eddie and Chris is unusual, but they fulfill a longing and make him happy. That's all that matters to her.
But she's always had this slight...not doubt, exactly, but a wonder. That she's missing something. She knows Buck is utterly safe with Eddie, that Eddie is his best friend and would die to save Buck's life, so it's not that. It's just this nagging thought that there's something else there...just out of reach...she can't quite put her finger on it.
Buck being bisexual (excuse me, an ally), was that missing puzzle piece, finally slotting into place.
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Long story short, "wow" = "Buck is in love with Eddie, it all makes sense now."
I just think this scene was so expertly written and performed, showcasing all of these layers of story at once. I 💜 911 and Oliver and JLH.
Please miss me with the "Maddie is going to acost Eddie and/or Buck about being in love with each other" takes, like this is a sitcom. The root of this is Maddie's deep, abiding, tender care for her brother and the profound, aching wound of abandonment and unresolved grief that they share. She is going to hold this knowledge so, so gently.
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