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Venedig, 26. Februar 2023, 13:28 Uhr
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Paul Klee (Swiss, 1879-1940)
Coast of Provence (Côte de Provence 1), 1927
Watercolor on paper on cardboard, 15.1 x 23.5 cm
Zentrum Paul Klee, Bern, Swithzerland
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VOYEUR, PART II
When we are doing the looking we are often lost in the object of our attention, whereas the noticing of being looked at makes us aware of our self-performance.
We're all actors on a stage of seeing and being seen, we're all simultaneously voyeurs and exhibitionists in that sense.
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The Journey Home - Tommi Nordgren , 2014
Finnish,b.1974-
Oil on canvas, 81 x 100 cm.
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Unknown, Cat, 19th century
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VOYEUR
Isn't the voyeur the one who wishes he was looked at? Isn't his paranoid fear of being found out not a bit like the wish of being seen? Can the way a gaze is configured ever be separated from how the one doing the looking wants to be perceived?
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Paul Delvaux (Belgian, 1897-1994)
The End of the Journey (La Fin du Voyage), 1969
Oil on canvas, 165,1 x 145 x 2,5 cm
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Louis Boulanger (French, 1806-1867)
Death of the horse of Mazeppa, 1839
Lithograph
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After a long hiatus since 2020 I started working with models again, starting with the stunningly gorgeous Sophie Marie.
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Thilo Heinzmann
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Shiro Kasamatsu
Dusk at Minakami, 1958
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