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#~mod abbey !!
pizzaloops · 1 year
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(This blog is getting good since i last asked. Good job!! Also would having anon markers be ok?)
Peppino has a good point. If this is a time loop then everything in the tower would have the same idea, kill the guy thats wanted in the whole building. BUT revisiting old allies could work
-🎣
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"That… might work. But-a how will I explain everything and make it believable?! Gustavo will be… 'busy' for a while, and Gerome… I don't know. He is helpful… But I have no clue where he is!"
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thewanderingace · 1 year
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Downton Abbey: A New Era
A/N: The fact that they made a comment about how a Myrna was nicer now because she wasn't afraid anymore and then the camera immediately panned to show Thomas absolutely kills me.
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aceofwhump · 7 months
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Day 7: Alleyway
Hawaii Five-0 8x18 | Once Upon A Time 7x02 | Real Steel | Angel 2x14 | Downton Abbey 3x09 | Supergirl 2x09 | Murdoch Mysteries 12x07 | The Event 1x08 | The Haunting of Hill House 1x04 | Young Wallander 2x04
@whumptober @whumptober-archive
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My friend who doesn't play dishonored sent me a post about it and I started explaining how funny the Abbey is cause the entire religion is "we're going to defeat God with math and music" and they went "sorry that God doesn't vibe with jazz"
Someone mod dishonored so the overseer music boxes play jazz
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firecrackerstein · 5 months
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psa for anyone with a wave one abbey missing her headband: if you dont want to pay 30 dollars for a replacement the naturalistas wash day fashion pack comes with one that works great
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glamfellens · 3 days
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:)
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hi would you ummmmm draw johnny joestar mayeb. I think he would look so cute in ur art style <3
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got a little carried away with this one mb
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autisticabbey · 1 month
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Yesterday I went to MOD Pizza for dinner for Autism York after work at Regal Cinemas, and it was fun and delicious
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funshinebf · 2 months
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dream job for me is someone mails me a doll and i customize it into a character or oc for them, with different options like face only, face + hair, whole body + hair, and full package that includes clothes. accessories can be added for a different fee. the only problem is im still very much an amateur and i dont think id be comfortable getting money for the skill level im at now 😭 BUT IN ORDER TO GET BETTER I HAVE TO KEEP DOING IT. AND TO KEEP DOING IT I NEED MONEYYY 😟😟😭😭😭 GRAHHHH THE WORLD IS EVILLLLL
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avrillaavigne · 2 years
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Avril Lavigne and Mod Sun attends the 2022 JUNO Awards Broadcast (May 15, 2022)
© Getty Images
📸: Jeremy Chan
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singeratlarge · 2 years
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MONDAY MATINEE MUSIC VIDEO: “Angel Face” by Tim Andrews & Paul Korda. https://www.youtube.com/watch?v=iPTviPx3d8Y This “hippie noir” video is based on a record released in November 1968—a side of British blue-eyed soul on the same page as Motown, The Grass Roots, and The Four Seasons. “Angel Face” is from a series of singles featuring the Tim/Paul team. Tim (real name Chris) already had notoriety as lead vocalist/guitarist in the psychedelic bands Les Fleur de Lys (“Mud in Your Eye”) and Rupert’s People (“Reflections of Charles Brown”), but managers and Parlophone Records encouraged Tim to break out as a solo act, even marketing him as a “teen idol.” He was partnered with the multi-talented Paul Korda, on the rise as a producer, singer-songwriter, and actor who was in the original London cast of the musical HAIR and later appeared in major films (PIRATES OF THE CARIBBEAN, SPINAL TAP)—Paul went on to work with Roger Daltrey, Love Sculpture, and Frankie Valli while Tim/Chris went on as a solo + collaborating with Daltrey, David Essex and Davy Jones (Monkees).
Paul produced this track with orchestration by Cy Payne (whose eclectic resume included the anthemic hit “United We Stand” by Brotherhood of Man). The exuberant drumming was by session legend Clem Cattini. Recording took place at Abbey Road Studio 2, where Chris and Paul were invited to listen in on Beatles’s "white album" sessions next door in Studio 1. The exuberant and well-performed “Angel Face” is a great piece of mod-era Britpop that stands the test of time. 
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#timandrews #chrisandrews #paulkorda #angelface #fourseasons #4seasons #mod #grassroots #parlophone #britpop #singersongwriter #davyjones #monkees #beatles #whitealbum #abbeyroad #clemcattini #cypayne #robertmitchum #jeansimmons #baroquepop
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pizzaloops · 1 year
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DRAGON MAGIC
Pepino is now a dragon for 5 ask
-sorry to say but we will unfortunately Not be turning Peppino into a dragon !! I have, although, decided to humour you via tryna draw up a dragon peppino for you. hope you enjoy !! ~Mod Abbey
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theviceenforcer · 1 year
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Ninjala - Eagle City Road
Ron, Burton, Jane and Berecca crossing the road like the Abbey Road album
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aceofwhump · 7 months
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Day 3: “Like crying out in empty rooms; with no-one there except the moon.”
The Mentalist 1x07 | Outlander 5x08 | Wandavision 1x08 | Sense8 2x10 | 9-1-1 5x13 | Prodigal Son 1x17 | Broadchurch 2x04 | Merlin 5x13 | Doctor Who 2x13 | The Magicians 5x03 | The Hobbit: The Battle of Five Armies | Downton Abbey 6x06
@whumptober @whumptober-archive
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aziraphales-library · 13 days
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hi, love y’all’s blog and all your hard work so dearly. i think I’ve read every crowley whump fic you’ve shared here, i love that trope but its much harder to find personally. im wondering if you have any more crowley whump oneshots, thank you so much
Hello! I'm glad you've been enjoying our #crowley whump tag! There are hundreds on the ao3 tag, too! Here are some more to add to our collection. Mind the tags and warnings, folks!...
Hot Pursuit by Anonymous (M)
While on a walk in the South Downs, Crowley is attacked by Hellhounds. Will Aziraphale be able to save him?
help me in my weakness. i'm falling out of grace by Bentley26 (T)
Prompt fill for Febuwhump Day 2: solitary confinement The War in Heaven was over. Lucifer and his rebellious angels had lost. Raphael was gathered up with the rest and thrown into a dark, featureless cell. He simply had to wait until they came back for him; then he could explain everything. They would come back for him... right? (Takes place right after the War, but before Crowley's actual Fall.)
Supplemental Summoning by ImagineThat0327 (T)
Somebody summons Crowley, believing him to be the demon that burned down the abbey belonging to the Order of Chattering Nuns eleven years ago. Crowley tries to make his case that he is, in fact, not the same demon as before, (damn you, Hastur!) but his summoner is having none of it. They are determined to make Crowley suffer a death just as dreadful as the ones the nuns suffered so long ago. Can Aziraphale come save Crowley in time? Or will Crowley burn, just like the abbey did so long ago? Whumptober prompt #9: Mistaken Identity
A Flat Circle by cassieoh_draws, EdosianOrchids901 (M)
Hell is full of rumors about demons vanishing and coming back haunted by whatever happened to them. Crowley isn’t convinced, but his opinion quickly changes when he’s summoned for the first time. Will Aziraphale rescue him?
You’re My Saving Grace by Bazzpop (T)
Pain seared through Crowley’s shoulder, pulsing sickeningly in time with the frantic beat of his unnecessary heart. That damn cowardly squire hadn’t even asked him for a proper duel, just snuck up behind him while he was making camp and lobbed a great bloody sword at his head. For Christ’s sake, he wasn’t even in any type of armor and didn’t have a sword on him, how was that supposed to be fair? — Crowley gets attacked with a blessed weapon, Aziraphale hears news of this and rushes to his aid.
may love thrive in hiding by Melime (M)
Only a few years after being given the Holy Water by Aziraphale, Crowley is faced with a threat he hadn't expected. He's summoned by a human wishing to gain eternal life, and that man won't take no for an answer. Meanwhile, Aziraphale overhears a conversation at an occult bookshop that makes him worry for Crowley. By the time Aziraphale finds him, Crowley is severely injured and may beyond hope for healing, but his love won't allow Aziraphale to stop trying. Can Aziraphale find a way to save him, or is he too late?
- Mod D
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gothicfairytopia · 3 months
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How act two of The Sound of Music might foreshadow Good Omens season three ~
I was reading this post about Aziraphale’s ball idea coming from The Sound of Music rather than Jane Austen, and remembered that I’d meant to make a post about parallels between Aziraphale and Maria. The romantic plot of Good Omens has a lot in common with the plot of The Sound of Music, and season two just so happens to leave off at the very end of act one. So, is there a chance that act two could provide some clues about season three? I find the idea very compelling, so here’s my analysis of the movie and how I think it compares to what we’ve seen so far, as well as what we can hope to see in season three.
In the beginning we have Maria at the abbey, where it is made clear that she does not fit in because she has a hard time abiding by the rules. She also has a tendency to prioritize the natural/material world over her spiritual duties, which is represented by the opening song (“The Sound of Music”), the singing of which literally makes her late to return to the abbey. This has obvious parallels to Aziraphale’s difficulties conforming to Heaven’s way of life, as well as his worldly attachments.
(A fun bonus parallel is in the song “Maria,” when the nuns say “she’s always late for everything / except for every meal.” Aziraphale-coded fr.)
Maria leaves the abbey to be the governess to the von Trapp family, and this is where she begins to really learn about herself as an adult outside of a tightly controlled religious environment. She still doesn’t conform to the new world she lives in, but begins learning how to retain her selfhood without feeling ashamed of doing so. This period is obviously a parallel for Aziraphale’s time on Earth—although the time frames are quite different, the same general lessons are learned.
At the end of act one, as addressed in the linked post, there is a ball where the Captain and Maria dance, and this is the moment where Maria discovers her feelings for the Captain. Although this scene is an obvious parallel for the Jane Austen ball scene, I think it’s honestly more similar to the kiss in the final 15. Maria, mid-dance, stares into the Captain’s eyes, freezes, and backs away, saying she can’t remember the dance anymore. The Baroness is watching from the doorway, and when Maria runs upstairs to get changed for dinner, the Baroness follows her.
Up in Maria’s bedroom, the Baroness confronts Maria about her feelings for the Captain, which Maria denies initially. The Baroness convinces her of her own feelings and of the Captain’s, and essentially encourages her to run away—I’ll get into why in a second. Without a word to anyone, Maria returns to the abbey. This is a super obvious parallel to the end of season two, with the Baroness acting almost in the role of the Metatron by pulling Maria aside and reminding her of her “duty.”
Now into the more speculative side of things, trying to think of how The Sound of Music might offer hints as to what’s coming in season three.
When Maria returns to the abbey, she remains in constant silent prayer for the first several days before being called upon by the Abbess. Maria confesses that she ran away because she was frightened, and admits that she had accidentally developed an attraction for the Captain. She gives her reason for not telling the Captain about her feelings and choosing to return the abbey: “I was there on God’s errand. Oh, I couldn’t stay, I just couldn’t. I’m ready at this moment to take my vows.” This sense of misplaced duty might not be all of it, but again, we’ll get to that in a second.
The Abbess responds with probably more kindness than we’d expect from anyone in Heaven: she says that romantic love can be holy, that Maria needs to discover how God intended her to spend her love, and assures her that “if you love this man, it doesn’t mean you love God less.” With this, she commands Maria to return.
While this may seem incongruous with Heaven’s general business model and something unlikely to be paralleled in season three, I think it’s important to think back to the conversation at the end of season one immediately following the failed apocalypse, when Crowley asks, “Angel, what if the Almighty planned it like this, all along? From the very beginning?” People joke about God trying to set them up from the beginning of time, but I don’t know that it necessarily has to be a joke. The question of God’s ineffable plan is a constant throughout the series—the whole point is that it’s impossible to say what exactly God intends.
This is the exact same conflict Maria faces in the scene with the Abbess. When she objects to returning, she says, “But I pledged my life to God, I — I’ve pledged my life to his service.” The Abbess rejects the idea that this is the only possible plan that could have been intended for Maria, saying, “You have to live the life you were born to live.” Perhaps there will be something similar in season three, some way in which God communicates the same thing to Aziraphale—that loving Crowley doesn’t mean loving Her any less, that their love is holy, and that the life he is meant to live is not one pent up behind heavenly walls, but rather out in the world with Crowley.
After Maria returns, she’s reunited with the children, the Captain and the Baroness break off their engagement, lots of little plot things. What I’m interested in is the song “Something Good” (which I would just like to emphasize is sung in a gazebo... anyway). The song introduces an additional reason for Maria’s departure—namely, that she did not feel worthy of the Captain’s love, a sentiment that he returns. They both come to the conclusion, though, that they must have done “something good” to deserve having found each other. Here are some lyrics:
For here you are, standing there, loving me
Whether or not you should
So somewhere in my youth or childhood
I must have done something good.
The basic theme of the song is self forgiveness, and the acknowledgement that past imperfections do not make a person unworthy of being loved. Rather, both characters here have felt themselves to be inadequate, but view the other’s love as a sign that they must, in some way, be good.
I love the idea that Crowley and Aziraphale might have a moment like this, because I think it would be massive in terms of their own self acceptance. For Crowley, Aziraphale’s love (and possibly God’s endorsement?) is proof that his fall did not make him irredeemable, that he remains a being who can love and be loved in return. For Aziraphale, Crowley’s love is an affirmation that he can honestly be forgiven for his transgressions, rather than marked forever by them (like removing the stain from his coat, allowing it to be forgotten).
Unfortunately, the movie does not end with their marriage—they still have to escape Austria after the Captain is called to serve by the Nazis. I think we can assume the Nazis parallel Hell, and say that perhaps Aziraphale and Crowley really will have to establish “their own side.” Maria has to break free of the abbey, and the Captain has to break free of the Nazis. They do this by running away, and I’m not sure Aziraphale and Crowley would ever flee Earth in the wake of the Second Coming, but I will say that it does immediately evoke the idea of the pair running away to Alpha Centauri. I do think that given the “they are bad at their jobs and did very little to seriously prevent Armageddon” joke from season one, it would be a little funny if humanity managed to save itself during a momentary retreat from Aziraphale and Crowley.
I don’t mean to imply that the blueprint of season three is found in act two of The Sound of Music, but I do think that the movie being canonically a favorite of Heaven’s, the recurring theme of the ineffability of God’s plan, and the sheer number of parallels within the plot so far make it a fair place to look for clues. Who’s to say that God’s plan wasn’t hidden in plain sight?
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