da li misliš da su jedan drugom istraživali tjela

ENG Translation: Joker Out appeared today (3.11.2023) on the Headliner.rs, a Serbian digital magazine.

You can find the original text here

ENG TRANSLATION:

The phenomenon Joker Out… In Americana Hall* it was like there was no tomorrow

*in Dom Omladine

For those unaware, if they still exist, Joker Out is a pop-rock band from Ljubljana which gained fame after participating in this year’s Eurovision. Even though they only won 21st place, their career blossomed after the competition and so they became one of the most successful (if not the most successful) acts that participated this year.

They sold out tickets for nearly every concert with incredible speed, with a special emphasis on the former Yugoslavian countries. But, why is that?

First of all, this charming five are a boy band. A real, classic, boy band. We haven’t had such a phenomenon in our area for a long time, the younger generation have almost no experience with something like this. They came onto the scene at the right moment and gave the audience what they needed. And Eurovision came into their career at the perfect time to give them a flying start and to launch them from a quality, alternative Slovenian band straight to the stars.

The older generation loves them for their undeniable quality. When something that stands out from the crowd emerges, in which you can see years of work and which, as the career goes on, records only progress, the older generations stop being so elitist and know how to recognize it.

They partially love them because of nostalgia. With their attitudes and style, they are adorably reminiscent of some bands of the 80s and very easily bring back memories and briefly bring experiences that the generations growing up back then remember with melancholy.

Young people love them… well, is an explanation really necessary? Their concerts are like a party, two hours of euphoria and a total occupation of all the senses. It’s not hard to win over a young audience if you are like them: five charismatic guys who radiate with their existence.

For months, competing for a second of their attention, girls have been screaming over each other in the audience. They know the lyrics by heart, without knowing a word of Slovenian.

Tears of joy are already pouring with the opening lyrics of the first song. Having conquered Novi Sad, these guys arrived in Belgrade on the 2nd of November. The countdown is finally over.

Labyrinth-like lines in front of Dom Omladine hinted at a fight for a place in the first row, and even a few rows back. When the doors finally opened, the fastest secured their desired place, others were defeated and some gave up at the start and chose a place further back, for a more intimate experience.

Colourful outfits, shiny, neon makeup, sequins, pearls, latex, lace and who knows what other details and accessories found themselves in the same place, in the same crowd. So divided, yet perfectly harmonious, it’s clear these people belong where they are. When the members of the band joined their colourful scene on stage, the spectrum was complete.

Entering the stage, right on time, tensely prolonged but so spectacular, they set a standard that won’t be beaten for a long time. Joker Out opened their first concert in Belgrade with the song “Sunny Side of London”.

They introduced themselves as “five Slovenians who are here to sing for you”, but they are, really, much more than that. Bojan’s interactions with the audience, his smiles, looks and irresistible personality caused general hysteria from the very beginning.

With his wit, he held the audience’s attention without stopping and immediately gained their full trust. Although he’s the most mobile, with the role of frontman, he’s far from being the center of attention. It seems this is a band where everything is divided into five equal parts. The audience goes absolutely crazy for each of them.

“Bojan, I am not a baby seal, but can you please adopt me?”, is just one of the endearing banners that could be seen in the audience. Letters, bouquets, and bras flew towards them, almost non-stop.

Delighted that everyone present knew the lyrics and therefore addressed him in fluent Slovenian, Bojan spoke to us in fluent Serbian.

Although the audience was often louder than the speakers, the loudest scream was let out with our “Demons”, while “Katrina” was dedicated to a randomly selected girl in the audience.

There was such a strong collective energy that it would draw in even someone who has never heard even one of their songs. At the advice of the band, everyone hugged someone who needed it right at that moment.

To summarise, why did this phenomenon take over? When you have someone who gives their all to the audience, when they enjoy what they’re doing, everything makes sense. The five of them absolutely deserve every second of their success, there’s no doubt. Today there’s rarely a band that immensely values their fans, on whose stage there’s respect between the members. What they have is earned through sacrifice, work and talent. They’re aware of it and so are their fans.

These tireless, energetic guys gave their insatiable audience an unforgettable encore of five songs. As they themselves say, we danced and loved each other all night (loved them, ourselves, each other, or mutually, whichever happened to whom) and all that - as if there were no tomorrow.

After tonight flower petals, confetti, sequins, lots of sighs and someone’s vocal chords will be cleaned up from the Americana Hall in Dom Omladine, but the spirit of some seemingly normal Slovenian guys will remain within for a long time.

Translation cr: @moonlvster

(The photos are from their concert at 'Dom omladine', Belgrade)

so, hi. I was just thinking about joker out lyrics in general, and I thought, lemme see which songs were easy to learn and just what my first opinions about each song were (warning: this is long)

Umazane misli:

Gola - I fell in love once I heard the first interlude (before 'neki se dogaja dej me zmer utrip') and I guess it took me around three to four listens to get the hang of the lyrics. This song gives me butterflies in my stomach 🥰

Umazane misli - HA. do I even need to say anything here? It's been almost two years since I first heard this song. I learnt the lyrics on the. first. listen. This is huge considering that, at the time I was still getting used to the fact that ex-yugoslavian languages have major differences between them. These lyrics will be etched in my brain forever.

Vem da greš - oh this used to be a skip for me in the early days of jo brainrot. then boom! clicked on the acoustic version and realised how awesome this song really is. I always thought this song just screams 'pop rock'. it has one of my favorite lyrics ever : "kupim karto do vesolja če zemlja pregori" and jan really did something here with interlude (I am kissing you tenderly on the forehead mr. peteh)

Proti toku - I know people have noticed this, but the starting guitar riff is very similar to the one in Sweet Child O' Mine. Already a green flag. Wasn't really a huge fave of mine but I'm appreciating it a lot since Stožice. Going against social norms? Awesome meaning, awesome lyrics. I still haven't got the hang of the lyrics though (for some reason I just can't grasp it 😅)

Dopamin - Ah yes. This song always sounded a bit different from their sound, with all the synths, you know? But it is a certified dance song (stožice has proved that) and I am so fucking obsessed with kris' backing vocals here like everytime he goes, "razum izgubil je svoj glas" I just agdjspsneksldnsl and also the chorus is so satisfying to hear with bojan's angelic voice. I will stand by the statement that the stožice version surpasses the studio one by a mile.

Barve oceana - woohoo! This song is just so so fun and I've never been able to sit in one place whenever I listen to this. Lyrics are obviously a m a z i n g. and bojan's explanation just made it loads better! Extremely catchy, so obviously that I memorized the lyrics within two listens. Can't forget the stožice version with kris' "aaahhh" at the back.

Metulji - I purposefully avoid listening to this song (sometimes) cause the first time I did, it took me like ten minutes to come back to reality. I'm pretty sure I'll cry if I listen to it even now. And the VIOLIN?!! pls it's so beautiful. "Pleševa zadnji ples, da spet zadihava"??? I am dead on the floor. True masterpiece and I'll always be proud of our five little guys for creating this.

A sem ti povedal - oh god. This song was made to murder all of us. The minute I heard the starting guitar part, I was convinced I was not going to survive those three minutes. First, the lyrics. They are so beautiful, so poetic, so intense, so profound. Sometimes I feel weird singing along just cause of the sheer meaning this song holds and how I'll probably never experience these feelings. Also the last part? when I first listened to it, I didn't just die, I ascended to another plane of existence. Also have to mention kris' backing vocals once again. Especially the "šepetaj mi koliko me hočeš" You know what? Why don't you just kill me instead? And. the. video. They really decided the song wasn't enough and proceeded to pull on our heartstrings with THOSE visuals. Obsessed with the whole idea of jure in the water. I think I know like 80% of the lyrics but I always fumble somewhere.

Bele sanje - similar to most of their songs, the prelude itself was enough for me to hyperfixate on this song. I had like a whole bele sanje phase in april where I didn't listen to any other song. the way bojan sings, "njen utrip se redko umiri"? god. also this song was when I realised I was actually into this whole indie rock vibe of theirs (bele sanje was the third joker out song I listened to) and the whole concept of the badass female protagonist? Love it.

Omamljeno telo - oh omamljeno telo my love 🥰🥰🥰. bojans singing style was evidently different here, but there was a rawness to it that intrigued me. and guitars are the major reason why I love this song! obviously this interlude is one of my favorites from joker out songs. just 100% pure talent. My fave lyric is, " a vetra se ne da ujet tako lahko, nekdo pa je utrgal mojo vrtnico" the lyrics were extremely easy for some reason and I find myself singing along to it completely sometimes.

Well I knew it was going to be long, but I didn't expect this lmaooo. Pls share your opinions! I would love to know your favorite lyrics and what was your favorite part of each song too!

(I'll do demoni later 🥲)

periods

Midevil, renaissance, feudal, mongolian, yugoslavian, qing dynasty... those are the only periods I could think of on the spot... I need a crack rock on the spot <3

I am such a sucker for Yugoslavian pop rock groups.

Music preference headcanons (Lemon Edition)

I was supposed to sleep but my brain didn't want to sleep apparently, and because I'm a real music nerd, and have a lemon hyperfixation or something, I wrote these.

Grem

- Probably likes 80s - 90s rock/glam metal and maybe some new wave and disco too.

- I think bands like Monster Magnet and Dokken would suit his taste pretty well.

Acer

- Mostly same with Grem but mix in some newer music too, like pop punk maybe?

Zundapp

- Not really a huge fan of music but he would like Kraftwerk and you can't tell me otherwise.

J Curby Gremlin

- He seems like a classic "Dad rock" enjoyer, so bands like Deep purple, Uriah heep and Rainbow would be his favourites.

- He has a shelf full on cassettes and cds.

- Also I think he would listen to some jazz aswell.

Tubbs Pacer

- Kinda similar taste with Curby, but would like bands from 60s more, The Animals for example.

Victor Hugo

- Ever listened to that one Yugoslavian funk/jazz/disco mixtape on YouTube? (A great one btw) Because I think that type of music would suit him, Igor Savin for example.

Alexander Hugo

- I could see him enjoying new wave, synth rock/pop or post-punk.

- He probably knows many underground bands and artists.

Vladimir Trunkov

- He'd probably like jazz and some classical music but I also think his taste would be similar to Victor.

- I'm pretty sure he has a big vinyl collection somewhere.

Miles Axlerod

- He would listen to newer bands or artists and whatever's playing on the radio. A bit mainstream guy.

summer journals, 2023 🪡:

july 30: madrid

[…] These are the years of flux

july 17: marseille

if i write my diaries ever so neatly (calendaric-like) i would lose the gist, the cosmic stuff, the matter which remains mysterious and expressive and thus serves me well and true to write. i cannot raze the forest for the sake of order! yes there are many interesting things happening right now but they are even more interesting when i distort them into impossible shapes so they cascade into the realm of fiction

june 28: madrid

My locomotions betrayed me. In truth there was fickleness in every traveler, an inability to accept things as they are, a habit to run from ourselves. However genuine our amorousness (towards persons, places) a casualness persisted —too casual, I thought.

Whether these askew, detached relations with the world were right or wrong was irrelevant. It was not a matter of discussion among travelers. One either resisted or caved to them.

june 23: madrid

In the scorching heat (above 90 degrees) he said: “life is finally what one supposes it to be —eventful.”

It is the second night of summer.

june 10: porto

rebel against the I — if ever the first person singular an I beyond my self […]

june 1st: island of korčula

finally have time!

this summer i must work. write

write

write!

may 29: mostar

Bosnia. The sun bleaches the mountains, making the rocks curl. The Neretva dazzles, a river of turquoise opalescence. It swells the veins of this verdant countryside.

I see mosques, and gas stations, and strange, brutalist, Yugoslavian buildings from fifty years before. I see the carcasses of houses hollowed by the weeds. Most walls carry bullet holes.

It leaves a strange taste in the tongue how beautiful/indifferent nature can be in the face of human cruelty.

The bus is unbearably hot. As we approach Croatia, grey streaks the skies: rain will soon plummet. The air pressure drops. The humidity is vaporous. I can picture the mercury rising inside all the barometers.

may 5: extremadura, hours after leaving lisbon

Badajoz; a small town with an alcazaba and a Roman bridge over a river where rowers glide in the May light.

All small towns are alike, when one comes from the periphery: with the exception that one’s own retains the intensity of feeling —elation, desperation, etcetera. Whereas all others are impersonal, distant, insignificant, and to envision one’s life there is an exercise in futility. It escapes the imagination.

Dear Frank, what can you tell me about the Yugoslavian collective Laibach?

It's a Slovenian punk rock group that's been influential in the Yugoslav scene for several decades. Here are their wikipedia pages:

Lábach (The Death)

Grani (The Explosion)

Le Hirondelle

Their name is taken from the Serbian title "Grani" (The Explosion), and they're frequently referred to by that name in interviews. They've had several different lineups since their inception, including:

The original lineup (László Szabados - drums, voice, bass guitar; Rudolf Körner - guitar; Srećko Horvat - guitar; and Róbert Rusmer - vocals, guitar)

Srdjan Cvetkovic - drums, vocals

Srdjan Cvetkovic - drums, vocals

Petar Jakovljević-Cvetkovic - vocals

Srdjan Cvetkovic - Drums, vocals

Žika Karafern - Guitar (late 90s)

Žika Karafern - Vocals (late 90s)

Marko Popović - Bass (late 90s - 2007)

Žika Karafern - Guitar (2007)

Maja Ilić - Bass (2007 - 2011)

Marinko Popović - bass (2011 - currently)

Ana Milač - bass (2011 - 2012)

Nikola Orlović - vocals (2011 - 2013)

Marko Popović - Bass (2013)

Aleksandar Skrbec - Guitar (2013 - currently)

Ana Milač - Bass (2013 - currently)

Bojana Rakočević - Guitar (2013)

Djuka Bajčić - bass (2013 - 2014)

Eduard Ćurić - Drums (2014 - current)

Their current guitarist is Aleksandar Skrbec and their drummer, Djuka Bajčić, got his start playing with the band when he was 13. The band's name "Laibach" is also often spelled "Laibach" without a "z". (In some interviews they go by "László Làbáth", which makes it sound more like a surname.)

Narrow Gauge Headcanons part 2

Sir Handel

Like Skarloey, he doesn't use electricity.

He's a stick in the mud. Due to his aristocratic background he tends to be bossy around the little engines.

His twin, Sir Haydn, is a great dane with train wheels on his legs.

He sleeps with a mask on. Everybody else finds this really creepy.

He is cocky.

Him and Skarloey are the shortest of the fleet. Skarloey doesn't mind but Sir Handel always tries to make himself look bigger, especially around Gordon.

He has a big appetite.

His patron saint is St. George.

Duncan!

He is grumpy and crotchety.

He's chaotic and bouncy.

His twin, Douglas, is a german shepherd with wheels on his legs.

He's a scruffy engine. He has unruly sideburns because he refuses to get a haircut.

He sings ex-Yugoslavian rock songs. EX YU Rock Mix - YouTube

He plays the electric guitar.

He likes to eat donuts. He calls them Duncan Donuts.

He swears a lot. But whenever he does the dolphin sound effect from SpongeBob comes on so kids don't hear.

His patron saint is the apostle St. Andrew.

Rusty

She's the only girl in the Skarloey Railway.

She does maintenance work. That's why she wears a bonnet to keep her head safe from the sun.

She is friends with Lady, the magical engine.

Her twin sister, Midlander, is a pony with wheels on her legs.

Duncan calls her a dirty diesel because she sprays herself with diesel perfume.

She has developed an odd fascination with boulders . . .

She partakes in Thomas and Percy's games.

She is calm and mild mannered.

Her patron saint is Saint Brigid of Ireland.

Maybe I’m so lenient on artists changing their sound because... well even if I don’t listen to AA’s new stuff that much, I listen to so many different genres of music, like Idc if AA is classified as butt rock nowadays. If you can’t listen to different genres and enjoy them that's a you problem.

Maybe it’s just because I’ve been grown up on 80s pop, 90s Estonian pop, 80s rock, Middle Eastern dance music (?? i hope that’s a correct way to call it... my mom loves that stuff) and just Arabic music in passing, Russian 90s pop that both my parents and grandma liked,  LOL..., süldibändid (i can’t even translate that lmao that’s like our very own special music genre that they play at village parties n shit. like pop+country+folk+rock, but something feels off and wrong about it), then I started listening to mf NU-METAL out of all things, regular rock, msi (i cant even classify that...), like man i fucking LOVED Hollywood Undead, Korn and Papa Roach, as well as Mr Brightside but who DOESN’T love that??? Then actual goth music, emo/scene music, literally all flavours of it, even hyperpop gets added in the mix, in 2015 i loved lo-fi depression music (elvis depressedly, coma cinema, alex g), in 2020 i discovered yugoslavian 80s underground music from this 1 youtube guy who just keeps uploading stuff constantly (i love you Dronemf S.)  , i love lovejoy too and Marina was my queen back in the day and i will listen to doja cat and lil nas and idk some other popular pop music rapper like  ... GET SOME DIVERSITY IN YOUR MUSIC PEOPLE you can’t just listen to one fucking genre and think that that’s the end all be all of music!!! you’re BORING. like fuck off if i can listen to 5MIINUST  then you can listen to alone again by AA

12, 14, 28, 29 :)

12. Your favourite music genres?

my favourite genre of all time is post punk and any and all variations that have been birthed from it <3. nothing beats a guy mumbling into a microphone. and lately i am enjoying bands that put the punk a bit more back into the alternative scene like fontaines dc and idles. i have also gotten really into easy listening 70s rock and 60s/70s yugoslavian, french and danish music. 14. Something you wish you were better at?

honestly at doing sports. i am trying to get a bit into shape, but i hate starting at next to 0 with getting in a better physical shape. would love to be a bit more of a sports bro, but i am happy to have friends who support me doing sports in my current way and who know that some really, really small things are huge goals for me <3

28. Are you a romantic?

i am a HUGE romantic but sadly non practising at the moment. someone come date me. (i have huge standards though for actually dating someone, so maybe not)

29. What’s your dream date?

with an established partner - going on a walk, putting a blanket down in the park or at the beach and canoodling and watching the sun set. very classy but i just want to have wine or beer and snuggle and enjoy the peace of nature together.

Nenad Jelić i Laza Ristovski - Opera - an obscure Fourth World gem from Serbia, 1985, reissued on vinyl (only) by Soundway Records. Here is a full album playlist from Youtube:

Soundway Records reissues a limited 1000 copy run of Nenad Jelić and Laza Ristovski's seminal experimental Serbian album Opera originally released on the former Yugoslavian state record label PGB / RTB in 1986. Combining Balkan and South American percussion and rhythms with synthesisers, vocal samples, and at times unexpected acoustic instruments (zither and harmonica), the album has slowly become a cult classic amongst fans of fourth world and avant garde music and is a kaleidoscope of contrasting moods and inspirations. The recordings were the brainchild of Nenad Jelić: one of the most original artists to appear on the Serbian music scene in the late 1970s onwards. Jelić played in a wide variety of former-Yugoslavian contemporary jazz, modern classical and rock / pop outfits throughout the 80s until the present day, including the two, classic early 1980s LPs recorded by the Lala Kovačev Group: Balkan Impressions Volumes 1&2. A percussionist obsessed with melody and silence, and a multi-disciplinary instrumentalist, Jelić teamed up with the famous Serbian keyboard player Laza Ristovski in 1985 to help him arrange and realise his vision for the record. The year before its conception, Jelić had moved to Portugal and it's evident in the compositions that the musical waves that blow back and forth across the Atlantic Ocean had melded with the various Eastern European, Mediterranean and Balkan traditions that he had grown up with. "This is where I completely immersed myself in the atmosphere of the Saudades, which helped me articulate my own personal vocation as an author, enabling me to focus on melancholy, melodiousness, the fluidity of the pulse". The Lisbon setting of the fado bars gave rise to the first impulses which would become Opera. However, becoming "just another fado artist" wasn't enough. "My temperament, my previous experience, my sensibility, they all clearly pointed toward a fusion of ambient, jazz and pop music laced with elements of the various Balkan musical traditions as well as the universe of the Latin American sound." "I saw Portugal as an exceptionally emotional country with its trademark nascent sorrow, ever present in all those swaying voices and guitars," he explains. "I felt it very familiar with my own sentiment and it affected my style enormously." These are the exact same elements which he finds moving in any music, be it of Portuguese, Romanian, Greek, Turkish, Hungarian or Spanish origins. "If we try and seek the connection between all these worlds, we will inevitably stumble across the Romani people who left their mark pretty much everywhere." Jelić's approach is intuitive: "for me, music has always been a sort of a prayer, or a rite of sorts. It doesn't matter if it's the voices or the percussion instruments." Re-mastered from the original tapes this newly reissued Soundway Records version on vinyl sounds far better than the original pressing which unfortunately had pressing flaws and surface noise throughout.

country asks :D

1, 5, 10, 20, 24, 26

YELLO 😁❤️

the mountains down south. love driving through them on the way to the seaside, idk why, theyre just lovely, all the rocks and the little houses and everything, something magical to me.

idi u pičku materinu (go fuck yourself in spirit, direct translation is more like go to your mothers pussy) :) i use it a lot

5 i answered in the ask before i think :)

no idea, maybe football? we're pretry good at supporting the neighbours from the former yugoslavian republics in everything tho :)

every ex yugoslavian republic is fair game :D

eastern criminals, or poor basically. lots of cleaning ladies in the british tv series around 2000s were ex yu. :) charming innit? :))

"how do you not know this song?" some of us dont live in an english speaking country and we had different, local, top hits. you will NEVER know yugoslavian rock you might as well give up

I do also listen to sad as yugoslavian rock lmao my guilty pleasure, i also have a few sad ass russian bands i listen to

Idk how i find some of this shit fr

I listen to some Russian songs too!!

(FOX012LP) MIRKO KRSTIČEVIĆ - ALL AND NOTHING AT ALL (FILM AND THEATRE MUSIC 1977 - 1988) LP

This is a collection of music for the various films and theatre plays by Mirko Krstičević, Croatian and Yugoslavian composer and musician active since 1970s. "All and Nothing at All (Film and Theatre Music 1978 - 1988)" ["Sve i ništa (Filmska i scenska glazba 1978. - 1988." in Croatian] focuses on his work for the underground and avant-garde cinema from the era: directors Ivan Martinac, Svemir Pavić, Lordan Zafranović, Aleksandar F. Stasenko and Vanča Kljaković are all part of the Split Cinema Club association; their work explores art, death, sexuality and eroticism. Krstičević compositions for various theatre plays are also included.

★ From the Original Master Tapes ★ LP Vinyl Gatefold LP ★ Extensive Liner Notes ★ Photographs from the Films ★ Direct Metal Mastering (DMM) by Record Industry NL ★ Standard Edition + Limited Edition with 12-page full color booklet with filmographies, essays and additional photographs (in Croatian and English) ★ First 100 hand-numbered copies with booklet are not available in stores. BUY HERE: https://foxandhisfriends.bigcartel.com

Svemir Pavić's portrait of surrealist painter Ljuba Popović, made in the same year as its counterpart by Walerian Borowczyk, features scenes form Beaubourg Gallery in Paris and Udo Kier as a guest. Side B of the record is all about theatre: plays by Sam Shepard, Rainer Werner Fassbinder and Jean Giraudoux were all produced in Sarajevo and Split in the 1980s, with the rare electronic takes by Mirko Krstičević and his subtle minimalist soundings of the themes from the Cold War era. This unique and diverse compositions by founder of the rock band Metak and sound studio Tetrapak from Split, are document of the time that is, especially in the closing Chernobyl theme, relevant again.

Composer, musician and musical arranger Mirko Krstičević was born in 1948 in Šibenik. He graduated in music theory at the Pedagogical Academy in Split and then at the Music Academy in Sarajevo. He studied composition with Josip Magdić, Mladen Pozajić and Miroslav Špiler. He is the co-founder of the Tetrapak music studio in Split, where numerous performers and musicians have recorded (Animatori, D'Boys, Haustor, Oliver Mandić, Gibonni, Srđan Marjanović, Stil, Trotakt Projekt and others).

Together with Ranko Boban and Momčilo Popadić, he founded the Metak group in the spring of 1978 in Prigradica on Korčula. In the group, he is the author of songs and lyrics, and he also plays the bass guitar. "Da mi je biti morski pas" is the group's most successful single, which in 1980 became one of the most played songs on radio and television. Metak performed in Belgrade in front of 70,000 people, and the media declared them the best group along with Macedonian Leb i sol. In compositional work and arrangements for other pop and rock artists, Krstičevic had high commercial success with Tutti Frutti Balkan Band, Biljana Petrović, Seid Memić Vajta, Pepel in kri, Osmi putnik, Oliver Dragojević , Đorđi Peruzović, Henda and others.

Parallel to his pop and rock career, Krstičević composed stage and film music for 45 films, mostly collaborating with the circle of experimental and amateur directors of the Split Cinema Club (Kino klub Split) as well as the rest of the local underground scene. He is the author of stage music for 130 theatre plays, and also records his own compositions in the field of contemporary music. He wrote over 30 works for solo instruments, 4 operas, chamber and symphonic music. He is the winner of numerous awards, lives and works in Split.

File under: Soundtrack, Stage, Electronica

TRACKS FILM SIDE: The Second Dreams (Theme from House on the Sand) The Torture (Theme from Time of Heroes) Motorcycle (Theme from The Exile) The Opening Night (Theme from Ljuba par lui même) In the Beaubourg Gallery (Theme from Ljuba par lui même) All and Nothing at All (Main Theme from All and Nothing at All) All and Nothing at All (Unused Theme from All and Nothing at All) Jere and Marija in the Room (Theme from Marjuča or Death)

TRACKS THEATRE SIDE The Bitter Tears of Petra von Kant I (Theme from The Bitter Tears of Petra von Kant) The Bitter Tears of Petra von Kant II (Theme from The Bitter Tears of Petra von Kant) Cassandra (Theme from The Trojan War Will Not Take Place) Peace (Theme from The Trojan War Will Not Take Place) Fourth Choir: Sun Ray (Theme from Biedermann und die Brandstifter) Second Choir: Marching Step (Theme from Biedermann und die Brandstifter) The Beginning before the Beginning (Theme from Fool for Love / Savage Love) She Runs Away (Theme from Fool for Love / Savage Love) Eddie Enters (Theme from Fool for Love / Savage Love) A Jerk (Theme from Fear and Hope of the German Federal Republic) Song 3 (Theme from Fear and Hope of the German Federal Republic) Chernobyl (Theme from Fear and Hope of the German Federal Republic)

Composed, arranged and all instruments performed by Mirko Krstičević. Clarinet on A4 by Ivica Borčić. Saxophone on B9 by Mate Carić. Guitar on B7 and B8 by Zlatko Brodarić. Additional instruments: Emax E-mu Systems Model 2100, Yamaha DX7, Fender Rhodes Piano, Korg Poly-61, Oberheim OB-Xa, Wurlitzer 200A, Electronic Piano, Linn Drum LM-2. Recorded at Studio Tetrapak, Split, 1978-1988. Recording engineer: Ivica Čović - Pipo

Executive producers, creative direction and audio-digitization: Leri Ahel & Željko Luketić Selected and programmed by Leri Ahel & Željko Luketić Research, liner notes & music editing by Željko Luketić Artwork by Martin Peranović Mastering by Toni Milohanić (at Ambulanta 2 Studio) DMM cut by Record Industry Netherlands Rights Society: HDS/BIEM ©℗ 2024 Fox & His Friends Records

©℗ 2024 Fox & His Friends Records

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