coping

The GOOD things about the OUAT Finale

The finale for the sixth season and original series of Once Upon a Time was sadly not on par with previous finales (save for Season 5′s) nor the ideal series finale it could have been.  But with that said, there were several positive aspects to it and I think they are worth looking at.

The Parallels - While the literal usage of the Dark Curse in order to give a sense of coming full circle was groan-worthy, there were many great parallels to the first season that came along with it such as Emma and Henry’s relationship, the evil gaslighting female mayor, Snow and Davd’s kiss and following exchange, the place they were married, Emma’s old apartment, Henry getting a sword from Mr. Gold just like Emma did in the finale, and of course the role-reversed True Love’s Kiss between Emma and Henry. That all worked.

Mayor Fiona - Fiona as the Black Fairy was a pretty lame villain, even with Jamie Murray doing her best in the role.  The awkward attempts to portray her as the Ultimate Evil and sheer unoriginality of combining many past Big Bad traits into one character left me very unimpressed.  But strangely enough, as the mayor of her cursed Storybrooke, Fiona finally became genuinely scary and despicable to me.  How seamlessly she could adopt the mask of being a kind, caring person made her even more hateful than the over-the-top Mayor Mills of Season 1, and her absolute psychotic conviction that all of her manipulative villainy was for a just cause made her frightening.  In the end, she was actually a pretty decent final foe.

The Multiversal Apocalypse - Even though the reason for it happening made absolutely no freaking sense (Why is the existence of all the realms suddenly bound to the Savior’s belief?), I still loved the stakes and intensity that it brought to the finale.  It was also a fantastic visual.  The image of a darkness consuming the world brings to mind the Nothing from The Neverending Story, which makes perfect sense for a show like this to reference. 

Operation Cuckoo’s Nest - Thank you, Henry. Finally a real nod to the fact that the psyche ward nurse and janitor are so clearly Nurse Ratched and Chief Bromdan from that story.

Hook’s Speech - In front of the beanstalk where the Captain Swan relationship officially began, Hook makes a passionate speech to David that sums up exactly why the couple, despite the missteps made with it in the past two seasons, is so great.  They weren’t some pre-destined pair that was guaranteed a happy ending by fate (the kind of relationship that Swanfire shippers insist that their ship was), it was two people who had to fight for their love and earn their happy ending.  Even better, Hook acknowledges the fact that is barely talked about in-show and out of it: that he and Emma made each other better.  Previously the show had been acting as if was just the love of a good woman than changed a bad man, while certain fans seem to think that Hook made Emma worse since S1 Emma is the pinnacle of strength and badassery (more on that later…), but in fact both characters have helped develop and improve one another over the course of their relationship. That is why CS > all.

Captain Charming - Following up from this, Hook and David’s beanstalk adventure and the reflection it shows on how their relationship has developed is beautiful.  If you ignore the bullshit retcon about Hook killing David’s father like the show does once its purpose of contrived temporary angst has been served, then the Hook/David bromance has been one of the show’s most endearing bonds over several seasons, and it culminates with the exchange where David admits to Hook that “he’s not trusting a pirate, he’s trusting his son….in-law.” 

Rumple’s Comical Misogyny - Rumple has always been a misogynist and usually it’s disgusting, but in both episodes of this finale it crosses the line into flat-out hilarity.  The first is when Fiona, after some dramatic build-up, reveals the supposed fate of Belle under this curse to him.  She has dared to pull a Milah, leaving her family to actually pursue her own dreams and sustain her own well-being by travelling the world!  Rumple’s horrified face as he looks through the obviously Photoshopped selfies of Belle at foreign landmarks is priceless. The second is when Rumple kills Fiona.  Not only is this another woman to add to his body count, but it’s his own mother!  Rumple’s habit of killing women who oppose him has finally reached the point where he kills the very woman whose womb he came from, the very woman who birthed him!  Again, his expression after this deed coupled with his shaking arm is hilarious, as if even he realizes just how fucked up his murderous misogyny has gotten!

The Book Burning Scene - The closing scene of Part 1, where Emma burns the Once Upon a Time storybook all while shit is getting real back in the Enchanted Forest, is excellently shot and scored.  I especially like when Fiona is to the side of Emma, tempting her, with flames seen just below her to signify how devilish she is, and when Emma sees the burning page of Hook’s picture which triggers something in her subconscious memory. It’s True Love, people.

“Hello there, Mummy” - Just…that line from Hook to Snow.  Best line in the whole finale.

The Evil Queen - One of the biggest surprises in the finale was the return of the Evil Queen who had been split from Regina and served as the main antagonist for the first half of the season.  Not only was the plot hole of her previous “happy ending” addressed (it wasn’t safe for her in the Wish Realm), but she proved to be noble and self-sacrificing in a way that Regina seldom has been.  I mostly liked the Evil Queen earlier in the season, and her performance in this finale just reinforces my firm belief that like with Jekyll and Hyde, it’s the alleged “dark” part who is truly the better half.  I can actually get behind her happy ending.

Gideon Gold - I never cared for Gideon throughout this season.  He was a whiny psycho who lacked charisma when he first showed up, and the retcon that his heart was being controlled by the Black Fairy still didn’t endear me to him.  But, like his surrogate mother, he was actually more effective here.  First he was a complete asshole under the curse which helped show how bad Fiona and what she has done is, then he was hilarious with his befuddled reactions to Fiona ranting on about magic and having his heart, and finally he was a truly sympathetic figure, forced to be a puppet who had to fight and kill Emma even when he didn’t want to, a huge improvement over his “I wanna be the Savior!” crap from before.  I actually felt for him, and was glad that he was reset into a baby, giving him another chance.

Emma’s Character Development - Whenever people say they want “Season 1 Emma” back, they seldom mean the Emma who had great plot relevancy who got to be the hero, nor the Emma who saw Regina for the sociopath that she was and stood up to her.  No, they mean they want the shallowly “badass” Emma who was cold and muted in her emotional reactions, wore leather jackets all the time, punched people, said snarky things to everyone, and who was cynical and unbelieving in magic…and who was also a sad, pathetic loner. She was someone with no life beyond her job, had no friends because she pushed everyone away with her “walls”, and refused to believe in magic that she was at the center of because her self-esteem was so low that she refused to believe she had any such worth.  All that bluster about “punching back and saying ‘this is who I am’?  Just a way to repress what she truly thought of herself: as an unlovable orphan.  In this finale, they brought Season 1 Emma back, were not subtle about how negative a person she was, and then showed just how she’s changed for the better.  Even when cursed to regress back to her Season 1 self, all of Emma’s development doesn’t just disappear.  It’s still there in her subconscious, and thus she ends up doing something the actual Season 1 Emma would never have done - believe in Henry and believe in herself because she wants to be the kind of magical hero he insists that she is and she’s willing to take a chance on becoming that hero. She’s truly punching back - against her own bleak outlook - and defining who she is: the Savior, giver of hope and light.

Rumple Beside Himself - Why did it take until the last episode for Rumple in his present-day Mr. Gold identity to stand opposite from his manic, sparkly past alter-ego?  Given how the Dark One was established to work in Season 5, this felt like a much more natural thing to have happen than Regina and the Evil Queen sharing screentime together.  Robert Carlyle is fantastic in both roles, as Rumple is tempted by his own dark side into once again making the wrong choice and screwing everyone over, but for some reason or other, he’s not having any of it this time and does the right thing.  This doesn’t redeem him by a long shot, especially since the current crisis is his own fault, but it’s nice to see him take a stand all the same.

The Final Battle - Fiona may go out in an anticlimactic way, but she does leave behind a pretty ingenious trap: she gives Gideon’s heart the command for him to kill Emma at all costs. If Emma is killed, then light magic as embodied by her will die.  If Emma kills Gideon, who is an innocent victim, it will cause light magic to die too!  In a callback to 6x02, Regina says Emma can find the third way that she could not when faced with a similar situation when the Charmings were attacked by the heart-controlled Edmond Dantes.  She finds that third way by allowing Gideon to stab her in order to save him, hoping that a self-sacrifice like this will spare light magic.  At the same time, Rumple gives Gideon’s heart the command to not kill Emma, which can’t fully override Fiona’s command but causes his stab to curse her rather than irretrievably kill her.  And because good as represented by the Savior and evil as represented by the almost-Savior both did the right thing, both combatants of the Final Battle are able to survive it.  I’ll admit it - that’s actually some decent writing. Still, I’d rather Rumple have died as a part of his contribution, since it’s pretty galling that he gets off scot-free. 

The Closure - The happy ending montage is beautiful…for the most part, anyway.  The “Swan-Mills Family” pandering moment is ridiculous, and Regina and Rumple’s big scenes are morally twisted and infuriating.  But the closing scenes for Snow, David, Emma and Hook are all perfect, with the first couple finally getting a better house complete with a barn and David’s old dog, and the second couple patrolling the streets as sheriff and deputy, with the hilarious added detail of a siren put on the yellow bug.  And if you’re actually able to stomach the presence of Regina, Zelena, Rumple and Belle, then the final shot of the big family dinner at Granny’s is pretty touching as well, especially when it turns into the final page of the book.