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alj4890 · 4 years

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Choices September Challenge

Day 25 Image

(Thomas Hunt x OC*Amanda) in a Choices Red Carpet Diaries Drabble

A/N Not a part of any of my AU's for this particular pair, yet I thought the idea for this seemed to match them, LOL. Plus I love seeing Thomas give in to love and romance. And I've been holding on to the above photo for a prompt like this.

@choicesseptemberchallenge20 @xjustin-ethansgirliex @lovealexhunt@lxaah11 @alleksa16 @penguininapinktuxedo @blackcoffee85 @stopforamoment @hopelessromantic1352 @krsnlove @annekebbphotography @hopelessromantic1352 . @sunflowergirl05 @desireepow-1986 @greywitchyshots @moodyvalentinestories @emceesynonymroll @my-heart-beats-for-ya @aworldoffandoms @ab1901 @flyawayboo @i-bloody-love-drake-walker . @trappedinfandoms @kate-mckenzie

Masterlist

Proof

"I don't understand." Amanda's brow furrowed. "I thought you wanted us to keep out of the press until we knew how we felt about one another."

"That was only part of it." Thomas pulled her closer in his embrace. "I knew from the moment we met how deep my feelings for you would be." His lips grazed hers. "But since I haven't been in a serious relationship in years, the paparazzi will never allow us to step out the door without hounding us to death."

"And that's why you won't go as my date?" Amanda eased out of his arms.

"I think they suspect that there is something more here than mere friendship." He replied. "If I show up at the gala with you, that will all but confirm our relationship."

Amanda stepped back to sit in a chair. "I see."

Thomas sat on the couch, watching her warily. Something about her tone and expression had him concerned.

"You don't know how articles, interviews, and pictures can play havoc with a couple, much less when the two live in different countries."

Amanda folded her arms, keeping her eyes adverted. "Trust me. I do know the power of the press."

He relaxed somewhat. "Then you aren't upset."

Her lips parted to say her usual no. Then it struck her that she shouldn't downplay her feelings about this. If what they had was what she suspected, then she needed to be upfront with him.

"Actually, I am upset." Her eyes lifted to his. "I don't care about the press taking pictures of us. I'm happy being with you."

He reached for her hand. "I'm happy with you too. But having our relationship under a microscope will be difficult." He laced his fingers with hers. "If I am captured not smiling like a fool each time we are caught out together, then they will start the stories that there is trouble between us. If you are seen at court speaking with another man, then they'll say I've been replaced. It will become ridiculous."

"I can ignore them." Amanda argued. "I would think that you could too."

His eyes narrowed. "I do ignore them on a regular basis."

"Not if you are afraid to be accused of having a romantic relationship with me." She yanked her hand away. "I thought there was something..." She took a deep breath. "I thought we were moving forward to deeper emotions."

Thomas rose off the couch to pace. He knew he was in love with her. He had actually planned on this particular visit to tell her what was in his heart.

But to put all this out there...reveal the vulnerability she had caused in him to the world...he didn't want to risk losing her.

Hadn't he seen through the years how the press had a hand in destroying marriages and relationships within the film industry with nothing more than a few photos and suspicious headlines?

"Amanda, I--"

She waited for him to say something to prove to her that there was something here, that she hadn’t been fooling herself these last few months.

When he continued to struggle with the words, she pushed herself out of the chair.

"Right then." She smoothed her skirt down. "I have a plane to catch if I am to arrive in Nappa in time." She gathered her purse and coat. "I promised Rashad that I would help him with the speech he has to deliver tomorrow night."

Thomas took a step forward. "How long will you be gone?"

She shrugged. "I thought I would be gone just the weekend." She avoided looking at him. "I don't know when I will be back in Los Angeles now."

His eyes widened. "What do you mean?"

"I mean that I need time to think." Amanda looked up to see how he was taking her decision. "I don't like being kept a secret as if you are either afraid of someone finding out you are no longer single or that you are ashamed of me."

"That's preposterous!" He snapped. "You know you are the only one I have been dating since the night we met. Those that I am closest to know we are together. Why would you--"

"I want us to have a future." She interrupted.

Her voice cracked on the word future. She closed her eyes briefly before trying to speak calmly once more.

"That includes not hiding that from the world." She pressed a kiss to his cheek. "Goodbye, Thomas."

Before he could respond, she walked out of his home and possibly out of his life.

****************

Later that night...

"I thought you were bringing Amanda with you." Addison stood on tiptoes to look around the crowded party.

"She needed to leave earlier than she expected." Thomas grumbled.

"I thought you were planning on going with her." Holly pointed out.

"Er, no." He tried to get away from their questions. "We decided I should remain behind."

"Why?" Addison persisted.

He ordered a drink and pretended he hadn't heard her question.

"Why?" She repeated. "Didn't she want you to be her date for the ball?"

He downed his drink, motioning for a refill. "Yes."

"Then why are you here?" Holly prodded. "Are you planning on flying out tomorrow?"

"No." He winced at the burning gulp he took.

Addison and Holly shared a look.

"Did you...did you break up?"

His silence caused alarm.

"No!" Addison gripped his arm, forcing him to acknowledge her. "You two aren't through, are you?"

"I--" he finished his drink, slamming the glass down. "She said she needed time to think."

"About what?" Holly snapped. "You two were perfectly happy at dinner the other night."

He tried to shake off Addison's tenacious grip. "This does not concern you."

"On the contrary." Holly grabbed ahold of his other arm. "We care about you and her."

The lid on his temper was being held by a mere thread. "It is a ridiculous difference of opinion." He wrenched his arms free. "Nothing more."

"Difference of opinion about what exactly?" Holly and Addison dogged his steps.

He knew they would follow him the rest of the night if he didn't tell them. Finding an empty room, he motioned them inside.

Once the door was closed, he explained the issue.

"Wait a minute." Addison held up her hands. "You're afraid of the press?" Her tone hardened. "Are you insane?!"

He glared silently at her.

Holly observed him closely. "You love her, don't you." She took her glasses off to tap against her chin while she tilted her head in thought. The revelation grew clearer. "And that is what scares you."

"I--" he sputtered. "That's beside the--you--"

"Get over yourself!" Addison snapped. "Who cares if the paparazzi follow you from now until you two have a household of babies? You're going to ruin this without their help in trying to maintain this idiotic image you have created of being the unfeeling director." Her eyes narrowed. “The man who needs no one.”

Thomas and Holly stared at her in stunned silence. Addison rarely lost her temper to this extent.

"I have to see the articles all the time about Matt's supposed chemistry with his latest co-star." She placed her hands on her hips. "But I know I am the one who has his heart."

Holly nodded in agreement. "Same for me with Ryan. Nothing makes me happier than seeing him in interviews proclaim that I'm the only one for him." She focused on Thomas. "Don't you think it's time you revealed to Amanda and the world that you love her?"

He rubbed his hands down his face.

He knew he was going to have to make a grand gesture to fix this.

*****************

The next day, Napa Valley, William Sloan's home...

"I could always call on one of men I work with to be your escort for the ball." Rashad offered. "There's even a few coming in from New York that you might like to meet."

Amanda shook her head. "I appreciate that, but I am fine going on my own."

Hana's concerned expression became even more pronounced. "Is there anything we can do?"

Amanda forced a pleasant smile. "I could use some help choosing which dress to wear."

"I can do that." Hana watched their friend disappear into her room.

She waited until the door closed before turning to Rashad. "Should we intervene?"

"I wouldn't know where to start." He grimaced. "You know how bad I am with this sort of thing."

She looped her arms around his neck. "You are wonderful with relationships."

He smiled at her. "Only when it involves you, Hana." He pressed a sweet kiss to her lips. "There is a CEO from New York that might be a good match for Amanda. He plans on coming out tonight."

"Then we will introduce them to each other." Hana decided. "That way there isn't any pressure on either of them."

Amanda stepped out in a black ballgown and gave a brief twirl. "Here's the first one I brought."

Hana turned her attention to helping the duchess look her absolute best for the ball.

She was determined to see her friend happy by the end of this evening. She secretly hoped though that Thomas would end up surprising them all by showing up at the last minute. With a heartfelt sigh, she made comments about the next dress Amanda modeled for her.

**************

An hour before the ball...

Amanda chewed on her lip as she reread the strange text she had received from Thomas.

Please meet me at Wilson's Diner.

She quickly sent a reply.

Why? I have a ball to get to.

Her eyebrows lifted when he immediately replied.

There is something I need to say.

She hesitated.

What is it you wish to say?

Something I should have said a long time ago.

"Thomas." She mumbled, completely frustrated with the man. Cursing herself the entire time, she quickly texted back that she would be there in a few minutes.

************

Wilson's Diner...

Though she felt ridiculous stepping into the causal establishment in a ballgown, Amanda paused in the doorway, trying to see where Thomas was seated.

A waitress approached her with a smile. "You must be the one the guy sitting in the back is waiting on."

She led her to his table.

Amanda stopped in her tracks when she saw Thomas sitting there in a tuxedo. He had a bouquet of flowers and had somehow managed to have a heart box of candy in the middle of September.

He slid out of the booth and took her in his arms.

Before she could utter a word, he kissed her.

Amanda heard the faint clicks of cameras.

When she pulled away to see where they were coming from, Thomas stopped her with his words.

"I'm in love with you, Amanda."

Her lips parted, eyes searching his. "You are?"

He kissed her again, causing the sound of more clicks to occur.

"You make it impossible to not fall in love." He said softly.

She smiled against his lips. "I'm in love with you too, Thomas."

He stepped back to hand her the flowers and candy.

"May I take you to the ball?" He asked.

"I would like that." She breathed in the sweet smell of the her roses.

Thomas slipped his arm around her and addressed the patrons of the diner. "If you want more for your story, we will be attending the charity ball Sloan Industries is hosting."

The majority of patrons clicked one last photo before hurrying out to get to the venue.

"You purposely had the press here?" Amanda asked.

"I did." He led her out to a waiting car.

She stopped him when he opened the door for her. "You didn't have to do that." She lowered her head. "I would never ask you to do something like that when I know how much you value your privacy."

He propped his arm on the roof of the car. "Then what did you need to think about?"

She blew a frustrated breath. "If I could be alright with hiding my feelings for you while out in public."

"And could you?" Thomas gently cupped her chin, urging her to meet his steady gaze.

"Maybe. A little longer perhaps." Amanda shrugged once more. "But the way things have progressed between us the last few months, I don't think I could continue like this."

Thomas took her flowers and candy, setting them down in the car, then pulled her back into his arms.

"I don't want to lose you." He admitted. "The thought of that happening along with the press either having a hand in it or reminding me of my failure in making you happy..." He touched his forehead to hers. "...that is why I tried to avoid their finding out about us."

She met his lips in a tender kiss.

He reluctantly pulled away. "We're going to be late."

Her frustrated groan brought a smile to his face.

"I want to show you off." Thomas whispered, as his lips skimmed her neck.

"If you insist." Amanda slipped out of his embrace and sat down in the car.

He followed after her, gave instructions to their driver, then raised the privacy barrier.

"Thomas?"

"Yes?" He lifted her hand to his lips.

"I can't wait to show you off either."

#choices september challenge #choices red carpet diaries #thomas hunt x amanda #Thomas Hunt #thomas hunt x oc #the royal romance #hana x rashad #rcd addison #rcd holly chang #choices the stories you play #choices sept challenge

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miss-m-calling · 5 years

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Fandom 5k letter

Requests:

Adult Wednesday Addams -- Wednesday Addams

American Gods (TV) -- Laura Moon/Mad Sweeney

Cabin Pressure -- Carolyn & Arthur & Martin & Douglas

Moonlighting (TV) -- David Addison/Maddie Hayes

Dear writer,

Hello and thank you for writing for me. I’m very excited to read whatever you come up with.

I do give more or more detailed prompts for some of these canons than for others – that’s not because I want some more than others, but only because for some I get lots of ideas, for others I’m more “waves arms all over the place give me more of XYZ I love in canon!!” I hope whatever I put down sparks your creativity, and feel free to reach out through the mods if you have any questions! My likes and DNWs are all the way on the bottom of the letter.

Without further ado…

Requests:

Adult Wednesday Addams

Wednesday Addams

Genres: Action/adventure, Canon-style plot, Humor, Slice of life, Worldbuilding

I belatedly discovered this webseries, and it resurrected (see what I did there?) my love for Wednesday and how the Addams Family canon runs on the endless possibilities of this loving, happily eccentric family being 100% true to themselves and the world just having to deal with it. The show was everything I never knew I wanted till I watched it, the perfect blend of Addams-macabre and cozy slice of life with bonus Wednesday navigating the world alone, without always knowing her family will back her up, and it made me crave more of adult Wednesday’s mini adventures in LA. For this canon, I’m good with gen or, if you want to write that, more of Wednesday’s adventures in dating guys who really aren’t up to the challenge, and you can absolutely have Wednesday interact with OCs I haven’t listed as part of a pairing. I’m keeping the prompts pretty short, just to (hopefully) pique your creativity, as I expect I will love any way you make these or any similar scenarios play out:

-Wednesday goes to IKEA

-More of Wednesday’s interactions with the nice interns at her receptionist job. Maybe they invite her out to happy hour, or to the beach or a club. Or maybe we get to eavesdrop while they shoot the breeze on their lunch break, possibly over barbecue-chicken pizza from CPK.

-More of Wednesday’s gigs. She already babysits and walks other people’s dogs, what else might she do for extra cash that would be both really common and seemingly ill-suited to Wednesday, except she totally makes it work for her? Cat sitting (especially if the cat belongs to someone incredibly rich whose house is full of secrets – and expensive things for the cat to knock over), driving an Uber/Lyft, becoming an AirBnB host, catering/server, working the late shift in a New Age/occult supply store where none of the woo is real…?

-Or, alternately, Wednesday finds a career that is perfect for her, in which she can have success and respect. What ever could that be and still fit into the non-Addams world?

-Wednesday tries speed dating

-Or, she runs into Brian a.k.a. chains guy (I cackle with glee every time I rewatch the bit when he tries to kiss her at the pet store) a third time – how does it not go quite as he wanted or expected this time?

-Wednesday’s family comes out to sunny, plastic, image-conscious LA to visit her and make sure she’s doing alright. She gives them a tour of the city, and LA will never be the same again.

-Wednesday takes an evening class, or goes back to school part time, or enrolls in an online degree program

-Wednesday takes a road trip, alone or with her apartment mates/colleagues/Brian/strangers she met for carpooling purposes. Bonus points if you work in real roadside attractions, or tourist traps, or famous sites/landscapes.

-It’s Dia de Muertos, and Wednesday goes out to celebrate and soak up the atmosphere. It may or may not live up to her expectations.

-If you wanted to get a bit meta and/or enjoy playing around with different formatting, what does Wednesday’s Tumblr/Twitter/Facebook/Tindr look like? Or, Wednesday gets tasked with updating company social media at her receptionist job, and she does it with her own special flair.

American Gods (TV)

Laura Moon/Mad Sweeney

Genres: Action/adventure, AU - canon divergence, Canon-style plot, Character development, Getting together, Smut, Worldbuilding

Let me preface this by saying how much I appreciate that you are willing to write for an ongoing canon! I love this pairing, and while most of my prompts are basically the same ones I’ve used in exchanges before S2 (which I am watching) started airing, let me assure you that I am 1000% fine with your fic getting jossed, or including a divergence from what we already know or how things happen in canon. You can work with the canon -- or as much of it as we have by the time you’re done writing -- or diverge in a way that works for your story. Really truly honestly it’s all fine since you are writing for an active canon, and I really truly honestly appreciate you wanting to tackle this! Canon divergences and canon-flavored-if-not-entirely-compliant stories are my jam, so please don’t feel anxious as the canon keeps unfolding, nor pressed to keep up with S2 if you can’t or don’t want to watch it right now. (I tried to keep S2 spoilers to a minimum in my prompts, but there are some spoilers.)

So *clears throat*

I ship it. Yes I do. They had me at “gimme-my-coin-dead-wife”-flicks-him-into-wall. The snarky road trip was the best thing I never knew I wanted until it happened, and I adored every second of it. They’re both such assholes and so fascinating, even if they start to mellow toward each other a bit toward the end of S1, and all the gods/magic/resurrection stuff swirling around them begs to be explored further. Also I love love love how their dynamic is about equal parts spikiness, pathos, and humor (they’re funny! and the canon doesn’t shy away from putting them in ludicrous situations), and it weaves seamlessly between those three. Plus she’s half his size yet can and does beat him up with literally one finger, and then there’s the angst of he having killed her, feeling really guilty about it, and then bringing her back.

Please give me either missing scenes from the road trip (if you can work in a divergence, that’s great - for example, I like Salim, but if you want to have him boot Sweeney and Laura to the curb and go off on his own, or Sweeney to boost his taxi before Salim catches them, or whatever else to have those two alone, go for it!), or a S1 divergence (instead of going to Ostara, they go where? to see whom? about getting Laura resurrected) or something about these two post-S1/during-S2:

-Laura discovers (how? you decide!) that Sweeney gave her back the coin after their accident – whatever happens next, some punching may be involved.

-Wednesday’s big war finally comes, and “don’t you dare die on me, you asshole” is a line either Sweeney or Laura (or both) might say to each other.

-Laura asked “What does Wednesday have to lose?” and the answer is…? (Yes, give me that sweet poetic justice. One possibility, though not remotely the only one, but as of S2E3 Laura is technically a god-killer...)

-On a similar note, Wednesday told that luckless cop that Sweeney had been against the big gods’ war from the start, and while Wednesday lies, Sweeney definitely seems to be participating out of a sense of obligation and lingering guilt over the war he ran from long ago, rather than lust for a good fight or even a dominant death wish. What if he decided to hell with Grimnir and his war and his having Sweeney kill random people? I’m guessing Sweeney too drank three glasses of mead so he can’t back out without dire consequence - but he does have a fierce, dead woman in his corner.

-They go to some as-yet-unnamed old god (feel free to bring in whatever mythology you want) in order to bring Laura back to life. Between Sweeney’s mouth and temper, and Laura’s mouth and temper, it doesn’t go well. Now one or both of them are in big magical trouble with a pissed-off deity and have to get themselves/each other out of it.

-Things happen and Laura finds herself in the position to throw Sweeney under the bus but also help/save him, and while he knows it’s only karma, he can still be pissed about it - how do they navigate this?

-Laura gets fully alive again, but traces of her (un)dead state remain – what are they, how does she cope, what price did she/he/they have to pay for her resurrection, and how does their relationship change? I’d especially be curious how it would work if they’re already a sorta-maybe-item and *then* she’s alive again and it’s weird in a new way.

-For reasons I’ll leave up to you, Sweeney and Laura have to stay put in a single place for a while and end up essentially cohabiting, regardless of what their relationship is at that point. Take “cohabiting” as literally or as creatively as you want -- in any case, I’m sure it will be marvelously disastrous and amazing.

-Slight or major AU from the opening of “The Ways of the Dead”: Laura has hitchhiked with Sweeney instead of going off in a huff with Wednesday, or she otherwise gets to New Orleans sooner, and she and Sweeney tear up the town together. Gimme bar fights, carnival shenanigans, backstage craziness with the Christian rock band (Sweeney seems to have a backstage pass on a lanyard around his neck when Laura finds him)… Maybe they even cross the paths of some loa and it doesn’t get all angsty (for what it’s worth, I think the reason the sex magic didn’t bring Laura back to life was because she couldn’t accept the truth(s) revealed during the astral-plain sex – see how she defaults straight to “this is all Wednesday’s evil plan” the morning after – not because the loa fucked them over as Sweeney said). They were actually getting along nicely in those first couple of scenes, only ribbing each other a little while still being their grouchy selves, before they got to Le Coq Noir. I wouldn’t have minded seeing some more of that.

-All the old gods hide their true appearance to an extent. A situation arises in which Laura sees Sweeney’s true, or at least old, self (I’m thinking of his surprise!poignant monologue about when he used to be a king, and the glimpse of him in full Celtic warrior mode in the S2 teaser). Or Wednesday’s war ends in victory, meaning the old gods again get belief, worship, and sacrifices. How does Laura, the ultimate skeptic even when she’s on the other side of the mirror, react? How does this new knowledge and new reality change her opinion of/attitude to Sweeney? Or to flip that around, if Sweeney were again relevant and believed-in, would that actually change his bad attitude and fix his issues (my guess is it would be complicated)?

-The power of names: for all his “dead wifeing,” there comes a time when Sweeney (has to) call her by her actual name, and that’s a tricky moment for them to navigate. Or, Mad Sweeney is almost certainly not his actual name, since true names have great magical power and so must be kept secret; Laura discovers or learns his name, from someone else or from himself; what does she do with that knowledge? Or, Sweeney gets to say “cunt” in a situation (sexual or otherwise) where, not only does Laura not peel his lips from his gums, but she finds that she can’t object, even though she knows that he knows that he’s getting away with it.

-So far in canon, it’s pretty clear that Sweeney has a lot of complicated but sincere feelings for Laura. But Laura is still pretty focused on Shadow (or rather her idealized vision of Shadow and what their relationship might yet be), whom she seems to equate with her own lost-maybe-to-be-regained life, although she’s starting to soften toward Sweeney as she realizes he’s doing things for her that are not all about getting his coin back (and her sparring match with Wednesday in “Muninn” may finally force her to accept that her relationship with Shadow died alongside her and Robbie on that road in Indiana). Tell me the story of how Laura stumbles her way to starting to feel more complex, maybe kinder or softer, really annoying for her blunt-force-trauma-personality things about Sweeney and about the notion that her dynamic with him is different from the way she tended to use men for her convenience without really letting them in in the past. Also I’m pretty sure that even if they felt the same – or sorta in the same ballpark – about each other, their relationship would still run on a lot of conflict, and I would so be here for it.

-On that note: in “Munnin” it also becomes clear that Laura has, without realizing it herself, started to rely on Sweeney. The “I trusted you” line made me think, whoa she’s too mad to catch herself doing it but this is huge for Laura, and the fact that she goes off with Wednesday (!) basically because she’s mad at Sweeney because she thinks he’s prioritizing his debt to Wednesday over her… Yeah, I would like to see that explored some more and/or to see Laura and Sweeney get to a point where they trust each other and rely on each other, and know it and accept it, however difficult the getting there and being there may be for them.

-And since I’m on the subject of Laura, you know how she’s not actually an abrasive bitch all the time to everyone? And when she is, the people on the receiving end of it sometimes richly deserve it, and anyway it’s refreshing to see a female character who doesn’t bother flirting and accommodating others for the sake of social harmony? As much as I enjoy watching her rip into people (ahem, Sweeney), I also love it when she acts differently, like her genuine interest in getting to know Salim and her joy in seeing him again in S2, or her running passive-aggressive battle of wills with Wednesday, or even her general disaffection and numbness in “Git Gone.” Her beginning to feel sympathy for Sweeney and her anger and disappointment when she feels let down by him are a part of that, and I’d love to see all that explored more. Nuance! Give me all the nuance and seeming contradictions in both Laura and Sweeney’s characters!

-My perfect AG spinoff would basically be Sweeney and Laura tooling around America, looking to get her resurrected (whether they succeed or not is up to you), stealing ever more ridiculous vehicles, arguing/fighting and having those pesky moments where vulnerability and genuineness creep in – and fucking. So yessiree I’d be down for porn, including “it’s technically necrophilia/zombiesex” porn.

-All the petty, ridiculous ways in which Sweeney’s bad luck manifests itself make me laugh (can’t help it, won’t even try), and I’m down for more variations on that theme.

-If you wanted to throw in some worldbuilding, maybe something exploring living death. Magical bargains. What kind of favor did Sweeney do for Ostara that would be worth her bringing someone back to life as repayment? What other powers might Sweeney have (he doesn’t seem on a par with someone like Wednesday and Ostara, nor is he really a god, more a mythological being/kinda-deified former-mortal)? How long can a dead wife keep going before she’s “soup”? What other superhuman abilities might dead!Laura have? Can the dead do magic? What even are the rules governing and the limits of different beings’ magical abilities?

If it helps your inspiration, you can find some of my meta and lots of tag-burbling about these two here. I have read the book though I remember it only in bits and pieces, and while I prefer the show characters and the fact that they get thrown together, you can use or riff on book material if you want. With reference to one of my DNWs, for this canon, describing Laura’s physical decay is totally fine. Also, Shadow/Laura don’t interest me except as a part of Laura’s backstory (so if your story wants to include Laura figuring out or having already figured out that pinning all her hopes on Shadow to make everything right is unrealistic, unfair, and not how it works – by all means, go for it!), and Shadow/Sweeney interest me not at all.

My one canon-specific, really strong DNW for this pairing is this: I’m not into Laura being Essie’s reincarnation/descendant or – as fanon suggests and canon hints she may be – some sort of reincarnation of Sweeney’s wife from back when he was a king in old Ireland. Reincarnation/“new love looks like old love”/“lost love found again” plots bore me, and I don’t enjoy ships that hinge on characters being somehow destined to be together. Characters having agency is my jam as much as canon divergences are. Or if your fic really needs to go there, please please please don’t dwell on the Laura-Essie-Sweeney’s-wife-of-old thing, a brief mention would be more than enough. I’m certain Laura would have neither time nor patience for the notion that Destiny Fate and All That Jazz threw her together with ginger minge, and even if it were technically true, she’d still want this relationship to work on her terms – and Sweeney obviously has a problem with Laura’s cheating, her relationship with Shadow, her personality (though he also recognizes they’re alike in many ways), and all that maps onto his anger and sadness over becoming irrelevant over time, so it’s not just about Laura. So yeah, let them be their own (grumpy, spiky, dysfunctional) people, and let Laura’s dynamic with Sweeney not be shaped solely by his past and his issues.

Cabin Pressure

Carolyn Knapp-Shappey & Arthur Shappey & Martin Crieff & Douglas Richardson

Genres: Action/adventure, Canon-style plot, Humor, Slice of life

I just want more canon-y stories with their loopy humor and their weird yet loving family dynamics among the crew. Shenanigans in mid-flight or in the tedium which precedes and the tiredness which follows them. Someone smuggles (knowingly or not) an exotic animal on-board, legal, security, medical and/or slapstick chaos ensues. A mechanical, passenger- or smuggled-goods-caused problem arises and is solved during a journey. More games played on board GERTI. Playing around with a specific destination, like in many episodes, would be a plus. If it helps inspire you, my favorite episodes in terms of tone and content are: Douz, Gdansk, Johannesburg, Limerick, Ottery St. Mary, Uskerty, and Xinzhou.

For this canon, I prefer gen with maybe, if you want to go there, some Douglas/Carolyn on the side. That’s a ship I always thought had potential – they understand each other very well and trust each other... some of the time, but they’re both also snark-masters, tend to look down on anyone not as smart or quick-witted as they (Arthur being the sole – occasional – exception), and are really good about keeping their defenses up against other people. But I requested the gen group, and I definitely want the gen group – please don’t feel pressed to write the ship, that’s just a wild suggestion I threw out there.

Moonlighting (TV)

David Addison/Maddie Hayes

Genres: Action/adventure, AU - canon divergence, Canon-style plot, Established relationship, Getting together, Humor, Mystery/procedural, Slice of life

I osmosed tons about this show over the years but didn’t get around to watching it myself till recently. And then I loved it much more than I thought I would! Yeah, sure, some of it’s dated, and some of it’s ropey in terms of how the characters interact ( all the casual sexism and battle of the sexes stuff are very 80s indeed), but the chemistry! the banter! the funny! the shiptease! Gimme!

I tried to come up with lots of prompts, but ended up with a list of stuff I love about the show – and would love to see in fic – with some prompts mixed in. Hope it helps! Basically, give me as much of the show’s “flavor” as you can, and I’ll be happy.

My two DNW requests for this canon would be: please ignore everything that happens post-S3 (so if you want to write Maddie/David in the aftermath of their resolving their UST, please go ahead with the canon divergence of your dreams, I bet it’ll be a million times better than canon), and please don’t have secondary characters (Agnes and Herbert, or Maddie and David’s relatives and exes) hijack the story. They can be in it, but I really do want a David/Maddie story, despite the canon sometimes sidelining them due to behind-the-scenes shenanigans.

Prompts/likes:

-all the banter, wordplay, innuendo, puns, comic repetition

-arguments – those long, explosive, funny, overlapping, always hilarious fights they have

-breaking the fourth wall – yes, please. In canon, they often seem to know they’re fictional characters but ones that exist in the real world, with studio lots and such. Do they now know they’re characters in a fanfic of fictional characters that also exist in the real world, or something even more mind-screwy?

-David calling Maddie “blondie blond” – it just makes me laugh – and Maddie calling him “Addison” when angry but “David” when worried or when shit hits the fan

-random cultural nods – off the top of my head, canon referenced Spanish poetry, objectivism, American realist drama, Dr. Seuss, Shakespeare, of course all the Hollywood tropes and genres; go high or low culture, go famous or obscure, even if I don’t know the reference, I want it! Ditto if you decide on a plot that parodies and pays homage to a cultural landmark story (The Silence of the Lambs? Much Ado about Nothing? A Hitchcock movie? Something else?), I’d love it!

-speaking of: I love the pun-tastic episode titles referencing everything under the sun

-all the canon-era detail which both takes me back and jars me with how much things have changed: people smoking in public buildings, seeing someone off at the boarding gate, dial and push-button telephones, VHS rentals, no cellphones/internet, all the 80s fashion and permed hair… Throw it in just for kicks or weave it into the plot (e.g., they’re following someone and only have a paper map and their own faulty sense of direction to help them)

-casefic – I love the silly plots (and chases! All the chases!), which often combine really gruesome outcomes or real violence with slapstick. I’d be especially tickled if you wrote a plot that starts out silly and seemingly innocent (e.g., they get “hired” by a kid who lost their homework) but ends up deadly serious, or vice versa

-I also love the flashes of really dark humor, usually provided by David snarking about plot developments, though my favorite example remains the intro to S3E1, with David assuring his sick mother that they’ll sweep the Emmys, and then they lost big time and we see a title card saying that the mom died on Emmy night. What can I say but: ROFL

-Maddie and David are really pretty terrible detectives, but they always manage to solve the mystery – or a solution falls into their laps – and I’m here for it

-Blue Moon almost never seems to take on actual paying clients – what else might David and Maddie do for much-needed cash? Bodyguards, extras on a movie, professional consultants on a movie (probably a really shlocky, C-grade production being filmed in the middle of nowhere), dance marathon, talent contest…

-all the shippiness before the UST becomes RST – in canon they slow-danced in a bar, they slept side by side on a plane, he’s snuck into her house multiple times when he was in trouble, etc. etc. etc. The sky’s the limit!

-maybe they get together in a different way than in canon and/or they have a relationship that departs from canon? Or how about if they resolve the UST as they do in canon, but then find a way to be both partners and lovers, without getting so wrapped up in what they each think the other one should be that they spoil everything? Basically, could they be mature enough to have a relationship that works for them both, or be friends with benefits, or hell even break up but remain each other’s most important person (and maybe still have sex occasionally)?

-tropes – the canon plays with so many tropes, you could too! Some suggestions: there’s only one bed, undercover as lovers/married/client and bodyguard, waking up married, any variation on Lady and the Tramp you can think of (including David having to pretend he’s a class act while Maddie has to play the slob, for a case or because of a situation with their families or…), they get zapped by a mad scientist they’re surveilling and swap bodies, etc.

-road trip! Oh the possibilities...

-playing Twenty Questions or another game during a boring stakeout, and personal revelations come spilling out

-Maddie’s experience as a model proves key to cracking a case, whether you want to make the whole story a riff on the world of fashion (The Devil Wears Prada parody, anyone?) or use that as a surprise plot point

-they get tangled up (again) in international espionage and go on a globe-trotting adventure, either chasing a MacGuffin or being chased – basically, get them out of Los Angeles and their relative comfort zone, and send them Indiana Jones-ing all over the world

-the show often makes 80s-typical mean jokes about Russia and the Cold War – what if a case took Maddie and David to the Soviet Union in its last years? Give me all the culture clashes, David being obnoxious and Maddie trying to be diplomatic, all the vodka, chases down frozen streets and over the frozen Neva River, dodging the KGB, sneaking around behind the scenes at the Bolshoi or Kirov Ballet and winding up on stage…

-when they visit a “rough” dive bar in S1, there’s a whole scene of David teasing Maddie to show tough-girl attitude, and she quips that she can’t wait till he has to accompany her to a high-society event. Um, yes please!

-they attempt to date like a regular couple, and stuff keeps getting in the way – whether they go to the opera/ballet and a fancy restaurant, or a basketball game and out for beers, or they try a quiet dinner and a movie at home (or all of the above!), canon-like complications keep interrupting. But then again, the ridiculous way they work is what brought them together in the first place. Bonus points if the fish-out-of-water partner ends up getting into the other one’s date-activity of choice, while snarking all the way.

-David has been to Maddie’s house multiple times – including to sleep over, both platonically and not – and they’ve both crashed at the office, but what little we see of David’s place, it seems to be a bachelor pad/hovel with a large yet mysteriously unfurnished living room. Maddie visits David/comes to spend the night/hides out with him from villains, and shenanigans ensue.

-canon often resolves the clash between David’s opportunism, happy-go-luckiness, and cockiness, and Maddie’s gentle idealism, worrywartness, and romanticism, by having David “win.” That can be funny, but what if the plot gave Maddie the right a bit more?

-I’m honestly not that into smut for this pairing - a fade to black, something implied, something referenced, innuendo, maybe brief flashes (heh) of what the characters think about/imagine/remember work much better with the canon’s overall tone, I think.

Likes:

I love pre-canon, canon, post-canon, canon-divergent, and missing-scene stories. I love character-driven and plot-driven stories equally, and I love fics which mix humor and angst/serious business when appropriate for the canon.

I love stories about characters at work and play, group dynamics, family dynamics (including constructed families), professional partnerships, friendships, alliances, rivalries, intimate couples (new lovers/first times as well as long-term/established couples), UST-ridden couples who are not just UST-ridden but connected in other ways too, etc.

I love irony, snark, humor as well as angst arising from the characters rather than the plot crowbaring it in, linear, non-linear, and 5+1 stories, hopeful endings, happy endings, bittersweet endings, worldbuilding, spiky characters who keep their jagged edges and spikiness in adversity as well as when their lives are going well, square-peg-in-round-hole characters, characters who are their own worst enemies as well as those who can get over themselves when the occasion calls for it, characters with conflicting values which may or may not be reconciled/resolved, characters who treat each other with respect and as equals even if they hate/annoy/can’t stand/love to dislike each other.

I especially love workplace stories (this can mean anything from an actual workplace/casefic/procedural setting to anything that revolves around the canon world in which the characters live) in which the characters are competent and dedicated to the job, and while they may not be exactly friends and they may well irritate one another, they still manage to rub along to get the job done and maybe even grow to care about one another (much to their surprise and sometimes reluctance/discomfort). Or, if they can’t get along, show me why not and what’s preventing them from finding common ground.

In terms of ship dynamics, I love (where it fits the characters) banter, competitiveness or antagonism shading into attraction (this tension need not be resolved), oh-god-why-did-it-have-to-be-you-what-did-I-do-to-deserve-this, bickering yet loving couples, faithfulness, characters who are serious about their romantic interests, characters who think they are much better at flirtation than they actually are, characters forced to work together only to prove much more compatible than they initially assumed, fics which mix an exploration of characters’ professional and everyday lives with shipping. A dynamic I cannot resist is shipping a couple who are incompatible in some important way (they are ideological enemies, cop and criminal, spies from opposite sides, one betrayed the other or they betrayed each other), and while they love and want each other they’re also not willing to change sides or surrender/compromise their identity for the other’s benefit, and how they might (or not) make their relationship work anyway.

I don’t have any very specific likes for smut, other than smut fitting the characters – show me how their canon dynamics spill over into the bedroom (or other place of congress). I also like sexual scenarios that subvert expectations a little and surprise the characters themselves (e.g., the person who’s usually quiet or more passive taking charge, the more aggressive person goes with it possibly snarking or commenting on it as long as they can). And I like sexual scenarios that contain an element of competition, antagonism, oh-god-this-is-a-bad-idea-but-we’re-going-for-it-hammer-and-tongs, not wanting to admit feelings or show vulnerability except oops it happens anyway, whether the characters acknowledge it or not, or just people getting way more into it or being more affected by it than they thought they would. When it fits the characters and their canon dynamic, you also can’t go wrong with we-both-wanted-this-for-forever-and-now-we-both-know-it-so-here-we-go-diving-in-headfirst. For het and/or slash, oral, vaginal, anal incl. pegging, manual (ifyouknowwhatImean) – it’s all good. You can go as veiled or as explicit as you like, but please avoid excessive medical jargon – I don’t find a lot of mention of “penis” or “clit” sexy.

DNWs:

MPREG, A/B/O, knotting, D/s, kinks, incest, underage, genderswap/genderbent characters, xeno, non-/dub-con, torture and abuse (this and non-/dub-con can be mentioned if the story needs it, but please don’t dwell on it in loving detail or subject any of my requested characters to it), dwelling on bodily fluids (mentions of gore/blood and come are fine), toilet humor, character bashing, issuefic, gender/sexuality/race/ethnicity/religion/ability/identity headcanons, unrequested ships, soulmates and soul marks, major character death (unless it’s canon), serious illness or injury, pregnancy and children, holiday or wedding setting/theme, secondary characters shipping the main pair like it’s their job, reference to RL current events, 1st/2nd person POV, AUs which have nothing to do with canonf

#dear author letter #fandom 5k fic exchange

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