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theredhairedmonkey · 4 years

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Thunderfall and the Narrative of Love

I’ll admit, I still have trouble watching Thunderfall, and in particular the scene where Avizandum is turned to stone.

Even during rewatches, I pause to do a quick gut-check and see if I’m up for viewing this particular moment again.

What can I say? This show sometimes isn’t for the faint of heart (of which I am).

But the focus of this episode is actually on King Harrow.

In the classical sense of heroes and tragedies, Harrow is the epitome of a tragic hero.

A hero is simply one who does great deeds, the sort of feats ordinary people could scarcely dream of doing.

But his story is also a tragedy. We tend to think of tragedies as stories with a sad ending, and that’s half right. But in the original definition, what made a sad story a tragedy is that the hero falls due to a “tragic flaw.”

So, for instance, when people read or watch the movie “The Death of Superman,” where we see Kal-El die after his fight with Doomsday, we conclude this is a tragedy because of its sad ending. But while we see Superman die, we never see him fall; he remains true to form, a paragon of virtue and heroism to the very end.

But in Greek tragedies, heroes have flaws that lead to their downfall. Achilles was a courageous warrior and had the strength of a god, but was stubborn and proud, which led to a series of events—him sitting out the Trojan war for a time, the sacking of Troy, his battle with Hector—which led to his demise at the hands of Paris.

Oedipus, probably the most famous tragic hero in history, had what Greeks held to be the ultimate flaw—hubris, or the belief that one could possibly oppose fate and the gods. His hubris led to Oedipus blinding himself and going into self-imposed exile.

In each of these, the tragic component comes not from how the hero dies, but how the hero’s flaws lead to their fall.

And that’s what Thunderfall is really about. It’s the story of Avizandum’s death, but it’s actually about Harrow’s fall.

He was truly a good king, putting the interests of his people ahead of himself.

Viren: “King Harrow worked tirelessly. He told me he thought of himself as a servant of all the people of Katolis. A servant King.”

Fighting to create a just world, one that treats everyone, rich and poor alike, with the fairness and kindness they deserve.

Harrow: Sarai, my father told me that above all, I must be a just king. The night he died, Lady Justice came to me in a dream…She said to me that justice was more than fair decisions and fair consequences. True justice was a fair system. Then she laid before me her scales, her sword, and her blindfold and told me to choose.

Sarai: You chose the blindfold.

Harrow: I did. She said the blindfold gives us a way to test the system.That I should use it to imagine I had not been born yet, and that I did not know if I would be born rich or poor, what color my skin would be, what culture or practices my family would have. That a fair system should be fair no matter the accident of my birth. That the rights, and laws, and opportunities within the system should stand to protect and empower everyone.

But Harrow was only a man. He found the love of his life, and she was taken from him not long after.

And for years he struggled to move past his loss. To be the better person. To look toward the present and the future.

But in the end, he couldn’t let go of his hate. He succumbed to it and let it consume him.

And this one moment of weakness set in motion everything that was to follow—Avizandum’s death and stealing the Dragon Egg; the Dragonguard’s betrayal; the Dragon Queen’s revenge; and the quest to return Zym home.

This all led to the moment when Callum found himself standing on the same field where Harrow once stood, wrestling with the same feelings and temptations that Harrow once wrestled with.

At this moment, Callum struggles to contain his hatred. Even Rayla looks somewhat shocked.

He’s feeling such a wave of emotion—pain, sadness, anger. Maybe even a little gladness that the creature who took his mother is gone.

But this all fades away to sadness and regret: “I feel so sorry that this all happened.”

Why?

That was the moment Callum saw beyond himself. His pain was personal, but it was never only his. Because even for Avizandum, the object of Callum’s hatred, there was someone who mourned his loss.

And someone who’s life was now emptier without him.

They were all bound together now, by both Avizandum’s life and his death.

Just like Callum, Ezran, and Rayla are.

Because of that, rather than succumbing to it like Harrow did, Callum decides to let go of his hate. He instead chooses to have faith that love—his love— could be enough to finally fix what was broken and set right what once went wrong so long ago.

One of the things I really like about Callum isn’t that he’s a strong character who is also vulnerable, emotional, and loving. Even though that’s not as common for male characters as I’d like it to be, it’s still not that rare. Some of the most iconic heroic figures—Superman, Luke Skywalker, Avatar Aang—are powerful characters who allow themselves to be vulnerable and sensitive.

But what’s different from Callum is that he’s not merely both strong and vulnerable, but that his strength comes from his vulnerability. He’s become a powerful mage in a matter of weeks because of his love—he’s always learned new forms of magic in response to a need; his love, and his desire to protect it, helps provide that need, and pushes him to break past the limits to his strength again and again.

He’s able to face so much adversity in his life because he’s not afraid to face his emotions and even his darker impulses—to learn from them and then let them go. And this is the lesson that Harrow passed on to his son; that strength means he no longer has to hold on to his hatred and his pain but look beyond to find something meaningful, something worth fighting for and protecting.

And that something might end up saving their world.

#avizandum #thunder #thunderfall #harrow #harrow x viren #harrow x sarai #sarai #viren #callum #ezran #rayla #zym #rayllum

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thehappyspaceman · 4 years

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Assorted Thoughts on The Dragon Prince Book Three

Hey guys, TheHappySpaceman here. The Dragon Prince. What more do I need to say about it other than what I’ve already covered in my first two reviews? Well, a lot actually.

I was impressed with the show’s improvement from Book One to Book Two and was super excited for where it was set to go in the future. Since then, I have joined the TDP fanbase and supported the show by making memes, reactions, AMVs, oneshots, and plenty of fanart. However, when info dropped last month about Aaron Ehasz and the workplace environment at Wonderstorm potentially not being so good, I didn’t know what to make of it, and as more and more info came out, I became even more confused. Though the fanbase was becoming incredibly toxic due to the near-constant infighting, I promised myself that I would still stick around for Book Three, seeing how excited I had been for it before the controversy, but I almost wondered if it would be worth it.

So, after so many accusations and hollow words thrown around, and after nine months of anticipation… how does it hold up?

…Oh! Okay, wow, this season was a ton of fun. And yes, it’s exactly as good as I figured it would be after seeing Book Two. Everything I could have hoped for from this series really goes full-force here and it rarely if ever lets off the brakes.

The Story

After a brief intro as exposition, the plot starts immediately after the events of the Book Two finale where Callum and Rayla have entered Xadia and have to face many challenges along the way, including archdragon Sol Regem, Rayla’s hometown, and a rogueish elf thief. All the while, Ezran arrives back to Katolis and has to face the challenges of dealing with being king of a country that he finds in chaos, being pressured to enter war and be the king that Harrow was, while Soren and Claudia are confronted with the decision between helping their own father wage war against Xadia or joining their friends.

The Characters

This season introduced a number of interesting new characters. We got to meet some more dragons, for one thing, and while hearing them speak was pretty jarring at first (they talk normal English, which is strange since we’ve never heard them speak before), it turned out to be pretty awesome in establishing the characters. Most notably, we meet Sol Regem, the dragon who appeared in the opening of the series and was on many of the posters, and I’m surprised how he kind of turns out to be a major dick. Since was on so much of the promo materials for the show, I wasn’t figuring this, but he wound up being a racist jackass who was willing to kill our protagonists, including the young dragon prince Zym, all because of his hatred of humans.

He’s not the only dragon we meet. We also meet Avizandum, otherwise known as Thunder, the late King of the dragons, in flashbacks, and we get to see just how he died. As well, we get Zubeia, Zym’s mom, and Pyrrha, a dragon who Ezran had met in the prior season and befriends. My favorite one might be a nameless dragon who is unchained by Soren and nuzzles him. That’s a really cute scene.

We also meet a lot of new elves this season. Of particular note is Ethari, the Moonshadow elf blacksmith who had been seen in the end credits for Book One and had previously been given the fan name “Tinker.” There was a lot of fan speculation that Ethari was Runaan’s boyfriend and that the two of them raised Rayla together while her parents were gone. Well, this season proves that theory entirely false. No, Ethari is Runaan’s husband. Again, way to go with LGBT+ rep, Wonderstorm (especially since the episode that introduces Ethari was written by a woman in the LGBT+ community)! Ethari’s dynamic with Rayla is also very interesting and shows that he truly does care about her even after her town essentially banished her.

This season officially introduces us to Janai, the Sunfire elf that Amaya was battling in Book Two. I find it interesting how, in many ways, the two characters perfectly mirror each other: Both women are highly dedicated to their duty of their respective countries, and both of them are sisters of royalty, with Janai’s elder sister being the Sunfire Queen. This gives them an interesting dynamic with their interactions. Also of note is Kazi, Amaya’s translator this season who kind of gives off C-3PO vibes. Every scene with them is very funny.

Additionally, this season introduces us to a whole new race of elf: Skywing elves! It only makes sense, since we’ve already met Moonshadow, Sunfire, and Startouch elves; that only leaves two more to go. The two Skywing elves we meet are Ibis, a mage who works directly for the dragon queen Zubeia; and my personal favorite, Nyx, a loveable rogue type of character who our heroes meet when crossing the midnight desert. Man, I love Nyx, and yet, I feel like this season doesn’t do enough with her. I mean, they introduce her in episode four, and then she just kind of disappears after episode six. I was hoping that she’d play a bigger role, especially seeing how hyped up she was in the trailers for this season. Still, maybe she’ll appear again. She played an interesting part as an antagonist and I’d like to see her come back.

Speaking of antagonists, how about this guy? Prince Kasef. Man, the writers wanted to make a real jerk type of character and they succeeded. He’s the warmongering son of King Ahling who takes over after his dad’s injuries from last season. Outside of a cool design, there is nothing redeemable about this character. I’m not faulting the show for this, for the record. It seems like it was the writers’ intention to make him a complete asshole, very comparable to Viren in a lot of ways. Kasef is taken down in a pretty spectacular way, for the record, and it’s hard to say he’ll be missed.

But of all the new characters introduced, to me the real standout character of the season is one of the main leads from all the way back in Book One. Man… Soren is just great this season. After breaking his spine in Book Two, we get to see him go through so much character development beyond just being the dumb comic relief. He starts to question what is right, what side he should be on, and he is put through so much hell in the process, but he comes out better for it in the end. Leave it to the head writer of Avatar: The Last Airbender to make me feel sympathetic for a character like this.

The Animation

Holy crap, the animation in this season is so damn impressive! Bardel Entertainment already fixed the animation in a major way between Book One and Book Two, but this season gives us some seriously amazing moments that I never would have expected from this show after watching Book One. Everything feels so much more fluid this season, even more improved than Book Two in that respect. The backgrounds are downright stunning, too. They feel so real, like you could actually be there with the characters. One of the major gripes I did have with the first two seasons was the facial animation, and how the mouths kind of looked derpy and unexpressive, perhaps due to the CGI medium the characters were animated in. But here, everyone is so emotive and expressive that you can watch the season without audio and still understand what’s going on. There’s a particular scene with Amaya and Janai that I’ll get into later that perfectly shows this. This isn’t only in the mouths, either; we also see little details like characters’ pupils dilating, or the elves’ ears slumping down or perking up depending on the mood. These were little touches that they didn’t have to include, but the fact that they did makes it so much more of an enjoyable watch, because you notice new little details each time you watch it.

The Relationships

I don’t usually have a separate section in my previous season reviews about this, but this season was heavily based on character relationships as much as individual characters, whether they be relationships between family members, friends, comrades in battle, or romantic partners. Just a warning: This section will get into spoiler territory. If you have not watched the season before reading this, I strongly advise you to stop reading and go do that.

The first relationship I’d like to talk about returns to Soren. During the course of this season, he starts to question the morals of his father, Viren, and Soren has to struggle between his duties to his father and his duties to his country as a member of the crownguard. We get the sense that Claudia has always been Viren’s favorite, and that the abuse and gaslighting Soren has to deal with in this season is nothing new and Viren’s contempt for his son has been building up a long time. Soren’s relationship with Claudia strains in this season until, when not wanting to make his sister choose between him or Viren, Soren cuts ties with her. The scene where he says goodbye and leaves is genuinely a heartbreaking one, and in general, you can feel the emotions all the characters are going through.

With Amaya and Janai, the two form a mutual respect over the course of the season. Amaya defeats Janai at the breach, but when seeing that the Sunfire general is hanging for her life, she ultimately saves Janai from dying. As the days go on and Amaya becomes a prisoner, Janai defends her against the Sunfire queen and they soon form a friendship that hints that it might lead to something more. But the scene that really increases the characters’ development is when Aaravos straight-up murders the Sunfire Queen. This sends Janai into a rage and she runs in, willing to risk her own life to avenge the death of her sister, but Amaya tackles her to the ground and gives her a solemn look of understanding, of knowing how it feels to lose her own sister. This little exchange is very powerful. I’ve always said that a scene is effective if it manages to give you chills without any dialogue, just letting the music and animation speak on its own, and, well, this scene passes that test. (Major shout-out to Frederik Wiedmann’s score, by the way; it really shines in this entire season.)

And… well, okay, there’s no use dodging it anymore. Let’s talk about these two.

Rayla and Callum. Oh boy. So, remember in my last review how I said it was likely that Rayla and Callum were going to get together by the end of the show? Well, since this show has a planned seven-season run, I was expecting it to happen way later, like in Book Six, or more likely for them to pull the Last Minute Hookup thing where they confess their love and finally kiss at the end of the last season. That trope always frustrates me, but it’s a good way of stretching out the romantic tension for as long as possible to keep fans interested, so I figured that’s what was going to happen, right? Well…

Yeah, I went into this season expecting a slow burn, but instead we got a freaking forest fire. Holy crap, I was not expecting them to hook up this early in the show. And it didn’t happen in the last episode, either; no, they shared their first kiss in episode four, smack in the middle of the season. And you know what? I’m all for that. The writers handled their relationship really well and it felt surprisingly believable and not rushed despite happening so soon. It hasn’t been confirmed how long Callum and Rayla have known each other for, but I’ve calculated that it’s been anywhere between 20-30 days since they first met, which is more than enough time to fall in love. Part of why it works is that the dynamic didn’t really change much. They already had a beautiful friendship, and the only thing that has changed between them is that there’s now more kissing. I wouldn’t have depicted their relationship any other way if I had made it canon. This does open up the question of where they’re going to go with it in future seasons, but as usual, I trust the writers not to screw it up. I may honestly dedicate a whole post to why Rayla and Callum’s relationship works, but we’ll see if I have time for that.

Other Stuff (incl. spoilers)

For the most part, the humor in this season is on point. With the exception of an oddly-placed fart joke in episode two, I found myself laughing at most of the scenes where I was supposed to laugh. Highlights include Soren putting stacking three pieces of bread to make a “bread sandwich,” Callum seeing a boomerang and finding it “oddly familiar” (hi, Sokka), and Nyx taking the dragang (Callum, Rayla, and Zym) past a magical forcefield protecting an oasis, saying, “Anyway, here’s the wonderwall.” I had to do a double take with that because I was laughing so hard. Though I think my personal favorite may be when Ibis laughs at Callum because “humans can’t do magic” and Callum does this.

Just, the look on his face. He’s so done and it’s hilarious.

One thing I was surprised by in this season was the sheer amount of violence. This one really does feel like an all-out war. Apparently, the violence was enough to get it rated TV 13 in some countries (though it’s still listed as TV Y-7 here) and honestly, I can see why. There’s an all-out battle scene in the last episode that could be compared to the climax of Return of the King. Everyone is fighting each other; even the Baker from Book One gets a few punches in there! Not only that, but there are a huge number of onscreen deaths in this season. As previously mentioned, we get to see the Sunfire Queen be Thanos’d. Prince Kasef gets a pretty spectacular death when Queen Aanya has a Big Damn Heroes moment and shoots an arrow through his head. Not to mention that we get to see Viren die not once, but twice! Even though Claudia resurrects him using dark magic, it’s still pretty great to see because he’s a turd. (No offense to Jason Simpson, though—love ya.)

By far the hardest death scene to watch, however, is the death of Avizandum, the Dragon King. In the flashbacks, we get to see how Harrow and Viren killed him, and, well… it’s really painful. The death, by way of petrification, is shown to be slow and agonizing, and Avizandum is shown tearing off his wings in a futile attempt to survive just to make it back to Zubeia. Even Harrow is mortified, with a look of “Oh god, what have I done?” on his face. In his last moments, Avizandum sheds a tear knowing that he will never be able to see his son grow up, and we as the audience are given a grim reminder that everyone… is a person. Even our enemies have families they care about. Avizandum may have been a gigantic, powerful dragon who hated humans, but at the end of the day he was still a dad who wanted to protect his son.

My One Complaint

Okay, so I’ve talked about everything I love about this season, and how it has significantly increased the show’s potential. With all that said, why can’t I give this season my full props? Well… I’ll be honest, it’s because of the pacing. Remember how I said this season rarely if ever lets off the brakes? Yeah, that’s both a blessing and a curse. There are a lot of people online who believe that Rayla and Callum’s relationship was rushed, and I somewhat agree with them, but only to the same end that everything in this season felt rushed. Nine episodes just isn’t enough time for each season. This has been a problem I’ve had with previous seasons, too, but here, it felt especially rushed because so much happened in this season that it felt like we couldn’t dedicate enough time to everything. I’m not saying that every season needs to be twenty episodes long like Avatar—especially since, with four more proposed seasons, we’re already supposed to be getting more episodes than Avatar if all goes according to plan—but 10-13 episodes per season would probably be beneficial for future ones, especially since future arcs of the show are overall going to be shorter (only two seasons each instead of three). Or hell, maybe make the episodes longer. Of course, if that’s my biggest gripe with this season, then we still have it pretty good, let’s be honest.

Where Do We Go from Here?

So, the question remains, where does the show go from here? There are supposed to be four more seasons, but the final episode of Book Three, titled “The Final Battle,” honestly feels like a series finale in a lot of ways: There’s a big epic climax, Rayla and Callum are together, Zym is reunited with his mom, and the elves and humans have formed an alliance, if only temporary. It all seems too easy, doesn’t it? My guess is that this was meant as a pseudo-series finale just in case Netflix doesn’t renew the show for a fourth season.

However, as I’ve rewatched the season, I noticed that they still leave a lot of loose ends. Most notably, Aaravos is seeming to metamorphize and grow outside of his mirror. Judging by how Aaravos really let loose in this series, I can’t wait to see more of him as a villain and find out about his backstory. Also, Rayla was ghosted—or banished—from her hometown after failing her mission in Book One. Will she ever be able to go home again? On a related note, what did happen to her parents? Are we to assume they were trapped in coins like Runaan (and speaking of which, will Runaan ever get out)? There are also other unresolved plot points, like Claudia’s path down the road of dark magic, Viren’s ex-wife, and Callum’s dad. The last one is especially interesting to me, since it would be cool to know if Callum is secretly half-elf, which is why he knows how to do primal magic. Oh, and my question from last season about whether Harrow’s soul is in Pip’s body still remains. So it seems like they left enough open-ended so that they could continue with a new season.

I do hope to see how Rayla and Callum’s relationship develops in the future, though that may just be the shipper in me talking. But in all seriousness, this does open up some potential. As far as we know, Rayla and Callum are the first human/elf couple, so how is that received? Will they be judged by others? Will certain problems arise from this? I hope the upcoming seasons explore this and don’t just pull the usual romance clichés, though the writers have been pretty good at avoiding those so far.

I also have to wonder: When interviewed, the creators of The Dragon Prince said that there would be a time skip between Book Three and Book Four, since each of them is part of a separate story arc. How much of a time skip will it be? I can’t imagine that it will be over a year, but if it is, I hope they don’t do one of those things where since the main cast is too old now, they replace all the main characters with new ones and expect the audience to get invested in them. I highly doubt they will do that, though. It would be too jarring.

Conclusion

If you have been sleeping on The Dragon Prince, I highly urge you to check it out. Book Three is everything I had hoped the first two seasons would be, and more. With fantastic animation, likable characters that go through unique development, and a downright beautiful score (seriously, major props to Frederik Wiedmann), it wonderfully wraps up the first major arc of this series. I hope Netflix renews the show for all seven seasons, because this one has left me wanting more.

~Spaceman

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canvaswolfdoll · 4 years

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CanvasWatches: The Dragon Prince (Season 3)

And we’re back! Since the last batch of episodes… my life has changed very little. Dog’s still adorable. D&D campaigns keep stalling due to lack of time or interest of others. Not producing any of my own epic projects.

Yup.

The third season continues its trends of subverting tropes with kind of a lackluster pay off, while playing other tropes benignly straight. We finally get into Xadia, which has some interesting fauna. But even the character writing is starting to wear a bit thin. Everyone’s been settled into their roles and personalities, and few characters get to interact with others they hadn’t previously.

So, same recommendation level as last time: watch it if you have time and/or have been following it, but it’s not a major tragedy if you don’t.

We open the season with backstory for the inventor of Dark Magic, Ziard, and a former Dragon King, Sol Regem. Sol Regem wants Ziard to stop with the dark magic. Ziard is like ‘we humans don’t have naturally occurring magic, this is literally our only way to defend ourselves from you magical folk.’ to which Sol Regem responds “Stop it or I’ll raze your home city.”

So Ziard sacrifices himself and a few birds to blind Sol Regem and saved the city.

Which means the founder of Dark Magic is a good guy, and Dark Magic may not be inherently bad, and this is what I wanted and I’m sure I’ll be deprived of the conclusion once the series actually ends.

So, what are the arcs for the various teams?

Well, Team Escort lost Ezran, so it’s just Callum and Rayla making googly eyes at one another and becoming an official couple about half way through the season. I appreciate them not dragging the romantic subplot any further than necessary, and even granting us half a season to watch them be love birds, but it also smoothed out their dynamic, cutting down on the banter they once had. I miss their quips.

Team King (Ezran, Opeli, Corvus) are dealing with Ezran’s new authority and Viren being Viren. It’s nice to watch Ehran’s morals being tested, and showing that doing the right thing can be more difficult than just going to war. There’s political maneuvering that, in a more complex show, would’ve had more grey areas, but it’s mostly just Team King versus Team Viren.

Speaking of Team Viren, he picked up Aaravos and Prince Kasef, so Viren in no longer alone! He is also no longer in charge, as without King Harrow to set goals, Viren lets Aaravos call the shots. Viren is remarkably easy to lead. Viren’s actual goals also seem murkier than previous seasons. He clearly wants power, but I no longer know to what end. Is he avenging Ziard? Does he want world domination? To bring Humanity to greater heights? Or is he just a more active Lord Ozai? Regardless, his moral ambiguity is out, and I miss it.

Finally, Team Dark (Claudia and Soren). Turns out, I got their meta roles backwards in the first season review! Claudia is the loyal Azula to Viren’s Ozai, while Soren is the Zuko. I am disappointed by this arrangement, because watching Claudia’s descent into evil means she gets less funny moments, and I don’t think Soren can shoulder the full Zuko arc. Also, fear of making big changes prevents the narrative from doing anything really interesting.

The third season has a heavy case of fast travel. What took Team Escort three seasons to cover is now done by full armies in three episodes. There’s a giant sea in the way, remember? And a lava flow? Characters travel back and forth with remarkable ease for people without Rheairds.

After Viren’s rather drastic actions last season lands him in a cell after sending out magically created assassins with only the voice of a mysterious Startouch Elf named Aaravos, who is such an obvious example of what Viren would be if he were totally self-motivated that I’m astounded that Viren hasn’t ditched him, Ezran has kind of a mess to handle upon assuming the throne. The other four human kingdoms want to avenge their murdered/injured rulers, but Ezra doesn’t want to continue the cycle of violence, which is good in theory, but Prince Kasef is pushy and is willing to wage war of Ezran’s kingdom if necessary.

Also, Ezran spares Claudia and Soren from sharing their father’s fate, because that would be a jerk move. Team Dark confronts Viren about his secret missions, and Viren elects to burn his relationship with Soren to maintain the loyalty of Claudia.[1]

All this ends with Viren taking the throne (again) and Ezran taking a bird to rejoin Team Escort.

Now in charge, Viren’s like ‘I’m in charge of all the human armies now!’ and all the human armies are like “Checks out.”

But first, he needs to keep his end of the trade he made with Ezran, and lets soldiers opt out if they’d like. But they have to wear a broken chain patch to mark their cowardice. You’d think this would lead to a subplot about those who abandon the mission being shunned, but that would require more than nine episodes worth of time, so it’ll pay off at the very end instead.

What about Team Escort? Well, Callum and Rayla are finally being forced to confront their unresolved romantic tension as they keep walking towards their goal.

Initially, Rayla’s trauma of being unpersoned by her hometown acts as a nice distraction. I mean, sure, you sent a literal child to kill another younger child, and used a vague sort of magic tracking to decide she abandoned the mission as opposed to unforeseen events transpiring, but, sure, Night Elf knock-offs, make her a ghost in her own home town. You jerks.

Rayla eventually gets to talk with her Uncle’s husband, who only offers to send an advance message to the Dragon Queen and not, you know, telling the rest of town Rayla’s on an even better and less murdery mission and maybe we should reperson her?

Does anyone think of ways to resolve more than one problem at a time? Or think laterally? Is… is that why this fictional history is the way it is? Literally only three kids are able to conceive of consequences of their actions? That should be the adults jobs!

Mirroring the inland sea from last season, Xadia has a giant black sand desert with deadly zombifying snakes and hot sand. So that’s fun.

Luckily, a Skywing elf named Nyx has a giant lumbering camel to transport them over two days. She’s here to kidnap Zym under the theory of a reward, but I love her design and character so she better come back!

Maybe throw her into the Teen Girl Rogue Squad I want. She’d play off Amaya well.

Anyways, the trip is enough for Callum and Rayla to finally decide to be an item. So they’re an item with half the season to go.

Which, cool, we get to actually watch a relationship develop beyond the ‘We’re dating now’ point, but there isn’t actually down time to dig into that, so instead Callum and Rayla bicker less and it’s lame.

But Ezran took a moon phoenix, so he’s caught up. Time to climb a mountain!

Oh, by the way, Amaya got taken prisoner by Sunfire elves, acquires an elf girlfriend abruptly, and escapes with her to join Team Escort. Whoo.[2]

Team Viren plus Dark lead their army to the Sunfire Capital so Viren can steal a staff to forcibly upgrade his forces, and Soren finally decides enough is enough, and flees to join Team Escort while Claudia converts fully to Team Viren. Now, Claudia doubling down on her loyalty to her father is disappointing for a number of reasons, but, again, a later thought.

Anyways, Team Escort has gotten to the Dragon Queen, but she’s in a despair coma, and they get information an army is coming, so guess it’s time to prepare for war?

War ensues. It looks bad for our heroes for a bit, but then reinforcements bearing the banner of the broken link appears to flip off Viren specifically.

Good guys win the battle. During clean up, Ezra stumbles upon Viren, who threatens to kill him, but Soren shows up to defend Ezra. Then Cluaida shows up to make this tragedy even more Shakespearan.

Soren stabs his father, but it’s just an illusion.

Which is the first major missed opportunity. Yes, Viren[3] has a confrontation to have with Rayla and Callum in the Dragon Queen’s lair, but I think this confrontation didn’t add much. Having Soren kill his own father and having to face the emotional consequences of that instead of disappointing Claudia…

Actually, what was the point of illusion Viren? Could it have killed Ezran? Why would Claudia be okay with killing Ezran? Why kill Ezran at this point?

Anyways, Soren should’ve killed Viren, and Claudia could’ve still necromancied him back to life.

Instead, Viren falls off a mountain. It’s meh.

With all that done, the Dragon Queen wakes up and is pleased to have her son back (reasonable) and there’s two human/elf couples present (weird). I mean, she’s the first dragon shown not to be deeply anti-human, and I’m not sure that tracks? Shouldn’t she be in favor of the separation, or were there a bunch of bedroom arguments between her and her husband about racial politics?

Anyways, if we didn’t have three more schools of magic to get through, this would be the point we get the ‘where are they now’ epilogue, as all conflicts are resolved.

Except Claudia resurrects her father, and…

Wait. Viren had an elf prisoner. He could’ve resurrected Harrow. What is his deal? What are his motivations.

Anyways, the grub that was acting as the speakerphone between Viren and Aaravos went to pupate and it’s scary to our dark mages.

Which finally brings me to what I really wanted to see happen: Aaravos should’ve traded puppets. What would’ve been a better power move than him setting Viren up for failure so he could use the more gullible (and powerful?) Claudia instead. They’ve been slow rolling his deal, but what better way to firmly plant Aaravos as the most Machevallian Jerk than to out ‘for the greater good’ Viren himself? There’s an inevitable conflict between the two, as Viren hates elves despite being too trusting of Aaravos, so why not have Aaravos shrug off Viren getting stabbed by Soren and send his grub to Claudia’s ear?

Heck, why not have him teach her the wrong spell and use Viren’s body as a vessel?

Come on, this is one of the few times I’m actually advocating killing someone off. I never do that. But the story potential we’re now missing is tremendous!

Anyways, despite my snark and notes, I did enjoy the season. Not as much as the second season, as it got too locked into the myth arc to have as much fun as the last season, but the show’s maintaining what strengths it does have. However, I can easily predict it falling from grace sooner than later. Story-heavy shows struggle to maintain momentum past three seasons, and research indicates there’s four more planned.

Still, I’m excited to see what happens now the main quest has been completed.

If you enjoyed this review and what more, please use the tags below to explore my other writings, as well supporting my patreon (for early access and regular support) or my ko-fi (for a quick tip). I want to do more fun things.

Kataal kataal.

[1] Which had the potential for a much, much better pay off than we got. [2] Just once, I want the person whose confident the other is too stubborn to admit their crush to be wrong. I would love that dynamic. [3] Wearing some nice pajamas.

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canvaswolfdoll · 6 years

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CanvasWatches: The Dragon Prince

Netflix is making a live-action Avatar: The Last Airbender series.

Just… no? I realize time and development has been put into this. People are employed. But… the first series was magic, stop trying to recapture it.

Netflix has this problem where they want to propel themselves forward with original content, but that content is very mediocre. They try reviving old series and produce productions that disappoint.[1] The original concepts mostly fade into obscurity, are Stranger Things (which had one pretty good season, and then a mediocre second season), or is BoJack Horseman which I haven’t watched but haven’t heard a bad word about.

Then there’s their irritating handling of Anime.[2]

Netflix is willing to experiment and let creators do what they want. I admire that. But (and trust me, I hate to say this), they need focus testing. They need a stricter format. Edges for creators to bump up against and work around.

A standard season length, for one. An allotted time per episode maybe. Make production a puzzle to solve.

Instead they say ‘Let’s do the live-action Avatar series no one asked for, and is a passive insult to the original!’[3]

Which drags us into The Dragon Prince.

Spoilers! You might want to watch it for yourself (it’s nine episodes), but if you don’t mind spoilers, go ahead. I’m not the City Watch.

So, I think we’ve finally figured it out. We had Avatar: The Last Airbender, which was great. Then we distilled the creative staff, ran experiments and isolated elements.

Legend of Korra was good. Had the creators produce it, but not the head writer. The world was the same, but evolved in interesting ways. Good character concepts and real heart, but still missing the magic and character relationships that resonated so well in the first series.

Now, with The Dragon Prince, we get to see what happens when you isolate AtLA’s head writer, Aaron Ehasz.

You get a cliche fantasy setting, weak main plot, and a lot of cheap AtLA mimicry. But you also get some super charming child characters, intriguing (if not currently complex) villains, and small details that could build up to something great.

Which is to say: go to Bryke for the world and myth arc, go to Ehasz for the character interactions.

There it is! The ultimate break down! Let’s pack this up and…

Okay, fine. You want to hear my opinions on The Dragon Prince. That’s… fair, I guess.

So, in this setting, magic comes from six source: The sun! The moon! The Stars! The Ocean! The Earth! I think the sky?[4]

However, then humanity created a seventh magic! Dark Magic! Ooo, so evil, so dastardly!

Sigh.

Just once, I’d like dark magic to just be misunderstood. If they called it Life Magic, they’d probably have better PR.

Anyways, humanity went to war with the elves, but the Dragon King got sick of the fighting, so he sent the humans west, elves to the east, and divided the continent in half with a lava river.

Humanity didn’t really like this, so they killed the dragon king and his egg. So that’s vengeance.

Except this upset the elves because, y’know, murder’s bad. So they send a party from the assassin elf faction: The Moon Shadow Elves! They turn invisible under moonlight![5]

They’re gonna kill the Human king and his son to make things even. Because suddenly murder’s not so bad?

However, a member of the group is a child who couldn’t will herself to kill.

Basically, that cool and exciting setting you created when you were fourteen? Good news, it’s a Netflix Show now! Yay!

Also, the first season is Book 1: Moon.

And the title card is formatted exactly like Avatar, but with white text on a black background.

So the world isn’t special, and they’re deliberately aping some Avatar trappings. But that’s fine, there’s still the characters and plot. We could bicycle this!

So, what do we have with the humans? A beloved king with a dead wife and two children? Okay… both are sons,[6] so at least it’s not the usual nuclear structure. And, hey, the eldest prince is the king’s step son! Nice change.

Who else? King has an advisor that uses dark magic, suggested killing the dragon king and the egg, and talks above his station. But, hey, Lord Viren has two charming children, and he seems genuinely concerned about his king’s survival and the good of…

Oh, he gets a magic makeover in the final episode to make him look more inhuman, and spends the season plotting to take the throne.

Ugh. Of course.

Well, what about Viren’s children? Claudia is a mage like her dad, and is a cloudcuckoolander. Good choice. And she doesn’t do much that’s actively evil. We’ve got Ty Lee in Zuko’s role. I’m game.

Soren is… well, he’s going to be Azula. He doesn’t have her sadistic streak, but he’s been given the job of eliminating claims to the throne, is a competent combatant, and Viren motivates him with being in line for the throne.

He could turn, but my money’s on just being Azula.

Now, to be clear, Viren wasn’t obviously evil. There were plenty of early moments that hinted that he could be sympathetic and non-evil. However, he does spiral into torture and deceit, so once the season is over, there’s no ambiguity. Sorry.

Hey, what about the main cast?

Prince Callum is voiced by Sokka! Awesome! Jack De Sena needs more work. This time, he gets magic and impressive artistic skills! But he had to give up his sword abilities, and kept the daddy issues. But there’s still that snarky edge and loving brother personality, though the weight of them have been swapped.

He’s the half brother of Prince Ezran, who is the heir apparent of the kingdom. He’s… a goofy young boy. I dunno. Aang light. No overt talents. He’s fine.

So those two are hanging out at the castle, when suddenly their father tries to send them off to the winter cabin, despite it being not winter. He suggests made making a dirt man or going mud sledding.

Callum finds this suspect, and eventually logics out that King Harrow expects to be assassinated and wants to get his sons a safe distance away.

Meanwhile, the Moon Shadow Elves are planning their assassination, making a vow on a magic ribbon that will amputate a limb if they fail. Two targets: King Harrow and Prince Ezran to make up for killing the Dragon King and his egg. Even, you know?

Of course, they dragged a literal child along and had her make the same oath with the same ribbon, so screw ‘em. Child soldiers are bad.

This girl is Rayla. She’ll be the rogue of the main cast! Yay![7]

However, after making this promise, they find out she let a guard go so the humans know they’re coming. You’re off the mission Rayla! Turn in your fancy switchblades and ribbon!

Except the ribbon is magic and won’t come off until the job is done, so keep that I guess. And it’d be mean to take away your knives, so… look, stay at camp while the five adults go murder a dude and an actual kid.

Please remember, these jerks wanted to murder an innocent child.

Rayla decides to redeem herself, and sneaks into the castle. She finds the two princes, Callum attempts to martyr himself for Ezran, shenanigans occur in secret tunnels, and… oh, look, it’s the Dragon King’s Egg. Guess they didn’t actually kill that?

Well, let’s call the whole thing off!

Oh, nevermind. Rayla’s Uncle still wants to kill the king and prince. What a jerk.

So our three heroes escape the castle with the egg, planning on returning to the Dragon Queen. We got our mission!

Oh, and the elves killed King Harrow. So… that’s fun.

To be honest, I wouldn’t discount Lord Viren using dark magic to sidestep this. But he’s also trying to claim the throne, so maybe the king is actually dead.

Could go either way.

The kids head off to the royal cottage, where they stumble onto Callum’s aunt. She’s mute! (Maybe deaf, not one hundred percent on that, since lip reading was referenced but also some ambiguity…)

She’s a military General, fights with a shield, is super awesome, and I’m sad how Callum didn’t bring her into the scheme.

Like, yes, for the plot to work, Lord Viren needs to know the princes are alive and the boys have to be careful and having General Amaya know and supporting the boys would’ve caused other troubles.

But… c’mon Callum, literally signing to Amaya that Rayla is a monster and forcing the elf to do a Blue Spirit act is terrible. Like… they’ve established a sweet way for Callum to communicate a secret past her soldiers, and they didn’t use it for a sweet twist?

Ugh. Intentional miscommunication and unnecessary secrets. They are hitting a bunch of my hated tropes.[8]

The children run off and… don’t really do anything very interesting for a couple episodes.

The villain side of things is where the real fun is! General Amaya goes to the castle to report on the survival of the princes and stop Lord Viren from taking the throne.

However, Lord Viren offers her the throne. Again, how the scene is written and acted, I still found myself doubting what role Viren’s supposed to take. He seems genuinely concerned for the general populace, and offers compromises at every turn, and communicates honestly and…

I want Lord Viren to be a misunderstood good guy. I really want Dark Magic to not be an irredeemable evil. A story without a Big Bad, just factions with cross purposes would be great. There’s so many good escape routes for a more interesting story.

Then Lord Viren throws the man Amaya chose (her interpreter, Gren. He’s neat! I like him!) to lead the Prince Recovery Team into a dungeon, where he can watch Viren torture Rayla’s uncle for information.

Yeah… this is who our villain is.

In Gren’s place, Viren sends his children. Soren is given secret instructions to insure the princes don’t make it home alive, and Claudia is given secret instructions to prioritize the safety of the egg. So that’s our Zuko and Azula doing the Avatar hunt.

They have a fun dynamic as Soren doesn’t put much stock in magic and Claudia is an adorable dark magician girl![10] I look forward to more of them.

Now, back to the D&D campaign of the kids: Callum is trying to learn magic after stealing Claudia’s storm magic orb, and he’s pretty good at it. Rayla is worried about the ribbon cutting off her circulation and is an awesome rogue. Ezran… needs to learn healing magic so we can have a Cleric.

They accidentally drop the egg into a frozen lake and are afraid the baby dragon within is dying, so they head off to get help at a town. There’s a fun kid moment with Rayla turning a snowman into a snow-elf (it was a cute moment and Rayla needs more).

Then the group picks up a girl, Ellis, so abruptly that she might as well have been a player that joined between sessions. Ellis rides a giant puppy named Ava, so we’ve got a beast-master fighter!

Ellis tells the boys about a magic healer on the top of a scary mountain filled with scary monsters. With no options, the four go to the mountain.

They fight one monster, have some self reflection, get to the mountain, learn Ezran can talk to animals,[11] and the monsters there are illusions.

They get to where to where the healer is, only to learn that, nah, she’s just a powerful illusionist and Ava only has three legs.

The only way to save the egg is to hatch it. But they need a storm to do so.

Thus, Callum shatters his magic orb to release a storm, the egg hatches, and the titular Dragon Prince is able to gently bite off the magic ribbon Rayla couldn’t cut off with a magic sun knife.

(Either the dragon is magic enough, or saving the baby dragon was considered equal to assassinating Ezran).

Soren and Claudia use a spell to pinpoint the group!

Lord Viren inprisons Rayla’s uncle in a coin and transforms into an eviller looking form!

Also, there’s some mystery with a magic mirror? Cliffhanger stuff.

So… The Dragon Prince is not amazing. The dialogue and character interactions and relationships are great, but the story and world is paint by numbers.

The next season has plenty of room for subversions and interesting experiments, but… until I see it, I honestly think the show’s skippable in its current form. Filler episodes to build the world and characters would do a lot to help, and committing to nuances hinted at for Lord Viren would be great.

Also, hopefully they improve the animation. I’m not normally one to care about frame rates, but boy did the animation stutter a lot for a finished product.

It’s average.

Thanks for reading this review! Consider checking out my other writings, sending me comments and questions, check out my webcomic or RPG Blog, or whatever. Next time, Netflix is releasing an Anime I’ve been excited for nearer the end of the month. Keep an eye out for that, which will post to my Patreon first. I’m also slowly rolling out a Review of Digimon there!

Until we go flying with dragons,

Kataal kataal.

[1] Admittedly, modern fandom is filled with loud obnoxious people, but I haven’t heard anything good about Gilmore Girls: A Year in the Life, even from my less frothy-mouthed sisters. [2] If you’re gonna simuldub series in Canada, you can do it in the US, you jerks! [3] Everything can be improved. But actually remaking something just says the original wasn’t good enough. That’s why people hate reboots. [4] Can’t remember if that’s under the purview of the stars or not… [5] Which is Warcraft, Ehasz. [6] Unless there’s a spoiler with Ezran’s voice cast. [7] Canvas likes playing rogues. [8] Let’s see if season two can get inappropriate student-teacher relationship![9] Then they can get a free sandwich. And my eternal ire. [9] For the record: when Claudia inevitably defects and starts teaching Callum magic, that’s not going to count. The two are close in age and it’s not an institutional power imbalance. [10] I want a show about Claudia, Rayla, and Amaya on awesome adventures. [11] He’s a druid! Learn to heal, nerd.

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