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brianwilly · 7 years

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So apparently I wanna talk about Secret Empire

[Shows up a month late with Pete’s Coffee]

There’ve already been a lot of well-written thinkpieces and entries about this comic, about Nick Spencer, about it all. But I wanted to maybe throw my two-cents into the pile because, to this day, I think most people are still a little confused about where the outrage is coming from, what exactly is making people uncomfortable, and why it all just keeps snowballing on itself.

And honestly I don’t blame those people; this whole situation is kinda hard to parse. You think it’d be easy to understand why “They turned Captain America into a Nazi” makes people upset, but the thing about Secret Empire is that it honestly does a good pretty job of covering its own ass, of not doing anything overtly offensive, of leaving in all the loopholes and technicalities and escape clauses to its own premise. “It’s going to be undone in the end.” “He’s not actually a Nazi, he’s just brainwashed (even though the story goes on and on for pages about how he’s actually not brainwashed and is in fact a Nazi).” “We’re treating Nazis as bad guys, not glorifying them.” “And they’re not really Nazis, they’re Hydra, it’s totally different.” “We’re tackling topical issues! Aren’t we brave! And daring!”

And that’s the kind of stuff I wanna try to cut through here, but it’s gonna require...well...yet another thinkpiece. Sorry about that.

So I think that Tumblr has covered much of this pretty well, but something to be aware of is that, for a while now, genre media has had A) really iffy mindsets about Jewish issues and B) a sort of casual flirtation with "cool Nazis" as some edgy cool thing to hype and market. It’s not glorifying Nazis exactly, but it’s using that kind of imagery and ideology as tools to sell your books and movies and TV. And when I say "genre media" has been doing these things, I actually am specifically referring to Marvel comics and studios for a notable chunk of these instances.

When you combine those instances with the state of the world where Nazism has been regaining traction with the 'chans and redditors and within the White House itself, with Holocaust denialism and Jewish defamation being a regular fixture of the news cycle...it's no wonder that members of the Jewish community and blogosphere has been feeling disenfranchised by a lot of the old entities and structures that had seemed like they should be able to count on as a matter of course. That includes the government, that includes our fellow citizens, and it also includes the media.

(sidebar, I am not Jewish, I just enjoy their comics!)

That's what readers mean when they say this feels like the worst sort of climate for a story that reveals and is marketed on the premise that Captain America was secretly a Nazi all along. It's not that people don't want the current political climate to be examined and lampshaded in media, it's that this specific method of examination comes across scarily comparable to all the antisemitic media and rhetoric that's been released throughout the years which has led us to this current political climate in the first place. It's the media-slash-rhetoric where Jewish (and other) characters have their origins retconned and whitewashed into homogeneity, where pontificating supervillains are just misunderstood revolutionaries who might have a point or something, where fascist police-states are shock value tropes to engender hype and interest amongst audiences.

Spencer's argument is that this story, which depicts a universe where the fascists win, is intended to incite discourse and criticism against such a universe. Hydra are still clearly the bad guys of the story, we're obviously intended to want to see them lose, of course they're going to lose by the end. But the way that the story has been constructed up to this point exhibits a lot of the same signatures of various antisemitic story beats we've had throughout the years. Captain America being retconned from a stalwart defender of Jewish people into being a Nazi agent, for instance, evokes Wanda and Pietro Maximoff being changed from prominent Jewish-Romani superheroes into whitewashed Hydra recruits on the big screen...and there was certainly no secret message or hidden allegory behind the Maximoffs' change; all it was was offensive and tone-deaf and that was it.

For another instance, Nazi Steve delivering issues-long sermons about how the heroes of this world have gotten complacent and misguided and that the world needs someone willing to make the tough choices, to do what it takes to protect it, is reminiscent of Tony Stark and Carol Danvers making fascism-apologia for months on end throughout the two Civil War event comics, like, hey maybe these guys playing the hardball roles have a point right? Hey aren't we so hardcore and edgy for tackling the hardcore and edgy topics? CHOOSE YOUR SIDE!...and in the end this fascism-apologia is just played completely straight, no hidden critique, no last-minute swerve, just Marvel turning its heroes into borderline supervillains and that was the end of the story. But hey, this story here and now will be totally different from that! Becuuuz...for some reason.

To be direct about his: This isn’t our first rodeo, Marvel Comics. Let’s not pretend that Marvel...and DC, let’s be fair...haven't in fact made a lot of legitimately terrible in-canon offensive character assassinations of iconic characters and that it's not that unreasonable to be afraid of it happening again at any given point. Let’s not pretend that Marvel hasn’t done a lot of those things for the specific reason of angering readers and then feeding off of that anger and attention.

At the very least, there's been this weird romanticizing of Hydra Cap from Spencer in what I've read of these books so far; it doesn’t exactly refute the premise that Steve being Hydra is bad, but Steve is still the protagonist of these books no matter how brainwashed he is, so these issues seem to have come across less like "Our heroes have to prevail against this nefarious schemer and his nefarious schemes!" and more like "Watch in wonder as this shadowy agent prevails against all the clueless establishment and does badass things throughout his mission!" It falls into the "cool Nazi" trend where it's like, of course we're consciously aware that he's the bad guy here, but isn't he so edgy and hardcore and badass anyway? I haven't read as many issues of Hydra Cap as Spencer would probably like so, I dunno, let me know if I'm way off here.

So, to summarize...well, not summarize exactly, but to organize these points, lets’ do a list. Everyone likes lists, right?

1) Showing the "bad guys" losing in, like, probably the very last issue of this year long storyline (which also included the main Captain America book which led up to the actual event) doesn't suddenly omit all those issues where the "bad guys" were shown being edgy and hardcore and badass and smart and powerful and pulling one over on all those dense clueless liberal "good guys," except in this case the bad guys are people who directly abetted in the Holocaust and not the guys who stole forty cakes.

2) This is during a time in the world where antisemitic rhetoric is seeing a startling resurgence -- or maybe just coming back into the light again after hiding away for a bit -- and Holocaust denialism, vandalism of public Jewish spaces, and outright physical violence being more and more common occurrences.

3) Readers in general have been consistently burned by Marvel's consistently tone-deaf depictions of moral or social narratives throughout their events (Civil War: police states are great!) (Civil War II: police states are great!) (IvX: Cyclops is goddamn HITLER for some reason). Jewish readers, in particular, have good reason to not to trust Marvel to be respectful and tactful of their issues. Any such complaints or concerns have been responded to with derision or misunderstanding on Spencer's part, which only makes everyone angrier and more wary.

4) Indeed, Marvel and Spencer's go-to insistence that Hydra are totally not Nazis at all and you're just being nitpicky if you say they're Nazis just further makes them come across as tone-deaf and bullish on the matter, on top of (probably unknowingly, if I’m feeling generous) mirroring the talking points of actual real life Nazis, who've been trying to rebrand themselves as something different for years in order to come across more fluffy and palatable to mainstream sensibilities.

5) I mean there's also the fact that Hydra is -- as currently depicted in this very event by the very writer who keeps saying they're not Nazis on Twitter -- a completely fascistic political regime that stifles free thought and rewrites history through fear, violence, and propaganda and oh hey did someone mention concentration camps? ‘Cuz there are concentration camps in this book. Hydra is functionally indistinguishable from Nazis in this actual book. This is not a book about Captain America being brainwashed by Saturnians to plant death lasers on the moon, this is a book about Captain America being a Nazi and doing things associated with Nazis in absolutely every respect. But sure let’s get comic shop owners to dress up like them and stuff

6) "I don’t care if this gets undone next year, next month, next week. I know it’s clickbait disguised as storytelling. I am not angry because omg how dare you ruin Steve Rogers forever. I am angry because how dare you use eleven million deaths as clickbait." Copypasted directly, because how can you get clearer than that.

7) Spencer's work with Sam Wilson Captain America, which generally turns him into a centrist apologist at best who couldn't believe that he himself was ever that much of an annoying liberal activist or something and occasionally fights literal "social justice warriors" on college campuses throwing bombs and internet slang, isn’t a particularly encouraging thing to have hanging on the back of your mind while reading this story about how Steve Rogers was actually a Nazi all along. 8) In a world where an X-Men artist is literally sneaking secret antisemitic propaganda into books that are supposed to celebrate diversity and civil activism, can you really blame people for being antsy about a comic book that is making members of Stormfront cream themselves by revealing that Steve Rogers was a secret Nazi all along?

So yeah, I dunno if I have any great point to make with any of this. I just felt like collating all the outrage and shedding a little light on how the situation comes across to me. Secret Empire isn’t exactly the sort of clear-cut idiocy where, y’know, some dense writer fridged yet another female character or replaced yet another hero of color with his white predecessor from forty years ago. Its problems are a bit more intricate, which means the blowback is a bit more intricate as well.

#Captain America #Secret Empire #Nick Spencer #Marvel Comics #Marvel #Steve Rogers #Hydra #Nazis #comics #Overthinking

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