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dayscapism · 1 year

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K-Dramas recommendations & short reviews

Because I've watched way too many to not make a list. Warning: I like romance and fantasy a bit too much.

These shows made me cry. 10/10. Five stars. Recommend to anyone. They live in my mind rent-free:

Extraordinary Attorney Woo (2022) - Attorney Woo is such a wonderful person, I love her character. I can't say much about the representation, but I like that it opens up the conversation around autism & neurodivergence, discrimination and prejudice, particularly in work environments. I rarely like shows about law or lawyers but I was surprisingly engaged with the cases and the story. It deserves a second season. (The only thing I don't like about this show is they're pushing for a MinWoo and Choi Su-Yeon ship. Which huh--disrespectful.)

Hotel Del Luna (2019) - A great place to start with k-dramas if you like paranormal fantasy. This show has such a special place in my heart. I wanted a different ending but I am okay with it because it was a tight narrative. The main character is iconic (Man-Wol please step on me). The show has amazing sets, AMAZING costumes, an amazing OST, amazing and heartbreaking performance by Yeo Jin Goo. The main couple is so soft; like they're such good friends and coworkers and gentle with each other (eventually). It's enemies to reluctant friends to lovers. It's perfect for asexual viewers who want more than physicality in their romance shows. Cons: the secondary characters' goodbyes and backstories left a little to be desired. A few other nitpicks like Chang-Seong is the one to suggest the main character a new hobby instead of her just discovering it by herself.

It's Okay to Not Be Okay (2020) - Also a good place to start with k-dramas. This show is a lesson in good narrative; this has perfect writing & storytelling. The cast is so good. The female lead is an icon. The character work I excellent. The mental health issues are so well addressed and it taught me a lot about mental health I wasn't aware of. Each small minor character plays a very important thematic role. (The villain isn't the best thing ever but she serves her role in the themes and plot.) The production and the storytelling with the children's book animations are just *heart eyes*. The OST is so good too. You need to watch this to understand how good a k-dramas can be. A must-watch.

Goblin: The Lonely and Great God (2016) - This is the most iconic fantasy/paranormal k-drama ever. A lot of current tropes were started here I think (including the weird k drama last-episode time jump separation of the main couple). This show broke me. You will cry. The bromance and comedy are amazing here too. Gong Yoo and Dong Wook Lee have great chemistry. Main female lead is so cute and her character is so heartwarming. The ending felt a bit rushed. The death, existential related stuff with the grim reapers and such is so good tho.

Business Proposal (2022) - Best rom-com ever! (Well, it could be gayer tbh.) It's my new comfort show. I already watched it twice. It's campy, hilarious, chaotic, iconic and messy in a way that feels like real life (but obviously played up for drama and comedy). Excellent character work. The love interest is definitely written by a woman. Gorgeous cast (Sejeon omg I have a crush, but also the others). It was too short! I would have loved another episode, and more of Grandpa and Ha-Ri. Warning: this has the weird kdrama last-episode time jump couple separation.

W: Two Worlds (2016) - A young resident medic accidentally finds her way inside the webcomic her father created. Like, that premise is killer. We have Lee Jong Suk at his finest here; the character fits him so well. He was born to play a lead. This show has amazing meta-commentary on writing, authorship, and existential crisis. The confrontation between the webcomic character Kang Cheol and the author is insane! The main couple is an epic pair. Would rewatch. High wump value. Cons: The second part could have been more swoony with the romance, Kang Cheol kind of became a bit cold. (A warning: this show also has the k drama weird last-episode time jump couple separation.)

Would recommend with popcorn, I rate them 8/10:

Crash Landing on You (2019) - Really good. The main couple has the best chemistry I've ever seen. It's not that much of a personal fave show, but still pretty awesome and will tug at your heart. It got a bit overly dramatic in the last episodes and again, has that k-drama last episode weird time jump couple separation, but here it actually makes sense. And sort of mirrors the separation and eventual unification of the Korean Peninsula. It was very interesting to see the contrast between North and South Korea.

Shooting Stars (2022) - Aside from the terrible, horrible, insulting Africa storyline (where the male lead goes to 'help' African kids with water scarcity, not even a country name is called, he just goes to *gestures vaguely* Africa to help goddammit he's such a beautiful soul! /s) There's a weird creepy sugar mommy wannabe side storyline and it's weird and out of nowhere. But the rest of it is good and campy and the main characters are so cute. All the couples are cute. The male lead is a cute disaster. Female lead is also a capable cutey but a disaster when it comes to romance. It's hilarious. I love all characters. It's fun. It's great. It shows a very interesting side of the entertainment industry.

While You Were Sleeping (2017) - A man and a woman who don't know each other have precognition powers and after they meet, they use them to take down a corrupt lawyer. The show isn't very heavy on the romance, tough the pair work pretty well together. I liked the main actress. Lee Jong Suk has chemistry with anyone. The male role was not exactly a good fit for Jong Suk. He's so much more naturally charming than the character. It's a fun show to pass the time. The found family is nice and all the characters work great together. The mom is great.

The King's Affection (2021) - I'm going to be honest, I didn't finish watching this. Ups. I got bored after episode 15. It's a very slow show but what I watched was quite good. It was just not a show for me. Having a bisexual male lead was awesome, I appreciate that he falls for the main character while he thinks she's a man. (Could be gayer tho, just saying.) Pretty good discussions and reversals of gender cliches. It has complicated parent-child relationships that are very well written which gives a lot of heart and heartbreak to this story. The political stuff gets very convoluted. I really wish the queer part was bigger though, and not limited to the main couple. We could even have poly representation! I still have half a mind to finish this but I don't know There are so many other shows I'd rather watch instead. (Boy, I really need to get into the actually queer side of k-dramas because the side I'm currently on is giving me crumbs.)

Lovers of the Red Sky (2021) - The premise was so cool. This has so much lore I like and the setting is beautiful and rich, but it also has so much lost potential. The plot is very weak in the second half and could be restructured. I loved the atmosphere, costumes and the actors and their characters: the blind cursed scholar nobleman, the female genius cheeky painter and her friend trio and the prince are all great characters. Ahn Hyo Seop is pretty good in it and looks very pretty indeed in historical costume (but the design of the villain creature he's possessed/cursed with is so, so bad omg). Great premise failed execution. Good first half but it went over the rails quickly. Still entertaining if you like historical fantasy.

Romance is a Bonus Book (2019) - It's a bit slow and could have done so much more with the female lead and her child. She's a bit underwhelming and her daughter is barely in the story. The second female character played by Jeong Eu-Gene was awesome, I love this actress now. Lee Jung Suk is always looking hot and being an excellent actor with what he's given; he's very charming here. He could have chemistry with a piece of wood and yet I wasn't that fan of the romance. Maybe it's just because friends to lovers isn't my cup of tea. There's a weird out-of-nowhere backstory between the male leads. The commentary of ageism in the workplace is a bit surface level (it's not that big of a deal for the company if you're overqualified for a job, the point should be that is an issue for you and your career, who is too good for the company). You can tell the writers really care about books; it's definitely a love letter to editors and an interesting window into the world of book publishing; you can feel the love editors put into making books. Bonus: the founding members of the publishing company have very funny moments.

Do no recommend:

King: Eternal Monarch - Couldn't even finish this. I was so, so confused. The dialogue, narrative and backstory make no sense! Everything is so unnecessarily confusing. There's no chemistry between the main couple. The king and the bodyguard had more chemistry. Lee Jung-Jin (playing the villain Lee Lim) & Woo Do-Hwan (the bodyguard) carried this show and are pretty much the only thing good about it. The female lead is sidelined. It had an intriguing premise but failed execution.

What's Wrong With Secretary Kim - Skimmed most of the second half. It's a mess. The love interest CEO is such a narcissist and asshole he wouldn't be able to keep a working, healthy relationship with his partner without some serious therapy first. The female lead seems to be repulsed by him most of the time even when together and even looks scared when they get intimate. There's an unnecessarily convoluted plotline about the main lead's brother and a kidnapping in their past. It has tonal issues and it's cringy rather than funny. The secondary characters are just a lot of useless filler. The female lead sacrifices her independence and dreams to be with the main guy. Just go watch Business Proposal instead.

Moon Lovers: Scarlet Heart Ryeo - The only pro of this show is IU. The romance went the undeveloped route. Cheap-looking production, with too many episodes, melodramatic, characters pivot in place instead of naturally developing; it's definitely a telenovela. The point that the female lead is from the future doesn't even matter for the story (should have made her a Goryeo historian instead of a random cosmetologist). Pass!

Tomorrow - Could not finish watching. Please, please don't watch it if you're dealing with depression, bullying or suicidal thoughts. Please don't. By episode 2 I was just screaming at the screen. Problematic? This show invented the word problematic. The supernatural task force that's supposed to save people with suicide risk is terrible at therapy and suicide prevention. They tell the person trying to commit suicide, literally on the edge of a building about to jump, that they should do it, that they're weak, they should just jump, go ahead! Like ... what????

Mystic Pop Up Bar - Didn't capture me by episode 2. Got bored. Some say this is better than Hotel Del Luna but I don't agree.

Abyss - It's a weird tonal mix. Would have preferred if it leaned further into the absurd (go all in with the humour or don't at all), the sci-fi or the murder mystery. Instead of just revealing by episode 3 who the murderer is, quickly changing the plot into a chase after the villain, even though he's so lame. But also he is keeps killing people and it gets dark. And then we cut to the main couple being silly and cute. It's so jarring. The leads have a great dynamic and Ahn Hyo Seop knows how to differentiate his characters really well, give them their own flavour., but in the end it's just a cool premise, failed execution. Very average.

Currently watching:

The Crowned Clown - Very interesting concept and gorgeous, gorgeous visuals. Plot drags a little. Has some tonal problems and oversimplification of politics. The best part is when Yeo Jin-Goo acts with himself haha. He's such a talented actor.

The Uncanny Counter - Get's a bit melodramatic sometimes but all four main actors are insanely good.

Tale of the Nine-Tailed - The main romantic relationship needs a lot more development, but the entire show is worth watching just for Dong Wook Lee and Kim Bum as brothers.

Alchemy of Souls - 6/10 so far. Currently watching season 2/part 2. Aside from the prince, I don't particularly care for any of the characters. Unpopular opinion but the main romantic pair have no chemistry. Mu-Deok has more chemistry with Yul and the prince, and the prince has more chemistry with Jang-Uk. The lore is confusing and inconsistent: it breaks its own rules. (Two souls in one body what?? when was this established as a thing?) There's not enough foreshadowing and setting up the rules of magic in this world (the Ice Stone comes up as a deux ex mahcina big plot point in the last second). It also drags; the episodes are too long. There's a lot of saying and ultimately the show doesn't deliver. The narrative structure is straight out of a fantasy Wattpad. The set and costumes are fun and cool for a fantasy world, and the first episode was great.

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myechoecho · 2 months

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Rewatching W: Two World

Ep 16, the final episode.

Yeon Joo puts the rings back on and chooses both Cheol and Sung Moon. She's just visit them in prison. Cheol knows this will not work. It is not a happy ending at all. Plus he's been sentenced to death. But Yeon Joo insists that it can work and at least they will all be together. I do think she knows deep down it's a bad solution. Cheol doesn't accept her answer but know they need to get out of there for now.

Cheol knows that things are going awry. He tells her that he loves her. He knows not doing so the first time hurt her. Whatever else happens, he wants her to hear from him that he loves her.

Cheol goes to rescue Do Yoon and gets him released, but because Han Cheol Ho is a variable, he cannot know that Han Cheol Ho will shoot him. Cheol Ho is desperate to find the other world. And offended that he is a mere antagonist and not the main character. Cheol is able to overpower him and escape,

I had tears when Cheol calls Yeon Joo from the bus stop barely conscious begging her to come. He needs to see her and he knows he does not have much time. He keeps calling to see where she is; he's holding on just for her. When she does get there, he "dies". Yeon Joo is not even able to go to him before she's sent back to the real world. TEARS.

My heart broke watching Yeon Joo grieve but what really got crying was her losing the ring. The rings are so important to both of them and for her not even to have that further destroys her. I cry more.

I want to give credit to Soo Bong, because while he's very high strung, he has also been rock solid to Yeon Joo. Same goes for Do Yoon with Cheol, though he's much calmer.

I love how we see that Cheol was right all along. Cheol's world is not a comic but another world entirely. The comic book and characters within it were just the connector between the two. I love that the comic ended with the death of the Han Cheol Ho and Sung Moo disappearing, because Sung Moo had merged with the Real Culprit. The Real Culprit helping with Cheol's happy ending is the opposite of his programing so it is edited it out.

I did love watching Sung Moo fix everything for Yeon Joo and Cheol. There's a shot from when Yeon Joo goes to Cheol there is a car stopped at the green light and I though why the heck is the car stopped at a stupid place. Then we see it was actually Sung Moo saying goodbye to Yeon Joo while disappearing and that really broke me for some reason. Sung Moo is not a great person, but alcoholism is an awful addiction. But even I don't think he deserved what happened to him and the destruction of his mind.

When Cheol wakes up and find out that Yeon Joo gone, he knows it has ended. But I love that he sill carried out his sentence (which was reduced because he was cleared of the worst charges) to ensure that it really, truly ended properly.

The letter that Sung Moo left Cheol was so good. Because he finally, fully accepts Cheol as human. Cheol became human; Sung Moo a comic character. They are essentially swapping places. Sung Moo tells him to go to the real world. He has broken his precondition. He tells him to take care of Yeon Joo and make her happy and be happy with her. Sung Moo trusts him to do that. Given how ugly he was to Cheol in that earlier confrontation, this is a huge change and acceptance. Cheol may not remember it but he did read about it. It means so much that he has Sung Moo's blessing.

Yeon Joo's grief is so overwhelming. She goes back the bus stop again and again, until she finally passes out in the pouring not seeing that Cheol was there.

She wakes up in the hospital. The first thing she sees is the ring. She turns to see him lying beside her. It's such a quiet moment of reunion that is exactly right. Cheol just softly explaining what's going on, Yeon Joo just looking at him and then placing her had gently on her his face while a single tear falls. It's hugely emotional and make more so by how restrained it is. She only loses it when he tell her about her dad, and I am happy that he told her the truth instead of Sung Moo's version.

I love their ending at the ocean. It's again such a quiet, peaceful moment. Cheol teasing her about calling him Oppa, and reassuring her that it was really over. Like Cheol's voice over says, without the threat of life or death hanging constantly over them, they can just be. They are an ordinary couple that they may be seem boring but will hopefully have a long and happy life together.

There's been rumours of a US remake since the show aired. The last one I heard about was be developed by the CW. And I know there is a cdrama remake and to both I'm just:

I want to thank @dangermousie for bringing up the drama and for getting me to rewatch with her. I was a little worried at first that it wouldn't hold up but it absolutely does and in some ways it is better the second time through. I can't think of many dramas I'd be able to write this much about on a rewatch.

#w two worlds #kdrama

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