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libratalks · 2 months

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The Resurgence of CDs: the "forgotten format" remembered by me

I know what you're thinking. There is no rebirth of CDs, Isha.

The facts tell us that they have been dying a slow death since their peak in the 2000s, suffering a 97% drop in sales revenue back in 2020. It fails to be a viable commercial format due to performing terribly in sales' data, with only a 1.1% increase in the US during 2021. No one is buying CDs, and those who are, well they just don't matter in the grand scheme of things for a few reasons. There are various sources of media that say otherwise, yet Damon Krukowski boldly states that one of the reasons why journalists have been penning articles regarding "the resurgence of CDs" is because there is a sense of false consciousness attached: it is an attempt by the industry to substitute the interests of the rich for one's own; to distract music consumers from facing the deeper problems within music distribution, such as a supposed booming economy in the music industry despite there being a great income inequality. To which I say, true, but un(?)fortunately, our minds do not resort to that aspect of the resurgence of CDs immediately. I mean, really, when I came across a sticker-peeled, used copy of Alanis Morissette's Jagged Little Pill in the snug CD section of my temporary hometown's Oxfam (I was in Bath during my second year of university), I was hardly thinking of the effects of CD sales in the music industry. What I was thinking about was the excitement I felt in the pit of my stomach to be eight years old again, sat on my bedroom floor, wanting to scream the lyrics to Ironic whilst dancing around my stereo. If there is a resurgence of CDs, it is thanks to my generation: Gen-Z.

Perhaps one of Krukowski's faults is that he is building his conclusions based on CD sales from corporate stores, not independent stores that sell pre-owned copies. An hour ago, I was stood in a place named Record Collector in Sheffield, a whole store dedicated to collecting CDs along with artist memorabilia, such as tour posters and band autobiographies. There are also places such as Oxfam and Truck Store in Oxford where pre-owned copies of various CDs are sold at cheap prices ranging from 99p to £5. These stores are where the heart of CD-love lies. It's the accessibility with personal ownership that is comforting, along with the affordable pricing in contrast with vinyl prices. This reason for CD appreciation has always been evident, yet the introduction of MP3 files and the quick accessibility to downloads back in the 2000s is one of the murderers of the CD craze. Once there was a rise in MP3 players being sold, CD sales nearly halved between 2000 and 2007. Despite this, various artists and music fans remain defending CDs against MP3 players due to MP3 files becoming compressed when downloaded, affecting the audio quality of the song. With CDs, the audio is never compressed nor tweaked in any way. Yes, you could also just encode your MP3 files at a higher bit rate, but that leads me to my next favourite thing about CDs.

THE CREATIVITY IS UNMATCHED. I have always been a visual learner of some sort, falling in love with aesthetics that are carefully crafted in front of me for my own enjoyment. It's why I adore films over books, possess a keen eye and attention to detail when it comes to their direction and fashion, and it is also why I love CDs in the way that I do. I mean, I have a whole Instagram page dedicated to the craftsmanship that artists have demonstrated through their CDs. I own a growing collection, ranging from artists like Hole and Radiohead, along with Avril Lavigne and Alanis Morissette. All CDs I own are bought based on two things: how much I love the music and how much I adore the artwork. This creativity that artists can build on introduces a realm of sentimentality for when a music consumer witnesses time taken to produce a delicate work of art, where thorough thought has been given to which photos will be used for the cover - what colour scheme we are aiming for in terms of the album's aesthetic - which font should be used for the title and should it be the same for the lyrical pages in the booklet? - these are intricate details that an artist recognises and appreciates, no matter what. With so much love and care given to a piece of work that you have crafted, not always alone but with a team, you can't help but feel a sense of inspiration along with appreciation for the beauty of it all - allowing you to feel a strong connection with the artist. With that, no other music format could even compare to the liberation of creativity that CDs possess.

If there's anything you're going to take from me and my ranting, please let it be this: close your eyes, think of an album, or a song, or an artist that you can't help but feel a strong connection to, and buy one of their CDs. Go through the cover booklet, consume and appreciate each framing of text on each page - ask yourself why they chose to use that font or that colour - have the music playing at the same time and read through each page that consists of their lyrics... Let yourself be completely enamoured by the artist's choices of creativity and build your critical thinking in terms of what could be going on inside their minds.

You'll find yourself tapping into a whole new aspect of consuming music, especially in terms of appreciating visual individuality and the liberation that comes with it. All these feelings... thank you, CDs.

#early 2000s #2000s #y2k #00s #blog entry 5.#cds #music cds #alanis morissette #compact disc

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anikkis-fantasirealities · 3 years

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“LiVELY Legacy of Japan’s Lionized Anisinger”

➀ Personality Profile ┊ ˢʰᵉ ʷʰᵒ ˢʰᶦⁿᵉˢ ᵗʰʳᵒᵘᵍʰ ˢᵒⁿᵍ ᵃⁿᵈ ˢᵗʸˡᵉ··· ˢᵐᶦˡᶦⁿᵍ ˢʷᵉᵉᵗˡʸ ʷʰᶦˡᵉ ˢᵃˡᵘᵗᵃᵗᶦⁿᵍ ˢᵘᵖᵖᵒʳᵗᵉʳˢ·

ㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤ꒰⁺˚₊·₍₍loading...₎₎ ㅤ ✎...۪۫❁ཻུ۪۪ -ˏˋ 🎤 ˊˎ-

ㅤㅤ ㅤㅤㅤ ㅤㅤㅤ ㅤㅤ ㅤㅤ ㅤㅤㅤ ㅤㅤㅤ ㅤㅤ ㅤㅤ ㅤㅤㅤ ㅤㅤㅤ

༘✶ ㊉㈦〘 ⅯⅯ 〙⋆｡˚𓆟 ༉ ║ Posted : ０６/１５/２１° ｡༄ ‧₊˚ ๑ ㅤ ㅤ ㅤ ㅤ •ଓ.° ｡❍ ㈩㊇

- - ——— ꒰ An article by Nicole “Nikki” Elaine S. Chua of NEU-IS ꒱

ㅤㅤ ㅤㅤ₊·͟͟͟͟͟͟͞͞͞͞͞͞➳❥ ࿐ྂ—͙❬₊° ᶦ ᵃᵐ ᵃ ᵇˡᵒᵍᵍᵉʳ ᵃᶠᵗᵉʳ ᵃˡˡ·“= ‹⸙͎

ㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤ

youtube

ㅤㅤ ㅤ❝ Madamada iku wa yo~! ❞

ㅤㅤ ㅤㅤㅤㅤ ㅤㅤㅤㅤ ㅤㅤㅤㅤ ㅤ ㅤ- LiSA (Rally Go Round)

ㅤㅤ ㅤㅤㅤ ㅤㅤㅤ ㅤㅤㅤ ㅤ.ılı.lıllılı.ıllı. ㅤㅤ ㅤㅤㅤ ㅤㅤㅤ ㅤㅤᴺᵒʷ ᵖˡᵃʸᶦⁿᵍ﹕ᵍᵘʳᵉⁿᵍᵉ ⁻ ᴸᶦˢᴬ ㅤㅤ ㅤㅤㅤ ㅤㅤㅤ ㅤㅤ0:11 -◦————— 3:59 ㅤㅤ ㅤㅤㅤ ㅤㅤ〔 ↠ⁿᵉˣᵗ ˢᵒⁿᵍ ╵╻↺ ʳᵉᵖᵉᵃᵗ ╻╵⊜ ᵖᵃᵘˢᵉ 〕 ㅤㅤ ㅤㅤㅤ ㅤㅤㅤㅤVolume: ▁ ▂ ▃ ▄ ▅ ▆ █ 100%

Lush, loose—lofty and lovely. Lucent and lavish—lustral, laid-back, & luxuriant. Luminous. Legendary. Limitless. Light hearted and letter-perfect. There is not enough words for me to describe her overflowing talent for music, and the impact she has created for tech-savvy usernames cheering on their favorite idols & animations alike. Nowadays, most millennials and Gen Zs go neck-to-neck with their clashing interests of two international sensations: one known for the funky beats of charismatic boys dancing in synchrony, and the other, notable for moving illustrations of all kinds of stories that allure the imagination. Yes, let’s admit it, my generation has fallen in love with the influence of K-pop and anime, though I cannot blame anyone because of the fun & happiness they bring. Do you agree with me?

Well, even if you cannot agree or relate with me, I’m sure you would be able to find this article interesting! This personality is not someone of looming authority nor power—she is not a lady from the West, nor the Northern isles or even the Southern seas. She is here: the Rising Sun’s pride and honor bestowed by a sharp katana slaying all evil. It is where that familiar tune of hers is empowered with the narrative of a young man and his breathing techniques—a tale beloved by many anime fanatics. Yes! I’d like to introduce to you, one of Japan’s famed singers of all time: 𝙇𝙞𝙎𝘼! Make your entrance, please!

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ㅤㅤ ㅤㅤㅤ ㅤㅤㅤ ㅤㅤ 【今日もいい日だつ】 ㅤㅤ ㅤㅤㅤ ㅤㅤㅤ ❝ Today is another great day! ❞ ㅤㅤ ㅤㅤㅤ ㅤㅤㅤ ㅤㅤㅤ ㅤㅤㅤ ㅤㅤㅤ ㅤ- LiSA ╰╼|════════════════════════════════════|╾╯

My life is truly music-inclined, even if I have two left feet and a raspy, rough voice. Those foreign lyrics ring out in my head, every time I enter through the gates of Japanese culture and enter my fantasy I know so well. I mean, cool right? I can still remember how I first embraced her beginning chords in January 2020, when that song, Gurenge, was heard throughout the spacious stadium of the New Era University college department. It was the opening ceremony for Intramurals 2020, and as soon as the melody played, the crowd sang along in a noisy type of harmony.

𝙂𝙪𝙧𝙚𝙣𝙜𝙚, it means “red lotus” in English—the title of the Japanese opening theme for the animation called, “Kimetsu no Yaiba,” or more acclaimed as “Demon Slayer” by millions of anime ethusiasts across the web. I wondered what that range of vocals wanted to tell me. Those beautiful notes and the intensifying instrumental that accompanies such an epic story. Slowly, I understood why she is adored by many people, rain or shine, sun rays to lunar silhouettes. Now, here I am writing with everlasting conviction, to share everything I know about her—the reasons why that captivating rhythm, those inspiring words, and the pleasant emotions, made me sing along. So, let’s rest for a while, and I’ll tell you more about LiSA, behind the reflection of that worn out blade.

ㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤ

LiSA, or Risa Oribe in real life, is a Japanese singer, songwriter, and lyricist from the Gifu Prefecture—in the small city of Seki. She is 165 centimeters tall, which is quite tall for a Japanese woman. She is known for her multiple song hits used in Japanese animation titles such as the Fate series and Sword Art Online. Though, did you know that she also sang for the music-based anime series, “Angel Beats!” as one of the main characters who so happened to be a vocalist, as well? This was LiSA’s professional song debut in the music industry, which she lunged into when she was given a chance to step onto the reknowned arena for some of Japan’s history makers: Nippon Budokan! As a kid, Risa Oribe was taught lessons in piano, dancing, and singing, which continued onto her junior high school years. After auditioning in the infamous Budokan, she held onto the dream of becoming an artist on the next journeys she would walk on outside her hometown.

Believe it or not, the name “LiSA” is an stylized acronym, consisting of confident letters that possess unique dignified meaning from one another. The stage name is adopted from a blast from the past, of the times Risa Oribe had travelled to Tokyo to form a band. “LiSA” stands for, “𝙇𝙤𝙫𝙚 𝙞𝙨 𝙎𝙖𝙢𝙚 𝘼𝙡𝙡” which may sound weird for English speakers, nonetheless, its significance still pulls my heartstrings all in all. Prior to becoming the individual singing artist, “LiSA,” Risa Oribe has always been a part of bands ever since high school—one of them being a cover band of indie rock music, “CHUCKY.” Despite the risk of working with the band in exchange for her accredited certificates from university, she continued to reach for her ultimate dream career as a singer. Unfortunately, “CHUCKY” only lasted for three years, and this is what led Risa Oribe to test her luck in the capital of Japan—persevering for that aspiration, because there’s no turning back now!

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ㅤㅤ 【じっと見つめた　キミの瞳に映ったボクが生きたシルシ】

ㅤㅤ ❝ As I stare intently into your eyes, ㅤㅤ ㅤㅤ ㅤㅤ ㅤㅤ ㅤmy reflection there is the proof I exist, ❞ ㅤㅤ ㅤㅤ ㅤ ㅤㅤ ㅤㅤ ㅤㅤ ㅤㅤ ㅤㅤ ㅤㅤ ㅤ- LiSA (Shirushi)

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LiSA’s musical influences are, surprisingly, internationally respected musicians of the English language. Some of these prominent figures in her life are Avril Lavigne, Green Day, Paramore, and Rihanna. She is well-known for memorable hyped performances filled of power and passion. Sometimes, if people are granted the opportunity to be mesmerized by remarkable skill, she is also able to play the guitar and key harmonica in her concerts. She can sing in Japanese, obviously, but her words weaved with melody extends into Chinese and English perception, too. As a songwriter, she personally wrote some of her produced masterpieces like “Shirushi” and “Rally Go Round.” Though, perhaps you’ve never would guess that LiSA had a voice acting debut in 2015, too! Don’t get your hopes up because she did not give life to any anime characters, but instead, she became the Japanese voice of Madge Nelson in the film, “Minions.” I know, don’t get me wrong, it’s a shocking difference from the person LiSA is famous for.

However, for Risa Oribe, it was not something to be shy about, for she absolutely loves Minions! For avid fans of LiSA, they would often spot sightings of Minions merchandise in her social media accounts. It’s a fact that wouldn’t make you think that she can be that intimidating performer on fire, once she leaps onto stage. She still has that gentle vibe, especially when she raises her arm to greet the audience with a simple peace sign. The dark packed venue would chant along the bridge instrumental, rapidly waving their lightsticks until the song performance is finished. It’s as if the stars have landed in a small part of Earth during the night fall, to take a day-off head banging to the beat of rock. LiSA’s concerts deliver the message that “𝙇𝙞𝙫𝙚 𝙞𝙨 𝙎𝙢𝙞𝙡𝙚 𝘼𝙡𝙬𝙖𝙮𝙨,” as it is the running title pinned to her lives from then to now.

ㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤ

Speaking of which, here’s a fun fact! Did you also know that LiSA’s albums all start with the letter L? From “Letters to U” and “Launcher,” to “Leo-Nine” and the recently revealed “Ladybug,” each album has a motif that follows her musical style. LiSA’s original songs tell stories of hope, determination, and love. Ever since she released her first solo single debut, “Oath Sign,” for the anime, “Fate/Zero,” her name would never vanish from the music charts of new singles and albums in Japan. Songs like “Crossing Field,” “Catch the Moment,” and “ADAMAS,” of “Sword Art Online” were also noteworthy for their impact on LiSA’s career as a singer, not only for Japanese animations, but also for Japanese TV dramas and live-action films. Her very own, “Homura,” for the anime film, “Demon Slayer: Kimetsu no Yaiba: Mugen Train” have even outstretched to the Billboard charts across the Pacific ocean!

Today, she has celebrated her 10th anniversary in the music industry—a realization that it just seems like yesterday when she got to meet her fans in different countries, go on tours to perform everyone’s favorite anime songs of hers, and made her mark as an “𝙖𝙣𝙞𝙨𝙞𝙣𝙜𝙚𝙧” of the Rising Sun. That is why she is, indeed, an artist with a lively legacy to our current era—a personality deserving of a profile article from yours truly. It’s been great having you with me in this article, and I hope you were able to find admiration for LiSA and her work! Thank you for reading! I’ll see you again in another blog where my fantasies become realities! A Nikki reminder: don’t always go with the flow, and be yourself! Good day!

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ㅤㅤ ㅤㅤ 【生き残ったこの世界で　新しい　眩しい　 ㅤㅤ ㅤㅤ ㅤㅤ ㅤ ㅤㅤ ㅤㅤ ㅤㅤㅤ 開けを迎えに行こうか】

ㅤㅤ ㅤ ㅤ❝ In this world I live in, there will be a new glow, ㅤㅤ ㅤㅤ ㅤㅤ for now let’s welcome the new dawn! ❞ ㅤㅤ ㅤㅤ ㅤㅤ ㅤㅤ ㅤㅤ ㅤㅤ ㅤㅤ ㅤㅤ ㅤㅤ - LiSA (dawn)

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· * ✫ * ⊹ * ˚ . . 　　· ⋆ * . * . . · . · . * · . · · + . ㅤㅤ ㅤㅤ ㅤㅤ ㅤ ㅤㅤ ㅤ ㅤㅤ ㅤㅤ ㅤㅤ ㅤ ㅤㅤ ㅤ ㅤㅤ ㅤㅤ ㅤㅤ ㅤ ㅤㅤㅤㅤ· ** ˚ . . + 　　· ⋆ * . * . . · . · . *

ㅤㅤ ㅤㅤ. . + 　· ⋆ * . * . . · . · .˚ ⊹ · * ✧ ⋆ · * . · . · · .. . .

ㅤㅤ ㅤㅤ ㅤㅤ ㅤ ㅤㅤ ㅤ ㅤㅤ ㅤㅤ ㅤㅤ ㅤ ㅤㅤ ㅤ ㅤㅤ ㅤㅤ ㅤㅤ ㅤ ㅤㅤㅤ ㅤ ㅤㅤ ㅤㅤㅤ· + ㅤㅤ ㅤ ㅤㅤ ㅤㅤ· * ✫ * ⊹ * ˚

ㅤㅤ ㅤ ㅤㅤ · ** ˚ . . + ㅤㅤ　· ⋆ * . * . . · . · .˚ ⊹ · * ✧

ㅤㅤ ㅤㅤ ㅤㅤ ㅤ ㅤㅤ ㅤ ㅤㅤ ㅤㅤ ㅤㅤ ㅤ ㅤㅤ ㅤ ㅤㅤ ㅤㅤ ㅤㅤ ㅤ ㅤㅤ ㅤ ㅤㅤ ㅤㅤ⋆ · * . · ㅤㅤ . · · .. . . · + .

ㅤㅤ ㅤ ㅤㅤ ㅤㅤ ㅤㅤ ㅤ ㅤ. · + . *

ㅤㅤ ㅤㅤ ㅤㅤ ㅤ ㅤㅤ ㅤ ㅤㅤ ㅤㅤ ㅤㅤ ㅤ ㅤㅤ ㅤ ㅤㅤ ㅤㅤ ㅤㅤ ㅤ ㅤㅤ ㅤ ㅤㅤ ㅤㅤㅤㅤ ⋆ * . * . .

ㅤㅤ ㅤ ㅤㅤ ㅤㅤㅤㅤ ㅤ . · ·

ㅤㅤ﹙dedication. ﹚ ୨˚୧ ˚ ༘♡.↳ ₊˚‧

This blog is dedicated to my sister, who is a big fan of LiSA. I am grateful that you’ve made me sing with her, forevermore.

ㅤㅤ ㅤㅤ ㅤㅤ ㅤ ㅤㅤ ㅤ ㅤㅤ ㅤㅤ ㅤㅤ ㅤ ㅤㅤ ㅤ ㅤㅤ ㅤㅤ ㅤㅤ ㅤ ㅤㅤ ㅤㅤ ㅤㅤ ㅤ ㅤㅤ ㅤ ㅤㅤ ㅤㅤ ㅤㅤ ㅤ ㅤㅤ ㅤ ㅤㅤ ㅤㅤ ㅤㅤ ㅤ ㅤㅤ ㅤㅤ ㅤㅤ ㅤ ㅤㅤ ㅤ ㅤㅤ ㅤㅤ ㅤㅤ ㅤ ㅤㅤ ㅤ ㅤㅤ ㅤㅤ ㅤㅤ ㅤ ㅤㅤ ㅤㅤ ㅤㅤ ㅤ ㅤㅤ ㅤ ㅤㅤ ㅤㅤ ㅤㅤ ㅤ ㅤㅤ ㅤ ㅤㅤ ㅤㅤ ㅤㅤ ㅤ ㅤㅤ ㅤ ㅤㅤ ㅤㅤ ㅤㅤ ㅤ ㅤㅤ ㅤㅤ ㅤㅤ ㅤ ㅤㅤ ㅤ ㅤㅤ ㅤㅤ ㅤㅤ ㅤ

ㅤㅤㅤㅤㅤㅤㅤㅤ﹋﹋﹌﹌﹌「 🎀 」﹌﹌﹌﹋﹋

ㅤㅤ ㅤㅤ ㅤㅤㅤ ㅤㅤㅤ ┊彡 Credits

➥ Cover Edit

➫ Background

➫ Stand-out LiSA holding a microphone stand

➫ Sitting LiSA

➫ Butterfly themed LiSA

➫ Kimono LiSA

➫ "Brave Freak Out" promotional picture

➫ "Only ≠ Lonely"

ㅤㅤ ㅤㅤ ㅤㅤ ㅤ ㅤㅤ ㅤ ㅤㅤ ㅤㅤ ㅤㅤ ㅤ ㅤㅤ ㅤ ㅤㅤ ㅤㅤ ㅤㅤ ㅤ ㅤㅤ ㅤㅤ ㅤㅤ ㅤ ㅤㅤ ㅤ ㅤㅤ ㅤㅤ ㅤㅤ ㅤ ㅤㅤ ㅤ ㅤㅤ ㅤㅤ ㅤㅤ ㅤ

➥ GIF

➫ "Gurenge" Music Clip ㅤㅤ ㅤㅤ ㅤㅤ ㅤ ㅤㅤ ㅤ ㅤㅤ ㅤㅤ ㅤㅤ ㅤ ㅤㅤ ㅤ ㅤㅤ ㅤㅤ ㅤㅤ ㅤ ㅤㅤ ㅤㅤ ㅤㅤ ㅤ ㅤㅤ ㅤ ㅤㅤ ㅤㅤ ㅤㅤ ㅤ ㅤㅤ ㅤ ㅤㅤ ㅤㅤ ㅤㅤ ㅤ

➥ First Blog Divider

➫ "Datte Atashino Hero" Music Video

➫ "KiSS me PARADOX" -LiVE is Smile Always ～PiNK & BLACK～ Live

➫ "No More Time Machine" Music Clip

➫ "LEO-NiNE" Limited Edition A Album Cover

➫ "LUCKY Hi FiVE" Single Cover ㅤㅤ ㅤㅤ ㅤㅤ ㅤ ㅤㅤ ㅤ ㅤㅤ ㅤㅤ ㅤㅤ ㅤ ㅤㅤ ㅤ ㅤㅤ ㅤㅤ ㅤㅤ ㅤ ㅤㅤ ㅤㅤ ㅤㅤ ㅤ ㅤㅤ ㅤ ㅤㅤ ㅤㅤ ㅤㅤ ㅤ ㅤㅤ ㅤ ㅤㅤ ㅤㅤ ㅤㅤ ㅤ

➥ Second Blog Divider

➫ Raising Arm LiSA

➫ "ASH" Single promotional picture

➫ "Unlasting" promotional picture

➫ "ADAMAS" article by Billboard

➫ "Shirushi" Music Video ㅤㅤ ㅤㅤ ㅤㅤ ㅤ ㅤㅤ ㅤ ㅤㅤ ㅤㅤ ㅤㅤ ㅤ ㅤㅤ ㅤ ㅤㅤ ㅤㅤ ㅤㅤ ㅤ ㅤㅤ ㅤㅤ ㅤㅤ ㅤ ㅤㅤ ㅤ ㅤㅤ ㅤㅤ ㅤㅤ ㅤ ㅤㅤ ㅤ ㅤㅤ ㅤㅤ ㅤㅤ ㅤ ㅤㅤ ㅤㅤ ㅤㅤ ㅤ ㅤㅤ ㅤ ㅤㅤ ㅤㅤ ㅤㅤ ㅤ ㅤㅤ ㅤ ㅤㅤ ㅤㅤ ㅤㅤ ㅤ

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littleredroseonthevalley · 4 years

Text

Coffee with Chocolate

Summary: It is early morning at the Harris’ residence. A perfect opportunity for a young couple to bask on each other’s company.

Rating: K - Intended for general audience 5 years and older. Content should be free of any coarse language, violence, and adult themes.

Words: 1200

Notes: A future-fic today. Wedded bliss, it’s nice once in a while, ain’t it? Enjoy.

When the sky transition from dark to dawn, when it is still cold and the asphalt was still damp outside, when there was coffee on his difficult to wash mug. That is when Noah felt the most at peace.

It was silent, everyone was still asleep, he was completely alone with his own thoughts, reflecting and planning, have the chance to evaluate the paths his life was taking lately. He thought it was serene, and that is something rare to come by on his line of work. Controlling high school students was hard work.

He really hated Cedar Cove when he was a kid. He found it was pretentious, judgmental, suffocating at times. He still was hardly an enthusiast of his hometown, but here is where they chose to live.

It was hardly a choice, in actuality, as here they could live at his mother’s house, and he managed to find a teaching job that paid decently and Emma could work on her photography, taking clients from Providence and Boston.

It has been very tough these days, Emma and Noah were always busy, trying to establish themselves as young professionals in Rhode Island, him teaching History of all things and her trying to establish her name and save enough money to rent a space in town for a workspace to receive clients and expose her work.

Her dream was to have a renowned studio one day, a place she can create photographic art, but the times are tough right now and her main priority is to make ends meet and pay off her immense student debt. So, these days, she was mostly working with weddings and bar mitzvahs in their state capital.

Most of their free time was dedicated to studying and practicing, it was hard to make time for each other during the day. However, despite her busy schedule trying to survive, she still takes mornings at her own pace. No matter how busy she is or how little sleep she got. She still made the time to settle down early in the morning and have a steaming cup of coffee with her husband.

Perhaps that is why he liked mornings so much. He liked having a quiet moment with the person he cared for the most in the world.

Speaking of her, he could hear her stumbling out of the bedroom.

“Good morning, Emma.” He said, cheerily, from the dining table.

She smiled as much as she could manage, her sleepy voice grumbling her greetings. “Good morning, honey. You slept well?”

He nodded. “I slept very well, thank you. How ‘bout yourself?”

“I slept alright. I just didn’t sleep enough.” She responded with a shrug. Her phrase was broken in the middle by a loud yawn.

He chuckles as he watches her, her hair tied messily in a bun, her fingers tapping against the empty chair next to her. He can see the dark bags pooling under her clear eyes but he still finds she extremely beautiful, despite her tired state.

The table was set. The spread was meagre, but there was coffee, bread and chocolate. Enough for breakfast.

“Coffee?” He says, picking up their novelty mugs. Emma insisted on buying them at a stall on their honeymoon, finding them so corny they were adorable, and Noah complied with her wishes with token resistance, as always.

Her tired eyes were unfocused, flicking up to the kitchen window to see the rising sun break through the night sky.

“Yes, that be lovely.” She responded, leaning back against the hard, wooden chair.

Her lips stretch into a soft smile because nothing looks and feels better than seeing her husband slowly make their cups of coffee. She takes a minute to stare before she gathers herself up. She feels her joints cracking as she stood and she slowly make her way across the kitchen, wrapping her thin, tired arms around her too tall of a man.

He chuckles at her, loving how she is cuddled up against his back. Her touch felt cold against his warm body and he could not help but quickly turn around and wrap his loving arms around her.

“My sweet, sweet girl...” He hums, tucking a loose strand of raven hair behind her ear before tracing his fingers through the heavy bags under her eyes. “Who is in desperate need of sleep...”

She laughs at his antics.

“I sure am, but there’s much to do today. I have to meet with a bride at nine and I still didn’t finish the portfolio I’ll present, and then after lunch I have to prepare a proposal for a graduation in Salem.” She said, letting go of Noah and picking up her mug.

Noah sometimes worries about her agenda, always packed full and rarely so with the parts of her job she actually enjoys, and wonders if she did not make a wrong choice when she picked him. Had she not, perhaps she would be on better terms with her father, perhaps she would not have so much student debt, and perhaps she would have found someone without a record, who could get a better job and pull more of the weight around the house.

When he leans against the kitchen top, eyes focused on her and how she excitedly hums when the liquid fills her mouth, he remembered why he insisted on her in the first place. His lips stretch into a soft smile and chuckles fall from him and he cannot help but think how beautiful she looks. Despite the difficult living conditions they may be facing right now, her beauty and her unconditional love is what motivates him to continue and live on. He is a selfless man, but when it comes to Emma, Noah is unwilling to compromise.

So, he takes every morning to heart, these silent moments of peace before the hectic and exhausting day starts is what keeps him above water. These moments with she is what gives him a kickstart on his day, the smile on his face lasting until dusk, and as she sweetens her coffee with chocolate, he is hit with what home smells to him.

“Honey, would you like…” Emma starts, but she is immediately interrupted with Noah’s strong arms wrapping around her once more, warmth immediately spreads inside her chest.

Noah gently tucks her head under his chin. He breaths into the aroma of unwashed hair and takes she in with eyes closed, as to cherish the moment.

He does not know what the future holds and he is very much afraid of it and what it might do to her, but if there is still fight in him, then they will make it out to the other side together.

Emma remains still, with her arms wrapped around his torso, her ear pressed against his chest, listening in to his heartbeat. She remains in silence, as in not to interrupt whatever Noah is thinking. It does not matter either way, she decided, she needed it too.

All they want to do right now is to take in each other as the clock goes by and coffee and chocolate fill the air. That is all they will ever need.

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#my two first loves #noah harris

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steliosagapitos · 6 years

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William Thomas Kinkade III

Thomas Kinkade (January 19, 1958, Sacramento, California, United States – April 6, 2012, Monte Sereno, California, United States, aged 54) was an American painter of popular realistic, pastoral, and idyllic subjects. He is notable for the mass marketing of his work as printed reproductions and other licensed products via the Thomas Kinkade Company. He characterized himself as "Thomas Kinkade, Painter of Light", a phrase he protected through trademark but which was originally attributed to the British master J. M. W. Turner (1775–1851). According to Kinkade's company, one in every twenty American homes owns a copy of one of his paintings.

Despite wide commercial success throughout his life, Kinkade is generally held in low esteem by art critics; his pastoral paintings have been described as maudlin and overly sentimental.

He was born on January 19, 1958, in Sacramento County, California. He grew up in the town of Placerville, graduated from El Dorado High School in 1976, and attended the University of California, Berkeley, and the Art Center College of Designin Pasadena. He married Nanette Willey in 1982, and the couple had four daughters: Merritt (b. 1988), Chandler (b. 1991), Winsor (b. 1995) and Everett (b. 1997), all named for famous artists. He and his wife had been separated for over a year before his death in 2012.

Some of the people who mentored and taught Kinkade prior to college were Charles Bell and Glenn Wessels. Wessels encouraged Kinkade to go to the University of California at Berkeley. Kinkade's relationship with Wessels is the subject of a semi-autobiographical film released in 2008, Christmas Cottage. After two years of general education at Berkeley, Kinkade transferred to the Art Center College of Design in Pasadena.

In June 1980, Kinkade spent a summer traveling across the United States with his college friend James Gurney. The two of them finished their journey in New York and secured a contract with Guptill Publications to produce a sketching handbook. Two years later they produced The Artist's Guide to Sketching, which was one of Guptill Publications' best-sellers that year.

The success of the book led them both to Ralph Bakshi Studios where they created background art for the 1983 animated feature film Fire and Ice. While working on the film, Kinkade began to explore the depiction of light and of imagined worlds.

After the film, Kinkade earned his living as a painter, selling his originals in galleries throughout California.

Recurring features of Kinkade's paintings are their glowing highlights and pastel colors. Rendered in highly idealistic values of American scene painting, his works often portray bucolic and idyllic settings such as gardens, streams, stone cottages, lighthouses and Main Streets. His hometown of Placerville (where his works are omnipresent) was the inspiration for many of his street and snow scenes. He also depicted various Christian themes including the Christian cross and churches.

Kinkade said he was placing emphasis on the value of simple pleasures and that his intent was to communicate inspirational, life-affirming messages through his paintings. A self-described "devout Christian" (even giving all four of his children the middle name "Christian"), Kinkade believed he gained his inspiration from his religious beliefs and that his work was intended to contain a larger moral dimension. He also said that his goal as an artist was to touch people of all faiths and to bring a sense of peace into their lives through the images he created. Many pictures contain specific chapter-and-verse allusions to Bible passages.

Kinkade said, "I am often asked why there are no people in my paintings," but in 2009 he painted a portrait of the Indianapolis Speedway for the cover of that year's Indianapolis 500 race program that included details of the diversity of the crowd, hiding among them the figures of Norman Rockwell and Dale Earnhardt. He also painted the farewell portrait for Yankee Stadium. About the Indianapolis Speedway painting, Kinkade said:

The passion I have is to capture memories, to evoke the emotional connection we have to an experience. I came out here and stood up on the bleachers and looked around, and I saw all the elements of the track. It was empty at the time. But I saw the stadium, how the track laid out, the horizon, the skyline of Indianapolis and the Pagoda. I saw it all in my imagination. I began thinking, 'I want to get this energy — what I call the excitement of the moment — into this painting.' As I began working on it, I thought, 'Well you have this big piece of asphalt, the huge spectator stands; I've got to do something to get some movement.' So I just started throwing flags into it. It gives it kind of a patriotic excitement.

Artist and Guggenheim Fellow Jeffrey Vallance has spoken about Kinkade's devout religious themes and their reception in the art world:

“-This is another area that the contemporary art world has a hard time with, that I find interesting. He expresses what he believes and puts that in his art. That is not the trend in the high-art world at the moment, the idea that you can express things spiritually and be taken seriously. It is always difficult to present serious religious ideas in an art context. That is why I like Kinkade. It is a difficult thing to do.”

Essayist Joan Didion is a representative critic of Kinkade's style:

A Kinkade painting was typically rendered in slightly surreal pastels. It typically featured a cottage or a house of such insistent coziness as to seem actually sinister, suggestive of a trap designed to attract Hansel and Gretel. Every window was lit, to lurid effect, as if the interior of the structure might be on fire.

Didion went on to compare the "Kinkade Glow" to the luminism of 19th-century painter Albert Bierstadt, who sentimentalized the infamous Donner Pass in his Donner Lake from the Summit. Didion saw "unsettling similarities" between the two painters, and worried that Kinkade's treatment of the Sierra Nevada, The Mountains Declare His Glory, similarly ignored the tragedy of the forced dispersal of Yosemite's Sierra Miwok Indians during the Gold Rush, by including an imaginary Miwok camp as what he calls "an affirmation that man has his place, even in a setting touched by God's glory."

Mike McGee, director of the CSUF Grand Central Art Center at California State University, Fullerton, wrote of the Thomas Kinkade Heaven on Earth exhibition:

Looking just at the paintings themselves it is obvious that they are technically competent. Kinkade's genius, however, is in his capacity to identify and fulfill the needs and desires of his target audience—he cites his mother as a key influence and archetypal audience — and to couple this with savvy marketing ... If Kinkade's art is principally about ideas, and I think it is, it could be suggested that he is a Conceptual artist. All he would have to do to solidify this position would be to make an announcement that the beliefs he has expounded are just Duchampian posturing to achieve his successes. But this will never happen. Kinkade earnestly believes in his faith in God and his personal agenda as an artist.

In the very beginning of his artistic career, Thomas Kinkade put his entire life savings into the printing of his first lithograph. Though at the time he was already an acclaimed illustrator, Thom found that he was inspired not by fame and fortune, but by the simple act of painting straight from the heart, putting on canvas the natural wonders and images that moved him most. It was this dedication and singular-minded focus on the ultimate goal of Sharing the Light™ that made Thomas Kinkade, a simple boy with a brush from the small country town of Placerville, California the most-collected living artist of his time.

Throughout his life Thomas Kinkade shared his joy and used his paints in support of hospitals, schools, and humanitarian relief. Though the recipient of countless awards and honors, it was Thom’s profound sense of purpose that his art was not just an accessory, but also a ministry, that continues on as his legacy. From custom images that were sold for The Salvation Army, Hurricane Katrina relief, Rotary International, to donations that now grace the halls of St. Jude’s Children’s Research Hospital, the White House, The Vatican, and Britain’s Tate Museum, Thom raised hundreds of thousands of dollars over his lifetime for charity.

1996 – Decorating the Christmas tree with Nanette and their four daughters.

Thomas Kinkade the artist was also a devout and loving family man. It was this devotion for his family that inspired him to add symbols of his love to his artwork. Numerous paintings contain hidden “N’s” representing Thom’s lovely wife Nanette and many other paintings include the numbers 5282 as tribute to their wedding date May 2, 1982. Thom’s four daughters were also included in his artistic process- after the birth of each of his daughters, Thom painted adoring images in each of their namesake; Evening at Merritt’s Cottage, Chandler’s Cottage, Winsor Manor and Everett’s Cottage.

Thomas Kinkade, the Painter of Light™, emphasized simple pleasures and inspirational messages through his art – and the branded products created from that art. From textiles, to collectibles, to music and books, Thom gave credit to a higher power for both the ability and the inspiration to create his paintings. His goal as an artist, who was Christian, was to touch people of all faiths, to bring peace and joy into their lives through the images he had created.

Thom’s dearest wish had always been that his artwork would be a messenger of hope and inspiration to others – a message to slow down, appreciate the little details in life, and to look for beauty in the world around us. As millions of collectors around the world sit back and enjoy his artwork in their homes, there is no doubt that Thomas Kinkade had indeed achieved his goal of Sharing the Light™.

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