ppl already terribly misinterpret sans do you want him to have the morally grey female character treatment too
i don't give a crap can you imagine the glados level cat 5 lesbian event the "dead where you stand" scene alone would cause? the trope subversion of the worn-down, nihilistic bar sleaze male character archetype that he represents? soriel yuri? does anyone fucking care about soriel yuri???
So. I love this. The way Yuri snickers at Flynn showing his real self. The way he, without hesitation, says "yeah" to the idea that he would die in Flynn's place.
But the most important part of this entire thing, which was changed in the dub, is how Yuri specifically jokes that Flynn is trying to abandon him, and Flynn returns and tells Don he had no intention of abandoning Yuri.
Yuri does not hear this. Flynn knows that. But Flynn uses the exact same term Yuri used earlier, as if it's his answer to Yuri and saying no, I would never abandon you.
For reference:
Personally I just... love the weight of it. How Flynn will say something about Yuri that Yuri won't hear, but he still speaks it out into existence because it's how he really feels.
Just because Yuri won't hear it doesn't mean he won't say it, and in a way that's even more powerful. He's not looking for the credit of saying it. He's not looking to be recognized for saying it. He's not only expressing how he feels about Yuri somewhere that Yuri himself will hear him.
They're just his real, honest feelings, and he'll admit them even if Yuri's not within earshot.
I don't like DDLC'S MC very much on a very petty level but I still wish there was more fic or meta speculation about him. I'm not interested in him as a character, though, because he's barely a character. Literally by the game's standards, he has no inherent "character file." He is the SCRIPT, if anything. All of his thoughts and actions occur within the little text bubble at the bottom of the screen, and so do the characters'. He barely appears in CGs, has no body sprite, and it is through his observations and his thoughts and his call to make choices that the game progresses.
I think that specific trait of MC is fascinating, especially given how deep reaching Monika's manipulation is. During Act 1 he is active, he is talkative, he has a definitive (and yet inconsistent, based on which girl(s) you're speaking to) personality. He has thoughts about just about everything going on. And yet in Act 2 he is reduced to dust. He stops having any kind of commentary and he almost never remarks upon the horrible occurrences around him unless prompted or unless it is something that could plausibly happen in the realm of reality, like Yuri abandoning him for 10 minutes and Natsuki collapsing on him. But even then he's still significantly muted. Yuri and Natsuki have a horrible fight and the only kind of response he tries to throw out is co-opted by Monika. He witness Yuri declare her love for him and talk about how she would love to pull his skin open and crawl inside of him and the only thing he has to say is "yes" or "no" when she asks if he likes her back. And then he physically cannot move or speak or react because the world is so far gone that Yuri's death has damaged him, the script, so much that all he hears is gibberish coming from her lifeless mouth.
And like... that's neat to me. I like that by the end of Act 2 the script is so off the rails and so far gone from reality that MC can no longer really function as a person, because the script is barely functioning. He stops reacting to anything happening around him and most of the conversations he has are just the girls talking at him. Monika has to literally rewrite the script and force Yuri and Natsuki to say things to further her agenda or keep the scene rolling. MC had a clear and very human response to Sayori's death because it was a plausible but horrible (and not forced) event that could happen naturally. Yuri's death was so jarring and away from the scope of the natural order of his world that MC (and Yuri, by extension) can only sit frozen and broken until Natsuki and Monika show up to force new progress.
Like Monika's effect on the girls has been talked to death and it is an interesting topic but I also think what she unintentionally did to the POV character of the game is also something neat. It really adds to the feeling of the world in DDLC being hollow. The MC is a half-character who can only react in incredibly predictable ways, and when the world stops being predictable, he stops being anything more than a walking camera for Monika to speak into.
i think kuwana and reiko are very similar, and i don't think reiko is as virtuous as the narrative seems to find her. she feels a lot of guilt with what happened to mitsuru and finds a way to displace her anger. kuwana's attachment to her is just a validation of his own philosophy, her act of killing justified his need for revenge and selfish quest for atonement. and reiko doubles down by victimizing herself in place of her son (see: "what more could you have me endure?" line)
tldr; they are sad and leeching off of each other very hard.
Me: *tries to revisit yuri communities because they were safe once and haven't felt at ease since coming out*
Batshit insane people: *continue to repeatedly scream more than ever about men fetishizing lesbians and try to tell you you're a bad person because you're a man now even though they themselves identify as transfem and should understand some degree of the struggles*