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#the way pope RUNS to him oh i'm ill
olisgifs · 1 year
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It’s highly dangerous, zero reward? Yeah, he’s doing it.
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gunmetal-ring · 2 years
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11x16 stream of consciousness
This is reminding me of jeepers creepers for some reason and idk why lol
Flashback... surprise. Aw does hershel have a stuffed pig?! That's so fuckin cute I wanna see it
Lance is not a great military commander if he's just like. Flipping coins lmao
Oh shit real Stephanie/max and Eugene did the deed! Nerds. Manbun alert.
OK so they're gonna ditch I guess. Where are they? Isn't Leah with them? I guess not?
If they're trying to sneak away in broad daylight...?
Okay so Leah is with some non armored stormtroopers?? How did Leah not see them sneaking away aren't they like RIGHT there
Hiding underground. Nice. "My wife is pregnant" Oh? Interesting that it matters to you now. #foreshadowing Annie's gonna die. Maggie is starting to trust negan... spinoff alert. Ew gross swarm of locusts.
Where is the 2nd location WHAT are they clearing can I please get some goddamn answers are they just sweeping for maggie?? Hello?! Oop there it is. The revolution. Calling bs that the stormtroopers aren't radioing for help. GABE FOR THE SNEAK ATTACK GODDAMN ok I officially like him he's proved himself to be a badass this season.
"Scholarship fund" lol and pay for textbooks with $50,000 amirite?! #cancelstudentloandebt. Oh no, the fundraiser queen is corrupt, whoda thunkit
Incredible that all these secret hiding locations are just. Popping up out of nowhere. I rly find it hilarious that oceanside has existed only to tell the commonwealth to fuck off. No hiding Maggie and team family, no food assistance, no nothing.
Sebastian, how does the old saying go? If everyone around you is an asshole, maybe it's you? Also like literally all max had to do was say "Yup working late" and not act like she's snooping how the fuck would he know any better. You can tell she's the younger sibling. Her parents gave up on being strict by the time mercer got thru to them.
?? What?? Okay sure just rig the building. Uh oh... here comes Leah. She's a better shot than that. The whole swarm of locusts thing would have been better w pope bc he was the crazy religious one. Leah didn't rly seem to give a shit one way or the other. I find it hard to believe she couldn't hit Maggie while running away but whatever ok.
What do you know the rogue assassin you hired is rogue. Lance you rly do suck as a military commander lol
Yup here it comes, the nonsensical narrative arc in which Daryl kills Leah to save Maggie. Makes all the sense in the world. Ah and apparently everyone knows who leah is. Ok time to stop being bitter. Wait oh no oh fuck is Daryl gonna kill Leah bc Leah kills Lydia?! No God pls no I'm sorry Kang I'll take everything i said back this is a great season so far its my favorite ever and the writing has been a1 I swear and I don't even care abt caryl I promise ill nevet write fic that fixes nonexistent plot holes bc nothing about this season could possibly be improved just DONT kill Lydia.
Connie's outfit is very cute I like that shirt. Lol this is magnas first scene in like a hundred episodes I forgot about her. Zeke is a badass as per usual
Wouldn't all the walkers be drawn to the explosion at the building? Not just wandering in the woods? She knocked her out and tied her to a chair and Maggie has been unconscious for like 6 hours... sure. "Everyone you love will be dead" why not hunt them down while Maggie is knocked out overnight? Why just sit there the whole time? OK maybe Maggie will kill Leah and be done with it. I'd actually be fine with that. Yup ok there it is. Great. No fuckin fanfare or anything either. Whatever at least it's over now. I'm sure we won't ever see a discussion or outpouring of feelings about it either were just supposed to accept that Daryl had no feelings and was totally neutral about killing the first woman he'd ever had a relationship with. Sure. Honestly I'd be OK if he talked to Carol about it bc that would salvage this the absolute tiniest bit but I know that won't happen.
Real talk tho how did Connie get that shit printed lol. OK Alexandria is now property of commonwealth? And hilltop? Why? Why not just kill everyone and leave? Seriously this shit is so stupid. OK at least they're rounding people up. Oh lol there's oceanside. Heads they kill them tails they're prisoners of war? What?
Surprise surprise this episode sucked, I'm rly over it. I hate that I'm actually glad this arc is over like seriously I wish I loved this show still I wish I wasn't so fuckin invested and disappointed I want to love the show that my ship is in and I hate that I'm actually glad it's ending. Ugh. UGH. I hate that I'm actually looking forward to caryl going canon bc it means the buildup is over and I know they're gonna fuck up the build up. UGH!!!!
Anyway I'm just gonna start my 10c 11a 11b rewrite now. Leave the missing moments until after the series is over. I'm gonna make a list of moments that we should have seen tho bc no fuckin way am I ever gonna rewatch this season lol.
Omg I didn't even realize that they blew up Barrington house lol. "We've been talking about luck a lot" Oh right when else did they talk about luck? Wasn't that with Carol and Daryl? With double capper acorns? With "we have luck on our side" and "our luck has run out" like it JUST fucking happened! Where are THOSE callbacks?!
Overall disappointed but not the least bit surprised. Underwhelmed once more. Truly insane just how shitty this season has been so far. Glad this block is over and looking forward to all the fix it fic coming this hiatus. Ugh.
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uomo-accattivante · 5 years
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One of the things you can’t help noticing when you talk to Oscar Isaac is just how incredible he is at playing the part of Oscar Isaac. It’s not that he’s putting on a performance. But when you talk to Oscar Isaac, the public idea of Oscar Isaac begins to make a tremendous amount of sense.
We talk a couple of days before the release of Netflix’s new Triple Frontier, an action-adventure heist/American military allegory flick (it’s a lot) that Isaac stars in, and Isaac manages to, within the span of a few minutes, quote Shakespeare and express guilt about shoplifting in his college days. In other words: He’s sensitive with a risky streak. It’s no wonder the Internet has declared him its boyfriend (and more recently, its husband).
This quality, of course, is part of what makes Isaac so compelling to watch when he’s playing an actual role. He seamlessly shades his characters with duality; by turns he can play dour and charming, cerebral and clueless. Take Triple Frontier. Isaac portrays a character, Santiago ‘Pope’ Garcia, who is essentially a stand-in for Donald Rumsfeld. He’s tasked with rallying an all-star gang of ex-Special Forces agents (played by Ben Affleck, Charlie Hunnam, Pedro Pascal, and Garrett Hedlund) to execute a covert heist of a South American drug lord. It’s an ill-fated, and perhaps misguided, operation, but Isaac makes you believe that nothing can go wrong—and, moreover, that what they’re doing is inherently right, all while emitting a sense of manifest failure.
On the heels of turning 40, Isaac hasn’t given much thought to where he wants to take his talents for portraying complex characters next, only that he wants to scale back. “Doing the circus thing can get tiring after a while,” he says. Though, it won’t be long before he talks about what a thrill it was to train for a daunting high elevation chase scene. The change of tune comes off genuinely; he digs a good adventure, but also wants to settle down. It’s both. And it’s Oscar Isaac, so you believe him.
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Happy birthday!
Thank you.
Did you do anything exciting?
We had a little bit of a house party. We just moved to a new place. So we thought, “Why not trash it? Have a party.”
It was a pretty big birthday [40]. As you move into middle age, are there new kinds of roles you're interested in playing?
No, not necessarily. But it's just kind of fun to start a new decade.
Do you have a philosophy in terms of how you choose roles generally?
Oh no, if only. Things would be so much easier. Choosing roles is really more like falling in love. I don't have a specific type that I'm looking for. It's just kind of if I read the thing or speak to the director or see some art that's connected with it and it incites something where I can't stop thinking about it, then I keep moving towards it.
Tell me about how you fell in love, then, with the character of Pope in Triple Frontier.
I worked with J.C. [Chandor] on A Most Violent Year. That had gone well. And I knew he was somebody I could trust in the editing room. You could try lots of different things and he won't make you look like an idiot. And then he talked to me about the kind of guy this is, the parables behind the whole movie, it being an allegory to the way the United States has operated throughout the world, and how in some ways my character is the Donald Rumsfeld of the story. [Pope] says, “Look, we can do this. We can take out a really bad guy. We'll be rich. We'll be in and out. No problem.” And so there's a bit of hubris there about their skills—even though these characters are incredibly skilled. But he underestimates the team's greed.
Once I became involved, we started having conversations. We thought an interesting complication—and one thing that would make it not feel so cliché—would be making the character of Pope actually from the area that he's been working in. There's a familial connection to it, so there's something more at stake. He wants to take out this guy not just as a trophy but because he actually thinks it'll make a difference.
In Annihilation you also played someone in the military. And I read that you at one point had considered joining the Marines. Is there something about diving into that military world that attracted you?
Yeah. That's definitely something I had been into when I was younger, and I had imagined that that was an avenue I could've gone down for my life. And I was very near going to boot camp and starting that whole process, and then other things happened that took me away from that. So I think there's always something inside of me that wonders about the What if? of it.
I can be quite a good student when it comes to certain things. So learning the mechanics of working with the weapons, learning about situational awareness and clearing the room, the team-building exercises—all those things, I got very excited by. And also, there was a lot of high altitude training.
What was that like?
What was cool was that all of us had a different physical task. Garrett [Hedlund] was the MMA fighter and there was a whole MMA fight that ended up getting cut down quite a bit. So he ended up spending a lot of time training that way, training with jiu-jitsu. Pedro [Pascal] spent a lot of time with the cockpit and flying. And then Charlie [Hunnam] and Ben [Affleck] both found things that were specific to their characters. And for me, I knew that I was having to do this extended chase sequence in Colombia, which was between 10,000 and 13,000 feet, depending on exactly where we were shooting. So I knew that was something I needed to train for just so I'd be able to do more than one take without throwing up. And I found a place here in New York that's a hyperbaric chamber that's able to replicate what it's like to run in different altitudes. They have a treadmill in there. And an oxygen mask, and even a tent you could sleep in at night to get your blood saturated with oxygen.
When you were preparing, what kinds of things did you learn about the military that surprised you, or that you didn't know when you were considering joining the Marines way back when?
I was a kid back then, so I didn't know much. I was like, “I'll get fit. I'll get money for college. I'll go in there because some of my friends are planning on going in there as well.” There were some people I admired who had been. This was like 1998. But the reality of it is the amount of sacrifice—not just physically, but emotionally. Being separated from your family for long, long periods of time. And especially special forces guys, who are just the elite, top of the top. There's this sense of [it being] these tough guys, these killers, chest-pounding guys. The truth is the people we spoke with [have] humility and soft-spokenness and ethical codes they go by, [there’s] lack of rejoicing in violence, the desire for connection, and the way deadly force is viewed—all those things I found to not be clichéd adolescent ideas of what being a military guy is.
The movie is very much an allegory about the American military and the country's greed. But how did you internalize the individual sense of greed that you're portraying in the film?
There's something that's epic about it. It's a very primal tale. Macbeth is the same thing. Macbeth is a heroic soldier. The entire first part of Macbeth is everyone saying what an incredible soldier Macbeth was, what he did, how he was fearless, courageous, how he saved his men. He is the hero. And then that little thing gets in there like an infection, this thought, What more could I have? "What do I deserve for everything that I've done?" And that’s mixed with the violence the person is seeing. So that for me was very interesting. Noble people who have a tragic flaw that brings them down. For my character, it was less the money. It was more revenge, taking out this one guy he's been hunting since he's been down there. He actually believes that if he cuts down this head, the rest of the thing will fall.
Did you return to moments in your life or career where you caught yourself letting greed get the best of you?
I think when I was in college I definitely did some damage at the Tower Records across the street. And the Barnes & Noble... And a couple liquor stores. There was a sense of, “I am a college student. I can barely make ends meet over here. This is a big company; they're not going to mind if I take this book of poetry.” So I could justify snagging a few items here and there. But of course Tower Records closes down, and I can't help but feel at fault.
It’s not your fault.
It was a flawed system. They had the bargain DVDs right next to the place where you walk out. So you could just put [your bag] right there next to it, go through the metal detectors, and then reach back and grab your bag.
Do you think you could graduate from Barnes & Noble theft and pull off an actual heist?
No. I wouldn't know where to begin or what to do. Anything I know about it is from movies.
Are you a fan of the heist genre?
I like the heist genre thrown on its head. My favorite movie is Dog Day Afternoon. And that is another thing where it's like, Let's do this thing. We're going to rob a bank. In and out of there. And everything that happens after that is, to me, the most exciting part. It's people in extreme situations. I worked in a hospital when I was younger, and that's something I learned a lot from, seeing people in extreme situations. You see the entire spectrum of humanity in those moments.
As a musician and a big music fan, how do you use music to get yourself in the mindset of a role?
I've done that for ages. Often for me, it's less specific about, This makes me think about this thing. It's more about what gets me to a place of readiness, openness. What makes me feel connected to the earth a bit more. Sometimes I'll put together music that I find inspiring thematically, or tonally. But I think if it's something that needs any real depth of emotion, there's this one guy named Ernst Reijseger, an incredible cellist who did the soundtrack to Werner Herzog's Cave of Forgotten Dreams. I listen to that and it puts me in a primal state. It opens me up so I'm able to receive anything that's floating around inside without judging it too much.
Were you listening to that for this role?
For this one, there were a couple moments when I did. But I think I listened to a lot of Sepultura, a Brazilian hardcore metal band. It gave a sense of the chaos and the violence, and it has some Brazilian kind of tribal elements to it. So it felt like a bit of a mix of everything they're getting involved in down there.
What's the best piece of direction you've gotten in your career?
The first one that comes to my mind was just like the sweetest way of saying "Tone it down." A great writer, Hossein Amini, he came over and in the sweetest way said, "The camera is just not able to capture what you're doing right now. We don't have the technology yet to get what you're doing. So you just have to bring it down a bit so we can capture it on the camera."
My editor insisted I find out about the footage you filmed for the Disney Parks upcoming Star Wars-themed lands. Is there anything you can tell me?
I'm afraid I can't, because actually I don't really remember [laughs]. I think some of it happened in the middle of filming the actual movie. So they were like, "Hey, today you're coming in and you'll be in the cockpit." So it's those kinds of situations. I'm sure I'm in the cockpit and I'm screaming about something important.
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