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#the soul 緝魂
theanadira · 3 years
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~下载~ [緝魂  The Soul HD] 电影
缉魂 完整版本 [ The Soul] 完整版觀看電影在線小鴨 (2020-HD)完整的電影 PLAY>>> http://ver.yess-movie.com/movie/tt13598976/the-soul.html
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著名集团董事长王世聪惨死家中,负责此案的检察官梁文超(张震 饰)与妻子刑警阿爆(张钧甯 饰)在调查中得知:死者的儿子王天佑(林晖闵 饰),年轻的新婚妻子李燕(孙安可 饰),多年合伙人万宇凡(李铭顺 饰),甚至死去的前妻唐素贞(张柏嘉 饰),每个人之间都有着错综复杂的关联。阿爆更是发现隐藏在案件背后的惊人秘密…… 发布日期: 2021–01–15 运行时间: 124 分钟 类型: 剧情, 惊悚, 悬疑 明星: Chang Chen, Janine Chang, Christopher Ming-Shun Lee, Anke Sun, Lu Hsueh-Feng 导演: Cheng Wei-Hao PLAY>>> http://ver.yess-movie.com/movie/tt13598976/the-soul.html
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TAGS: 缉魂 澳門上映 缉魂 2020上映 缉魂 HD線上看 缉魂 線上看小鴨 缉魂 电影完整版 缉魂 線上看下載 缉魂 2020 下載 缉魂 線上看完整版 缉魂 線上看完整版小鴨 缉魂 (2020)完整版本 缉魂 |1080P|完整版本 缉魂 线上看(2020)完整版 線上看(2020)完整版 缉魂 線上看電影(2020) 缉魂 2020年再次觀看電影 缉魂 線上看|2020上映|完整版小鴨|線上看小鴨| 缉魂 上看 缉魂 主題曲 缉魂 小鴨影音 缉魂 線上小鴨 缉魂 完整版本 缉魂 香港上映 缉魂 線上看小鴨影音 缉魂 2020 線上看 缉魂在线 缉魂 1080P 下載 缉魂 免費線上看電影 缉魂 电影在线2020年 缉魂 (2020)在线观看 缉魂 [2020]观看和下载 缉魂 [2020,HD]观看和下载 缉魂 singapora(2020) 完整版 缉魂 (The Soul) 2020上映 缉魂 (The Soul) HD線上看 缉魂 (The Soul) 線上看小鴨 缉魂 (The Soul) 电影完整版 缉魂 (The Soul) 線上看下載 缉魂 (The Soul) 2020 下載 缉魂 (The Soul) 線上看完整版小鴨 缉魂 (The Soul) (2020)完整版本 缉魂 (The Soul) |1080P|完整版本 缉魂 (The Soul) 线上看(2020)完整版 缉魂 (The Soul) 線上看(2020)完整版 缉魂 (The Soul)(2020) 缉魂 (The Soul)2020年再次觀看電影 缉魂 (The Soul) 線上看|2020上映|完整版小鴨|線上看小鴨| 缉魂 (The Soul) 澳門上映 缉魂 (The Soul) 2020上映 缉魂 (The Soul) HD線上看 缉魂 (The Soul) 線上看小鴨 缉魂 (The Soul) 电影完整版 缉魂 (The Soul) 線上看下載 缉魂 (The Soul) 2020 下載 缉魂 (The Soul)上看完整版 缉魂 (The Soul) 線上看完整版小鴨 缉魂 (The Soul) (2020)完整版本 缉魂 (The Soul) |1080P|完整版本 缉魂 (The Soul) 线上看(2020)完整版 缉魂 (The Soul) 線上看(2020)完整版 缉魂 (The Soul) 線上看電影(2020) 缉魂 (The Soul) 2020年再次觀看電影 缉魂 (The Soul) 線上看|2020上映|完整版小鴨|線上看小鴨| 缉魂 (The Soul) 上看 缉魂 (The Soul) 主題曲 缉魂 (The Soul) 小鴨影音 缉魂 (The Soul) 線上小鴨 缉魂 (The Soul) 完整版本 缉魂 (The Soul) 香港上映 缉魂 (The Soul) 線上看小鴨影音 缉魂 (The Soul) 2020 線上看 缉魂 (The Soul) 2020在线 缉魂 (The Soul) 1080P 下載 缉魂 (The Soul) 免費線上看電影 缉魂 (The Soul) 电影在线2020年 缉魂 (The Soul) (2020)在线观看 缉魂 (The Soul) [2020]观看和下载 缉魂 (The Soul) [2020,HD]观看和下载 缉魂 (The Soul) singapora(2020) 完整版 缉魂 (The Soul) 線上看| 2020最新電影| 小鴨影音| 缉魂 (The Soul) 免費下載 缉魂 (The Soul) 下載 百度 缉魂 (The Soul) 2020上看 缉魂 (The Soul) 免費線上看電影 缉魂 (The Soul) -完整版小鴨 HD 缉魂 (The Soul)上看(2020) 缉魂 (The Soul) 台灣上映 2020 缉魂 (The Soul) (2020) 線上看 缉魂 (The Soul)上(2020 HD) 缉魂 (The Soul) 2020 電影完整版 缉魂 (The Soul) 2020 線上 完整版 缉魂 (The Soul) -完整版 小鴨 2020 缉魂 (The Soul) 免費在線觀看(2020) 缉魂 (The Soul) [2020] 線上完整版 缉魂 (The Soul) 线上看(2020)完整版 缉魂 (The Soul)上 [2020] 完整版 缉魂 (The Soul) (2020)免費線上看電影 缉魂 (The Soul) 線上看線上(2020)完整版 缉魂 (The Soul) -HD 完整版 小鴨 [2020] 缉魂 (The Soul) 上看2020 HD.BD.1080p 缉魂 (The Soul) HD|1080p|4K| 香港流媒體 缉魂 (The Soul) 2020完整版 小鴨 (HD.BLURAY) In 1889, on November 1 in Gotha, Germany Anna Therese Johanne Hoch, who later would be known as Hannah Hoch was born. Being the eldest of five children, the girl was brought up in a comfortable and quiet environment of the small town. Her parents, a supervisor in an insurance company and an amateur painter sent her to Girl’s High school. However, at the age of 15 Hannah had to quit studying for the long six years to take care of her newborn sister. Only in 1912 she continued her education with Harold Bengen in School of Applied Arts, mastering glass design. As the World War I broke up Hannah returned to the native town to work in the Red Cross. The first years after war the young woman recommenced her studying, getting to know graphic arts. 1915 was highlighted by an acquaintance with an Austrian artist Raoul Hausmann, which grew into the long-lasting romantic relationship and involvement in Berlin Dada movement. For ten years till 1926 Hoch worked in Berlin’s major publisher of newspapers and magazines. Her task was to design embroidering, knitting and crocheting patterns for the booklets. Being on vacation with her beloved in 1918, Hannah discovered ‘the principle of photomontage in cut-and-paste images that soldiers sent to their families’ (National gallery of Art). This find affected greatly on her artistic production, and she created mass-media photographs comprising the elements of photomontage and handwork patterns, thus combining traditional and modern culture. Her prior preoccupation was to represent the ‘new woman’ of the Weimar Republic with new social role and given freedoms. Hoch was the only woman in Berlin Dada, who took part in all kinds of events and exhibitions showcasing her socially critical works of art. Till 1931 she participated in exhibitions but with the rise of National Social regime was forbidden to present her creative work. Till her last breath in 1978 Hannah Hoch lived and worked in the outskirts of Berlin-Heiligensee. The piece of art which is going to be analyzed in this research is ‘The beautiful girl’ designed in 1919–1920. It combines the elements of technology and females. In the middle of the picture one can clearly see a woman dressed in a modern bathing suit with a light bulb on her head which probably serves as a sun umbrella. In the background a large advertisement with a woman’s hair-do on top is presented. Maud Lavin describes strange human as ‘she is part human, part machine, part commodity’ (Lavin). The woman is surrounded by the images of industrialization as tires, gears, signals and BMW logos. A woman’s profile with the cat eyes, untrusting and skeptical, in the upper right corner is eye-catching as well. This unusually large eye symbolizes DADA movement — a monocle, which is present in almost every Hoch’s work. The colour scheme does not offer rich palette of tints, including mostly black, white, orange and red pieces. The photo is surrounded by the BMW circles which add the spots of blue. An apt description of the piece is given in the book ‘Cut with the Kitchen Knife’ and states that it is ‘a portrait of a modern woman defined by signs of femininity, technology, media and advertising’ (Lavin). In other words Hannah Hoch focused on the woman of the new age, free and keeping up with the fast-moving world. The artist promoted feministic ideas and from her point of view urbanization and modern technologies were meant to give hope to woman to gain equality of genders. With this photomontage she commented on how the woman was expected to combine the role of a wife and mother with the role of a worker in the industrialized world. The light bulb instead of a face shows that women were perceived as unthinking machines which do not question their position and can be turned on or off at any time at man’s will. But at the same time they were to remain attractive to satisfy men’s needs. The watch is viewed as the representation of how quickly women are to adapt to the changes. In a nutshell, Hoch concentrated on two opposite visions of the modern woman: the one from the television screens — smoking, working, wearing sexy clothes, voting and the real one who remained being a housewife. The beautiful girl’ is an example of the art within the DADA movement. An artistic and literal current began in 1916 as the reaction to World War I and spread throughout Northern America and Europe. Every single convention was challenged and bourgeois society was scandalized. The Dadaists stated that over-valuing conformity, classism and nationalism among modern cultures led to horrors of the World War I. In other words, they rejected logic and reason and turned to irrationality, chaos and nonsense. The first DADA international Fair was organized in Berlin in 1920 exposing a shocking discontentment with military and German nationalism (Dada. A five minute history). Hannah Hoch was introduced to the world of DADA by Raoul Hausman who together with Kurt Schwitters, Piet Mondrian and Hans Richter was one of the influential artists in the movement. Hoch became the only German woman who referred to DADA. She managed to follow the general Dadaist aesthetic, but at the same time she surely and steadily incorporated a feminist philosophy. Her aim was to submit female equality within the canvass of other DADA’s conceptions. Though Hannah Hoch officially was a member of the movement, she never became the true one, because men saw her only as ‘a charming and gifted amateur artist’ (Lavin). Hans Richter, an unofficial spokesperson shared his opinion about the only woman in their community in the following words: ‘the girl who produced sandwiches, beer and coffee on a limited budget’ forgetting that she was among the few members with stable income. In spite of the gender oppressions, Hannah’s desire to convey her idea was never weakened. Difficulties only strengthened her and made her an outstanding artist. A note with these return words was found among her possessions: ‘None of these men were satisfied with just an ordinary woman. But neither were they included to abandon the (conventional) male/masculine morality toward the woman. Enlightened by Freud, in protest against the older generation. . . they all desired this ‘New Woman’ and her groundbreaking will to freedom. But — they more or less brutally rejected the notion that they, too, had to adopt new attitudes. . . This led to these truly Strinbergian dramas that typified the private lives of these men’ (Maloney). Hoch’s technique was characterized by fusing male and female parts of the body or bodies of females from different epochs — a ‘traditional’ woman and ‘modern’, liberated and free of sexual stereotypes one. What’s more, combining male and female parts, the female ones were always more distinctive and vibrant, while the male ones took their place in the background. Hannah created unique works of art experimenting with paintings, collages, graphic and photography. Her women were made from bits and pieces from dolls, mannequins of brides or children as these members of the society were not considered as valuable. Today Hannah Hoch is most associated with her famous photomontage ‘Cut with the kitchen knife DADA through the last Weimer Beer-Belly Cultural epoch of Germany’ (1919–1920). This piece of art highlights social confusion during the era of Weimar Republic, oppositionists and government radicals (Grabner). In spite of never being truly accepted by the rest of her society, this woman with a quiet voice managed to speak out loud her feministic message. Looking at Hannah Hoch’s art for the first time I found it confusing, because couldn’t comprehend the meaning. It was quite obvious that every single piece and structure is a symbol of the era, its ideas and beliefs. However, after having learned about her life and constant endeavors to declare about female’s right, little by little I started to realize what’s what. As an object for research I chose ‘The beautiful girl’ as, to my mind, its theme and message intersects with the modern tendency: a successful, clever, beautiful and free woman has to become one in no time, cause the world is moving faster and faster. I enjoyed working with this artist as her example is inspiring and is worth following.
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missagarela · 3 years
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【TW-电影】 緝魂 我线上看
缉魂 完整版本 [ The Soul] 完整版觀看電影在線小鴨 (2020-HD)完整的電影 PLAY>>> http://ver.yess-movie.com/movie/tt13598976/the-soul.html
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著名集团董事长王世聪惨死家中,负责此案的检察官梁文超(张震 饰)与妻子刑警阿爆(张钧甯 饰)在调查中得知:死者的儿子王天佑(林晖闵 饰),年轻的新婚妻子李燕(孙安可 饰),多年合伙人万宇凡(李铭顺 饰),甚至死去的前妻唐素贞(张柏嘉 饰),每个人之间都有着错综复杂的关联。阿爆更是发现隐藏在案件背后的惊人秘密…… 发布日期: 2021–01–15 运行时间: 124 分钟 类型: 剧情, 惊悚, 悬疑 明星: Chang Chen, Janine Chang, Christopher Ming-Shun Lee, Anke Sun, Lu Hsueh-Feng 导演: Cheng Wei-Hao PLAY>>> http://ver.yess-movie.com/movie/tt13598976/the-soul.html
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TAGS: 缉魂 澳門上映 缉魂 2020上映 缉魂 HD線上看 缉魂 線上看小鴨 缉魂 电影完整版 缉魂 線上看下載 缉魂 2020 下載 缉魂 線上看完整版 缉魂 線上看完整版小鴨 缉魂 (2020)完整版本 缉魂 |1080P|完整版本 缉魂 线上看(2020)完整版 線上看(2020)完整版 缉魂 線上看電影(2020) 缉魂 2020年再次觀看電影 缉魂 線上看|2020上映|完整版小鴨|線上看小鴨| 缉魂 上看 缉魂 主題曲 缉魂 小鴨影音 缉魂 線上小鴨 缉魂 完整版本 缉魂 香港上映 缉魂 線上看小鴨影音 缉魂 2020 線上看 缉魂在线 缉魂 1080P 下載 缉魂 免費線上看電影 缉魂 电影在线2020年 缉魂 (2020)在线观看 缉魂 [2020]观看和下载 缉魂 [2020,HD]观看和下载 缉魂 singapora(2020) 完整版 缉魂 (The Soul) 2020上映 缉魂 (The Soul) HD線上看 缉魂 (The Soul) 線上看小鴨 缉魂 (The Soul) 电影完整版 缉魂 (The Soul) 線上看下載 缉魂 (The Soul) 2020 下載 缉魂 (The Soul) 線上看完整版小鴨 缉魂 (The Soul) (2020)完整版本 缉魂 (The Soul) |1080P|完整版本 缉魂 (The Soul) 线上看(2020)完整版 缉魂 (The Soul) 線上看(2020)完整版 缉魂 (The Soul)(2020) 缉魂 (The Soul)2020年再次觀看電影 缉魂 (The Soul) 線上看|2020上映|完整版小鴨|線上看小鴨| 缉魂 (The Soul) 澳門上映 缉魂 (The Soul) 2020上映 缉魂 (The Soul) HD線上看 缉魂 (The Soul) 線上看小鴨 缉魂 (The Soul) 电影完整版 缉魂 (The Soul) 線上看下載 缉魂 (The Soul) 2020 下載 缉魂 (The Soul)上看完整版 缉魂 (The Soul) 線上看完整版小鴨 缉魂 (The Soul) (2020)完整版本 缉魂 (The Soul) |1080P|完整版本 缉魂 (The Soul) 线上看(2020)完整版 缉魂 (The Soul) 線上看(2020)完整版 缉魂 (The Soul) 線上看電影(2020) 缉魂 (The Soul) 2020年再次觀看電影 缉魂 (The Soul) 線上看|2020上映|完整版小鴨|線上看小鴨| 缉魂 (The Soul) 上看 缉魂 (The Soul) 主題曲 缉魂 (The Soul) 小鴨影音 缉魂 (The Soul) 線上小鴨 缉魂 (The Soul) 完整版本 缉魂 (The Soul) 香港上映 缉魂 (The Soul) 線上看小鴨影音 缉魂 (The Soul) 2020 線上看 缉魂 (The Soul) 2020在线 缉魂 (The Soul) 1080P 下載 缉魂 (The Soul) 免費線上看電影 缉魂 (The Soul) 电影在线2020年 缉魂 (The Soul) (2020)在线观看 缉魂 (The Soul) [2020]观看和下载 缉魂 (The Soul) [2020,HD]观看和下载 缉魂 (The Soul) singapora(2020) 完整版 缉魂 (The Soul) 線上看| 2020最新電影| 小鴨影音| 缉魂 (The Soul) 免費下載 缉魂 (The Soul) 下載 百度 缉魂 (The Soul) 2020上看 缉魂 (The Soul) 免費線上看電影 缉魂 (The Soul) -完整版小鴨 HD 缉魂 (The Soul)上看(2020) 缉魂 (The Soul) 台灣上映 2020 缉魂 (The Soul) (2020) 線上看 缉魂 (The Soul)上(2020 HD) 缉魂 (The Soul) 2020 電影完整版 缉魂 (The Soul) 2020 線上 完整版 缉魂 (The Soul) -完整版 小鴨 2020 缉魂 (The Soul) 免費在線觀看(2020) 缉魂 (The Soul) [2020] 線上完整版 缉魂 (The Soul) 线上看(2020)完整版 缉魂 (The Soul)上 [2020] 完整版 缉魂 (The Soul) (2020)免費線上看電影 缉魂 (The Soul) 線上看線上(2020)完整版 缉魂 (The Soul) -HD 完整版 小鴨 [2020] 缉魂 (The Soul) 上看2020 HD.BD.1080p 缉魂 (The Soul) HD|1080p|4K| 香港流媒體 缉魂 (The Soul) 2020完整版 小鴨 (HD.BLURAY) In 1889, on November 1 in Gotha, Germany Anna Therese Johanne Hoch, who later would be known as Hannah Hoch was born. Being the eldest of five children, the girl was brought up in a comfortable and quiet environment of the small town. Her parents, a supervisor in an insurance company and an amateur painter sent her to Girl’s High school. However, at the age of 15 Hannah had to quit studying for the long six years to take care of her newborn sister. Only in 1912 she continued her education with Harold Bengen in School of Applied Arts, mastering glass design. As the World War I broke up Hannah returned to the native town to work in the Red Cross. The first years after war the young woman recommenced her studying, getting to know graphic arts. 1915 was highlighted by an acquaintance with an Austrian artist Raoul Hausmann, which grew into the long-lasting romantic relationship and involvement in Berlin Dada movement. For ten years till 1926 Hoch worked in Berlin’s major publisher of newspapers and magazines. Her task was to design embroidering, knitting and crocheting patterns for the booklets. Being on vacation with her beloved in 1918, Hannah discovered ‘the principle of photomontage in cut-and-paste images that soldiers sent to their families’ (National gallery of Art). This find affected greatly on her artistic production, and she created mass-media photographs comprising the elements of photomontage and handwork patterns, thus combining traditional and modern culture. Her prior preoccupation was to represent the ‘new woman’ of the Weimar Republic with new social role and given freedoms. Hoch was the only woman in Berlin Dada, who took part in all kinds of events and exhibitions showcasing her socially critical works of art. Till 1931 she participated in exhibitions but with the rise of National Social regime was forbidden to present her creative work. Till her last breath in 1978 Hannah Hoch lived and worked in the outskirts of Berlin-Heiligensee. The piece of art which is going to be analyzed in this research is ‘The beautiful girl’ designed in 1919–1920. It combines the elements of technology and females. In the middle of the picture one can clearly see a woman dressed in a modern bathing suit with a light bulb on her head which probably serves as a sun umbrella. In the background a large advertisement with a woman’s hair-do on top is presented. Maud Lavin describes strange human as ‘she is part human, part machine, part commodity’ (Lavin). The woman is surrounded by the images of industrialization as tires, gears, signals and BMW logos. A woman’s profile with the cat eyes, untrusting and skeptical, in the upper right corner is eye-catching as well. This unusually large eye symbolizes DADA movement — a monocle, which is present in almost every Hoch’s work. The colour scheme does not offer rich palette of tints, including mostly black, white, orange and red pieces. The photo is surrounded by the BMW circles which add the spots of blue. An apt description of the piece is given in the book ‘Cut with the Kitchen Knife’ and states that it is ‘a portrait of a modern woman defined by signs of femininity, technology, media and advertising’ (Lavin). In other words Hannah Hoch focused on the woman of the new age, free and keeping up with the fast-moving world. The artist promoted feministic ideas and from her point of view urbanization and modern technologies were meant to give hope to woman to gain equality of genders. With this photomontage she commented on how the woman was expected to combine the role of a wife and mother with the role of a worker in the industrialized world. The light bulb instead of a face shows that women were perceived as unthinking machines which do not question their position and can be turned on or off at any time at man’s will. But at the same time they were to remain attractive to satisfy men’s needs. The watch is viewed as the representation of how quickly women are to adapt to the changes. In a nutshell, Hoch concentrated on two opposite visions of the modern woman: the one from the television screens — smoking, working, wearing sexy clothes, voting and the real one who remained being a housewife. The beautiful girl’ is an example of the art within the DADA movement. An artistic and literal current began in 1916 as the reaction to World War I and spread throughout Northern America and Europe. Every single convention was challenged and bourgeois society was scandalized. The Dadaists stated that over-valuing conformity, classism and nationalism among modern cultures led to horrors of the World War I. In other words, they rejected logic and reason and turned to irrationality, chaos and nonsense. The first DADA international Fair was organized in Berlin in 1920 exposing a shocking discontentment with military and German nationalism (Dada. A five minute history). Hannah Hoch was introduced to the world of DADA by Raoul Hausman who together with Kurt Schwitters, Piet Mondrian and Hans Richter was one of the influential artists in the movement. Hoch became the only German woman who referred to DADA. She managed to follow the general Dadaist aesthetic, but at the same time she surely and steadily incorporated a feminist philosophy. Her aim was to submit female equality within the canvass of other DADA’s conceptions. Though Hannah Hoch officially was a member of the movement, she never became the true one, because men saw her only as ‘a charming and gifted amateur artist’ (Lavin). Hans Richter, an unofficial spokesperson shared his opinion about the only woman in their community in the following words: ‘the girl who produced sandwiches, beer and coffee on a limited budget’ forgetting that she was among the few members with stable income. In spite of the gender oppressions, Hannah’s desire to convey her idea was never weakened. Difficulties only strengthened her and made her an outstanding artist. A note with these return words was found among her possessions: ‘None of these men were satisfied with just an ordinary woman. But neither were they included to abandon the (conventional) male/masculine morality toward the woman. Enlightened by Freud, in protest against the older generation. . . they all desired this ‘New Woman’ and her groundbreaking will to freedom. But — they more or less brutally rejected the notion that they, too, had to adopt new attitudes. . . This led to these truly Strinbergian dramas that typified the private lives of these men’ (Maloney). Hoch’s technique was characterized by fusing male and female parts of the body or bodies of females from different epochs — a ‘traditional’ woman and ‘modern’, liberated and free of sexual stereotypes one. What’s more, combining male and female parts, the female ones were always more distinctive and vibrant, while the male ones took their place in the background. Hannah created unique works of art experimenting with paintings, collages, graphic and photography. Her women were made from bits and pieces from dolls, mannequins of brides or children as these members of the society were not considered as valuable. Today Hannah Hoch is most associated with her famous photomontage ‘Cut with the kitchen knife DADA through the last Weimer Beer-Belly Cultural epoch of Germany’ (1919–1920). This piece of art highlights social confusion during the era of Weimar Republic, oppositionists and government radicals (Grabner). In spite of never being truly accepted by the rest of her society, this woman with a quiet voice managed to speak out loud her feministic message. Looking at Hannah Hoch’s art for the first time I found it confusing, because couldn’t comprehend the meaning. It was quite obvious that every single piece and structure is a symbol of the era, its ideas and beliefs. However, after having learned about her life and constant endeavors to declare about female’s right, little by little I started to realize what’s what. As an object for research I chose ‘The beautiful girl’ as, to my mind, its theme and message intersects with the modern tendency: a successful, clever, beautiful and free woman has to become one in no time, cause the world is moving faster and faster. I enjoyed working with this artist as her example is inspiring and is worth following.
0 notes
methaviani · 3 years
Text
《緝魂》 「完整版」 [The Soul] (2020年電影) 小鴨~bluray
缉魂 完整版本 [ The Soul] 完整版觀看電影在線小鴨 (2020-HD)完整的電影 PLAY>>> http://ver.yess-movie.com/movie/tt13598976/the-soul.html
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著名集团董事长王世聪惨死家中,负责此案的检察官梁文超(张震 饰)与妻子刑警阿爆(张钧甯 饰)在调查中得知:死者的儿子王天佑(林晖闵 饰),年轻的新婚妻子李燕(孙安可 饰),多年合伙人万宇凡(李铭顺 饰),甚至死去的前妻唐素贞(张柏嘉 饰),每个人之间都有着错综复杂的关联。阿爆更是发现隐藏在案件背后的惊人秘密…… 发布日期: 2021–01–15 运行时间: 124 分钟 类型: 剧情, 惊悚, 悬疑 明星: Chang Chen, Janine Chang, Christopher Ming-Shun Lee, Anke Sun, Lu Hsueh-Feng 导演: Cheng Wei-Hao PLAY>>> http://ver.yess-movie.com/movie/tt13598976/the-soul.html
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TAGS: 缉魂 澳門上映 缉魂 2020上映 缉魂 HD線上看 缉魂 線上看小鴨 缉魂 电影完整版 缉魂 線上看下載 缉魂 2020 下載 缉魂 線上看完整版 缉魂 線上看完整版小鴨 缉魂 (2020)完整版本 缉魂 |1080P|完整版本 缉魂 线上看(2020)完整版 線上看(2020)完整版 缉魂 線上看電影(2020) 缉魂 2020年再次觀看電影 缉魂 線上看|2020上映|完整版小鴨|線上看小鴨| 缉魂 上看 缉魂 主題曲 缉魂 小鴨影音 缉魂 線上小鴨 缉魂 完整版本 缉魂 香港上映 缉魂 線上看小鴨影音 缉魂 2020 線上看 缉魂在线 缉魂 1080P 下載 缉魂 免費線上看電影 缉魂 电影在线2020年 缉魂 (2020)在线观看 缉魂 [2020]观看和下载 缉魂 [2020,HD]观看和下载 缉魂 singapora(2020) 完整版 缉魂 (The Soul) 2020上映 缉魂 (The Soul) HD線上看 缉魂 (The Soul) 線上看小鴨 缉魂 (The Soul) 电影完整版 缉魂 (The Soul) 線上看下載 缉魂 (The Soul) 2020 下載 缉魂 (The Soul) 線上看完整版小鴨 缉魂 (The Soul) (2020)完整版本 缉魂 (The Soul) |1080P|完整版本 缉魂 (The Soul) 线上看(2020)完整版 缉魂 (The Soul) 線上看(2020)完整版 缉魂 (The Soul)(2020) 缉魂 (The Soul)2020年再次觀看電影 缉魂 (The Soul) 線上看|2020上映|完整版小鴨|線上看小鴨| 缉魂 (The Soul) 澳門上映 缉魂 (The Soul) 2020上映 缉魂 (The Soul) HD線上看 缉魂 (The Soul) 線上看小鴨 缉魂 (The Soul) 电影完整版 缉魂 (The Soul) 線上看下載 缉魂 (The Soul) 2020 下載 缉魂 (The Soul)上看完整版 缉魂 (The Soul) 線上看完整版小鴨 缉魂 (The Soul) (2020)完整版本 缉魂 (The Soul) |1080P|完整版本 缉魂 (The Soul) 线上看(2020)完整版 缉魂 (The Soul) 線上看(2020)完整版 缉魂 (The Soul) 線上看電影(2020) 缉魂 (The Soul) 2020年再次觀看電影 缉魂 (The Soul) 線上看|2020上映|完整版小鴨|線上看小鴨| 缉魂 (The Soul) 上看 缉魂 (The Soul) 主題曲 缉魂 (The Soul) 小鴨影音 缉魂 (The Soul) 線上小鴨 缉魂 (The Soul) 完整版本 缉魂 (The Soul) 香港上映 缉魂 (The Soul) 線上看小鴨影音 缉魂 (The Soul) 2020 線上看 缉魂 (The Soul) 2020在线 缉魂 (The Soul) 1080P 下載 缉魂 (The Soul) 免費線上看電影 缉魂 (The Soul) 电影在线2020年 缉魂 (The Soul) (2020)在线观看 缉魂 (The Soul) [2020]观看和下载 缉魂 (The Soul) [2020,HD]观看和下载 缉魂 (The Soul) singapora(2020) 完整版 缉魂 (The Soul) 線上看| 2020最新電影| 小鴨影音| 缉魂 (The Soul) 免費下載 缉魂 (The Soul) 下載 百度 缉魂 (The Soul) 2020上看 缉魂 (The Soul) 免費線上看電影 缉魂 (The Soul) -完整版小鴨 HD 缉魂 (The Soul)上看(2020) 缉魂 (The Soul) 台灣上映 2020 缉魂 (The Soul) (2020) 線上看 缉魂 (The Soul)上(2020 HD) 缉魂 (The Soul) 2020 電影完整版 缉魂 (The Soul) 2020 線上 完整版 缉魂 (The Soul) -完整版 小鴨 2020 缉魂 (The Soul) 免費在線觀看(2020) 缉魂 (The Soul) [2020] 線上完整版 缉魂 (The Soul) 线上看(2020)完整版 缉魂 (The Soul)上 [2020] 完整版 缉魂 (The Soul) (2020)免費線上看電影 缉魂 (The Soul) 線上看線上(2020)完整版 缉魂 (The Soul) -HD 完整版 小鴨 [2020] 缉魂 (The Soul) 上看2020 HD.BD.1080p 缉魂 (The Soul) HD|1080p|4K| 香港流媒體 缉魂 (The Soul) 2020完整版 小鴨 (HD.BLURAY) In 1889, on November 1 in Gotha, Germany Anna Therese Johanne Hoch, who later would be known as Hannah Hoch was born. Being the eldest of five children, the girl was brought up in a comfortable and quiet environment of the small town. Her parents, a supervisor in an insurance company and an amateur painter sent her to Girl’s High school. However, at the age of 15 Hannah had to quit studying for the long six years to take care of her newborn sister. Only in 1912 she continued her education with Harold Bengen in School of Applied Arts, mastering glass design. As the World War I broke up Hannah returned to the native town to work in the Red Cross. The first years after war the young woman recommenced her studying, getting to know graphic arts. 1915 was highlighted by an acquaintance with an Austrian artist Raoul Hausmann, which grew into the long-lasting romantic relationship and involvement in Berlin Dada movement. For ten years till 1926 Hoch worked in Berlin’s major publisher of newspapers and magazines. Her task was to design embroidering, knitting and crocheting patterns for the booklets. Being on vacation with her beloved in 1918, Hannah discovered ‘the principle of photomontage in cut-and-paste images that soldiers sent to their families’ (National gallery of Art). This find affected greatly on her artistic production, and she created mass-media photographs comprising the elements of photomontage and handwork patterns, thus combining traditional and modern culture. Her prior preoccupation was to represent the ‘new woman’ of the Weimar Republic with new social role and given freedoms. Hoch was the only woman in Berlin Dada, who took part in all kinds of events and exhibitions showcasing her socially critical works of art. Till 1931 she participated in exhibitions but with the rise of National Social regime was forbidden to present her creative work. Till her last breath in 1978 Hannah Hoch lived and worked in the outskirts of Berlin-Heiligensee. The piece of art which is going to be analyzed in this research is ‘The beautiful girl’ designed in 1919–1920. It combines the elements of technology and females. In the middle of the picture one can clearly see a woman dressed in a modern bathing suit with a light bulb on her head which probably serves as a sun umbrella. In the background a large advertisement with a woman’s hair-do on top is presented. Maud Lavin describes strange human as ‘she is part human, part machine, part commodity’ (Lavin). The woman is surrounded by the images of industrialization as tires, gears, signals and BMW logos. A woman’s profile with the cat eyes, untrusting and skeptical, in the upper right corner is eye-catching as well. This unusually large eye symbolizes DADA movement — a monocle, which is present in almost every Hoch’s work. The colour scheme does not offer rich palette of tints, including mostly black, white, orange and red pieces. The photo is surrounded by the BMW circles which add the spots of blue. An apt description of the piece is given in the book ‘Cut with the Kitchen Knife’ and states that it is ‘a portrait of a modern woman defined by signs of femininity, technology, media and advertising’ (Lavin). In other words Hannah Hoch focused on the woman of the new age, free and keeping up with the fast-moving world. The artist promoted feministic ideas and from her point of view urbanization and modern technologies were meant to give hope to woman to gain equality of genders. With this photomontage she commented on how the woman was expected to combine the role of a wife and mother with the role of a worker in the industrialized world. The light bulb instead of a face shows that women were perceived as unthinking machines which do not question their position and can be turned on or off at any time at man’s will. But at the same time they were to remain attractive to satisfy men’s needs. The watch is viewed as the representation of how quickly women are to adapt to the changes. In a nutshell, Hoch concentrated on two opposite visions of the modern woman: the one from the television screens — smoking, working, wearing sexy clothes, voting and the real one who remained being a housewife. The beautiful girl’ is an example of the art within the DADA movement. An artistic and literal current began in 1916 as the reaction to World War I and spread throughout Northern America and Europe. Every single convention was challenged and bourgeois society was scandalized. The Dadaists stated that over-valuing conformity, classism and nationalism among modern cultures led to horrors of the World War I. In other words, they rejected logic and reason and turned to irrationality, chaos and nonsense. The first DADA international Fair was organized in Berlin in 1920 exposing a shocking discontentment with military and German nationalism (Dada. A five minute history). Hannah Hoch was introduced to the world of DADA by Raoul Hausman who together with Kurt Schwitters, Piet Mondrian and Hans Richter was one of the influential artists in the movement. Hoch became the only German woman who referred to DADA. She managed to follow the general Dadaist aesthetic, but at the same time she surely and steadily incorporated a feminist philosophy. Her aim was to submit female equality within the canvass of other DADA’s conceptions. Though Hannah Hoch officially was a member of the movement, she never became the true one, because men saw her only as ‘a charming and gifted amateur artist’ (Lavin). Hans Richter, an unofficial spokesperson shared his opinion about the only woman in their community in the following words: ‘the girl who produced sandwiches, beer and coffee on a limited budget’ forgetting that she was among the few members with stable income. In spite of the gender oppressions, Hannah’s desire to convey her idea was never weakened. Difficulties only strengthened her and made her an outstanding artist. A note with these return words was found among her possessions: ‘None of these men were satisfied with just an ordinary woman. But neither were they included to abandon the (conventional) male/masculine morality toward the woman. Enlightened by Freud, in protest against the older generation. . . they all desired this ‘New Woman’ and her groundbreaking will to freedom. But — they more or less brutally rejected the notion that they, too, had to adopt new attitudes. . . This led to these truly Strinbergian dramas that typified the private lives of these men’ (Maloney). Hoch’s technique was characterized by fusing male and female parts of the body or bodies of females from different epochs — a ‘traditional’ woman and ‘modern’, liberated and free of sexual stereotypes one. What’s more, combining male and female parts, the female ones were always more distinctive and vibrant, while the male ones took their place in the background. Hannah created unique works of art experimenting with paintings, collages, graphic and photography. Her women were made from bits and pieces from dolls, mannequins of brides or children as these members of the society were not considered as valuable. Today Hannah Hoch is most associated with her famous photomontage ‘Cut with the kitchen knife DADA through the last Weimer Beer-Belly Cultural epoch of Germany’ (1919–1920). This piece of art highlights social confusion during the era of Weimar Republic, oppositionists and government radicals (Grabner). In spite of never being truly accepted by the rest of her society, this woman with a quiet voice managed to speak out loud her feministic message. Looking at Hannah Hoch’s art for the first time I found it confusing, because couldn’t comprehend the meaning. It was quite obvious that every single piece and structure is a symbol of the era, its ideas and beliefs. However, after having learned about her life and constant endeavors to declare about female’s right, little by little I started to realize what’s what. As an object for research I chose ‘The beautiful girl’ as, to my mind, its theme and message intersects with the modern tendency: a successful, clever, beautiful and free woman has to become one in no time, cause the world is moving faster and faster. I enjoyed working with this artist as her example is inspiring and is worth following.
0 notes
izzanirmala · 3 years
Text
[HD] [緝魂▷線上看完整版(2020)[1080P]电影在线观看和下载\\
缉魂 完整版本 [ The Soul] 完整版觀看電影在線小鴨 (2020-HD)完整的電影 PLAY>>> http://ver.yess-movie.com/movie/tt13598976/the-soul.html
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著名集团董事长王世聪惨死家中,负责此案的检察官梁文超(张震 饰)与妻子刑警阿爆(张钧甯 饰)在调查中得知:死者的儿子王天佑(林晖闵 饰),年轻的新婚妻子李燕(孙安可 饰),多年合伙人万宇凡(李铭顺 饰),甚至死去的前妻唐素贞(张柏嘉 饰),每个人之间都有着错综复杂的关联。阿爆更是发现隐藏在案件背后的惊人秘密…… 发布日期: 2021–01–15 运行时间: 124 分钟 类型: 剧情, 惊悚, 悬疑 明星: Chang Chen, Janine Chang, Christopher Ming-Shun Lee, Anke Sun, Lu Hsueh-Feng 导演: Cheng Wei-Hao PLAY>>> http://ver.yess-movie.com/movie/tt13598976/the-soul.html
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TAGS: 缉魂 澳門上映 缉魂 2020上映 缉魂 HD線上看 缉魂 線上看小鴨 缉魂 电影完整版 缉魂 線上看下載 缉魂 2020 下載 缉魂 線上看完整版 缉魂 線上看完整版小鴨 缉魂 (2020)完整版本 缉魂 |1080P|完整版本 缉魂 线上看(2020)完整版 線上看(2020)完整版 缉魂 線上看電影(2020) 缉魂 2020年再次觀看電影 缉魂 線上看|2020上映|完整版小鴨|線上看小鴨| 缉魂 上看 缉魂 主題曲 缉魂 小鴨影音 缉魂 線上小鴨 缉魂 完整版本 缉魂 香港上映 缉魂 線上看小鴨影音 缉魂 2020 線上看 缉魂在线 缉魂 1080P 下載 缉魂 免費線上看電影 缉魂 电影在线2020年 缉魂 (2020)在线观看 缉魂 [2020]观看和下载 缉魂 [2020,HD]观看和下载 缉魂 singapora(2020) 完整版 缉魂 (The Soul) 2020上映 缉魂 (The Soul) HD線上看 缉魂 (The Soul) 線上看小鴨 缉魂 (The Soul) 电影完整版 缉魂 (The Soul) 線上看下載 缉魂 (The Soul) 2020 下載 缉魂 (The Soul) 線上看完整版小鴨 缉魂 (The Soul) (2020)完整版本 缉魂 (The Soul) |1080P|完整版本 缉魂 (The Soul) 线上看(2020)完整版 缉魂 (The Soul) 線上看(2020)完整版 缉魂 (The Soul)(2020) 缉魂 (The Soul)2020年再次觀看電影 缉魂 (The Soul) 線上看|2020上映|完整版小鴨|線上看小鴨| 缉魂 (The Soul) 澳門上映 缉魂 (The Soul) 2020上映 缉魂 (The Soul) HD線上看 缉魂 (The Soul) 線上看小鴨 缉魂 (The Soul) 电影完整版 缉魂 (The Soul) 線上看下載 缉魂 (The Soul) 2020 下載 缉魂 (The Soul)上看完整版 缉魂 (The Soul) 線上看完整版小鴨 缉魂 (The Soul) (2020)完整版本 缉魂 (The Soul) |1080P|完整版本 缉魂 (The Soul) 线上看(2020)完整版 缉魂 (The Soul) 線上看(2020)完整版 缉魂 (The Soul) 線上看電影(2020) 缉魂 (The Soul) 2020年再次觀看電影 缉魂 (The Soul) 線上看|2020上映|完整版小鴨|線上看小鴨| 缉魂 (The Soul) 上看 缉魂 (The Soul) 主題曲 缉魂 (The Soul) 小鴨影音 缉魂 (The Soul) 線上小鴨 缉魂 (The Soul) 完整版本 缉魂 (The Soul) 香港上映 缉魂 (The Soul) 線上看小鴨影音 缉魂 (The Soul) 2020 線上看 缉魂 (The Soul) 2020在线 缉魂 (The Soul) 1080P 下載 缉魂 (The Soul) 免費線上看電影 缉魂 (The Soul) 电影在线2020年 缉魂 (The Soul) (2020)在线观看 缉魂 (The Soul) [2020]观看和下载 缉魂 (The Soul) [2020,HD]观看和下载 缉魂 (The Soul) singapora(2020) 完整版 缉魂 (The Soul) 線上看| 2020最新電影| 小鴨影音| 缉魂 (The Soul) 免費下載 缉魂 (The Soul) 下載 百度 缉魂 (The Soul) 2020上看 缉魂 (The Soul) 免費線上看電影 缉魂 (The Soul) -完整版小鴨 HD 缉魂 (The Soul)上看(2020) 缉魂 (The Soul) 台灣上映 2020 缉魂 (The Soul) (2020) 線上看 缉魂 (The Soul)上(2020 HD) 缉魂 (The Soul) 2020 電影完整版 缉魂 (The Soul) 2020 線上 完整版 缉魂 (The Soul) -完整版 小鴨 2020 缉魂 (The Soul) 免費在線觀看(2020) 缉魂 (The Soul) [2020] 線上完整版 缉魂 (The Soul) 线上看(2020)完整版 缉魂 (The Soul)上 [2020] 完整版 缉魂 (The Soul) (2020)免費線上看電影 缉魂 (The Soul) 線上看線上(2020)完整版 缉魂 (The Soul) -HD 完整版 小鴨 [2020] 缉魂 (The Soul) 上看2020 HD.BD.1080p 缉魂 (The Soul) HD|1080p|4K| 香港流媒體 缉魂 (The Soul) 2020完整版 小鴨 (HD.BLURAY) In 1889, on November 1 in Gotha, Germany Anna Therese Johanne Hoch, who later would be known as Hannah Hoch was born. Being the eldest of five children, the girl was brought up in a comfortable and quiet environment of the small town. Her parents, a supervisor in an insurance company and an amateur painter sent her to Girl’s High school. However, at the age of 15 Hannah had to quit studying for the long six years to take care of her newborn sister. Only in 1912 she continued her education with Harold Bengen in School of Applied Arts, mastering glass design. As the World War I broke up Hannah returned to the native town to work in the Red Cross. The first years after war the young woman recommenced her studying, getting to know graphic arts. 1915 was highlighted by an acquaintance with an Austrian artist Raoul Hausmann, which grew into the long-lasting romantic relationship and involvement in Berlin Dada movement. For ten years till 1926 Hoch worked in Berlin’s major publisher of newspapers and magazines. Her task was to design embroidering, knitting and crocheting patterns for the booklets. Being on vacation with her beloved in 1918, Hannah discovered ‘the principle of photomontage in cut-and-paste images that soldiers sent to their families’ (National gallery of Art). This find affected greatly on her artistic production, and she created mass-media photographs comprising the elements of photomontage and handwork patterns, thus combining traditional and modern culture. Her prior preoccupation was to represent the ‘new woman’ of the Weimar Republic with new social role and given freedoms. Hoch was the only woman in Berlin Dada, who took part in all kinds of events and exhibitions showcasing her socially critical works of art. Till 1931 she participated in exhibitions but with the rise of National Social regime was forbidden to present her creative work. Till her last breath in 1978 Hannah Hoch lived and worked in the outskirts of Berlin-Heiligensee. The piece of art which is going to be analyzed in this research is ‘The beautiful girl’ designed in 1919–1920. It combines the elements of technology and females. In the middle of the picture one can clearly see a woman dressed in a modern bathing suit with a light bulb on her head which probably serves as a sun umbrella. In the background a large advertisement with a woman’s hair-do on top is presented. Maud Lavin describes strange human as ‘she is part human, part machine, part commodity’ (Lavin). The woman is surrounded by the images of industrialization as tires, gears, signals and BMW logos. A woman’s profile with the cat eyes, untrusting and skeptical, in the upper right corner is eye-catching as well. This unusually large eye symbolizes DADA movement — a monocle, which is present in almost every Hoch’s work. The colour scheme does not offer rich palette of tints, including mostly black, white, orange and red pieces. The photo is surrounded by the BMW circles which add the spots of blue. An apt description of the piece is given in the book ‘Cut with the Kitchen Knife’ and states that it is ‘a portrait of a modern woman defined by signs of femininity, technology, media and advertising’ (Lavin). In other words Hannah Hoch focused on the woman of the new age, free and keeping up with the fast-moving world. The artist promoted feministic ideas and from her point of view urbanization and modern technologies were meant to give hope to woman to gain equality of genders. With this photomontage she commented on how the woman was expected to combine the role of a wife and mother with the role of a worker in the industrialized world. The light bulb instead of a face shows that women were perceived as unthinking machines which do not question their position and can be turned on or off at any time at man’s will. But at the same time they were to remain attractive to satisfy men’s needs. The watch is viewed as the representation of how quickly women are to adapt to the changes. In a nutshell, Hoch concentrated on two opposite visions of the modern woman: the one from the television screens — smoking, working, wearing sexy clothes, voting and the real one who remained being a housewife. The beautiful girl’ is an example of the art within the DADA movement. An artistic and literal current began in 1916 as the reaction to World War I and spread throughout Northern America and Europe. Every single convention was challenged and bourgeois society was scandalized. The Dadaists stated that over-valuing conformity, classism and nationalism among modern cultures led to horrors of the World War I. In other words, they rejected logic and reason and turned to irrationality, chaos and nonsense. The first DADA international Fair was organized in Berlin in 1920 exposing a shocking discontentment with military and German nationalism (Dada. A five minute history). Hannah Hoch was introduced to the world of DADA by Raoul Hausman who together with Kurt Schwitters, Piet Mondrian and Hans Richter was one of the influential artists in the movement. Hoch became the only German woman who referred to DADA. She managed to follow the general Dadaist aesthetic, but at the same time she surely and steadily incorporated a feminist philosophy. Her aim was to submit female equality within the canvass of other DADA’s conceptions. Though Hannah Hoch officially was a member of the movement, she never became the true one, because men saw her only as ‘a charming and gifted amateur artist’ (Lavin). Hans Richter, an unofficial spokesperson shared his opinion about the only woman in their community in the following words: ‘the girl who produced sandwiches, beer and coffee on a limited budget’ forgetting that she was among the few members with stable income. In spite of the gender oppressions, Hannah’s desire to convey her idea was never weakened. Difficulties only strengthened her and made her an outstanding artist. A note with these return words was found among her possessions: ‘None of these men were satisfied with just an ordinary woman. But neither were they included to abandon the (conventional) male/masculine morality toward the woman. Enlightened by Freud, in protest against the older generation. . . they all desired this ‘New Woman’ and her groundbreaking will to freedom. But — they more or less brutally rejected the notion that they, too, had to adopt new attitudes. . . This led to these truly Strinbergian dramas that typified the private lives of these men’ (Maloney). Hoch’s technique was characterized by fusing male and female parts of the body or bodies of females from different epochs — a ‘traditional’ woman and ‘modern’, liberated and free of sexual stereotypes one. What’s more, combining male and female parts, the female ones were always more distinctive and vibrant, while the male ones took their place in the background. Hannah created unique works of art experimenting with paintings, collages, graphic and photography. Her women were made from bits and pieces from dolls, mannequins of brides or children as these members of the society were not considered as valuable. Today Hannah Hoch is most associated with her famous photomontage ‘Cut with the kitchen knife DADA through the last Weimer Beer-Belly Cultural epoch of Germany’ (1919–1920). This piece of art highlights social confusion during the era of Weimar Republic, oppositionists and government radicals (Grabner). In spite of never being truly accepted by the rest of her society, this woman with a quiet voice managed to speak out loud her feministic message. Looking at Hannah Hoch’s art for the first time I found it confusing, because couldn’t comprehend the meaning. It was quite obvious that every single piece and structure is a symbol of the era, its ideas and beliefs. However, after having learned about her life and constant endeavors to declare about female’s right, little by little I started to realize what’s what. As an object for research I chose ‘The beautiful girl’ as, to my mind, its theme and message intersects with the modern tendency: a successful, clever, beautiful and free woman has to become one in no time, cause the world is moving faster and faster. I enjoyed working with this artist as her example is inspiring and is worth following.
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zanetamala · 3 years
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緝魂  The Soul 电影完整版 2020 HD 下载
缉魂 完整版本 [ The Soul] 完整版觀看電影在線小鴨 (2020-HD)完整的電影 PLAY>>> http://ver.yess-movie.com/movie/tt13598976/the-soul.html
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著名集团董事长王世聪惨死家中,负责此案的检察官梁文超(张震 饰)与妻子刑警阿爆(张钧甯 饰)在调查中得知:死者的儿子王天佑(林晖闵 饰),年轻的新婚妻子李燕(孙安可 饰),多年合伙人万宇凡(李铭顺 饰),甚至死去的前妻唐素贞(张柏嘉 饰),每个人之间都有着错综复杂的关联。阿爆更是发现隐藏在案件背后的惊人秘密…… 发布日期: 2021–01–15 运行时间: 124 分钟 类型: 剧情, 惊悚, 悬疑 明星: Chang Chen, Janine Chang, Christopher Ming-Shun Lee, Anke Sun, Lu Hsueh-Feng 导演: Cheng Wei-Hao PLAY>>> http://ver.yess-movie.com/movie/tt13598976/the-soul.html
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TAGS: 缉魂 澳門上映 缉魂 2020上映 缉魂 HD線上看 缉魂 線上看小鴨 缉魂 电影完整版 缉魂 線上看下載 缉魂 2020 下載 缉魂 線上看完整版 缉魂 線上看完整版小鴨 缉魂 (2020)完整版本 缉魂 |1080P|完整版本 缉魂 线上看(2020)完整版 線上看(2020)完整版 缉魂 線上看電影(2020) 缉魂 2020年再次觀看電影 缉魂 線上看|2020上映|完整版小鴨|線上看小鴨| 缉魂 上看 缉魂 主題曲 缉魂 小鴨影音 缉魂 線上小鴨 缉魂 完整版本 缉魂 香港上映 缉魂 線上看小鴨影音 缉魂 2020 線��看 缉魂在线 缉魂 1080P 下載 缉魂 免費線上看電影 缉魂 电影在线2020年 缉魂 (2020)在线观看 缉魂 [2020]观看和下载 缉魂 [2020,HD]观看和下载 缉魂 singapora(2020) 完整版 缉魂 (The Soul) 2020上映 缉魂 (The Soul) HD線上看 缉魂 (The Soul) 線上看小鴨 缉魂 (The Soul) 电影完整版 缉魂 (The Soul) 線上看下載 缉魂 (The Soul) 2020 下載 缉魂 (The Soul) 線上看完整版小鴨 缉魂 (The Soul) (2020)完整版本 缉魂 (The Soul) |1080P|完整版本 缉魂 (The Soul) 线上看(2020)完整版 缉魂 (The Soul) 線上看(2020)完整版 缉魂 (The Soul)(2020) 缉魂 (The Soul)2020年再次觀看電影 缉魂 (The Soul) 線上看|2020上映|完整版小鴨|線上看小鴨| 缉魂 (The Soul) 澳門上映 缉魂 (The Soul) 2020上映 缉魂 (The Soul) HD線上看 缉魂 (The Soul) 線上看小鴨 缉魂 (The Soul) 电影完整版 缉魂 (The Soul) 線上看下載 缉魂 (The Soul) 2020 下載 缉魂 (The Soul)上看完整版 缉魂 (The Soul) 線上看完整版小鴨 缉魂 (The Soul) (2020)完整版本 缉魂 (The Soul) |1080P|完整版本 缉魂 (The Soul) 线上看(2020)完整版 缉魂 (The Soul) 線上看(2020)完整版 缉魂 (The Soul) 線上看電影(2020) 缉魂 (The Soul) 2020年再次觀看電影 缉魂 (The Soul) 線上看|2020上映|完整版小鴨|線上看小鴨| 缉魂 (The Soul) 上看 缉魂 (The Soul) 主題曲 缉魂 (The Soul) 小鴨影音 缉魂 (The Soul) 線上小鴨 缉魂 (The Soul) 完整版本 缉魂 (The Soul) 香港上映 缉魂 (The Soul) 線上看小鴨影音 缉魂 (The Soul) 2020 線上看 缉魂 (The Soul) 2020在线 缉魂 (The Soul) 1080P 下載 缉魂 (The Soul) 免費線上看電影 缉魂 (The Soul) 电影在线2020年 缉魂 (The Soul) (2020)在线观看 缉魂 (The Soul) [2020]观看和下载 缉魂 (The Soul) [2020,HD]观看和下载 缉魂 (The Soul) singapora(2020) 完整版 缉魂 (The Soul) 線上看| 2020最新電影| 小鴨影音| 缉魂 (The Soul) 免費下載 缉魂 (The Soul) 下載 百度 缉魂 (The Soul) 2020上看 缉魂 (The Soul) 免費線上看電影 缉魂 (The Soul) -完整版小鴨 HD 缉魂 (The Soul)上看(2020) 缉魂 (The Soul) 台灣上映 2020 缉魂 (The Soul) (2020) 線上看 缉魂 (The Soul)上(2020 HD) 缉魂 (The Soul) 2020 電影完整版 缉魂 (The Soul) 2020 線上 完整版 缉魂 (The Soul) -完整版 小鴨 2020 缉魂 (The Soul) 免費在線觀看(2020) 缉魂 (The Soul) [2020] 線上完整版 缉魂 (The Soul) 线上看(2020)完整版 缉魂 (The Soul)上 [2020] 完整版 缉魂 (The Soul) (2020)免費線上看電影 缉魂 (The Soul) 線上看線上(2020)完整版 缉魂 (The Soul) -HD 完整版 小鴨 [2020] 缉魂 (The Soul) 上看2020 HD.BD.1080p 缉魂 (The Soul) HD|1080p|4K| 香港流媒體 缉魂 (The Soul) 2020完整版 小鴨 (HD.BLURAY) In 1889, on November 1 in Gotha, Germany Anna Therese Johanne Hoch, who later would be known as Hannah Hoch was born. Being the eldest of five children, the girl was brought up in a comfortable and quiet environment of the small town. Her parents, a supervisor in an insurance company and an amateur painter sent her to Girl’s High school. However, at the age of 15 Hannah had to quit studying for the long six years to take care of her newborn sister. Only in 1912 she continued her education with Harold Bengen in School of Applied Arts, mastering glass design. As the World War I broke up Hannah returned to the native town to work in the Red Cross. The first years after war the young woman recommenced her studying, getting to know graphic arts. 1915 was highlighted by an acquaintance with an Austrian artist Raoul Hausmann, which grew into the long-lasting romantic relationship and involvement in Berlin Dada movement. For ten years till 1926 Hoch worked in Berlin’s major publisher of newspapers and magazines. Her task was to design embroidering, knitting and crocheting patterns for the booklets. Being on vacation with her beloved in 1918, Hannah discovered ‘the principle of photomontage in cut-and-paste images that soldiers sent to their families’ (National gallery of Art). This find affected greatly on her artistic production, and she created mass-media photographs comprising the elements of photomontage and handwork patterns, thus combining traditional and modern culture. Her prior preoccupation was to represent the ‘new woman’ of the Weimar Republic with new social role and given freedoms. Hoch was the only woman in Berlin Dada, who took part in all kinds of events and exhibitions showcasing her socially critical works of art. Till 1931 she participated in exhibitions but with the rise of National Social regime was forbidden to present her creative work. Till her last breath in 1978 Hannah Hoch lived and worked in the outskirts of Berlin-Heiligensee. The piece of art which is going to be analyzed in this research is ‘The beautiful girl’ designed in 1919–1920. It combines the elements of technology and females. In the middle of the picture one can clearly see a woman dressed in a modern bathing suit with a light bulb on her head which probably serves as a sun umbrella. In the background a large advertisement with a woman’s hair-do on top is presented. Maud Lavin describes strange human as ‘she is part human, part machine, part commodity’ (Lavin). The woman is surrounded by the images of industrialization as tires, gears, signals and BMW logos. A woman’s profile with the cat eyes, untrusting and skeptical, in the upper right corner is eye-catching as well. This unusually large eye symbolizes DADA movement — a monocle, which is present in almost every Hoch’s work. The colour scheme does not offer rich palette of tints, including mostly black, white, orange and red pieces. The photo is surrounded by the BMW circles which add the spots of blue. An apt description of the piece is given in the book ‘Cut with the Kitchen Knife’ and states that it is ‘a portrait of a modern woman defined by signs of femininity, technology, media and advertising’ (Lavin). In other words Hannah Hoch focused on the woman of the new age, free and keeping up with the fast-moving world. The artist promoted feministic ideas and from her point of view urbanization and modern technologies were meant to give hope to woman to gain equality of genders. With this photomontage she commented on how the woman was expected to combine the role of a wife and mother with the role of a worker in the industrialized world. The light bulb instead of a face shows that women were perceived as unthinking machines which do not question their position and can be turned on or off at any time at man’s will. But at the same time they were to remain attractive to satisfy men’s needs. The watch is viewed as the representation of how quickly women are to adapt to the changes. In a nutshell, Hoch concentrated on two opposite visions of the modern woman: the one from the television screens — smoking, working, wearing sexy clothes, voting and the real one who remained being a housewife. The beautiful girl’ is an example of the art within the DADA movement. An artistic and literal current began in 1916 as the reaction to World War I and spread throughout Northern America and Europe. Every single convention was challenged and bourgeois society was scandalized. The Dadaists stated that over-valuing conformity, classism and nationalism among modern cultures led to horrors of the World War I. In other words, they rejected logic and reason and turned to irrationality, chaos and nonsense. The first DADA international Fair was organized in Berlin in 1920 exposing a shocking discontentment with military and German nationalism (Dada. A five minute history). Hannah Hoch was introduced to the world of DADA by Raoul Hausman who together with Kurt Schwitters, Piet Mondrian and Hans Richter was one of the influential artists in the movement. Hoch became the only German woman who referred to DADA. She managed to follow the general Dadaist aesthetic, but at the same time she surely and steadily incorporated a feminist philosophy. Her aim was to submit female equality within the canvass of other DADA’s conceptions. Though Hannah Hoch officially was a member of the movement, she never became the true one, because men saw her only as ‘a charming and gifted amateur artist’ (Lavin). Hans Richter, an unofficial spokesperson shared his opinion about the only woman in their community in the following words: ‘the girl who produced sandwiches, beer and coffee on a limited budget’ forgetting that she was among the few members with stable income. In spite of the gender oppressions, Hannah’s desire to convey her idea was never weakened. Difficulties only strengthened her and made her an outstanding artist. A note with these return words was found among her possessions: ‘None of these men were satisfied with just an ordinary woman. But neither were they included to abandon the (conventional) male/masculine morality toward the woman. Enlightened by Freud, in protest against the older generation. . . they all desired this ‘New Woman’ and her groundbreaking will to freedom. But — they more or less brutally rejected the notion that they, too, had to adopt new attitudes. . . This led to these truly Strinbergian dramas that typified the private lives of these men’ (Maloney). Hoch’s technique was characterized by fusing male and female parts of the body or bodies of females from different epochs — a ‘traditional’ woman and ‘modern’, liberated and free of sexual stereotypes one. What’s more, combining male and female parts, the female ones were always more distinctive and vibrant, while the male ones took their place in the background. Hannah created unique works of art experimenting with paintings, collages, graphic and photography. Her women were made from bits and pieces from dolls, mannequins of brides or children as these members of the society were not considered as valuable. Today Hannah Hoch is most associated with her famous photomontage ‘Cut with the kitchen knife DADA through the last Weimer Beer-Belly Cultural epoch of Germany’ (1919–1920). This piece of art highlights social confusion during the era of Weimar Republic, oppositionists and government radicals (Grabner). In spite of never being truly accepted by the rest of her society, this woman with a quiet voice managed to speak out loud her feministic message. Looking at Hannah Hoch’s art for the first time I found it confusing, because couldn’t comprehend the meaning. It was quite obvious that every single piece and structure is a symbol of the era, its ideas and beliefs. However, after having learned about her life and constant endeavors to declare about female’s right, little by little I started to realize what’s what. As an object for research I chose ‘The beautiful girl’ as, to my mind, its theme and message intersects with the modern tendency: a successful, clever, beautiful and free woman has to become one in no time, cause the world is moving faster and faster. I enjoyed working with this artist as her example is inspiring and is worth following.
0 notes
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緝魂 線上看小鴨完整版 The Soul 2020 完整版 HD
緝魂》在线观看和下载完整版-高清电影 緝魂完整版 (2020年电影) ╾在线观看和下载完整电影 在线搜索緝魂完整版(2020)| 在线下载緝魂完整版 | 緝魂完整版 | 緝魂全电影 | 緝魂全高清在线 | 緝魂全片 | 緝魂电影完整 | 緝魂免费观看 | 緝魂免费下载 | 緝魂高清1080p / 720p | 緝魂BT.709 | 緝魂HDTV 1080i | 緝魂BluRay | 緝魂BD | 緝魂4K |
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在线播放 ▶ https://t.co/PiDl9bGfNq?the-soul 在线播放 ▶ http://big.pelismov.xyz/zh/movie/773569/the-soul
导演: 程伟豪
编剧: 程伟豪 / 金百伦 / 陈彦齐
主演: 张震 / 张钧甯 / 孙安可 / 李铭顺 / 张柏嘉 / 更多...
类型: 科幻 / 悬疑 / 惊悚 / 犯罪
制片国家/地区: 中国大陆 / 中国台湾
语言: 汉语普通话
上映日期: 2021-01-15(中国大陆) / 2021-01-29(中国台湾) / 2021-01-08(大规模点映)
片长: 124分钟
又名: The Soul
IMDb链接: tt13598976
缉魂的剧情简介 · · · · · ·
  著名集团董事长王世聪惨死家中,负责此案的检察官梁文超(张震 饰)与妻子刑警阿爆(张钧甯 饰)在调查中得知:死者的儿子王天佑(林晖闵 饰),年轻的新婚妻子李燕(孙安可 饰),多年合伙人万宇凡(李铭顺 饰),甚至死去的前妻唐素贞(张柏嘉 饰),每个人之间都有着错综复杂的关联 。阿爆更是发现隐藏在案件背后的惊人秘密……   电影根据江波小说《移魂有术》改编。
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❍❍❍ Definition and definition of film / film ❍❍❍
在電影中扮演角色的玩家被稱為演員(男人)或女演員(女人)。另外還有術語“額外”一詞,用作電影中角色很少的次要角色。這與主要角色不同,後者的作用越來越大。作為演員,必須要有與他擔任主角的電影主題相對應的演藝才能。在某些場景中,演員的角色可以由特技演員或特技演員代替。替身演員的存在對於替換扮演通常在動作片中常見的困難和極端場景的演員很重要。
電影也可以用來傳遞電影製片人的某些信息。一些行業還使用電影來傳達和代表其符號和文化。電影製作也是電影中形象化的表達,思想,觀念,概念,感覺和情緒的一種形式。電影本身主要是虛構的,儘管有些是根據真實故事或真實故事改編的。
也有帶有原始和真實圖像或傳記電影的紀錄片,講述一個人物的故事。還有許多其他受歡迎的類型電影,包括動作片,恐怖片,喜劇片,浪漫片,奇幻片,驚悚片,戲劇片,科幻片,犯罪片,紀錄片等。
這是一些信息關於電影或電影的定義。該信息已從各種來源和參考文獻中引用。希望它會有用。
❍❍❍ TV FILM ❍❍❍
他的第一部電視節目是實驗性的,零星的節目,從1930年代起,只能在離桅杆很近的距離處觀看。電視節目,例如1936年德國夏季奧運會,喬治六世國王加冕。在19340年的英國,以及1939年在美國紐約世界博覽會上著名的大衛·薩諾夫(David Sarnoff)的發射,這種媒介不斷發展,但第二次世界大戰使戰後的發展停滯不前。 19440年的世界電影啟發了許多美國人,他們購買了第一台電視。1948年,廣受歡迎的德士古星劇院廣播電台成為第一個每週舉行的電視綜藝節目,該節目主持了米爾頓·伯雷(Milton Berle),並獲得“電視先生”的稱號,證明了這種媒體是穩定的,可以吸引廣告商的現代娛樂形式。 1951年9月4日,美國首次全國直播電視轉播,當時哈里·杜魯門(Harry Truman)總統在舊金山日本和約會議上就AT&T的跨大陸電纜和微波中繼系統發表演講時,已向當地市場的廣播公司播出。是。
1954年1月1日,在美國舉行了第一次全國性的彩色表演(1954年的玫瑰遊行錦標賽)。在接下來的十年中,大多數網絡廣播和幾乎所有本地廣播都繼續以黑白廣播。宣佈於1965年秋季進行顏色轉換,其中超過一半的網絡黃金時段節目都以彩色廣播。一年之後,第一個全彩高峰季節來了。在19402年,白天網絡節目的最後一次支持被轉換為第一個全彩網絡季節。
❍❍❍ formats and genres ❍❍❍
另請參閱:流派列表§電影和電視格式和流派
由於可以呈現的格式和類型多樣,電視節目比大多數其他媒體更加多樣化。表演可以是虛構的(如喜劇和戲劇)或非虛構的(如紀錄片,新聞和真人秀)。它可以是最新的(如本地新聞節目和一些電視電影)或歷史的(如許多紀錄片和虛構電影)。它們可以是教育性的,也可以是娛樂性的,就像情節喜劇和遊戲節目一樣。 [需要引文]
戲劇節目通常由一系列在歷史或現代背景下扮演角色的演員組成。該計劃遵循他們的生活和冒險。在1980年代之前,演出(肥皂劇系列除外)總體上保持靜止,沒有故事情節,主要人物和前提幾乎沒有變化。 [需要引證]如果劇集中人物的生活發生了一些變化,那麼通常最後將其反轉。因此,可以以任何順序廣播情節。 [需要引用]自1980年代以來,許多FILMS的情節,性格或兩者都有逐漸的變化。例如,希爾街布魯斯(Hill Street Blues)和聖艾爾瑟弗(St. Elsewhere)是美國第一部具有這種戲劇性結構的黃金時段戲劇電視電影[4] [需要更好的消息來源],而後來的MOVIE Babylon 5進一步說明了這種結構具有有關計劃的五個賽季的預定故事。 [需要引文]
據報導,到2020年,電視在大型媒體公司的收入中所佔比例要大於電影。一些人還注意到某些電視節目的質量有所提高。 2020年,獲得奧斯卡獎的電影導演史蒂芬·索德伯格(Steven Soderbergh)宣布了角色和敘事的模棱兩可和復雜性:“我認為現在電視上已經可以看到這些特質,而那些想看這種特質的人正在看電視。
❍❍❍ Thanks for everything and have fun watching❍❍❍
在這裡,您可以找到所有可以在線播放的電影,包括本週上映的電影。如果您想在此網站上看到什麼,應該知道它涵蓋的類型包括犯罪,科學,電影,電影,愛情,驚悚,喜劇,戲劇和動漫電影。
非常感謝。我們會通知所有樂於接收有關今年電影節目以及如何觀看您喜歡的電影的新聞或信息的人。希望我們能成為您尋找最喜歡的電影的推薦的最佳合作夥伴。都是我們的問候!
感謝您觀看今天的視頻。
希望您喜歡我分享的視頻。如果您喜歡我們分享的內容,請豎起大拇指,表示喜歡或分享,讓我們更加興奮。
散發出幸福的微笑,讓世界以多種色彩回歸。 ”
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missagarela · 3 years
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[HD]緝魂 線上看” THE SOUL “
缉魂 完整版本 [ The Soul] 完整版觀看電影在線小鴨 (2020-HD)完整的電影 PLAY>>> http://ver.yess-movie.com/movie/tt13598976/the-soul.html
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著名集团董事长王世聪惨死家中,负责此案的检察官梁文超(张震 饰)与妻子刑警阿爆(张钧甯 饰)在调查中得知:死者的儿子王天佑(林晖�� 饰),年轻的新婚妻子李燕(孙安可 饰),多年合伙人万宇凡(李铭顺 饰),甚至死去的前妻唐素贞(张柏嘉 饰),每个人之间都有着错综复杂的关联。阿爆更是发现隐藏在案件背后的惊人秘密…… 发布日期: 2021–01–15 运行时间: 124 分钟 类型: 剧情, 惊悚, 悬疑 明星: Chang Chen, Janine Chang, Christopher Ming-Shun Lee, Anke Sun, Lu Hsueh-Feng 导演: Cheng Wei-Hao PLAY>>> http://ver.yess-movie.com/movie/tt13598976/the-soul.html
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TAGS: 缉魂 澳門上映 缉魂 2020上映 缉魂 HD線上看 缉魂 線上看小鴨 缉魂 电影完整版 缉魂 線上看下載 缉魂 2020 下載 缉魂 線上看完整版 缉魂 線上看完整版小鴨 缉魂 (2020)完整版本 缉魂 |1080P|完整版本 缉魂 线上看(2020)完整版 線上看(2020)完整版 缉魂 線上看電影(2020) 缉魂 2020年再次觀看電影 缉魂 線上看|2020上映|完整版小鴨|線上看小鴨| 缉魂 上看 缉魂 主題曲 缉魂 小鴨影音 缉魂 線上小鴨 缉魂 完整版本 缉魂 香港上映 缉魂 線上看小鴨影音 缉魂 2020 線上看 缉魂在线 缉魂 1080P 下載 缉魂 免費線上看電影 缉魂 电影在线2020年 缉魂 (2020)在线观看 缉魂 [2020]观看和下载 缉魂 [2020,HD]观看和下载 缉魂 singapora(2020) 完整版 缉魂 (The Soul) 2020上映 缉魂 (The Soul) HD線上看 缉魂 (The Soul) 線上看小鴨 缉魂 (The Soul) 电影完整版 缉魂 (The Soul) 線上看下載 缉魂 (The Soul) 2020 下載 缉魂 (The Soul) 線上看完整版小鴨 缉魂 (The Soul) (2020)完整版本 缉魂 (The Soul) |1080P|完整版本 缉魂 (The Soul) 线上看(2020)完整版 缉魂 (The Soul) 線上看(2020)完整版 缉魂 (The Soul)(2020) 缉魂 (The Soul)2020年再次觀看電影 缉魂 (The Soul) 線上看|2020上映|完整版小鴨|線上看小鴨| 缉魂 (The Soul) 澳門上映 缉魂 (The Soul) 2020上映 缉魂 (The Soul) HD線上看 缉魂 (The Soul) 線上看小鴨 缉魂 (The Soul) 电影完整版 缉魂 (The Soul) 線上看下載 缉魂 (The Soul) 2020 下載 缉魂 (The Soul)上看完整版 缉魂 (The Soul) 線上看完整版小鴨 缉魂 (The Soul) (2020)完整版本 缉魂 (The Soul) |1080P|完整版本 缉魂 (The Soul) 线上看(2020)完整版 缉魂 (The Soul) 線上看(2020)完整版 缉魂 (The Soul) 線上看電影(2020) 缉魂 (The Soul) 2020年再次觀看電影 缉魂 (The Soul) 線上看|2020上映|完整版小鴨|線上看小鴨| 缉魂 (The Soul) 上看 缉魂 (The Soul) 主題曲 缉魂 (The Soul) 小鴨影音 缉魂 (The Soul) 線上小鴨 缉魂 (The Soul) 完整版本 缉魂 (The Soul) 香港上映 缉魂 (The Soul) 線上看小鴨影音 缉魂 (The Soul) 2020 線上看 缉魂 (The Soul) 2020在线 缉魂 (The Soul) 1080P 下載 缉魂 (The Soul) 免費線上看電影 缉魂 (The Soul) 电影在线2020年 缉魂 (The Soul) (2020)在线观看 缉魂 (The Soul) [2020]观看和下载 缉魂 (The Soul) [2020,HD]观看和下载 缉魂 (The Soul) singapora(2020) 完整版 缉魂 (The Soul) 線上看| 2020最新電影| 小鴨影音| 缉魂 (The Soul) 免費下載 缉魂 (The Soul) 下載 百度 缉魂 (The Soul) 2020上看 缉魂 (The Soul) 免費線上看電影 缉魂 (The Soul) -完整版小鴨 HD 缉魂 (The Soul)上看(2020) 缉魂 (The Soul) 台灣上映 2020 缉魂 (The Soul) (2020) 線上看 缉魂 (The Soul)上(2020 HD) 缉魂 (The Soul) 2020 電影完整版 缉魂 (The Soul) 2020 線上 完整版 缉魂 (The Soul) -完整版 小鴨 2020 缉魂 (The Soul) 免費在線觀看(2020) 缉魂 (The Soul) [2020] 線上完整版 缉魂 (The Soul) 线上看(2020)完整版 缉魂 (The Soul)上 [2020] 完整版 缉魂 (The Soul) (2020)免費線上看電影 缉魂 (The Soul) 線上看線上(2020)完整版 缉魂 (The Soul) -HD 完整版 小鴨 [2020] 缉魂 (The Soul) 上看2020 HD.BD.1080p 缉魂 (The Soul) HD|1080p|4K| 香港流媒體 缉魂 (The Soul) 2020完整版 小鴨 (HD.BLURAY) In 1889, on November 1 in Gotha, Germany Anna Therese Johanne Hoch, who later would be known as Hannah Hoch was born. Being the eldest of five children, the girl was brought up in a comfortable and quiet environment of the small town. Her parents, a supervisor in an insurance company and an amateur painter sent her to Girl’s High school. However, at the age of 15 Hannah had to quit studying for the long six years to take care of her newborn sister. Only in 1912 she continued her education with Harold Bengen in School of Applied Arts, mastering glass design. As the World War I broke up Hannah returned to the native town to work in the Red Cross. The first years after war the young woman recommenced her studying, getting to know graphic arts. 1915 was highlighted by an acquaintance with an Austrian artist Raoul Hausmann, which grew into the long-lasting romantic relationship and involvement in Berlin Dada movement. For ten years till 1926 Hoch worked in Berlin’s major publisher of newspapers and magazines. Her task was to design embroidering, knitting and crocheting patterns for the booklets. Being on vacation with her beloved in 1918, Hannah discovered ‘the principle of photomontage in cut-and-paste images that soldiers sent to their families’ (National gallery of Art). This find affected greatly on her artistic production, and she created mass-media photographs comprising the elements of photomontage and handwork patterns, thus combining traditional and modern culture. Her prior preoccupation was to represent the ‘new woman’ of the Weimar Republic with new social role and given freedoms. Hoch was the only woman in Berlin Dada, who took part in all kinds of events and exhibitions showcasing her socially critical works of art. Till 1931 she participated in exhibitions but with the rise of National Social regime was forbidden to present her creative work. Till her last breath in 1978 Hannah Hoch lived and worked in the outskirts of Berlin-Heiligensee. The piece of art which is going to be analyzed in this research is ‘The beautiful girl’ designed in 1919–1920. It combines the elements of technology and females. In the middle of the picture one can clearly see a woman dressed in a modern bathing suit with a light bulb on her head which probably serves as a sun umbrella. In the background a large advertisement with a woman’s hair-do on top is presented. Maud Lavin describes strange human as ‘she is part human, part machine, part commodity’ (Lavin). The woman is surrounded by the images of industrialization as tires, gears, signals and BMW logos. A woman’s profile with the cat eyes, untrusting and skeptical, in the upper right corner is eye-catching as well. This unusually large eye symbolizes DADA movement — a monocle, which is present in almost every Hoch’s work. The colour scheme does not offer rich palette of tints, including mostly black, white, orange and red pieces. The photo is surrounded by the BMW circles which add the spots of blue. An apt description of the piece is given in the book ‘Cut with the Kitchen Knife’ and states that it is ‘a portrait of a modern woman defined by signs of femininity, technology, media and advertising’ (Lavin). In other words Hannah Hoch focused on the woman of the new age, free and keeping up with the fast-moving world. The artist promoted feministic ideas and from her point of view urbanization and modern technologies were meant to give hope to woman to gain equality of genders. With this photomontage she commented on how the woman was expected to combine the role of a wife and mother with the role of a worker in the industrialized world. The light bulb instead of a face shows that women were perceived as unthinking machines which do not question their position and can be turned on or off at any time at man’s will. But at the same time they were to remain attractive to satisfy men’s needs. The watch is viewed as the representation of how quickly women are to adapt to the changes. In a nutshell, Hoch concentrated on two opposite visions of the modern woman: the one from the television screens — smoking, working, wearing sexy clothes, voting and the real one who remained being a housewife. The beautiful girl’ is an example of the art within the DADA movement. An artistic and literal current began in 1916 as the reaction to World War I and spread throughout Northern America and Europe. Every single convention was challenged and bourgeois society was scandalized. The Dadaists stated that over-valuing conformity, classism and nationalism among modern cultures led to horrors of the World War I. In other words, they rejected logic and reason and turned to irrationality, chaos and nonsense. The first DADA international Fair was organized in Berlin in 1920 exposing a shocking discontentment with military and German nationalism (Dada. A five minute history). Hannah Hoch was introduced to the world of DADA by Raoul Hausman who together with Kurt Schwitters, Piet Mondrian and Hans Richter was one of the influential artists in the movement. Hoch became the only German woman who referred to DADA. She managed to follow the general Dadaist aesthetic, but at the same time she surely and steadily incorporated a feminist philosophy. Her aim was to submit female equality within the canvass of other DADA’s conceptions. Though Hannah Hoch officially was a member of the movement, she never became the true one, because men saw her only as ‘a charming and gifted amateur artist’ (Lavin). Hans Richter, an unofficial spokesperson shared his opinion about the only woman in their community in the following words: ‘the girl who produced sandwiches, beer and coffee on a limited budget’ forgetting that she was among the few members with stable income. In spite of the gender oppressions, Hannah’s desire to convey her idea was never weakened. Difficulties only strengthened her and made her an outstanding artist. A note with these return words was found among her possessions: ‘None of these men were satisfied with just an ordinary woman. But neither were they included to abandon the (conventional) male/masculine morality toward the woman. Enlightened by Freud, in protest against the older generation. . . they all desired this ‘New Woman’ and her groundbreaking will to freedom. But — they more or less brutally rejected the notion that they, too, had to adopt new attitudes. . . This led to these truly Strinbergian dramas that typified the private lives of these men’ (Maloney). Hoch’s technique was characterized by fusing male and female parts of the body or bodies of females from different epochs — a ‘traditional’ woman and ‘modern’, liberated and free of sexual stereotypes one. What’s more, combining male and female parts, the female ones were always more distinctive and vibrant, while the male ones took their place in the background. Hannah created unique works of art experimenting with paintings, collages, graphic and photography. Her women were made from bits and pieces from dolls, mannequins of brides or children as these members of the society were not considered as valuable. Today Hannah Hoch is most associated with her famous photomontage ‘Cut with the kitchen knife DADA through the last Weimer Beer-Belly Cultural epoch of Germany’ (1919–1920). This piece of art highlights social confusion during the era of Weimar Republic, oppositionists and government radicals (Grabner). In spite of never being truly accepted by the rest of her society, this woman with a quiet voice managed to speak out loud her feministic message. Looking at Hannah Hoch’s art for the first time I found it confusing, because couldn’t comprehend the meaning. It was quite obvious that every single piece and structure is a symbol of the era, its ideas and beliefs. However, after having learned about her life and constant endeavors to declare about female’s right, little by little I started to realize what’s what. As an object for research I chose ‘The beautiful girl’ as, to my mind, its theme and message intersects with the modern tendency: a successful, clever, beautiful and free woman has to become one in no time, cause the world is moving faster and faster. I enjoyed working with this artist as her example is inspiring and is worth following.
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yiviagunari · 3 years
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[下载] 緝魂【2020】 完整版
缉魂 完整版本 [ The Soul] 完整版觀看電影在線小鴨 (2020-HD)完整的電��� PLAY>>> http://ver.yess-movie.com/movie/tt13598976/the-soul.html
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著名集团董事长王世聪惨死家中,负责此案的检察官梁文超(张震 饰)与妻子刑警阿爆(张钧甯 饰)在调查中得知:死者的儿子王天佑(林晖闵 饰),年轻的新婚妻子李燕(孙安可 饰),多年合伙人万宇凡(李铭顺 饰),甚至死去的前妻唐素贞(张柏嘉 饰),每个人之间都有着错综复杂的关联。阿爆更是发现隐藏在案件背后的惊人秘密…… 发布日期: 2021–01–15 运行时间: 124 分钟 类型: 剧情, 惊悚, 悬疑 明星: Chang Chen, Janine Chang, Christopher Ming-Shun Lee, Anke Sun, Lu Hsueh-Feng 导演: Cheng Wei-Hao PLAY>>> http://ver.yess-movie.com/movie/tt13598976/the-soul.html
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TAGS: 缉魂 澳門上映 缉魂 2020上映 缉魂 HD線上看 缉魂 線上看小鴨 缉魂 电影完整版 缉魂 線上看下載 缉魂 2020 下載 缉魂 線上看完整版 缉魂 線上看完整版小鴨 缉魂 (2020)完整版本 缉魂 |1080P|完整版本 缉魂 线上看(2020)完整版 線上看(2020)完整版 缉魂 線上看電影(2020) 缉魂 2020年再次觀看電影 缉魂 線上看|2020上映|完整版小鴨|線上看小鴨| 缉魂 上看 缉魂 主題曲 缉魂 小鴨影音 缉魂 線上小鴨 缉魂 完整版本 缉魂 香港上映 缉魂 線上看小鴨影音 缉魂 2020 線上看 缉魂在线 缉魂 1080P 下載 缉魂 免費線上看電影 缉魂 电影在线2020年 缉魂 (2020)在线观看 缉魂 [2020]观看和下载 缉魂 [2020,HD]观看和下载 缉魂 singapora(2020) 完整版 缉魂 (The Soul) 2020上映 缉魂 (The Soul) HD線上看 缉魂 (The Soul) 線上看小鴨 缉魂 (The Soul) 电影完整版 缉魂 (The Soul) 線上看下載 缉魂 (The Soul) 2020 下載 缉魂 (The Soul) 線上看完整版小鴨 缉魂 (The Soul) (2020)完整版本 缉魂 (The Soul) |1080P|完整版本 缉魂 (The Soul) 线上看(2020)完整版 缉魂 (The Soul) 線上看(2020)完整版 缉魂 (The Soul)(2020) 缉魂 (The Soul)2020年再次觀看電影 缉魂 (The Soul) 線上看|2020上映|完整版小鴨|線上看小鴨| 缉魂 (The Soul) 澳門上映 缉魂 (The Soul) 2020上映 缉魂 (The Soul) HD線上看 缉魂 (The Soul) 線上看小鴨 缉魂 (The Soul) 电影完整版 缉魂 (The Soul) 線上看下載 缉魂 (The Soul) 2020 下載 缉魂 (The Soul)上看完整版 缉魂 (The Soul) 線上看完整版小鴨 缉魂 (The Soul) (2020)完整版本 缉魂 (The Soul) |1080P|完整版本 缉魂 (The Soul) 线上看(2020)完整版 缉魂 (The Soul) 線上看(2020)完整版 缉魂 (The Soul) 線上看電影(2020) 缉魂 (The Soul) 2020年再次觀看電影 缉魂 (The Soul) 線上看|2020上映|完整版小鴨|線上看小鴨| 缉魂 (The Soul) 上看 缉魂 (The Soul) 主題曲 缉魂 (The Soul) 小鴨影音 缉魂 (The Soul) 線上小鴨 缉魂 (The Soul) 完整版本 缉魂 (The Soul) 香港上映 缉魂 (The Soul) 線上看小鴨影音 缉魂 (The Soul) 2020 線上看 缉魂 (The Soul) 2020在线 缉魂 (The Soul) 1080P 下載 缉魂 (The Soul) 免費線上看電影 缉魂 (The Soul) 电影在线2020年 缉魂 (The Soul) (2020)在线观看 缉魂 (The Soul) [2020]观看和下载 缉魂 (The Soul) [2020,HD]观看和下载 缉魂 (The Soul) singapora(2020) 完整版 缉魂 (The Soul) 線上看| 2020最新電影| 小鴨影音| 缉魂 (The Soul) 免費下載 缉魂 (The Soul) 下載 百度 缉魂 (The Soul) 2020上看 缉魂 (The Soul) 免費線上看電影 缉魂 (The Soul) -完整版小鴨 HD 缉魂 (The Soul)上看(2020) 缉魂 (The Soul) 台灣上映 2020 缉魂 (The Soul) (2020) 線上看 缉魂 (The Soul)上(2020 HD) 缉魂 (The Soul) 2020 電影完整版 缉魂 (The Soul) 2020 線上 完整版 缉魂 (The Soul) -完整版 小鴨 2020 缉魂 (The Soul) 免費在線觀看(2020) 缉魂 (The Soul) [2020] 線上完整版 缉魂 (The Soul) 线上看(2020)完整版 缉魂 (The Soul)上 [2020] 完整版 缉魂 (The Soul) (2020)免費線上看電影 缉魂 (The Soul) 線上看線上(2020)完整版 缉魂 (The Soul) -HD 完整版 小鴨 [2020] 缉魂 (The Soul) 上看2020 HD.BD.1080p 缉魂 (The Soul) HD|1080p|4K| 香港流媒體 缉魂 (The Soul) 2020完整版 小鴨 (HD.BLURAY) In 1889, on November 1 in Gotha, Germany Anna Therese Johanne Hoch, who later would be known as Hannah Hoch was born. Being the eldest of five children, the girl was brought up in a comfortable and quiet environment of the small town. Her parents, a supervisor in an insurance company and an amateur painter sent her to Girl’s High school. However, at the age of 15 Hannah had to quit studying for the long six years to take care of her newborn sister. Only in 1912 she continued her education with Harold Bengen in School of Applied Arts, mastering glass design. As the World War I broke up Hannah returned to the native town to work in the Red Cross. The first years after war the young woman recommenced her studying, getting to know graphic arts. 1915 was highlighted by an acquaintance with an Austrian artist Raoul Hausmann, which grew into the long-lasting romantic relationship and involvement in Berlin Dada movement. For ten years till 1926 Hoch worked in Berlin’s major publisher of newspapers and magazines. Her task was to design embroidering, knitting and crocheting patterns for the booklets. Being on vacation with her beloved in 1918, Hannah discovered ‘the principle of photomontage in cut-and-paste images that soldiers sent to their families’ (National gallery of Art). This find affected greatly on her artistic production, and she created mass-media photographs comprising the elements of photomontage and handwork patterns, thus combining traditional and modern culture. Her prior preoccupation was to represent the ‘new woman’ of the Weimar Republic with new social role and given freedoms. Hoch was the only woman in Berlin Dada, who took part in all kinds of events and exhibitions showcasing her socially critical works of art. Till 1931 she participated in exhibitions but with the rise of National Social regime was forbidden to present her creative work. Till her last breath in 1978 Hannah Hoch lived and worked in the outskirts of Berlin-Heiligensee. The piece of art which is going to be analyzed in this research is ‘The beautiful girl’ designed in 1919–1920. It combines the elements of technology and females. In the middle of the picture one can clearly see a woman dressed in a modern bathing suit with a light bulb on her head which probably serves as a sun umbrella. In the background a large advertisement with a woman’s hair-do on top is presented. Maud Lavin describes strange human as ‘she is part human, part machine, part commodity’ (Lavin). The woman is surrounded by the images of industrialization as tires, gears, signals and BMW logos. A woman’s profile with the cat eyes, untrusting and skeptical, in the upper right corner is eye-catching as well. This unusually large eye symbolizes DADA movement — a monocle, which is present in almost every Hoch’s work. The colour scheme does not offer rich palette of tints, including mostly black, white, orange and red pieces. The photo is surrounded by the BMW circles which add the spots of blue. An apt description of the piece is given in the book ‘Cut with the Kitchen Knife’ and states that it is ‘a portrait of a modern woman defined by signs of femininity, technology, media and advertising’ (Lavin). In other words Hannah Hoch focused on the woman of the new age, free and keeping up with the fast-moving world. The artist promoted feministic ideas and from her point of view urbanization and modern technologies were meant to give hope to woman to gain equality of genders. With this photomontage she commented on how the woman was expected to combine the role of a wife and mother with the role of a worker in the industrialized world. The light bulb instead of a face shows that women were perceived as unthinking machines which do not question their position and can be turned on or off at any time at man’s will. But at the same time they were to remain attractive to satisfy men’s needs. The watch is viewed as the representation of how quickly women are to adapt to the changes. In a nutshell, Hoch concentrated on two opposite visions of the modern woman: the one from the television screens — smoking, working, wearing sexy clothes, voting and the real one who remained being a housewife. The beautiful girl’ is an example of the art within the DADA movement. An artistic and literal current began in 1916 as the reaction to World War I and spread throughout Northern America and Europe. Every single convention was challenged and bourgeois society was scandalized. The Dadaists stated that over-valuing conformity, classism and nationalism among modern cultures led to horrors of the World War I. In other words, they rejected logic and reason and turned to irrationality, chaos and nonsense. The first DADA international Fair was organized in Berlin in 1920 exposing a shocking discontentment with military and German nationalism (Dada. A five minute history). Hannah Hoch was introduced to the world of DADA by Raoul Hausman who together with Kurt Schwitters, Piet Mondrian and Hans Richter was one of the influential artists in the movement. Hoch became the only German woman who referred to DADA. She managed to follow the general Dadaist aesthetic, but at the same time she surely and steadily incorporated a feminist philosophy. Her aim was to submit female equality within the canvass of other DADA’s conceptions. Though Hannah Hoch officially was a member of the movement, she never became the true one, because men saw her only as ‘a charming and gifted amateur artist’ (Lavin). Hans Richter, an unofficial spokesperson shared his opinion about the only woman in their community in the following words: ‘the girl who produced sandwiches, beer and coffee on a limited budget’ forgetting that she was among the few members with stable income. In spite of the gender oppressions, Hannah’s desire to convey her idea was never weakened. Difficulties only strengthened her and made her an outstanding artist. A note with these return words was found among her possessions: ‘None of these men were satisfied with just an ordinary woman. But neither were they included to abandon the (conventional) male/masculine morality toward the woman. Enlightened by Freud, in protest against the older generation. . . they all desired this ‘New Woman’ and her groundbreaking will to freedom. But — they more or less brutally rejected the notion that they, too, had to adopt new attitudes. . . This led to these truly Strinbergian dramas that typified the private lives of these men’ (Maloney). Hoch’s technique was characterized by fusing male and female parts of the body or bodies of females from different epochs — a ‘traditional’ woman and ‘modern’, liberated and free of sexual stereotypes one. What’s more, combining male and female parts, the female ones were always more distinctive and vibrant, while the male ones took their place in the background. Hannah created unique works of art experimenting with paintings, collages, graphic and photography. Her women were made from bits and pieces from dolls, mannequins of brides or children as these members of the society were not considered as valuable. Today Hannah Hoch is most associated with her famous photomontage ‘Cut with the kitchen knife DADA through the last Weimer Beer-Belly Cultural epoch of Germany’ (1919–1920). This piece of art highlights social confusion during the era of Weimar Republic, oppositionists and government radicals (Grabner). In spite of never being truly accepted by the rest of her society, this woman with a quiet voice managed to speak out loud her feministic message. Looking at Hannah Hoch’s art for the first time I found it confusing, because couldn’t comprehend the meaning. It was quite obvious that every single piece and structure is a symbol of the era, its ideas and beliefs. However, after having learned about her life and constant endeavors to declare about female’s right, little by little I started to realize what’s what. As an object for research I chose ‘The beautiful girl’ as, to my mind, its theme and message intersects with the modern tendency: a successful, clever, beautiful and free woman has to become one in no time, cause the world is moving faster and faster. I enjoyed working with this artist as her example is inspiring and is worth following.
0 notes
izzanirmala · 3 years
Text
緝魂(2020-HD)緝魂~完整版本完整版觀看電影在線小鴨 完整的電影 [4K]
缉魂 完整版本 [ The Soul] 完整版觀看電影在線小鴨 (2020-HD)完整的電影 PLAY>>> http://ver.yess-movie.com/movie/tt13598976/the-soul.html
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著名集团董事长王世聪惨死家中,负责此案的检察官梁文超(张震 饰)与妻子刑警阿爆(张钧甯 饰)在调查中得知:死者的儿子王天佑(林晖闵 饰),年轻的新婚妻子李燕(孙安可 饰),多年合伙人万宇凡(李铭顺 饰),甚至死去的前妻唐素贞(张柏嘉 饰),每个人之间都有着错综复杂的关联。阿爆更是发现隐藏在案件背后的惊人秘密…… 发布日期: 2021–01–15 运行时间: 124 分钟 类型: 剧情, 惊悚, 悬疑 明星: Chang Chen, Janine Chang, Christopher Ming-Shun Lee, Anke Sun, Lu Hsueh-Feng 导演: Cheng Wei-Hao PLAY>>> http://ver.yess-movie.com/movie/tt13598976/the-soul.html
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TAGS: 缉魂 澳門上映 缉魂 2020上映 缉魂 HD線上看 缉魂 線上看小鴨 缉魂 电影完整版 缉魂 線上看下載 缉魂 2020 下載 缉魂 線上看完整版 缉魂 線上看完整版小鴨 缉魂 (2020)完整版本 缉魂 |1080P|完整版本 缉魂 线上看(2020)完整版 線上看(2020)完整版 缉魂 線上看電影(2020) 缉魂 2020年再次觀看電影 缉魂 線上看|2020上映|完整版小鴨|線上看小鴨| 缉魂 上看 缉魂 主題曲 缉魂 小鴨影音 缉魂 線上小鴨 缉魂 完整版本 缉魂 香港上映 缉魂 線上看小鴨影音 缉魂 2020 線上看 缉魂在线 缉魂 1080P 下載 缉魂 免費線上看電影 缉魂 电影在线2020年 缉魂 (2020)在线观看 缉魂 [2020]观看和下载 缉魂 [2020,HD]观看和下载 缉魂 singapora(2020) 完整版 缉魂 (The Soul) 2020上映 缉魂 (The Soul) HD線上看 缉魂 (The Soul) 線上看小鴨 缉魂 (The Soul) 电影完整版 缉魂 (The Soul) 線上看下載 缉魂 (The Soul) 2020 下載 缉魂 (The Soul) 線上看完整版小鴨 缉魂 (The Soul) (2020)完整版本 缉魂 (The Soul) |1080P|完整版本 缉魂 (The Soul) 线上看(2020)完整版 缉魂 (The Soul) 線上看(2020)完整版 缉魂 (The Soul)(2020) 缉魂 (The Soul)2020年再次觀看電影 缉魂 (The Soul) 線上看|2020上映|完整版小鴨|線上看小鴨| 缉魂 (The Soul) 澳門上映 缉魂 (The Soul) 2020上映 缉魂 (The Soul) HD線上看 缉魂 (The Soul) 線上看小鴨 缉魂 (The Soul) 电影完整版 缉魂 (The Soul) 線上看下載 缉魂 (The Soul) 2020 下載 缉魂 (The Soul)上看完整版 缉魂 (The Soul) 線上看完整版小鴨 缉魂 (The Soul) (2020)完整版本 缉魂 (The Soul) |1080P|完整版本 缉魂 (The Soul) 线上看(2020)完整版 缉魂 (The Soul) 線上看(2020)完整版 缉魂 (The Soul) 線上看電影(2020) 缉魂 (The Soul) 2020年再次觀看電影 缉魂 (The Soul) 線上看|2020上映|完整版小鴨|線上看小鴨| 缉魂 (The Soul) 上看 缉魂 (The Soul) 主題曲 缉魂 (The Soul) 小鴨影音 缉魂 (The Soul) 線上小鴨 缉魂 (The Soul) 完整版本 缉魂 (The Soul) 香港上映 缉魂 (The Soul) 線上看小鴨影音 缉魂 (The Soul) 2020 線上看 缉魂 (The Soul) 2020在线 缉魂 (The Soul) 1080P 下載 缉魂 (The Soul) 免費線上看電影 缉魂 (The Soul) 电影在线2020年 缉魂 (The Soul) (2020)在线观看 缉魂 (The Soul) [2020]观看和下载 缉魂 (The Soul) [2020,HD]观看和下载 缉魂 (The Soul) singapora(2020) 完整版 缉魂 (The Soul) 線上看| 2020最新電影| 小鴨影音| 缉魂 (The Soul) 免費下載 缉魂 (The Soul) 下載 百度 缉魂 (The Soul) 2020上看 缉魂 (The Soul) 免費線上看電影 缉魂 (The Soul) -完整版小鴨 HD 缉魂 (The Soul)上看(2020) 缉魂 (The Soul) 台灣上映 2020 缉魂 (The Soul) (2020) 線上看 缉魂 (The Soul)上(2020 HD) 缉魂 (The Soul) 2020 電影完整版 缉魂 (The Soul) 2020 線上 完整版 缉魂 (The Soul) -完整版 小鴨 2020 缉魂 (The Soul) 免費在線觀看(2020) 缉魂 (The Soul) [2020] 線上完整版 缉魂 (The Soul) 线上看(2020)完整版 缉魂 (The Soul)上 [2020] 完整版 缉魂 (The Soul) (2020)免費線上看電影 缉魂 (The Soul) 線上看線上(2020)完整版 缉魂 (The Soul) -HD 完整版 小鴨 [2020] 缉魂 (The Soul) 上看2020 HD.BD.1080p 缉魂 (The Soul) HD|1080p|4K| 香港流媒體 缉魂 (The Soul) 2020完整版 小鴨 (HD.BLURAY) In 1889, on November 1 in Gotha, Germany Anna Therese Johanne Hoch, who later would be known as Hannah Hoch was born. Being the eldest of five children, the girl was brought up in a comfortable and quiet environment of the small town. Her parents, a supervisor in an insurance company and an amateur painter sent her to Girl’s High school. However, at the age of 15 Hannah had to quit studying for the long six years to take care of her newborn sister. Only in 1912 she continued her education with Harold Bengen in School of Applied Arts, mastering glass design. As the World War I broke up Hannah returned to the native town to work in the Red Cross. The first years after war the young woman recommenced her studying, getting to know graphic arts. 1915 was highlighted by an acquaintance with an Austrian artist Raoul Hausmann, which grew into the long-lasting romantic relationship and involvement in Berlin Dada movement. For ten years till 1926 Hoch worked in Berlin’s major publisher of newspapers and magazines. Her task was to design embroidering, knitting and crocheting patterns for the booklets. Being on vacation with her beloved in 1918, Hannah discovered ‘the principle of photomontage in cut-and-paste images that soldiers sent to their families’ (National gallery of Art). This find affected greatly on her artistic production, and she created mass-media photographs comprising the elements of photomontage and handwork patterns, thus combining traditional and modern culture. Her prior preoccupation was to represent the ‘new woman’ of the Weimar Republic with new social role and given freedoms. Hoch was the only woman in Berlin Dada, who took part in all kinds of events and exhibitions showcasing her socially critical works of art. Till 1931 she participated in exhibitions but with the rise of National Social regime was forbidden to present her creative work. Till her last breath in 1978 Hannah Hoch lived and worked in the outskirts of Berlin-Heiligensee. The piece of art which is going to be analyzed in this research is ‘The beautiful girl’ designed in 1919–1920. It combines the elements of technology and females. In the middle of the picture one can clearly see a woman dressed in a modern bathing suit with a light bulb on her head which probably serves as a sun umbrella. In the background a large advertisement with a woman’s hair-do on top is presented. Maud Lavin describes strange human as ‘she is part human, part machine, part commodity’ (Lavin). The woman is surrounded by the images of industrialization as tires, gears, signals and BMW logos. A woman’s profile with the cat eyes, untrusting and skeptical, in the upper right corner is eye-catching as well. This unusually large eye symbolizes DADA movement — a monocle, which is present in almost every Hoch’s work. The colour scheme does not offer rich palette of tints, including mostly black, white, orange and red pieces. The photo is surrounded by the BMW circles which add the spots of blue. An apt description of the piece is given in the book ‘Cut with the Kitchen Knife’ and states that it is ‘a portrait of a modern woman defined by signs of femininity, technology, media and advertising’ (Lavin). In other words Hannah Hoch focused on the woman of the new age, free and keeping up with the fast-moving world. The artist promoted feministic ideas and from her point of view urbanization and modern technologies were meant to give hope to woman to gain equality of genders. With this photomontage she commented on how the woman was expected to combine the role of a wife and mother with the role of a worker in the industrialized world. The light bulb instead of a face shows that women were perceived as unthinking machines which do not question their position and can be turned on or off at any time at man’s will. But at the same time they were to remain attractive to satisfy men’s needs. The watch is viewed as the representation of how quickly women are to adapt to the changes. In a nutshell, Hoch concentrated on two opposite visions of the modern woman: the one from the television screens — smoking, working, wearing sexy clothes, voting and the real one who remained being a housewife. The beautiful girl’ is an example of the art within the DADA movement. An artistic and literal current began in 1916 as the reaction to World War I and spread throughout Northern America and Europe. Every single convention was challenged and bourgeois society was scandalized. The Dadaists stated that over-valuing conformity, classism and nationalism among modern cultures led to horrors of the World War I. In other words, they rejected logic and reason and turned to irrationality, chaos and nonsense. The first DADA international Fair was organized in Berlin in 1920 exposing a shocking discontentment with military and German nationalism (Dada. A five minute history). Hannah Hoch was introduced to the world of DADA by Raoul Hausman who together with Kurt Schwitters, Piet Mondrian and Hans Richter was one of the influential artists in the movement. Hoch became the only German woman who referred to DADA. She managed to follow the general Dadaist aesthetic, but at the same time she surely and steadily incorporated a feminist philosophy. Her aim was to submit female equality within the canvass of other DADA’s conceptions. Though Hannah Hoch officially was a member of the movement, she never became the true one, because men saw her only as ‘a charming and gifted amateur artist’ (Lavin). Hans Richter, an unofficial spokesperson shared his opinion about the only woman in their community in the following words: ‘the girl who produced sandwiches, beer and coffee on a limited budget’ forgetting that she was among the few members with stable income. In spite of the gender oppressions, Hannah’s desire to convey her idea was never weakened. Difficulties only strengthened her and made her an outstanding artist. A note with these return words was found among her possessions: ‘None of these men were satisfied with just an ordinary woman. But neither were they included to abandon the (conventional) male/masculine morality toward the woman. Enlightened by Freud, in protest against the older generation. . . they all desired this ‘New Woman’ and her groundbreaking will to freedom. But — they more or less brutally rejected the notion that they, too, had to adopt new attitudes. . . This led to these truly Strinbergian dramas that typified the private lives of these men’ (Maloney). Hoch’s technique was characterized by fusing male and female parts of the body or bodies of females from different epochs — a ‘traditional’ woman and ‘modern’, liberated and free of sexual stereotypes one. What’s more, combining male and female parts, the female ones were always more distinctive and vibrant, while the male ones took their place in the background. Hannah created unique works of art experimenting with paintings, collages, graphic and photography. Her women were made from bits and pieces from dolls, mannequins of brides or children as these members of the society were not considered as valuable. Today Hannah Hoch is most associated with her famous photomontage ‘Cut with the kitchen knife DADA through the last Weimer Beer-Belly Cultural epoch of Germany’ (1919–1920). This piece of art highlights social confusion during the era of Weimar Republic, oppositionists and government radicals (Grabner). In spite of never being truly accepted by the rest of her society, this woman with a quiet voice managed to speak out loud her feministic message. Looking at Hannah Hoch’s art for the first time I found it confusing, because couldn’t comprehend the meaning. It was quite obvious that every single piece and structure is a symbol of the era, its ideas and beliefs. However, after having learned about her life and constant endeavors to declare about female’s right, little by little I started to realize what’s what. As an object for research I chose ‘The beautiful girl’ as, to my mind, its theme and message intersects with the modern tendency: a successful, clever, beautiful and free woman has to become one in no time, cause the world is moving faster and faster. I enjoyed working with this artist as her example is inspiring and is worth following.
0 notes
zanetamala · 3 years
Text
[2021]緝魂  The Soul 线上看
缉魂 完整版本 [ The Soul] 完整版觀看電影在線小鴨 (2020-HD)完整的電影 PLAY>>> http://ver.yess-movie.com/movie/tt13598976/the-soul.html
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著名集团董事长王世聪惨死家中,负责此案的检察官梁文超(张震 饰)与妻子刑警阿爆(张钧甯 饰)在调查中得知:死者的儿子王天佑(林晖闵 饰),年轻的新婚妻子李燕(孙安可 饰),多年合伙人万宇凡(李铭顺 饰),甚至死去的前妻唐素贞(张柏嘉 饰),每个人之间都有着错综复杂的关联。阿爆更是发现隐藏在案件背后的惊人秘密…… 发布日期: 2021–01–15 运行时间: 124 分钟 类型: 剧情, 惊悚, 悬疑 明星: Chang Chen, Janine Chang, Christopher Ming-Shun Lee, Anke Sun, Lu Hsueh-Feng 导演: Cheng Wei-Hao PLAY>>> http://ver.yess-movie.com/movie/tt13598976/the-soul.html
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TAGS: 缉魂 澳門上映 缉魂 2020上映 缉魂 HD線上看 缉魂 線上看小鴨 缉魂 电影完整版 缉魂 線上看下載 缉魂 2020 下載 缉魂 線上看完整版 缉魂 線上看完整版小鴨 缉魂 (2020)完整版本 缉魂 |1080P|完整版本 缉魂 线上看(2020)完整版 線上看(2020)完整版 缉魂 線上看電影(2020) 缉魂 2020年再次觀看電影 缉魂 線上看|2020上映|完整版小鴨|線上看小鴨| 缉魂 上看 缉魂 主題曲 缉魂 小鴨影音 缉魂 線上小鴨 缉魂 完整版本 缉魂 香港上映 缉魂 線上看小鴨影音 缉魂 2020 線上看 缉魂在线 缉魂 1080P 下載 缉魂 免費線上看電影 缉魂 电影在线2020年 缉魂 (2020)在线观看 缉魂 [2020]观看和下载 缉魂 [2020,HD]观看和下载 缉魂 singapora(2020) 完整版 缉魂 (The Soul) 2020上映 缉魂 (The Soul) HD線上看 缉魂 (The Soul) 線上看小鴨 缉魂 (The Soul) 电影完整版 缉魂 (The Soul) 線上看下載 缉魂 (The Soul) 2020 下載 缉魂 (The Soul) 線上看完整版小鴨 缉魂 (The Soul) (2020)完整版本 缉魂 (The Soul) |1080P|完整版本 缉魂 (The Soul) 线上看(2020)完整版 缉魂 (The Soul) 線上看(2020)完整版 缉魂 (The Soul)(2020) 缉魂 (The Soul)2020年再次觀看電影 缉魂 (The Soul) 線上看|2020上映|完整版小鴨|線上看小鴨| 缉魂 (The Soul) 澳門上映 缉魂 (The Soul) 2020上映 缉魂 (The Soul) HD線上看 缉魂 (The Soul) 線上看小鴨 缉魂 (The Soul) 电影完整版 缉魂 (The Soul) 線上看下載 缉魂 (The Soul) 2020 下載 缉魂 (The Soul)上看完整版 缉魂 (The Soul) 線上看完整版小鴨 缉魂 (The Soul) (2020)完整版本 缉魂 (The Soul) |1080P|完整版本 缉魂 (The Soul) 线上看(2020)完整版 缉魂 (The Soul) 線上看(2020)完整版 缉魂 (The Soul) 線上看電影(2020) 缉魂 (The Soul) 2020年再次觀看電影 缉魂 (The Soul) 線上看|2020上映|完整版小鴨|線上看小鴨| 缉魂 (The Soul) 上看 缉魂 (The Soul) 主題曲 缉魂 (The Soul) 小鴨影音 缉魂 (The Soul) 線上小鴨 缉魂 (The Soul) 完整版本 缉魂 (The Soul) 香港上映 缉魂 (The Soul) 線上看小鴨影音 缉魂 (The Soul) 2020 線上看 缉魂 (The Soul) 2020在线 缉魂 (The Soul) 1080P 下載 缉魂 (The Soul) 免費線上看電影 缉魂 (The Soul) 电影在线2020年 缉魂 (The Soul) (2020)在线观看 缉魂 (The Soul) [2020]观看和下载 缉魂 (The Soul) [2020,HD]观看和下载 缉魂 (The Soul) singapora(2020) 完整版 缉魂 (The Soul) 線上看| 2020最新電影| 小鴨影音| 缉魂 (The Soul) 免費下載 缉魂 (The Soul) 下載 百度 缉魂 (The Soul) 2020上看 缉魂 (The Soul) 免費線上看電影 缉魂 (The Soul) -完整版小鴨 HD 缉魂 (The Soul)上看(2020) 缉魂 (The Soul) 台灣上映 2020 缉魂 (The Soul) (2020) 線上看 缉魂 (The Soul)上(2020 HD) 缉魂 (The Soul) 2020 電影完整版 缉魂 (The Soul) 2020 線上 完整版 缉魂 (The Soul) -完整版 小鴨 2020 缉魂 (The Soul) 免費在線觀看(2020) 缉魂 (The Soul) [2020] 線上完整版 缉魂 (The Soul) 线上看(2020)完整版 缉魂 (The Soul)上 [2020] 完整版 缉魂 (The Soul) (2020)免費線上看電影 缉魂 (The Soul) 線上看線上(2020)完整版 缉魂 (The Soul) -HD 完整版 小鴨 [2020] 缉魂 (The Soul) 上看2020 HD.BD.1080p 缉魂 (The Soul) HD|1080p|4K| 香港流媒體 缉魂 (The Soul) 2020完整版 小鴨 (HD.BLURAY) In 1889, on November 1 in Gotha, Germany Anna Therese Johanne Hoch, who later would be known as Hannah Hoch was born. Being the eldest of five children, the girl was brought up in a comfortable and quiet environment of the small town. Her parents, a supervisor in an insurance company and an amateur painter sent her to Girl’s High school. However, at the age of 15 Hannah had to quit studying for the long six years to take care of her newborn sister. Only in 1912 she continued her education with Harold Bengen in School of Applied Arts, mastering glass design. As the World War I broke up Hannah returned to the native town to work in the Red Cross. The first years after war the young woman recommenced her studying, getting to know graphic arts. 1915 was highlighted by an acquaintance with an Austrian artist Raoul Hausmann, which grew into the long-lasting romantic relationship and involvement in Berlin Dada movement. For ten years till 1926 Hoch worked in Berlin’s major publisher of newspapers and magazines. Her task was to design embroidering, knitting and crocheting patterns for the booklets. Being on vacation with her beloved in 1918, Hannah discovered ‘the principle of photomontage in cut-and-paste images that soldiers sent to their families’ (National gallery of Art). This find affected greatly on her artistic production, and she created mass-media photographs comprising the elements of photomontage and handwork patterns, thus combining traditional and modern culture. Her prior preoccupation was to represent the ‘new woman’ of the Weimar Republic with new social role and given freedoms. Hoch was the only woman in Berlin Dada, who took part in all kinds of events and exhibitions showcasing her socially critical works of art. Till 1931 she participated in exhibitions but with the rise of National Social regime was forbidden to present her creative work. Till her last breath in 1978 Hannah Hoch lived and worked in the outskirts of Berlin-Heiligensee. The piece of art which is going to be analyzed in this research is ‘The beautiful girl’ designed in 1919–1920. It combines the elements of technology and females. In the middle of the picture one can clearly see a woman dressed in a modern bathing suit with a light bulb on her head which probably serves as a sun umbrella. In the background a large advertisement with a woman’s hair-do on top is presented. Maud Lavin describes strange human as ‘she is part human, part machine, part commodity’ (Lavin). The woman is surrounded by the images of industrialization as tires, gears, signals and BMW logos. A woman’s profile with the cat eyes, untrusting and skeptical, in the upper right corner is eye-catching as well. This unusually large eye symbolizes DADA movement — a monocle, which is present in almost every Hoch’s work. The colour scheme does not offer rich palette of tints, including mostly black, white, orange and red pieces. The photo is surrounded by the BMW circles which add the spots of blue. An apt description of the piece is given in the book ‘Cut with the Kitchen Knife’ and states that it is ‘a portrait of a modern woman defined by signs of femininity, technology, media and advertising’ (Lavin). In other words Hannah Hoch focused on the woman of the new age, free and keeping up with the fast-moving world. The artist promoted feministic ideas and from her point of view urbanization and modern technologies were meant to give hope to woman to gain equality of genders. With this photomontage she commented on how the woman was expected to combine the role of a wife and mother with the role of a worker in the industrialized world. The light bulb instead of a face shows that women were perceived as unthinking machines which do not question their position and can be turned on or off at any time at man’s will. But at the same time they were to remain attractive to satisfy men’s needs. The watch is viewed as the representation of how quickly women are to adapt to the changes. In a nutshell, Hoch concentrated on two opposite visions of the modern woman: the one from the television screens — smoking, working, wearing sexy clothes, voting and the real one who remained being a housewife. The beautiful girl’ is an example of the art within the DADA movement. An artistic and literal current began in 1916 as the reaction to World War I and spread throughout Northern America and Europe. Every single convention was challenged and bourgeois society was scandalized. The Dadaists stated that over-valuing conformity, classism and nationalism among modern cultures led to horrors of the World War I. In other words, they rejected logic and reason and turned to irrationality, chaos and nonsense. The first DADA international Fair was organized in Berlin in 1920 exposing a shocking discontentment with military and German nationalism (Dada. A five minute history). Hannah Hoch was introduced to the world of DADA by Raoul Hausman who together with Kurt Schwitters, Piet Mondrian and Hans Richter was one of the influential artists in the movement. Hoch became the only German woman who referred to DADA. She managed to follow the general Dadaist aesthetic, but at the same time she surely and steadily incorporated a feminist philosophy. Her aim was to submit female equality within the canvass of other DADA’s conceptions. Though Hannah Hoch officially was a member of the movement, she never became the true one, because men saw her only as ‘a charming and gifted amateur artist’ (Lavin). Hans Richter, an unofficial spokesperson shared his opinion about the only woman in their community in the following words: ‘the girl who produced sandwiches, beer and coffee on a limited budget’ forgetting that she was among the few members with stable income. In spite of the gender oppressions, Hannah’s desire to convey her idea was never weakened. Difficulties only strengthened her and made her an outstanding artist. A note with these return words was found among her possessions: ‘None of these men were satisfied with just an ordinary woman. But neither were they included to abandon the (conventional) male/masculine morality toward the woman. Enlightened by Freud, in protest against the older generation. . . they all desired this ‘New Woman’ and her groundbreaking will to freedom. But — they more or less brutally rejected the notion that they, too, had to adopt new attitudes. . . This led to these truly Strinbergian dramas that typified the private lives of these men’ (Maloney). Hoch’s technique was characterized by fusing male and female parts of the body or bodies of females from different epochs — a ‘traditional’ woman and ‘modern’, liberated and free of sexual stereotypes one. What’s more, combining male and female parts, the female ones were always more distinctive and vibrant, while the male ones took their place in the background. Hannah created unique works of art experimenting with paintings, collages, graphic and photography. Her women were made from bits and pieces from dolls, mannequins of brides or children as these members of the society were not considered as valuable. Today Hannah Hoch is most associated with her famous photomontage ‘Cut with the kitchen knife DADA through the last Weimer Beer-Belly Cultural epoch of Germany’ (1919–1920). This piece of art highlights social confusion during the era of Weimar Republic, oppositionists and government radicals (Grabner). In spite of never being truly accepted by the rest of her society, this woman with a quiet voice managed to speak out loud her feministic message. Looking at Hannah Hoch’s art for the first time I found it confusing, because couldn’t comprehend the meaning. It was quite obvious that every single piece and structure is a symbol of the era, its ideas and beliefs. However, after having learned about her life and constant endeavors to declare about female’s right, little by little I started to realize what’s what. As an object for research I chose ‘The beautiful girl’ as, to my mind, its theme and message intersects with the modern tendency: a successful, clever, beautiful and free woman has to become one in no time, cause the world is moving faster and faster. I enjoyed working with this artist as her example is inspiring and is worth following.
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