night of the full moon

folklore track by track review

the 1: love me a piano intro. oh this guitar?? swearing in the first 5 seconds? I like these lyrics. never bleed????????? hmm.................it would’ve been you.............I..............it would’ve been fun if you were the one.........bruv..........dare I say it...............am I just clowning.....or like.......................is she....ya know.......talking about........you know.......h****?? oh these vocals ! bruv I don’t care this is about harry because I say so afhdjssa. I really love this production and her vocals, it already sounds so much more mature than lover and it’s only the opener, feels like a more-mature version of a deep cut on red. excellent start!

cardigan: oh this percussion?? the piano?? her voice sounds fab. is this about the met? black lipstick? or bleachella? her VOCALS bruv sound 10x better than anything on lover?? I love these lyrics omg. THIS IS SO GOOD. HEARTBEAT ON THE HIGH LINE ONCE IN TWENTY LIFETIMES. this so good?? try to change the ending peter losing wendy?? leaving like a father running like water????? I love this so much omg. the atmospheric vocal...the percussion....the lyrics.....the piano......LAV IT. I can’t get over how already this is more lyrically dense than lover and reputation but I ain’t complaining!! I’m both surprised and not surprised that they went with this for the single from this era but I really like it, it feels like it would fit right at home in the NFR tracklist.

the last great american dynasty: love these strings?? omg the beat? is this political? hmm I like the lyrics of the verses but i’m not 100% feeling the lyrics/structure of the chorus, feels a little like she’s trying to fit too many words into the line, but I love the storytelling aspect of it and it’ll probably grow on me. it’s like a grown-up version of starlight or the lucky one. Is this supposed to be like an alternate version of what taylor’s life could’ve been like? or am I just completely misinterpreting that lmao?

exile ft. bon iver: like this piano intro. love bon iver. oh the birds in the background?? ooft these lyrics....brutal. is this about calvin? is that a kazoo? afjdshjsa I promise i’m not trying to be like this but like......this is very......hm. I really love his voice. the bridge is really pretty with both their voices. I can see myself staring dramatically outside the window listening to this when we’re allowed to properly go back outside lmao. very nice and pretty, it’ll probably hit harder later on than my first listen but I like it. 

my tears ricochet: this a-cappella intro? oh this is sad :( what a ghostly scene....................................I didn’t have it in myself to go with grace :( oh this buildup?? I still talk to you........omg these atmospheric vocals I. LOVE. I need to read the lyrics on my next few listens to this but I really like it so far.

mirrorball: this feels like the outro in a coming of age 80s movie. love the soft guitars. oh these vocals! I know she didn’t mean to but when she signs tallest it sounds like she’s saying toilet to me lmao. jack’s atmospheric vocals!!! yes!!! the bridge is really beautiful. all I do is try, try, try. I’m just trying to get you to look at me :( I do have to say, while I love how lyrically dense this album is and reflective it is in comparison to her last few albums, the instrumentation doesn’t change a whole lot throughout these songs on first listen, it’s more that atmospheric vocals/sounds are built on top of it, which is fine, but I think they’ll benefit a lot from me listening to them outside the context of the album. love the meaning behind this though and I think it’s really beautiful.

seven: (this is when I stopped doing live reactions and instead went for post track reactions) Is it weird to say that this did better at the “love letter to love” concept meant for lover than lover did? this song feels more like for her legacy/future family and how she’s grown than as an active, present moment which is nice. I will say while I did love NFR when it came out, it also hit a wall with me eventually where it needed some breathing space or something to break up the sections of the album (which harry does actually quite well) and I feel like we’re hitting that point (if we haven’t already). I’m always slightly apprehensive about long albums like this which is why I said this will benefit from listening outside the context of the album. 

august: I’m really curious as to who this is about lmao. but this was excellent in the progression of the track and the buildup/atmosphere and dynamics of the track, this was what I was wanting a bit more with songs like exile and it did great at building a different sonic landscape which is what was needed in the album imo. one of my favourite tracks so far.

this is me trying: this is very...wistful and reflective. a hybrid of the archer and I wish you would to me. “I was so ahead of the curve, the curve became a sphere, Fell behind all my classmates and I ended up here” is a LYRIC bruv. feels reminiscent of what she said in the miss americana documentary about how you’re stunted in your growth when you become famous at a young age and you fall behind the emotional development of most people around you, which is really interesting. “Pouring out my heart to a stranger, But I didn't pour the whiskey” is that supposed to be like a metaphor for stopping herself from saying too much all the time because she knows it could get out/be perceived in a certain way? either way, these are some great lyrics. “you're a flashback in a film reel on the one screen in my town” hmmm.....

illicit affairs: I LOVE THIS. EVERYTHING ABOUT THIS. I have nothing else to add. this is fantastic. favourite track so far. amazing. 10/10.

invisible string: this song is really sweet lol I wish I was in love with someone to relate more to this. very referential to her work as a whole and I liked the more stripped down production.

man this is a long album lol

mad woman: FUCK YOU FOREVER. scream. this is very lana-fied lmao. I wish she did a little more with the electric guitar in the back though, imagine this more being soft-rock? so this is definitely about scott and scooter right? I do like this but it does feel very sonically similar to some of the tracks we’ve heard so far and I wish she had switched it up a little to fit the excellent lyricism of this song, more guitar would’ve really elevated the song imo. 

epiphany: lol I got a bit emotional listening to this, I can already tell i’m going to listen to this at night and cry lmao. I have a massive fear of death/the unknown and this song sort of touched on that concept to me and I really liked the production. this feels like it should be in a movie soundtrack or in like, grey’s anatomy. the heartbeat-like sound in the outro? beautiful. this is the sort of concepts I’ve been wanting from taylor for a while now and the execution of this was really good imo. 

betty: ms swift it’s okay to be gay. the elaborate-ness of putting yourself in the position of a man just to say you liked a girl. how are the kaylors/gaylors holding out lmao this is a nice story (like an upgraded version of ybwm) but I can’t get over how effectively no-homo this is lmao. the key change? love story wishes. oh the wistfullness to be young......and in looooOOOOoooOOove.

peace: love the guitar in the intro. this gives me another more grown up perspective of a song on melodrama? I love her vocals in this. I feel like i’ve said this about 40 times already but the atmospheric sounds....chef’s kiss. 

hoax: the closer. the LYRICISM bitch. “your faithless love's the only hoax I believe in” shut up :( the bridge is gorgeous. I’m not sure how I feel about it as the closer though, it ties up the themes of the album pretty well but I almost feel peace would’ve been a better closer? still really gorgeous though.

okay. overall thoughts. top 3 albums of taylor’s discography for me along with 1989 and red. It did feel long towards the end though and I still think her problem is editing and streamlining her projects which is why I think 1989 (as her best album for that) and red (while being longer than this has enough songs to break up the album so it’s not monotonous for the listener) rank above this for me at the moment, but that could change. If I were her, I would’ve taken out invisible string and possibly betty and seven to have as deluxe tracks. her lyricism is better on this album than both reputation and lover combined, she really did that in like 4 months. I will need more time with it as I always do with taylor’s projects but it was the album she needed in my opinion. I think part of the reason I disliked lover and to a lesser extent, reputation, was because they didn’t come across as if she needed to write them like her other projects, but more projects she felt she should to write because that was where the narrative of her public image was forcing her to go, this feels like a return to form, even if I would tweak a few things. the visuals for this album have all been great (her best album cover after 1989 imo) and I think it benefitted a lot from going into it with next to no expectations, without a single or anything and I hope she continues to just do whatever, rather than painstakingly plan marketing surrounding an album and just allow her talent to speak for itself. really good. favourite tracks are probably: illicit affairs, the 1, cardigan, epiphany and mirrorball. least favourite are probably: invisible string, seven and maybe betty too. i’d rate it about 8/10 at the moment. also: ****** never dies.