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slack-wise · 2 years

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Giuseppe Terragni

#Giuseppe Terragni #Terragni #architects #architecture #razionalismo #rationalism #Italy #Casa del Fascio

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walker12a · 1 year

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flickr

IMG_1339 by trevor.patt Via Flickr: Casa del Fascio, Como Giuseppe Terragni, 1936

#terragni #fascio #populo #como #italy #rationalism #modernism #trespass #flickr

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prettymunchkin · 2 years

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A customer engagement strategy is a plan for capturing existing customers' attention and ensuring they have the best possible experience when interacting with your brand throughout their journey. Sending the right messages to the right people at the right time and place to help them achieve their goals is critical to successful engagement.

#terragni #Terragni Consulting #human engagement company india #employee engagement company pune #customer engagement business consultant #customer engagement companies in pune #human engagement company #customer engagement company india #customer engagement solutions companies pune

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pallavikale · 2 years

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A customer engagement strategy is important to align with your organizational vision. Most of the customers say that organizations should know them better. Customer engagement is important for business strategy.

Terragni Consulting was found to deliver happiness to the customers of our customers and the employees of our customers. We provide strategic solutions which deal with how Terragni’s customers can run their businesses better by investing in engaged customers and employees. We are a strategy consulting organization with different business verticals ranging from solutions, platforms and Executive Search. Customers come to us with fairly complex problems. With our multi- disciplinary approach from Anthropology, Neuroscience, Data Science andBehaviour Science, we diagnose the problem and it’s intended outcomes. We seek to understand what the 2nd and 3rd order effects of the outcome are and then garner deep insights from target respondents, basis which we seek to design the solution.

#customer engagement company india #human engagement company #customer engagement solutions companies pune #customer engagement business consultant #human engagement company india #Terragni Consulting #Terragni #employee engagement company pune

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luvi69 · 2 years

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Glass block Materials are always the main choice to go forward after functional and distribution typology in architecture... there are some materials who are better than other... I like this material since I knew during my college training when I was student... new energy saving rules are going to put, some of those materials, 'out of law'... but aesthetically it continues to attract me such as happened 30 years ago, and maybe there are some chances to use it on limited part of a new project on those places where Terragni design his Casa del Fascio in Como (in my country, Italy)... . #glassblock #sustainablematerials #material #materialslover #material #materiality #glass #choice #choices #architecture #nature #design #designprocess #casadelfascio #terragni #matetialschoice (presso Studio di Architettura Paolo Pettene & Partners) https://www.instagram.com/p/CdMPpAJt96w/?igshid=NGJjMDIxMWI=

#glassblock #sustainablematerials #material #materialslover #materiality #glass #choice #choices #architecture #nature #design #designprocess #casadelfascio #terragni #matetialschoice

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ortut · 10 months

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Giuseppe Terragni - Lariana chair, 1936

#art #furniture #giuseppe terragni

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anticbrvtalist · 6 months

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Giuseppe Terragni - House for an artist, Milan 1933

#architecture #modernism #rationalist #italy #giuseppe terragni

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spyskrapbook · 2 years

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“Palazzo Del Vetro”, E42, Rome, Italy [1940] _ Architect: Giuseppe Terragni [1904-1943] _ Model photos via: Laurent Beaudouin.

https://www.facebook.com/photo/?fbid=353768055253841&set=pcb.353768115253835

https://www.facebook.com/photo?fbid=353768065253840&set=pcb.353768115253835

#Palazzo Del Vetro #E42 #Rome #Italy #1940 #Giuseppe Terragni #Laurent Beaudouin #2022

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conformi · 2 years

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Stephen Sauvestre, Maurice Koechlin, Émile Nouguier, Gustave Eiffel, Tour Eiffel, Paris, France, 1887-1889 VS Giuseppe Terragni, Monument for the victims of World War I, Como, Italy, 1930-1933

#Stephen Sauvestre #Maurice Koechlin #Émile Nouguier #Gustave Eiffel #Tour Eiffel #paris #france #giuseppe terragni #como #razionalismo italiano #modernismo #modernism #italian rationalism #architecture #collage

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garadinervi · 1 month

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You can go anywhere – The Josef and Anni Albers Foundation at 50, Edited by Edouard Detaille and Willem van Roij, Designed by Graphic Thought Facility, The Josef and Anni Albers Foundation, Bethany, CT, 2022 [Yvon Lambert, Paris. Les presses du réel, Dijon. David Zwirner Books, New York, NY]

Contributors: Laurent Van Reepinghen, Adhiraj Shekhawat, Josh Slocum, Louis Valentin, Matthias Persson, Charles Lemonides, Charlotte Fox Weber, Robbie Smith, Lucy Swift Weber, Victoria Ebin, Fiona Kearney, Hans Renders, Brigitte Degois, Eve Tribouillet-Rozencweig, Gilles Degois, Vincent Broqua, Fabrice Hergott, Raffi Kaiser, Francois Olislaeger, Giovanni Hänninen, Alberto Amoretti, Erika Goldman, Francois Gibault, Belle Place, Nancy Weber, Patrick Dewavrin, Nick Murphy, Bruno Racine, Gerard Sénac, Louis Racine, Daniele Reiber, Robert Devereux, Elena Arzak, Marta Arzak, Daphne Warburg Astor, Atlante, Chiara Graffer, Dario Jucker, Matthew Bourne, Wayne McGregor, Rebecca Salter, Heinz Liesbrock, Paul Smith, Emilia Terragni, Michael Semff, Mando Watson, Shane O'Neill, Nicolas Fox Weber, Paolo Papone, Pierre-Alexis Dumas, Manuel Herz, Alan Riding, Elisa Nocentini, María Toledi, Manuel Fontan del Junco, Christopher Farr, Katherine Weber, Michael Beggs, Mickey Cartin, Brenda Danilowitz, John Eastman, Louise Eastman, Kelly Feeney, George Gibson, John Gordon, Allegra Itsoga, James Green, Jackie Ivy, Fritz Horstman, Charles Kingsley, Emma K. Lewis, Pierre Thiam, Philip Rylands, Andy Seguin, Clarisse Baleja Saïdi, Sarah Meister, Toshiko Mori, Melanie Niemiec, Tim Prentice, Jeannette Redensek, Ruth Lande Shuman, Anne Sisco, Christine Vincent, Molly Wheeler, Victoria Wilson, Martina Yamin, Paul Neale, David Pilling, Ruth Agoos Villalovos, Magueye Ba, Seydou Badiane, Jaime Yaya Barry, Shannon Hart, Maimouna Ka Sow, Saliou Seck, Moussa Sene, Mamadou Cisse Kante, Bamba Sagna, Lassana Keita, Massamba Camara, Abib Dieye, Saliou Diop, Augustin Diouf, Moustapha Diouf, Lucas Zwirner, David Leiber, David Zwirner

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slack-wise · 2 years

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Giuseppe Terragni, Casa del Fascio.

Photographed by Klaus Frahm

#Klaus Frahm #photographers #interiors #architecture #architects #Giuseppe Terragni #Casa del Fascio #Rationialism #Razionalismo #Italy #Como

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thegianpieromennitipolis · 5 months

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Da: SGUARDI SULL'ARTE LIBRO QUINTO - di Gianpiero Menniti

LO SGUARDO DI POCHI

Osservavo il dipinto di un artista, danese, poco conosciuto.

Ha riacceso una luce, spinto a virare la memoria sugli artisti ignoti.

Rimangono appesi alle pareti di casa sotto gli occhi dell'abitudine.

Per loro, tanti, è mancata la scena della notorietà.

Talvolta, una collettiva.

Con fortuna e amicizia, una personale.

Come risacca sulla riva.

Fa nostalgia.

Ne ho conosciuti molti: uno lo rammento con tenerezza, affetto.

Le sue tele, dai colori brumosi e terragni, sono vuote di figure, talvolta solo accennate per esaltare la desolazione dei luoghi.

Come a lasciarsi accompagnare dalla solitudine, ineluttabile, compresa, rassegnata.

Eppure, ritratta più volte.

Con geometrica precisione prospettica.

Per abbandonarla sulla tela?

No.

Per viverla più intensamente, con il coraggio della dignità.

Stringendosi al destino delle sue opere.

Non volle mai esporre.

Aveva ragione: i sentimenti non sono carne da palcoscenico.

Ripenso a quei quadri, li rivedo nel salotto, in qualche altro angolo della grande casa, nello studiolo.

Guardiani, hanno atteso che si compisse il silenzio delle loro immagini.

- Nils Hans Christiansen (1850 - 1922): "Paesaggio autunnale al tramonto", data incerta, su qualche parete, per occhi di pochi

#thegianpieromennitipolis #arte #arte contemporanea #Nils Hans Christiansen

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mikuteit · 1 year

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Casa del Fascio, Como. One of the most famous buildings of italian rationalism (razionalismo). Built between 1932-36 by Giuseppe Terragni. Foto: © Wolfram Mikuteit

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konrul · 9 months

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Lombardy razionalismo italiano tour (post in which will be less architecture and more tour, because my films are waiting to be sent to developing)

So our first base was in Bergamo. A most atmospheric town. If you are in love you must go there. The same if you like stairs and funiculars. The lower station of the first funicular may be crowded and there could be a line of people (you should use the bus if this is the situation) but one morning it was just me, the conductor and his buddy.

I feel that in a couple of years Bergamo may be overridden by tourists, now it were mostly Central European ones and blond people.

Bergamo - Città Alta

Luckily the former Casa Littoria was open to the public for a boring exhibition. However you couldn't really enjoy the Affresco celebritivo per Antonio Locatelli because they put some reflectors next to it that just blinded you.

From Bergamo you can go to Como by train. You must change in Milano or Monza, but you will arrive in a couple of hours.

You can't visit Terragni's building, but the Guardia di Finanza people will let you step in and take a photo like this:

Also in Como you can observe some interesting half measures at the stadium in front of the monument for the fallen ones, where at the main gate (?) the fasces were made unrecognizable but were left untouched at the other gate.

Also from Bergamo you can reach Milano in about an hour. We went there only because my other half wanted to see the Duomo. So I didn't research any rationalist buildings because there were too many.

(this is where I post from image)

However just going from the cathedral to a pasta place unwillingly went through the Piazza San Sepolcro and bumped into interesting architecture. Also from the top of the cathedral you can see that brutalist building that you have already seen on this hellsite.

If it wasn't raining we probably wouldn't go into the Camparino in Galleria (but luckily it did):

(image from the Internet)

You must really go and drink some Campari with seltzer.

After Bergamo we moved our base to Brescia (also around one hour distance by train). So what to do in Brescia? Besides the architecture We are interested in there is a photographic machinery museum (free entrance) and the Vittoria alata.

Until October you can se the Boxer at Rest next to her, so to double the aesthetic pleasures.

Also in Brescia you could do some rationalist grocery shopping.

Since in Como I opposed to getting on a boat I had to compensate with a tour of the Isola del Garda owned by the Borghese Cavazzas.

So you are there, you learn about the family's history and you come home. And after a few days you realize that Junio Valerio Borghese's grandmother was Hungarian (blows your mind).

From Brescia you can go to the Vittoriale in Gardone Riviera by bus. This was the time when I learnt an Italian craft. If there isn't a machine to validate your bus or train ticket or it isn't working then you simply write the date and time on it with a pen.

Not much to say about the Vittoriale. I wish all of my dear mutuals to go there. Be aware: the water in the fountain is luke warm. Better drink a Cedrata Tassoni if you are around the lake (also if you want to be in style). When you leave the Vittoriale, then you should go to the small souvenir shop in the small square. They have cheap cold water, interesting souvenirs and curious liqueurs (like one made from pine).

Last day in Brescia. You can still make some culinary discoveries like the capù scapàt that I enjoyed so much. Cabbage leaves filled with a mix of breadcrumbs and cheese.

At the Risorgimento museum there was one more discovery waiting. A copy of a bust made by Adolfo Wildt.

Have seen pizza just one time. Eaten none.

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solo-campaign-diary · 2 months

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#02: Goodbyes

Rin was definitely going to be sick. Exiled unless she could reconsecrate the temple of Sancta Solia? The city in the Fallen West, home to untold horrors deadly enough to slaughter bands of treasure-hunters and crusaders far, far stronger and better-armed than her? It was suicide. Probably drawn-out, painful suicide. She wasn't sure this was preferable to a swift execution.

The High Inquisitor approached the still-kneeling heretics. "Your right hand," she said to the halfling man called Blake a few people to Rin's left. He extended his hand hesitantly, then withdrew it back quickly with a yelp of pain. He examined his hand as he breathed sharply through his teeth. The Inquisitor approached the next in line, the human woman Seraphina. She, too, yelped in pain almost as soon as she had extended a shaky hand to the Inquisitor. Down the line the Inquisitor went until it was Rin's turn. This, Rin was ready for.

Saint Terragnis's mark--a holy symbol that would mark her as one of the church's crusaders, with all the rights and restrictions that came with it. In another context, this would be a great honor. Somehow, Rin felt this would be different.

The instant she presented her hand, searing pain burned into it, both in her palm and the back of her hand. She looked down at the freshly-burned mark and wondered where it would take her.

***

Back in her room--her actual room in the temple dormitories, not that dank cell that had held her for the past several days--Rin was confronted with just how unprepared she was to leave the temple halls, let alone the city. Although she had trained extensively with all manner of arms as a warrior-priest in training, the church owned them all. And though the church provided for her room and board, it also paid a pittance for her work.

"Hurry up already" came the guard's voice from the threshold of her small room. "You heard the High Inquisitor; you are to be outside the city walls by nightfall, tonight." Rin nodded, turned, and followed the guard out of her room. He unceremoniously closed the door behind her and locked it.

Walking down the hall, Rin hesitated. Though she held no love for this place, she did wish to say a last goodbye to her best (really, only) friend: Jennie

[Rolled character: Jennie, F, Halfling Priest (spell: shield of faith). Question: Are Rin and Jennie romantically involved? (Roll: 9). Answer: No, but... ...but Rin wishes they were.]

...Jennie. Rin stopped in front of her door. It was well past midnight, but she couldn't just leave without saying goodbye. The guard turned impatiently to her.

[Does Rin know the guard? +3 for familiarity with the temple personnel. (Roll: 13). Yes.]

"Jonathan, please. I just want to say goodbye, and the sun isn't even up yet, let alone setting."

[Cha. roll, -2, Advantage (knows him), DC 15. (Roll: 12). Failed.]

Jonathan looked at Rin, not entirely unkindly. "Rin," he said quietly, "you know I can't. You might have until sundown to leave the city, but Mother Superior wants you out of the temple immediately."

Rin hung her head in resignation. She blinked back tears as she let Jonathan lead her down the hall. Outside the temple grounds, the fresh air didn't seem quite as comforting as she had hoped.

"Pssst!" someone hissed from behind Rin. She turned, seeing no-one. "Down hear, of course!" the familiar voice said, seemingly from thin air.

"Jennie," Rin said, "must you always sneak around?" Jennie's halfling invisibility faded to reveal a grin she hoped seemed appropriately mischievous. But her smile did not hide her splotchy cheeks and puffy eyes from Rin.

"Well," said Jennie, her voice obstinately bright, "I had to sneak past Jonathan when he wouldn't let you see me, the ass." She stopped smiling. "Was that really going to be it, then? He says 'no' and you leave me forever without so much as a goodbye?" The lightness in her voice slipped as she spoke.

"You heard."

"Of course I fucking heard"--Rin always did marvel how such a genuinely pious person could swear so much--"I've been up all night, every night since you were charged. I couldn't sleep, I could hardly eat...Rin, I though you were going to die!"

"I did, too."

"And why didn't you? How didn't you? What happened?" Rin explained the sentencing, the crusade, the exile effective at sunset.

Jennie brightened, genuinely this time. "Rin, this is amazing! I mean, not you being exiled," she hurried to clarify, "but you've been spared! And you even have a chance to redeem yourself in the eyes of Saint Terragnis and return home!" Rin couldn't bring herself to look glad at her fate.

Noticing her friend's lack of appreciation for her miracle handed to her, Jennie continued. "Don't you see, you were meant for this, you were meant for Saint Terragnis's service! She's not abandoned you, she has a purpose for you still! I told you resigning was a mistake."

Rin did not want to rehash this. "Well if I hadn't resigned, I wouldn't have been sentenced and I wouldn't be on this quest," she said curtly, "which, by the way, is a suicide mission, hardly a blessing!" Rin, why are you doing this? she thought to herself. Why are you having this fight now? "So maybe it was Terragnis's grand plan for me to leave the church and become apostate so I could be sent on this crusade."

"You know that's not how this works," Jennie said seriously. "Apostasy is a crime; it's a heresy. Saint Terragnis would never lead you to heresy!"

"Then I guess I'm just a heretic, then!" Rin, stop. "I resigned from the priesthood because I don't want to be part of any stupid god's stupid plans." Do you want this to be the last thing she ever hears you say? "I didn't ask her to play with my fate!" Don't say it, Rin. "I don't think that makes me wrong. I think that makes her wrong!" Rin didn't notice she was nearly shouting now.

"Enough!" Jennie was shouting now, too. "You know I can't stand here and let you blaspheme like this! Saint Terragnis is a god, she is so far beyond our ability to question. Yet she blesses us; she blesses you!" Tears were streaming down her cheeks. "If you can experience such mercy and still reject her, then--"

"--then what, Jennie?" Rin interjected. "I do deserve to die on this crusade? Say it, since apparently your god says it."

Rin's words sat in the sudden silence between them like a wedge. "Jennie, I'm sorry, I..." Rin trailed; she didn't know what to say.

Jennie looked away as she spoke, her voice even and measured. "The sun is rising, Rin. You should get going if you want to make it to the next town by nightfall." She turned without looking at Rin and walked back toward the temple.

After a moment, Rin turned too.

#ttrpg #shadowdark #writing #fantasy #solo rpg

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celebrateeachnewday · 2 months

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Artist Daniela Terragni

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