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#technically a redraw of an older drawing
whimsycottt · 7 months
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Work Dad
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autisminfinite · 3 months
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sorry i made your horses bigender, it will happen again
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uniworu · 5 months
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when the sun hits ☀️🌧️
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plposting · 11 months
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Rage
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chibishortdeath · 4 months
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It smudged a LOT, but I doodled a little pose study based on the old painting “Dante and Virgil in Hell” and I think it came out pretty cool :3
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knightfeared · 8 months
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I lied— I got distracted & started trying to draw up a reference for Chris.
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Once more I am asking who will tenderly kiss his beauty marks?
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narsh-poptarts · 2 years
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Oh yeah baby it’s redraw time. old art (right) from 2017
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cicadagaze · 1 year
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the chaos sibling duo, Sparklepaw and Shinypaw! (thanks to @nightly-ruse for the name insp <3)
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scourge-sympathiser · 9 months
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send me a character/ship/scene & ill make a fake thumbnail/designz 4 a theoretical AMV
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i want to work on art rn but i have like three separate drawings In Progress currently and theyre all at different and frustrating in the process so instead im just gonna keep wasting tjme probably
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greno-ino · 1 year
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Parsifa in awe of the sky
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tsukimon02 · 1 month
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I used to have a crush on older Fuuka (her Persona 4 Arena version) when I was in high school so of course I had to draw her again after so long; I’m surprised at how far I’ve come 😳
It’s a technically a redraw of my old art from like…… 8 years ago, so here’s the original on the right as a bonus. I cringe at old art sometimes but it’s nostalgic lol
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lyraspace · 4 months
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"I'm..."
Eduardo wasn't quite sure what to introduce himself as. Tio Eddie did have a pretty good ring to it. But was that right?
There wasn't a familial word for "Imaginary Friend of a child's parent," but then again, most Imaginary Friends didn't stick around long enough to even be aware their creators had children at all, let alone hold them in their arms.
For that, Eduardo considered himself very lucky to have a friend like Nina who still cared.
Maybe, for now, he could start with that.
"...I'm your Mama's best friend in the whole wide world..."
She yawns, not caring for much else but sleep. It's tiring work, being a baby.
"...when you're big enough, I'd like to be your friend too."
Some old art that's technically a redraw of some even older art.
It's still my absolute favorite drawing of Eduardo, though.
Imagine me posting Foster's Home art again on tumblr in 2023 lol
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vvo1d1ing · 1 month
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So turns out living in a house that is older than everyones grandma has it problems. There is a good chance our fucking roof will collapse and since I'm in no ability to get a "real job" I'm doing this.
For all of the versions of comissions these are some of the guidelines that I need to set to make your experience quicker and mine easier;
1. Come to me with a clear idea of what you want (As much as I appreciate people wanting to let me creatively express myself, I work better if you actually tell me exactly what you want)
2. Have references ready (The more the merrier! I won't have to nag you about details if I can just check what you have sent me)
3. During the sketch phase, you are allowed to ask for changes but keep it to 1 major, and like 5 minor. (As in, do not expect me to change the entire composition three times unless it's simply tilting it a bit or zooming in more)
4. After the sketch is done, I ask for half of the payment to be sent. I was scammed before and this is to ensure that if you bail on me, I still end up with some money. If for some reason I cannot finish the commission after that, I will be of course sending the money back. I only use PayPal.
Now onto the * on my commission sheet;
1st *; This isn't going to be a full reference sheet, at most it will be a full front facing and back, and maybe a 3/4 pose to express the personality. This won't be shaded as you see from my example. If you pick this, I'll happily even work with you in designing the character and help you pick through options as honestly, I fucking love character designing.
2nd *; If a comission needs an intrecate design that i have to redraw by hand (like the logo in the example piece) or you want an actual background such a city street or a garden or anything like that, it falls under this commission. That's a complex commission to me, and it will take longer than any of the other options.
Also, I am serious about the pervert tax. If you want NSFW or gore, it will cost you extra. While I can technically draw it with the same ease as anything else, it's mentally taxing on me to be looking at references of dismbembered people and of people fucking eachother all day just to get it right.
I can and will decline if I think your kink is gross to me, and ofc, I won't draw anything illegal so don't even think about asking for pedo or zoo shit. I shouldn't even have to say that, but just in case.
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annadiplosis · 10 months
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I’VE HAD THIS BLOG FOR 10 YEARS
Here’s to many more years of fish, vampires, aliens and bird people! To everyone who follows me and/or has praised my art, in any way, at any point, thank you, from the bottom of my heart.
I’ll be ranting about art progress and style changes under the cut, but before that, just a reminder that I’m going through a complicated time in my life and if you want to support me and my art there’s a few ways to do so.
Now back to my goofy doodles.
Maybe because I've drawn ever since I can remember, I've never felt a ton of pressure to improve my art skills. It's always been something I knew was going to happen as long as I kept drawing, and that's what I've been doing. I try not to stress too much about staying consistent with my practice or achieving any self-imposed goals. I like to discover what I'm able to do, one drawing at a time.
I also believe progress is not linear, and not every single piece is better than the last. While my 2023 art shows a higher skill level than that of 2013, I think some of my older work looks perfect the way it is. I'm drawn to expressiveness, movement, and compelling characters, and that can be achieved at any level. I've gotten better at some technical aspects, of course; my linework is far more decisive than it was before, and my endless battle with color palettes gets easier every day. I'm also capable of unwillingly drawing the crappiest, most horrendous doodle you've ever seen, just as I was in 2013. Just as we all are. I'm not sure why I find that reassuring, but I do.
When I started this blog, what really worried me was developing a distinct style. I studied other artists and stole specific elements of their work, sometimes drawing and redrawing the exact same thing until I was satisfied with the result. At some point, and I can't exactly tell you when or why, I stopped caring about that. It's not that I thought I'd found My Perfect Style, because that doesn't exist. I guess I started focusing on other stuff, and that's when my actual style started coming together. I followed my instincts, tried to strike a balance between what came naturally to me and what I was envisioning every particular piece to look like, and it worked. Any alteration my style has gone through since then has been unplanned and intuitive, and I can't see myself approaching art in any other way. I'm excited to discover what kind of artist I'll be in ten more years.
Thanks for reading this far! Warm regards from me and every notebook I've used since opening this blog (#9 to #37 in my overall archive) ♡
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chiricat · 1 year
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another ramble about art again so i’m hiding it all under a ‘keep reading’ thingy so as to not clog ur feeds :]
aka thoughts about imposter syndrome, fanart, and what it means to draw stuff loosely disguised as a ‘ramble’. maybe a bit of akito almost-kinnie-isms (and probably ena) in there too because why not. also sorry this gets a lot less coherent as it goes on (i lost my train of thought near the end. it’ll come back someday)
i want to keep getting better. i want to keep growing and improving, so that i can convey the ideas in my head to others. i’m afraid to stagnate for too long, because what if it means i’ve hit my limit? what if i’ll never get better than i am right now? an irrational thought, really, but that doesn’t mean it’s impossible. hell, i felt like i hadn’t improved all that much from a year ago, when i tried to redraw a few of my older posts.
part of this stems from the question ‘how do people see my art? what kind of artist am i to them?’ which comes from when i got into fanart and fandom spaces, a long time ago. i would categorize the people i looked up to, my idols, my role models. there was the one that made comics that felt like home with your friends, and there was the one that made pieces that felt like i was sitting in a café in the middle of a busy city, and there was the one that made renders that felt like i was looking at liquid gold. i was fascinated by the effects of all these different artstyles, and decided that i wanted to do the same. i wanted to make art that made people feel at home, like a fic that you keep coming back to, or art that conveyed how i felt well enough that others felt the same way, or could understand it at the very least. 
naturally, as i continued to draw and admire these artists from afar, i wondered why exactly their art appealed to me. at first, the answer was simple: i like looking at it. but that wasn’t good enough - what about the things i didn’t really care to look at, then? what made this piece any different?
so i tried to understand, why i liked something, or why others liked something. after studying art for a little (yay classes) i understood more, i understood why those artists made the choices they did. for one, it was their powerful composition, and how they wanted to pull the viewer in with the characters. for another, it was their color palettes, which were always balanced yet strong and guaranteed to catch your eye because of it. other times, it would be the lighting, angled to present the characters in such a way that it made you feel like you were there too, or linework that made you feel just how much the artist cherished the characters. there were other, less technical things too, but i was trying to build a foundation before diving into things that were harder to learn.
in short, there was so, so much more to everything than i had realized as a kid.
so i asked myself the same question. why do people like my art? why is my art appealing and worthy of your time? and where did i fit in, if i were to categorize myself? 
these questions got a little worse. incredibly irrational. imposter syndrome was kicking in when i saw that more people were liking my art, especially when i compared it to myself from a year ago. or when my favorite artists were following me back. (it was weird, somewhat. i had always seen them as worlds away from my own space, artists that i had admired from afar and thus never believed that they would turn around and see me.)
‘do people actually like my art? is my art actually worth anyone’s time?’ i wonder. ‘do i deserve these nice comments, or even these likes?’ 
‘am i even getting better at all?’
these are a bit foolish of me to think. it shouldn’t matter, really. as long as i’m enjoying drawing and having a fun time, then why should it matter whether others like it or not? i don’t have to be doing my best, giving it 110% all the time, i’m allowed to make goofy art or self-indulgent art. this is my motto, for the most part. as long as you’re enjoying the craft, then it’s worth it.
but with the goal of improvement, i don’t always want to stay in my comfort zone. i want to keep pushing my limits, even if its just a little at a time, so i can make something impressive, something that really resonates as much as i want it to, as much as certain pieces resonated with me when i was younger. the same way that i kept coming back to certain pieces (and still do), i want to be able to do that too. i don’t want to feel like a kid playing at an adult’s game, like someone who doesn’t know what they’re doing and it shows.
it’s a tricky balance. i’m not sure if i’ll ever truly feel like i’ve ‘finally done it’. i think that most artists are never truly content with their work as a whole, anyways, and that’s okay. that’s something i should be more okay with. i can make art just for fun, and i can also make art with the intent of solely improving or practicing. i can even combine the two, and most of the time, i try to anyways.
(sorry, i lost my train of thought after writing the last few paragraphs... i dunno where i wanted to go with this exactly HHH.
tldr; i’m always stuck between ‘i’m happy making this art even if its bad’ and ‘i need to get better and leave people in awe to feel like i deserve the love and nice comments i receive’.
if you somehow managed to get to the end of this, ty for reading, even if it was a hot dumpster fire LMAO)
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