#takuya ohno
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ペンとカメラのへたのよこず記 財津和夫
講談社
装幀＝大野拓家デザイン事務所、表紙撮影＝松浦秀介
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Some oc expression meme stuff ft. some of @kuttblueberry ‘s ocs!
Credit for expression memes used: deeppink-man, FrigginConfused, MagicalPouch, nyazuline
#platimoocs#cw: gore#cw: blood#Inuko Yamiokami#Hayate Ryunosuke#Fuji Yuuto#Ye-rin Jee#Atsuhiro Larcella#Noruhi Sicada#Royan Hyderi#Sadie Rose#Mishenka Katou#Reiji Hiroaki#Bonnie Uchida#Takuya Oda#Sasha Ohno#Ansgar Shimoda#my art#artimoon
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Although I believe jpop fans rarely discuss best vocalists because no one GAF which is a shame! It's really interesting because kpop fans do it to brag this should just be a normal thing. Also I don't trust opinions that come from just fans cause when I looked at Johnny's vocals rankings you fucking know they put Kimura Takuya and Ohno Arashi on the list as the top ones BECAUSE THEY'RE POPULAR. The best vocalists in Johnny's are in Kanjani8 stay maddddd. Also Tsuyoshi and Koichi at times actually!
#I can't at all testify to how good Taisho is but I'm always mad when groups have one good guy and the rest FLOP#TAISHO GO SOLO!!! TAISHO FANS INTERNATIONAL
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Arashi dan Aku
Tulisanku kali ini adalah salah satu cerita behind the scene. Artinya, cerita di balik layar yang...well, mungkin belum banyak orang tahu. Aku pengen banget bagikan cerita ini karena harus ada lebih banyak orang lagi yang tahu betapa awesome idolaku ini!
Aku bahkan nggak kenal mereka secara personal, tetapi lima orang ini sudah menyelamatkan hidupku. Literally.
Aku kenal om-om ini sejak SMA. Pada semester kedua kelas X, ada guru bahasa Indonesia memutarkan satu dorama (istilah drama dalam jejepangan) berjudul Yamada Taro Monogatari di kelasku. Tokoh utamanya adalah dua personel Arashi, Sakurai Sho dan Kazunari Ninomiya. Lagu opening nya saat itu adalah Happiness by Arashi. Doramanya seru banget dan jujur aku cukup hooked up sama tokoh Mimura Takuya yang diperankan Sho. Aku minta semua file episode doramanya ke guruku tersebut dan memutuskan akan menontonnya saat liburan.
Dan yes, karena menghabiskan waktu nonton Yamada Taro Monogatari saat perpulangan asrama, aku mulai suka sama Arashi. Aku jadi kenal member selain Sho dan Nino: Ohno Satoshi (Oh-chan / Riida), Aiba Masaki (Aiba-chan), dan Matsumoto Jun (MatsuJun).
Like, sukaaaa banget!
Aku menemukan video profil perjalanan mereka di YouTube waktu mencari tahu tentang mereka. Menonton video tersebut membuatku makin kesengsem sama om-om ini. They. Are. Cool. Meski debut besar-besaran di Hawaii pada 1999 dan sempat sukses, album dan konser mereka sempat flop banget di era Pikanchi, to the point susah cari penonton buat konser mereka di Yokohama. Nama mereka baru naik lagi setelah MatsuJun ambil role sebagai Domyouji Tsukasa dalam dorama Hana Yori Dango (mungkin kalian pernah nonton dorama ini). Itu pun MatsuJun sengaja ambil role tersebut buat menaikkan nama Arashi. Dalam Secret Talk di single Wish yang jadi original soundtrack dramanya MatsuJun, member Arashi bahkan roasting dengan berterima kasih sama MatsuJun.
Kurang lebih verbatimnya gini, "Makasih ya, MatsuJun. Doramamu bikin member Arashi jadi ada kerjaan,".
Ish, sedih kalau ingat masa itu :")
Kalau dibandingin, mungkin kurang lebih sama kayak sensasi BTS di Korea Selatan, dari awalnya flop akhirnya sukses besar. Bedanya, pasar musik mereka fokus sama Jepang doang.
...
So, untuk menceritakan lebih lanjut bagaimana aku bisa suka banget sama Arashi, aku akan mulai dari masa-masa sulitku di SMA. Karena untuk alasan itulah aku menulis bahwa they saved my life.
Aku punya ketakutan waktu dapat jatah piket asrama dan sekolah. Piket apapun. Aku takut kalau ketahuan ada satu spot yang masih nggak bersih, dimaki-maki, dan disuruh mengulang. Aku nggak keberatan sih sebenarnya buat mengulang, tapi harusnya...minus makiannya nggak, sih?
"Percuma kamu pintar di sekolah kalau ngerjain pekerjaan rumah aja nggak bisa! Jadi istri macam apa kamu nanti?".
Yah, kurang lebih begitu.
Itu masih masalah piket. Aku juga dipermasalahkan karena dianggap "juggling" dua cowok di saat bersamaan. Padahal, dua orang cowok ini sahabatku semua dan we were so inseparable.
Aku juga kehilangan ruang privasi. Sejak orang tahu apa yang kutulis dalam diari, diariku sering dicari dan dibuka. Setelah itu, yep, they used my own words against me.
Dan sebenarnya masih ada lain-lainnya. But, let's close it here.
Honestly, mentalku jatuh banget. Terutama pada tahun pertama dan kedua, kayaknya nggak ada hari tanpa nangis dan isolated. Aku sampai sekarang bahkan nggak tahu kenapa masih hidup aja diriku ini.
Karena orang yang pernah bully aku at some points mengalami hal yang sama persis kayak yang kualami. Dan dia hampir "lewat" setelah...well, you know.
Dalam masa-masa sulit itulah aku menemukan Arashi. Aku lupa apa persisnya lagu pertama yang kudengar dari mereka. Namun, aku masih ingat lagu-lagu pertama yang kumasukkan ke dalam playlist: Fight Song, Sakura Sake, Pikanchi Double, A.Ra.Shi, Kitto Daijoubu, Kotoba Yori Taisetsuna Mono, Nice na Kokoroiki, dan Hadashi no Mirai.
Dan aku juga masih ingat gimana perasaanku waktu mendengarkan lagu mereka.
Iya, aku nangis waktu dengernya! Tapi, kali ini bukan karena sedih. Aku nangis karena merasa menemukan harapan buat melanjutkan hidup. Aku nangis karena ingat aku masih muda banget, sayang kalau stuck di sini aja. Aku ngerasa seperti ada orang-orang yang duduk di sebelahku, pukpuk bahuku, dan bilang, "Kamu nggak sendirian. Kamu nggak akan pernah sendirian,".
Aku ingat pernah sedih banget karena suatu hal. Kemudian, aku dengerin lagu Fight Song, lupa sih ini di sekolah atau di asrama. Waktu sampai di lirik ini:
Hito wa hito jibun wa jibun
(Orang lain ya orang lain, kamu ya kamu)
Kurabeta jiten de maketeru
(Kamu udah kalah begitu bandingin dirimu sama orang lain)
Jibun ni makenai tsuyosa ga
(Semangatmu untuk nggak pernah kalah sama diri sendiri)
Donna kabe wo mo kowashiteku
(Bakal meruntuhkan halangan apapun di depanmu)
Aku langsung nangis sejadi-jadinya.
Dan aku masih nangis kok sampai sekarang kalau dengerin bagian lirik itu, haha.
Lima om-om random ini memberiku hidup yang baru lewat lagu-lagu mereka. Hidup yang sepenuhnya milik diriku sendiri. Hidup yang gimana pun sucks-nya bakal tetap kunikmati.
Aku ingat ada tiga orang pelaku bully yang udah minta maaf langsung kepadaku. Dua orang di antara mereka pernah bertanya begini:
"Kok kamu bisa sih kuat banget, Nis?".
Aku nggak bisa jawab dengan proper pada saat itu. Namun, kalau diijinkan menjawab sekarang, aku akan menunjuk Arashi. It's all thanks to them. Lagu-lagu mereka bikin aku mau melanjutkan hidup. Lagu-lagu mereka bikin aku mau buat berjuang, meski rasanya tuh pengen memaki shibal setiap saat ya, haha.
Asli, aku akui banyak boyband yang secara visual, vokal, dan koreografinya jauh lebih baik dari Arashi. Secara standar hiburan, apalagi kalau merujuk Korea, mereka ga cakep-cakep amat.
Namun, apa yang bikin mereka juara buatku adalah liriknya yang menyentuh hati orang lain.
Lirik-lirik sederhana itulah yang menyelamatkan hidupku.
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Kingdom Of Noise - Japanese Noise Selection
Kingdom of Noise is a 'Documentary' about Noise Artists from Japan form 1993. Released via Endorphine Factory.
1Aube–Low Spin DriftCameraman – Tadashi FukumotoComposed By – Akifumi NakajimaCameraman – Tadashi FukumotoComposed By – Akifumi Nakajima
2Incapacitants–Live At 20000VCameraman – Yasuhiko IkedaElectronics, Voice – F. Kosakai*, T. Mikawa*Cameraman – Yasuhiko IkedaElectronics, Voice – F. Kosakai*, T. Mikawa*
3Dislocation–Writing And MasturbationElectronics – Toyohiro OkazakiGuitar – Fujio KimuraPerformer, Cameraman, Film Editor – Keishi KiyokawaSaxophone – Yoshinori YanagawaElectronics – Toyohiro OkazakiGuitar – Fujio KimuraPerformer, Cameraman, Film Editor – Keishi KiyokawaSaxophone – Yoshinori Yanagawa
4Masonna–Live At Bears And La MamaCameraman – Akifumi Nakajima, Tadashi Fukumoto, Takuya Kodama, V.O.G.*Film Editor – Maso YamazakiCameraman – Akifumi Nakajima, Tadashi Fukumoto, Takuya Kodama, V.O.G.*Film Editor – Maso Yamazaki
5Seed Mouth–Twilight CityArtwork [Applied Image] – Atsushi SakuraiComposed By [Original Concept] – Hirohito TaneguchiArtwork [Applied Image] – Atsushi SakuraiComposed By [Original Concept] – Hirohito Taneguchi
6Violent Onsen Geisha–Night Of Unlcean WaterComposed By – Violent Onsen GeishaComposed By – Violent Onsen Geisha
7Solmania–Live At Living RoomComposed By – Masahiko OhnoComposed By – Masahiko Ohno
8Merzbow–Piss For Yves KleinCameraman – Toshiyuki SeidouNoises, Lighting [Blue], Edited By [Sound] – Masami AkitaPerformer [Action, Piss, Flowers] – Tetsuo SakaibaraTape – Reiko A*Cameraman – Toshiyuki SeidouNoises, Lighting [Blue], Edited By [Sound] – Masami AkitaPerformer [Action, Piss, Flowers] – Tetsuo SakaibaraTape – Reiko A*
9C.C.C.C.–Loud Sounds DopaBass – Ryuichi NagakuboEffects [Video Feedback], Film Editor – Susumu KomatsuEffects [Video Feedback], Film Editor, Cameraman – Takuya KodamaElectronics – Fumio KosakaiElectronics, Performer [Metal], Effects [Video], Film Editor – Mayuko HinoSynthesizer, Effects [Video], Edited By, Film Editor – Hiroshi HasegawaBass – Ryuichi NagakuboEffects [Video Feedback], Film Editor – Susumu KomatsuEffects [Video Feedback], Film Editor, Cameraman – Takuya KodamaElectronics – Fumio KosakaiElectronics, Performer [Metal], Effects [Video], Film Editor – Mayuko HinoSynthesizer, Effects [Video], Edited By, Film Editor – Hiroshi Hasegawa
10Hijo Kaidan*–Live At La MamaCameraman – Tadashi WatanabeDrums – Masami AkitaElectronics, Voice – Fumio Kosakai, T. Mikawa*Guitar, Voice – Jojo HiroshigeLighting, Effects [Stage] – John DuncanVoice – Junko
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Hello, do you know any japanese 40-60 age range male faceclaims? sorry if i sound rude, thank you so much
Watanabe Ken (1959) Japanese.
Sanada Hiroyuk (1960) Japanese.
Ukaji Takashi (1962) Ainu Japanese / Japanese.
Kanagawa Hironobu (1963) Japanese.
Abe Hiroshi (1964) Japanese.
Muraki Jin (1965) Japanese.
Yoshiki / Hayashi Yoshiki (1965) Japanese.
Tsuchihira Donpei (1966) Japanese.
Sawamura Ikki (1967) Japanese.
Eguchi Yosuke (1967) Japanese.
Sawamura Ikki (1967) Japanese.
Hoashi Keisuke (1967) Japanese.
Watabe Atsuro (1968) Japanese.
Sasaki Kuranosuke (1968) Japanese.
Oikawa Mitsuhiro (1969) Japanese.
Kitamura Kazuki (1969) Japanese.
Hirayama Yusuke (1970) Japanese.
Mizuno Tomonori (1970) Japanese.
Kizu Toru (1970) Japanese.
Tanaka Naoki (1971) Japanese.
Takenouchi Yutaka (1971) Japanese.
Nishijima Hidetoshi (1971) Japanese.
Kimura Takuya (1972) Japanese.
Fujiki Naohito (1972) Japanese.
Goro Inagaki (1973) Japanese.
Sorimachi Takashi (1973) Japanese/
Sakai Masato (1973) Japanese.
Kosugi Kein (1974) Japanese.
Oka Masayori (1974) Japanese.
Kusanagi Tsuyoshi (1974) Japanese.
Hira Takehiro (1974) Japanese.
Nakamura Joe (1974) Japanese.
Hideaki Ito (1975) Japanese.
Yusuke Iseya (1976) Japanese.
Odagiri Joe (1976) Japanese.
Iseya Yusuke (1976) Japanese.
Nagase Tomoya (1976) Japanese.
Katori Shingo (1977) Japanese.
Hasegawa Hiroki (1977) Japanese.
Koizumi Kotaro (1978) Japanese.
Itokazu Shogen (1978) Japanese.
Kubozuka Yosuke (1979) Japanese.
Morita Go (1979) Japanese.
Wada Masato (1979) Japanese.
David Sakurai (1979) Japanese.
Kawashima Junya 1979) Japanese.
Fujioka Dean (1980) Japanese.
Ohno Satoshi (1980) Japanese.
Akie Kotabe (1980) Japanese.
Gomoto Naoya (1980) Japanese.
Here ya go!
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TERUOKI MISHINA『OFF SEASON』
TERUOKI MISHINA『OFF SEASON』
2,300円+税 | CD | 20曲 | 2012年 | RONDADE | ROND-13
オフ・シーズンをめぐる音楽
●
→ Apple Music, Spotify, Amazon Music（ストリーミング配信）
→ YouTube
→ そのほか音楽活動
●
コメント
OFF SEASONに寄せて
プロンプトン墓地
水脈
マルコ・ポーロ
貝殻 ....
タイトルを眺めてるだけで音が聴こえてくる
（良くないはずがない）
聴いてない時でも僕らを包む音の風景はいつもここにある
伊藤ゴロー（音楽家）
寂とした震えで満たされた
器のなか
撹拌され舞い上がり
沈降する
憶いの澱
小林和人（Roundabout/OUTBOUND 店主）
まだ少年のような好奇心といたずらっぽさと
少しの影を抱えた青年が、旅に出て。
不慣れな町を歩き、見知らぬ人の会話に耳を傾け
暗い町の、薄暗い宿のベッドで
ちょっと難しそうな本を広げたまま、眠りにつく。
特別なにも起こりもせず、またいつもの毎日に帰る物語。
昼間のシーンはなくて、あるのは夜だけ。
そんな、とびきりポエティックでロマンチックな映画の、
サウンドトラックに聴こえました。
もちろん監督も主役も、三品さん。
甲斐みのり（文筆家）
●
曲
ブロンプトン墓地 I 【9:00】BROMPTON CEMETERY I
水脈【10:00】WATER VEIN
マルコ・ポーロ【11:00】MARCO POLO
貝殻【NOON】SHELL
屋上【13:00】ON THE ROOF
電話を待つ【14:00】WAITING FOR A PHONE CALL
愛を讃えて【15:00】PRAISE OF LOVE
サーフィン【16:00】SURFING
鹿 I【17:00】DEER I
濡れた机【18:00】WET TABLE
顕微鏡【19:00】MICROSCOPE
姿のない形【20:00】SHAPE WITHOUT FORM
郊外の生活【21:00】SUBURBAN LIFE
高速道路【22:00】HIGHWAY
岸を離れる【23:00】AWAY FROM SHORE
見えない都市【MIDNIGHT】INVISIBLE CITY
ブロンプトン墓地 II【1:00】BROMPTON CEMETERY II
鹿 II【2:00】DEER II
ポリアンナの客室【3:00】GUEST ROOM AT THE POLLYANNA
水源【4:00】FOUNTAINHEAD
PRODUCED BY
TERUOKI MISHINA
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COMPOSITION & ARRANGEMENT BY
TERUOKI MISHINA（ALL SONGS）
WITH
MANG-NENG（#3,6,19）, TSUTOMU SATACHI（#4）, YOHEI OOTA（#7,12）, KAZUYA TAKEDA（#9,18）, ATSUKO ICHIYANAGI（#19）, TAKUYA ITO（#19）
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MUSICIANS
YOHEI OOTA: BASS CLARINET, SYNTHESIZER, PIANO, ELECTRIC GUITAR （#1,7,8,12,17）
YUSUKE KAWAMURA: TRUMPET（#2,20）
MANG-NENG: STEEL PAN, ELECTRIC GUITAR, ACOUSTIC GUITAR, PERCUSSION（#3,6,19）
TSUTOMU SATACHI: VOCAL, ACOUSTIC GUITAR（#4）
SATOMI ENDO: SOPRANO SAXOPHONE, ALTO SAXOPHONE（#9,18）
YASUTAKA KOBAYASHI: ALTO SAXOPHONE, TENOR SAXOPHONE（#9,18）
SHIZUE SATO: BARITONE HORN（#9,18）
YOKO MIURA: PIANO（#9,18）
KAZUYA TAKEDA: VIBRAPHONE（#9,18）
YOW FUNAHASHI: SOPRANO SAXOPHONE（#10）
HAYATO AOKI: NYLON-STRING GUITAR（#13）
SHINSUKE OUCHI: ACOUSTIC GUITAR（#14）
TAKASHI ITO: POETRY READING（#15）
TAKUYA ITO: PIANO, SYNTHESIZER（#16,19）
ATSUKO ICHIYANAGI: ACCORDION（#19）
TERUOKI MISHINA: SYNTHESIZER, ELECTRIC BASS, PIANO, PROGRAMMING, OTHERS（#1,2,4,5,6,8,9,10,11,13,14,15,16,17,18,20）
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MASTERING
YOHEI OOTA
ART WORK
SHINICHI TAKEDA
PHOTO
KATRIN STREICHER
DESIGN
THE SIMPLE SOCIETY
EXECTIVE PRODUCER
OSAMU SAKUMA（RONDADE）
SPECIAL THANKS TO
GORO ITO, YOKO ITO, KAZUTO KOBAYASHI, MINORI KAI, TATSUO UCHIYAMA, MASAMI AMEMIYA, TAKUYA SUGIMOTO, HYUNJUNG PARK, AKARI OHNO, ASAKO TADANO
●
三品輝起
Teruoki Mishina
1979年、京都府で生まれ、愛媛県で育つ。2007年『PENGUIN CAFE ORCHESTRA -tribute-』（commmons × 333DISCS）に参加。2011年、文筆家の甲斐みのりさんが「恵文社（京都）」で行った「甘いノスタルジア」展のためのBGMが、『LONG DAY』（Loule） として発売。2012年にセカンドアルバム『OFF SEASON』（RONDADE）を発表。同年12月、美術家の武田晋一とともに「OUTBOUND（東京）」にてリリース記念の展示をする。2013年3月「iTohen（大阪）」に巡回。ふだんは2005年より東京の西荻窪にて雑貨店「FALL（フォール）」を経営する。2020年、エッセイ『雑貨の終わり』（新潮社）を刊行。
fall-gallery.com
youtube
youtube
●
FALL
167-0042 東京都杉並区西荻北3-13-15-1F
地図 | 13:00 - 19:00 | 月・火お休み
gallery.fall at gmail.com | fall-gallery.com
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Talentless Nana TV Anime Takes Attendance with 16 More Cast Members
Class is almost in session, because 16 additional cast members have been revealed for Talentless Nana (known as Munou na Nana in Japan), an upcoming TV anime based on the psychic suspense / psychological thriller manga written by Looseboy and illustrated by Iori Furuya about an elite class of super-powered teenagers who face terrible danger in training to combat the "enemies of humanity". The new cast members include:
Mai Nakahara as Michiru Inukai.
Toshiki Masuda as Yohei Shibusawa.
Takuya Nakashima as Moguo Iijima.
Yuki Inoue as Moguo's henchman A.
Takeo Ōtsuka as Moguo's henchman B.
Yoshitaka Yamaya as Moguo's henchman C.
Hiromichi Tezuka as Seiya Kori.
Yukina Tsutsumi as Kirara Habu.
Yurie Kozakai as Kaori Takanashi.
Atsushi Tamaru as Tsunekichi Hatadaira.
Miyu Tomita as Yuka Sasaki.
Aiko Ninomiya as Shinji Kazama.
Tomohiro Ohno as Ryuji Ishii.
Yuna Kamakura as Fuko Sorano.
Atsushi Kousaka as Homeroom teacher.
And Kōji Yusa as Jin Tachibana.
youtube
The original Talentless Nana manga is serialized in Square Enix's Monthly Shōnen Gangan manga magazine, and English language version is also available via simulpub on Crunchyroll, who describe the story of the series as follows:
An academy on an island in unnavigable waters. There, students trained tirelessly, to fight back against the enemies of humanity. The protagonist, a student newly transferred there, also sets out with the intention of eradicating all enemies of humankind. An unpredictable, intellectual suspense story of justice and evil.
The Talentless Nana TV anime is directed by Shinji Ishihira and features animation production by Bridge. The series is scheduled to begin broadcasting in Japan in October of 2020.
Sources:
Ota-suke
Official Talentless Nana TV anime home page and Twitter feed (@munounanana)
Copyright notice: © Looseboy・Iori Furuya / SQUARE ENIX・"Talentless Nana" Production Committee
---
Paul Chapman is the host of The Greatest Movie EVER! Podcast and GME! Anime Fun Time.
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“Spring Fever” Sat. 1 April - Sun. 23 April, 2017
Photo by Takashi Fujikawa
Fumiaki Akahane / Kaoru Arima / COBRA / Kei Imazu / Daisuke Ishii / Sho Ishizaka / Takuma Ishikawa / Ine Izumi / Keiji Izumi / Takuya Ikezaki / Shunsuke Imai / Izumi Kato (Guest) / Gakudai Kawasumi / Toshiyuki Kimura / Reiko Kinoshita / Taku Komi /Hiroshi Kunikawa /Osamu Mori / Mrs.Yuki / Fumiaki Nagao / Koji Nakano / Tohru Nakazaki /Yu Nishimura / Yutaka Nozawa / Ayako Ohno / Satoshi Okano / Tomomi Okubo / Seiichiro Osa / Junya Sato / Nobuyuki Shimizu / SPACE OPERA / Takanori Suga / Yushi Suga / Ayuko Sugiura / Chika Suzuki / Kouichi Tabata / Fuyuhiko Takada / Makoto Taniguchi / Daisuke Tomokiyo / Nobuko Tsuchiya / Ryohei Usui / Kazuaki Yamane / and more...
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Synichi Yamamoto, Seiichi Sega & Intercity-Express "Noesis" project concept from OMNIBUS JAPAN on Vimeo.
In 2013, Syinichi Yamamoto was engaged in the project of "The Movements" which focused on visualization of big data.
"The Movements" was created for the spherical display "Geo-Cosmos" installed at the National Museum of Emerging Science and Innovation as part of the permanent exhibition:-
omnibusjp.com/supersymmetry/research/project_3.html
In 2015, 2 years after the completion of "The Movements", he started the production of a 3D fulldome film entitled "The Man from the 9 Dimensions" which was released in 2016 and is been screened at the Dome Theater Gaia at the National Museum of Emerging Science and Innovation ever since. He was in charge of the visualization of scientific concepts about superstring theory in theoretical physics and was also in charge of thevisual direction of the film:-
omnibusjp.com/supersymmetry/research/project_7.html
Science and art have been getting closer in media art scene. Visualization of data and visualization of wave shapes has been actively pursued. As an extension of the above-mentioned 2 projects which focused on data visualization and visualization of scientific concepts, the project of "Noesis" represents philosophical concept visualization which visualizes the concept and thoughts of the origins of Nature, the Universe and all things from the perspective of art.
The whole duration of the work is 30mins with each track having its own theme such as: Each track with total length of 30-min has its own theme such as "view point reversal", "position invalidation", "elemental particle", "time", etc., but on track 04 "Emerging Design", the concept of "trajectory of moments" is featured as the main theme of the project as a whole which follows the trajectory of time.
Dimitris Kontopoulos, a science curator with whom Synichi has been collaborating since 2016 participated in making the concept of this project. Tetsuji Ohno (Intercity-Express) who has continued to collaborate with Synichi helped him to create the sound design of the 8 tracks.
For 3D visualization in high resolution, Seiichi Sega (superSymmetry) also participated in this project and provided not only drawings of computer generated images by physics calculations, but interactive performances using TouchDesigner.
- Premiere screening at MUTEK.JP:
Because the main venue of MUTEK.JP held in 2017 was the National Museum of Emerging Science and Innovation, we decided to create a version of "Noesis" which would be highly optimized to the 3D fulldome system of the Museum’s Dome Theater Gaia, so that viewers can enjoy an audio visual performance of the project under the specifications of the 3D dome system to the fullest extent.
山本信一は2013年に科学データに基づいたデータビジュアライゼーション作品「軌跡～The Movements」を手掛けました。
この作品は、日本科学未来館の球体ディスプレイ「ジオ・コスモス」の常設コンテンツで、球体映像作品です。
omnibusjp.com/supersymmetry/research/project_3.html
そして、ビッグデータの可視化に取り組んだ「軌跡～The Movements」の2年後の2015年から制作を開始し、2016年に日本科学未来館のドームシアターガイアで公開された３Dフルドーム作品「9次元からきた男」に参加し、理論物理学の超ひも理論をテーマにした科学概念の可視化やビジュアルディレクションを担当しました。
omnibusjp.com/supersymmetry/research/project_7.html
メディアアートシーンではサイエンスとアートが近づき、データや音の波形などのビジュアライゼーションが積極的にされてきましたが、本作はデータビジュアライゼーションや科学の概念を可視化した先の２つの作品の延長上で、今度はアート的視点から自然や宇宙、万物の根源を考えた時の概念、思想を視覚化したフィロソフィ ビジュアライゼーション（philosophical concept visualization）作品（※）です。
トータル30分を構成する各トラックでは、それぞれ“視点の逆転”“位置の無効化”“素粒子”“時間”などをテーマにしながら、全体では、トラック04の「Emerging Design」でフューチャーしたコンセプトである”瞬間の堆積”が描き出す、時間が描く軌跡の形状をこの作品トータルの大きなメインテーマにしています。
2016年からサイエンスキュレーター・デミトリス コドプロス氏（Mr. Dimitris Kontopoulos）とコンセプトでコラボレーションしながら、サウンドデザインでは継続的にコラボレーションをしているIntercity-Express（大野哲二氏）と8つのトラックで構成しました。
また、高解像度の3Dビジュアライズでは瀬賀誠一(superSymmetry)も参加し、物理演算によるCGイメージの描画だけでなくTouchDesignerのインタラクティブパフォーマンスを行ないました。
※フィロソフィ ビジュアライゼーション・・・この場合の「フィロソフィ」は、万物の根源のあり方や原理を追究して得られた知識や経験、人生観を指す。
-MUTEK.JPでのプレミア公開。
2017年に開催されたMUTEK.JPのメイン会場が日本科学未来館であったため、同館の有するドームシアターガイアの３Dドームシステムに最適化されたバージョンで、ドームのスペックを最良に体感できるオーディビジュアルパフォーマンスを計画し、公開しました。
Credit
Art work by Synichi Yamamoto + Seiichi Sega & Intercity-Express
Concept and Creative Director Synichi Yamamoto
Music Tetsuji Ohno（Intercity-Express）
Visual Creation and Creative Technologist
Seiichi Sega
Concept Collaboration Dimitris Kontopoulous
Digital Artist °F,Takuya Aoki,Yumiko Kasahara
Sound System Technical Ryouta Wada
Sound Mix Engineer Kiyoshi Okabe (Montreal version)
VR Salon: Immersive Realities Curated by
Maurice Jones
Visual Producer Masakazu Kagami
Public Relations Kumiko Inutake
Co-Development Research Miraikan × OMNIBUS JAPAN INC.
Special Thanks to
MUTEK Japan (Shuichiro Iwanami, Junichi Takekawa, Maurice Jones, Hanae Tamura）
Thanks to
Tohokushinsha Film Corporation （Mina Ohara, Ami Mochizuki, Tadashi Uchiike）
MUTEK / MUTEK MX / Miraikan / Shinjuku Creators Festa / Société des arts technologiques / JAPAN FOUDATION / Embassy of Canada to Japan / TFC plus
omnibusjp.com/supersymmetry/works/2018_1
©Miraikan
©MUTEK.JP / Ryu Kasai / Shigeo Gomi
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Translation: Blog Post: December 17th, 2018
Enjoy, and please don’t repost without credit!
Good evening. This is Maria.
Today, I did dance lessons.
Fukumura Mizuki-san and I split our lunch boxes
Meat and fried chicken.
We changed
Okay :D
MAJOR 2nd
Mitsuda Takuya-sensei
The new volume, 16
It's really popular and on sale now!!!!!
Autographs from the Fan Fest <3
I got that text from my older sister in Sapporo. (t/n: not her real older sister, just a friend!)
(My sisters went to ON-DECK)
B*B is on top of the Christmas tree
And
The Giants' Yoshikawa Mitsuo and Ishikawa Shingo
Chuunichi's Ohno Shouta and
Our Kagiya and Tamai
Visited the disaster area in Hokkaido, that's what my sister told me.
I was really happy.
Even if they change teams, they still think about Hokkaido.
I thought, the Fighters players are amazing. I'm glad I cheer for them.
Fighters Tree
MERRY CHRISTMAS is the same as the Fighters logo
Maria also wants a Fighters tree <3
LOVE <3 Nakata
I hope there's lots of fun and happiness tomorrow too
* Makino Maria *
#makino maria#morning musume#morning musume 18#hello project#blog post translation#blog december 2018
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ジェフ・ベック－孤独の英雄伝説
なかむら☆よういち、石坂敬一・監修
シンコー・ミュージック
表紙デザイン＝大野拓家デザイン事務所
#ジェフ・ベック－孤独の英雄伝説#jeff beck#ジェフ・ベック#yoichi nakamura#なかむらよういち#keiichi ishizaka#石坂敬一#takuya ohno#大野拓家#anamon#古本屋あなもん#あなもん#book cover
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Remembering a master
ศาสตร์เกษตรดินปุ๋ย : ขอบคุณแหล่งข้อมูล : หนังสือพิมพ์ The Nation
http://www.nationmultimedia.com/detail/art/30356890
Performance artist Takao Kawaguchi paid tribute to Butoh pioneer Kazuo Ohno by copying his characters and movements, and capturing their spirit. Photo/Takuya Matsumi Remembering a master
Art October 22, 2018 01:00
By Pawit Mahasarinand
Special to The Nation
2,753 Viewed
Japan…
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Inilah Peringkat Anggota Johnny’s Yang Menurut Remaja Pria di Jepang Paling Keren
Siapa yang tak tahu Tomohisa Yamashita atau lebih dikenal dengan panggilan Yamappi yang saat ini tengah bermain dalam serial drama berjudul Code Blue 3? Ia merupakan satu dari sekian banyak talenta tampan anggota Johnny’s Entertainment. Johnny’s sendiri memang dikenal sebagai agensi tempat para pria berparas tampan berkumpul, mereka rata-rata tergabung dalam sebuah boy group di bawah naungan agensi tersebut. Bukan hal yang mengherankan jika banyak wanita yang menyukai paras mereka, tapi siapa talenta Johnny’s yang paling tampan munurut para remaja pria di Jepang?
Salah satu siaran AbemaTV yang bertajuk Magigachi Ranking pada tanggal 6 September kemarin, mengungkap talenta-talenta dari Johnny’s Entertainment yang menurut pendapat para remaja pria paling keren. Dalam acara variety show ini mereka menampilkan hasil survei dari 679 remaja pria di Jepang, dan berikut ini adalah hasilnya:
1. Tomohisa Yamashita
hk01.com
2. Yuya Tegoshi (NEWS)
japhub.com
3. Ryosuke Yamada (Hey! Say! Jump)
pinky-media.jp
4. Sho Sakurai (Arashi)
youmaker.com
5. Tomoya Nagase (Tokio)
pinky-media.jp
6. Junichi Okada (V6)
7. Jun Matsumoto (Arashi)
8. Kazuya Kamenashi (KAT-TUN)
9. Takuya Kimura
10. Hideaki Takizawa (Tackey & Tsubasa)
11. Ryo Nishikido (Kanjani8)
12. Satoshi Ohno (Arashi)
13. Shinggo Murakami (Kanjani8
14. Masahiro Nakai
15. Koichi Domoto (KinKi Kids)
16. Masahiro Matsuoka (TOKIO)
17. Toma Ikuta
18. Tadayoshi Okura (Kanjani8)
19. Noriyuki Higashiyama
20. Yuta Tamamori (Kis-My-Ft2)
Apakah kalian sependapat dengan pilihan para remaja pria di Jepang? Siapa anggota Johnny’s pilihan kalian?
The post Inilah Peringkat Anggota Johnny’s Yang Menurut Remaja Pria di Jepang Paling Keren appeared first on Japanese Station.
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hey loves! i'm having trouble finding an fc and i was hoping you might have some suggestions. i'm looking for an moc between 30 and 45 who's at least some part japanese and maybe has some more badass/post-apocalyptic vibes? i appreciate all your help so much, thank you!!
With resources:
Ohno Satoshi (1980) Japanese.
Kubota Yuki (1981) Japanese.
Miyavi (1981) Japanese / Korean.
Iwanaga Tetsuya (1986) Japanese.
Matt Heafy (1986) Japanese / Irish, German.
Sen Mitsuji (1987) Japanese / Unspecified Australian.
Without resources at current time of posting:
Watanabe Ken (1959) Japanese - Unforgiven (2013).
Kikkawa Koji (1965) Japanese - Rurouni Kenshin (2014)
Watabe Atsuro (1968) Japanese - Bitter Blood (2014)
Nishijima Hidetoshi (1971) Japanese - MOZU Season 1 - Mozu no Sakebu Yoru (2014).
Kimura Takuya (1972) Japanese - Miyamoto Musashi (2014).
Oizumi Yo (1973) Japanese - I Am a Hero (2016) & Tokyo Ghoul (2017).
Ichikawa Ebizo (1977) Japanese - Hara-Kiri: Death of a Samurai (2011).
Sakaguchi Tak (1975) Japanese - Re:Born (2018)
Akira (1981) Japanese - HiGH&LOW The Movie (2016)
Ayano Go (1982) Japanese - Ajin - Demi Human (2017)
Takizawa Hideaki (1982) Japanese - HAMU - Kouan Keisatsu no Otoko (2014).
Matsuda Shota (1985) Japanese - Final Life (2017).
-C
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Check Out 48 Character Voices with "King's Game The Animation" New PVs
The official website for the upcoming TV anime adaptation of Nobuaki Kanazawa/Pakkuncho's cell phone novel Oosama Game/King's Game today posted two new PVs to introduce its 48 character voices. The TV anime tells an original story that combines the first novel Ousama Game/King's Game and the second novel Ousama Game Shukyoku/King's Game Climax. And the first PV introduces the characters from the first novel, and the second video introduces those from the second.
The Seven (Musekinin Galaxy Tylor)-animated series is set to premiere on AT-X on October 5, and will be also available on Crunchyroll.
Character voice PV 1
youtube
Character voice PV 2
youtube
Main Voice Cast:
Mamoru Miyano as Nobuaki Kanazawa
Yui Horie as Natsuko Honda
M.A.O as Chiemi Honda
Pile as Ria Iwamura
Yusuke Sasaki as Kenta Akamatsu
Shinnosuke Tachibana as Naoya Hashimoto
Akari Uehara as Riona Matsumoto
Shinya Hamazoe as Shingo Adachi
Yoshitsugu Matsuoka as Toshiyuki Abe
Miyuu Tsuji as Satomi Ishii
Suguru Narisawa as Hirofumi Inoue
Yuma Uchida as Yosuke Ueda
Yui Makino as Kana Ueda
Fukushi Ochiai as Akira Ohno
Kimito Totani as Yusuke Kawakami
Ami Fukushima as Chia Kawano
Konomi Yuuzaki as Akemi Kinoshita
Yuka Ohtsubo as Mami Shirokawa
Hisayoshi Suganuma as Daisuke Tasaki
Kenji Akabane as Hideki Toyoda
Mirai Sasaki as Minako Nakao
Risa Yuzuki as Misaki Nakajima
Minori Suzuki as Nami Hirano
Koudai Sakai as Toshiyuki Fujioka
Mariko Honda as Kaori Maruoka
Misaki Suzuki as Emi Miyazaki
Shuuta Morishima as Shota Yashiro
Miya Amamiya as Hiroko Yamaguchi
Yui Nagano as Keita Yamashita
Yu Sanada as Masatoshi
Ooi Saki Fujita as Aya Kuramoto
Hitoshi Horinouchi as Daiki Kurosawa
Ai Nakajima as Yuuna Kobayashi
Hayato Horiuchi as Toshifumi Sakakibara
Satoshi Hino as Takuya Sakamoto
Tatsuhisa Suzuki as Yuichi Sato
Yuusuke Tonozaki as Tatsuya Shinba
Hiroyuki Kagura as Ryo Sugisawa
Makoto Takada as Shin Takada
Rie Hanafusa as Nanami Takumi
Ryota Suzuki as Teruaki Nagata
Masashi Uchida as Tsubasa Furusawa
Yuka Ozaki as Aya Matsuoka
Kana Yuki as Rina Minami
Ibuki Kido as Aimi Murazumi
Kazusa Aranami as Haruka Momoki
Suzuna Kinoshita as Mitsuki Yukimura
Long PV
youtube
"King's Game The Animation" main staff:
Director: Noriyoshi Sasaki (Ojisan and Marshmallow)
Series Composition: Kenji Konuta (SERVAMP, Saiyuki Reload Blast)
Character Design: Kan Soramoto, Yosuke Ito (Hybrid x Heart Magias Academy Ataraxia)
Chief Animation Director: Kan Soramoto (Hybrid x Heart Magias Academy Ataraxia)
Music: Nayouki Osada (Da Capo III, Tenkai Knights)
Anime Production: Seven (Soryo to Majiwaru Shikiyoku no Yoru ni...)
Teaser visual
「王様ゲーム The Animation」のティザービジュアルも公開！ 今後の展開を表しているかのような歪んだ教室にいる主人公・金沢伸明の姿にご注目ください！ https://t.co/gs5Bzg3xky#アニメ王様ゲーム http://pic.twitter.com/slkC74RGqv
— アニメ「王様ゲーム」公式 (@kingsgame_pr) 2017年8月1日
Source: TV anime "King's Game The Animation" official website, Twitter
© Hitori Renda, Renji Kuriyama, Nobuaki Kanazawa/Futabasha, Everystar/"King's Game" Production Committee
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