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musette22 · 3 years

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Burning For You

Title: Burning For You Pairing: Chris Evans x Sebastian Stan (Evanstan) Rating: Teen and up Word count: 3.1k A/N: Written for Evanstan Week day 6, a late fill for the Alternate Universe prompt. This silly piece of fluff is entirely inspired by the wonder that is the Mountain Lodge candle from the Yankee Candle Company. Yes, the one that inspired this iconic Tumblr post. The one that smells like Chris Evans.

I was lucky enough to receive one as a gift from the wonderful @howdoyousleep3 and my life hasn't been the same since I smelled it for the first time. Thank you for introducing me to such delights baby K, ilyyy 💖 Also BIG thank you to the @evanstanweek team and to my beautiful beta @rainbowsandcoconut who came up with the outline for this fic when I told her my idea! Love you, boo 😘

Summary: Evanstan AU. Sebastian gets a little carried away when raving about the Mountain Lodge candle to a friend. It leads to an unexpected, fragrant encounter.

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“Listen, D. You’ve gotta smell this candle.” Sebastian leans in closer, nearly knocking over his - third - glass of red. “You know I’m not usually a scented candle kinda guy, but this one…” He closes his eyes and tips back his head, an expression of pure bliss on his face. “Incredible. Glorious. Magnificent.”

“You look like you’re about to pull a Meg Ryan in When Harry met Sally over there, Seb.”

Sebastian straightens, giving Deirdre a meaningful look across the table at the low-key SoHo bar they’re having drinks at. “You kid, but I’m this close. It’s that good, not even exaggerating.”

“Sure you’re not,” Deirdre huffs, lifting her glass and taking a sizeable gulp of her Cosmopolitan.

“Fine, don’t believe me,” Sebastian shrugs. “You know, I pity you for not having experienced the delights of the Mountain Lodge candle, really. If you knew what it smelled like, you’d be singing its praises too, believe me.”

Deirdre rolls her eyes good-naturedly. “Fine, I’ll bite. What does it smell like, Sebastian, pray tell.”

Sebastian sits up eagerly. “It smells…” he starts, “like an evening in that lodge in the Green Mountains we rented with the others a couple of years ago. Remember that? How it felt to relax by the fire after a long day of hiking, the scent of cedarwood and toasted marshmallows in the air?”

“Hmmm,” Deirdre agrees. “That was nice, yeah. But hardly worth busting a nut over, I’d say.”

Sebastian holds up a single finger. “I'm not done. Because this candle doesn’t just smell like the lodge, it also smells like the lumberjack living at the lodge.”

Deirdre frowns. “There was no lumberjack living at the –”

“The metaphorical lumberjack, D, god. Work with me here a little.”

“Oh right, okay. Gotcha.”

“It smells,” Sebastian continues, undeterred, “like soft, worn flannel. Like beard oil and a hint of clean sweat. It smells like a big, strong, gorgeous man who just got done hewing a ginormous tree with his massive axe and cutting it down into firewood, which he’s now using to light the very fireplace in front of which he’ll make sweet, sweet love to you, on the rug that’s actually the skin of a bear that attacked his rescue dog and which this man fought off and killed with his own bare hands.”

“Whooofffff,” Deirdre says, fanning herself with a napkin. “Fine, I’m starting to see the attraction.”

“It smells…” Sebastian goes on, pausing for dramatic effect before delivering his clincher, “like Chris Evans.”

There’s a beat of silence, and then Deirdre groans loudly, sagging back in her chair. “Ughh, shoulda known this was coming. For chrissake, Sebastian, you literally cannot go even one night without bringing up Chris Evans, can you?”

“I totally can,” Sebastian protests, like the mature, professional, Times-employed literary critic he is. “But you don’t understand, D. This candle, it’s actually like they bottled the very essence of Chris Evans and then infused a candle with it. It’s life-changing.”

“Yeah, yeah, you have a permanent boner for Chris Evans, you wanna marry him and have his little bearded babies, tell me something I don’t know,” Deirdre sighs, draining the last of her drink and immediately starting to look around for the waiter to order a new one. Distantly, Sebastian notices the song playing in the background changing to The Smith’s ‘Please, Please, Please, Let Me Get What I Want'. Ah, if only.

“Listen to me,” Sebastian insists, unconsciously starting to speak louder, like he’s some small-town preacher trying to make his ignorant clergy see the light. “Deirdre, darling, you’re one of my oldest friends. I wouldn’t lie to you. I swear, when you smell this candle, you too will feel like you’re being engulfed in the embrace of the brilliant, spectacular, totally unique smokeshow that goes by the name of Chris Evans. It’s as if the man himself is wrapping those huge, muscled arms of his around you, crushing you to his wide chest as you tuck your face into the crook of his neck while his beard brushes your temple and you inhale his masculine scent of cologne, sex and clean, honest sweat, I swear to god – D, are you even listening?”

At some point during the last part of Sebastian’s homily, Deirdre’s eyes drifted to a point over his right shoulder and got stuck there.

“Did you just- zone out?” Sebastian asks indignantly, waving a hand in front of her face. She doesn’t even blink. “Hello? Earth to Deirdre.”

“Seb,” Deirdre says, still not looking at Sebastian.

“Oh, I see,” Sebastian barrels on. “Here I am, pouring my heart out, telling you I found a candle that smells exactly like the man of my dreams and you’re just… What are you doing, actually? Are you okay?”

At this point, Deirdre’s eyes have gone comically round, mouth hanging open just a little. “Sebastian,” she repeats, more urgently now – and just as he’s turning his head to find out what put that dumbfounded look on her face, someone nearby clears their throat.

Sebastian startles, looking up at the man who’s appeared next to their table.

“Hi,” the man says in a deep, rich voice.

A deep, rich voice that Sebastian knows all too well. A deep, rich voice that belongs to none other than Chris Evans, Hollywood heartthrob and actual smokeshow, himself.

Oh.

Sebastian gapes while Chris, dressed in dark wash jeans, a red flannel shirt and a brown shearling jacket, smiles at him patiently. He’s all soft-looking beard and strong nose and bulging biceps and long, lean legs, and Sebastian has died and gone to heaven.

“I’m sorry for interrupting,” Chris says, “but was just sitting a table over and I couldn’t help but overhear.”

And from one moment to the next, Sebastian crashes forcefully back to earth. His whole body goes cold, the blood draining from his face so quickly he feels dizzy with it.

Fuck. No. No, no, no. This can’t be happening. There is no way this is actually happening.

Except it is.

Sebastian had just been extremely, loudly and publicly horny about the very guy that’s standing next to him right now. The guy who is no doubt about to give Sebastian a piece of his mind at best, and a right hook to the jaw at worst. And honestly, he’d deserve it.

Since Sebastian wouldn’t even know where to begin apologizing, he says nothing. Just keeps staring at Chris in ever-growing horror, his pulse pounding in his ears so loudly it almost drowns out the miserable sound of Morrissey still pleading in the background.

Chris clears his throat. “So,” he says, bringing up a hand to rub the back of his neck. “This candle smells like me, huh?”

Sebastian groans, hiding his face in his hands. “Shit. Fuck. I’m so sorry. I didn’t mean- Oh my god, please, please, please just forget you heard any of that.”

“Why would I want to do that?”

Puzzled, Sebastian chances a glance at Chris from between his fingers. He’s partly still covering his face out of embarrassment, and partly because Chris is so gorgeous in real life that Sebastian isn’t sure he could look at him directly without spontaneously combusting. It’s like staring at the fucking sun. He doesn’t seem too angry, though, thank god. In fact, there’s an amused twinkle in his blue eyes that makes Sebastian’s shoulders relax infinitesimally.

“Because it was incredibly inappropriate?” Sebastian suggests, honestly a bit confused about having to explain this to him.

“I don’t know,” Chris shrugs. “It sounded pretty great. Kinda want to smell it for myself now.”

For some unfathomable reason – probably because unexpectedly seeing his long-time celebrity crush in the flesh broke his brain, Sebastian blurts out, “Oh, I don’t have it with me. It’s back at my apartment.”

Slowly, Chris raises a single eyebrow. The look sends a shiver straight down Sebastian’s spine, from the crown of his head right down to his toes. “Is it now?”

“Yeah,” Sebastian replies breathlessly.

Chris’s gaze drops down to Sebastian’s brown leather boots before slowly travelling back up to his face. “I gotta say, normally someone would at least have to buy me dinner first, but…” He trails off, looking Sebastian straight in the eye before finishing, “I am really curious about this candle.”

“You are?” Sebastian says dumbly, and then “Ow!” when Deirdre delivers an impressively precise kick to his shin under the table. He turns to give her a betrayed look, but when he meets her eyes, with which she’s clearly trying very hard to communicate something to him, he finally catches on. “Oh!” Sebastian whips back around to Chris, staring at him with wide, disbelieving eyes. “I- you- you mean like…” He swallows hard. “You wanna come back to my place to, uh, smell the candle?”

Although Chris’s expression remains amused, there’s a hint of trepidation there as well. “Sure,” he says, smiling crookedly. “If… that’s something you’re up for?”

Sebastian’s mind races. The way he sees it, there are two possibilities. Either Chris Evans is actually standing here in the flesh, propositioning him, or Sebastian hit his head in the bathroom earlier and is actually just lying on the dirty tile floor, hallucinating as a result of severe head trauma. The second option seems by far the most likely, but then, his shin does hurt like a sonuvabitch.

Well, fuck.

Sebastian clears his throat and sits up straighter, running a hand through his longish hair. “I mean, yeah, that’s- wow. That. That would be okay with me, uh huh. You mean like, now?”

“If that works for you?”

Without thinking, Sebastian says, “Well, I’m here with Deirdre –” before letting out another sharp yelp as said Deirdre crushes his toes under her heel. “Jesus, D!”

Deirdre ignores him. “Ohhh, would you look at the time,” she exclaims, holding up her wrist which very much doesn’t have a watch on it. “Boy, it’s much later than I thought. I really oughta get going, early start tomorrow.” She yawns theatrically, then grabs her purse and throws down two twenties on the table. “It was lovely seeing you, Sebastian, Chris… Evans,” she adds, with a wooden nod in Chris’s direction. “Hope you two have a lovely evening, bye now!”

And she’s gone.

They both stare after her for a second, and then Chris chuckles – a low sound that reverberates pleasantly in Sebastian’s chest. “Well,” Chris says, turning back towards him. “It’s nice to meet you, Sebastian.” He holds out his hand. “I’m Chris.”

Sebastian stands, taking Chris’s hand, which is warm and big and ever so slightly calloused, and exactly like Sebastian always imagined. “Yeah, I know,” he says, because he’s cool like that. And then, in a show of bravura that surprises even himself, Sebastian holds Chris’s gaze, tilts his head a fraction, and says, “So uh, my place?”

Chris smiles, casually dropping a few bills on the table, more than enough to cover their drinks, before taking a step to the side to let Sebastian pass. “Lead the way,” he says, lightly resting his hand on the small of Sebastian’s back as they make their way towards the exit.

🔥 🔥 🔥 🔥 🔥

It’s only once they’re outside and the cold February night air manages to cool down Sebastian’s overheated brain somewhat that it occurs to him to ask if Chris wasn’t at the bar with anyone.

“I met a friend for drinks but he just left,” Chris explains. “I was just waiting for the bill when I overheard you guys.”

“And you’re sure you don’t have any other plans?” Sebastian asks, because he’s nothing if not a self-sabotaging idiot.

They’re still standing outside the bar, the golden light radiating from a nearby lamppost decorated with a cluster of luminous orbs making Chris look softer, somehow. Still a Hollywood heartthrob, but also charmingly human. Unfortunately, it does absolutely nothing to make Sebastian any less infatuated. If anything, it only endears Chris to him more, which he really didn’t think was possible.

“Not really, no,” Chris replies, amusement in his tone. “I was just gonna go back to my hotel and read for a bit.”

Sebastian perks up at the mention of his area of expertise. “Oh, yeah? What’re you reading?”

“I haven’t started it yet, but it’s this history of space travel? I read a great review of it in the Times the other day, so I thought I’d give it a go.” With a self-deprecating smile, Chris adds, “I’m kind of a space nerd.”

Sebastian blinks. “Not ‘To Infinity and Beyond’, by any chance?”

“That’s the one,” Chris confirms. “You know it?”

“I wrote the review.”

Chris’s eyes go round. “You did not.”

In lieu of replying, Sebastian digs up his wallet from his pocket, takes out his Times-employee card and holds it up for Chris’s inspection.

“Huh,” Chris says, studying the card. “What are the odds.” When his eyes turn back to Sebastian’s, he suddenly breaks out into a grin, wide and boyish. “Well, I guess that explains a thing or two.”

“How do you mean?” Sebastian frowns.

“I mean, that review was brilliantly written so you clearly have a way with words.” With a sly look, Chris goes on, “which explains your colorful descriptions of that candle earlier. The masculine scent of cologne, sex and clean, honest sweat was especially vivid.”

Sebastian groans, dragging a hand down over his face. “Jesus Christ, this is so embarrassing.”

Chris eyes shine with genuine mirth as he laughs, “Hey, come on, don’t worry about it.” He takes a step closer, ducking his head to try and catch Sebastian’s eyes, which are now firmly fixed on the pavement in an attempt to conjure up a hole to swallow him. “Call me a narcissist, but I didn’t exactly hate overhearing a gorgeous guy describing me as the man of his dreams.”

“Oh god,” Sebastian mutters, feeling himself turn a fetching shade of crimson. Trying to hide his blush, he turns around abruptly and nearly walks into the lamppost.

Chris, his savior, his knight in shining armor, manages to grab him by the back of his coat just in time to avoid the imminent collision. Sebastian still stumbles, but strong, capable arms wrapping securely around his waist keep him upright.

Carefully, Sebastian turns in Chris’s embrace so they’re facing each other, though he can’t quite make himself look Chris in the eye yet. “I’m guessing you caught on to this by now,” Sebastian tells the St Christopher pendant resting on Chris’s sternum, “but I’m kind of a disaster.”

Chris just hums, lifting a hand to tilt up Sebastian’s chin with his index finger, a small smile playing on his lips. “A beautiful one, though,” he whispers into the negligible space between them, before he closes that space and presses soft, full lips to Sebastian’s own.

Sebastian can’t suppress the small sound that escapes him when their lips meet, eyes closing on instinct as he lets himself sink into the kiss. Lets Chris take charge and coax open Sebastian’s mouth by running the tip of his tongue along the seam of his lips. Sebastian doesn’t think twice about letting him in. When their tongues touch, sweet and soft and languid, he trembles, pressing closer. Chris tastes a little like beer, and while Sebastian’s never been overly fond of beer, it takes approximately two seconds of being kissed by the hottest man on the planet for it to magically turn into Sebastian’s new favorite taste. Ever.

The kiss starts off slow; a little cautious maybe, as if Chris still isn’t entirely sure it’s welcomed. But then Sebastian’s hands find their way to Chris’s waist, fingers gripping tightly, and Chris slides a hand into Sebastian’s hair, angling his head gently to the left to deepen the kiss – and suddenly, Sebastian’s entire body feels like it’s on fire. He moans, relishing the feel of Chris's soft beard scratching at his clean-shaven cheeks, and way Chris takes control of the kiss, like something right out of every embarrassing fantasy he's ever had.

When Chris hums against his lips, as if he’s enjoying this just as much as Sebastian is, Sebastian’s knees go all weak and useless. It’s a good thing that Chris is there, tightening his left arm around his waist and pulling him more securely against the hard lines of his own body – which actually doesn’t do a thing to help Sebastian’s current knee situation. He whimpers, curling his hands into the fabric of Chris’s coat to anchor himself.

When Chris finally breaks the kiss, he doesn’t go far. His breathing has deepened, warm puffs of air caressing Sebastian’s tingling, wet lips. Sebastian exhales shakily. The way his head is spinning might be partially due to the wine, but it's definitely mostly because of Chris sweeping him off his feet with his smooth, movie star ways.

Needing a moment to gain his composure before he speaks, Sebastian buries his face in the crook of Chris’s neck, taking a deep, steadying breath –

Oh.

“I fucking knew it,” he groans.

Sebastian feels rather than hears Chris’s quiet laugh; feels the vibrations of it shake his broad chest under Sebastian’s palms. “Yeah? Do I really smell like your candle?”

“Better,” Sebastian mutters. On instinct, he presses his lips against Chris’s exposed neck, eliciting a shiver from him.

“You know,” Chris rumbles into Sebastian’s ear. “I still think I need to smell this magical thing for myself. Make sure you’re not just flattering me to get into my pants, y'know?”

Christ.

“Yeah,” Sebastian nods. “Definitely, good thinking. Empirical evidence is paramount. In fact, it’s totally possible I’m just mixing things up right now because my brain’s all” – he makes a poof motion with his hands, trusting Chris will get his drift – “so I think maybe I’ll need to do some comparative research.”

Chris tilts his head in though. “Hands-on research?”

“I think that’s best, yes,” Sebastian concurs.

“Right. Well, out of the two of us, you’re definitely the higher educated one, so I’m just gonna take your word for that.” After a beat, Chris adds, “as long as I get to test a theory or two of my own.”

“Oh?” Sebastian licks his lips. “Such as?”

The wicked glint in Chris’s eyes is the only warning he gets before Chris is sliding his hand back into Sebastian’s hair and giving it a firm, experimental tug.

“Ah,” Sebastian breathes, his eyelids fluttering, the blood rushing south so fast he feels dizzy – again.

Chris grins smugly. “Such as that.”

“Okay,” Sebastian croaks. “Yeah, that seems fair.” Wasting no more time, he reaches out to grab Chris’s free hand and starts to pull him along the pavement in the direction of his apartment.

Chris, laughing as he squeezes Sebastian’s hand, follows closely behind.

🔥 🔥 🔥 🔥 🔥

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#evanstan week 2021 #evanstan #rpf #chris evans x sebastian stan #chris evans #sebastian stan #my fic #my writing #heeeyyyy look at that I still write!#just took a little break #sorry about that 😅#hope you enjoy!!

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theywontletmebeprincipal · 3 years

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can you give me drowsy headcanons, ramble, or anything please, i am so deprived. do not be afraid to make it super long, the more the better, i just love drowsy chaperone and love to hear other people (plus you’re one of the only people i’ve seen who knows a lot abt it)

ASK AND YE SHALL RECIEVE

I’ll divide this into a few different parts, going from least to most excruciatingly sad :)

1. general headcanons

2. in canon things i noticed and think about daily

3. a full analysis of man in chair’s connections with the drowsy chaperone as an in universe show (trigger warning for abuse ment, alcoholism ment, suicide ment)

SECTION ONE: HEADCANONS

- okay the chaperone is trans I don’t make the rules

- also her name is ambrosia :) she forsook her last name :)

- she’s about 12 years older than janet and kinda hung with janet’s family after leaving her own for a while . essentially she’s a big sister to janet

- aldolpho has some lines where he asks if the bride is big and/or burly and while in canon this is supposed to show he’s kind of a womanizer I like to believe it’s because he was fully prepared to fight her if needed

- speaking of which Of Course janet is ripped she does gymnastics

- my batshit crazy headcanon for this show is that dee dee allen from the prom is a descendant of roman bartelli no I will not elaborate

- is aldolpho one of those bitches with pets that definitely shouldn’t be legal? yessir

- post show kitty becomes a star okay I just want her to be happy

- the “pastry chefs” do discover a love of baking post show and now run a shop along with performing in feldzeig’s follies which might maybe be a front for some crime too

- TRIX DROWSY AND ALDOLPHO WORLD TRAVELING POLYCULE CAUSING PROBLEMS ON PURPOSE

- underling’s name is james I will not elaborate on this either

- show never says what trix does so I’ve decided she’s an explorer. she charts maps and punches colonialists and drags her stupid friends along with her, the only bitch in the show with a braincell

- drowsy was a former vaudeville child star pre transition - she left the business but was a mentor to janet

- I do have a headcanon for mic’s name but in the spirit of every actor who’s ever played him I won’t fucking tell

SECTION TWO: SHIT I NOTICED

- robert refers to himself by full name a lot of the time which is v interesting given he’s named after the writer, bob martin (whose wife is also named janet van de graaf). the real bob martin is like five feet away at all times playing mic

- idk how to describe it but the dynamic kitty and feldzeig (VICTOR felgzeig. we have a name from one (1) line) have when talking to each other is so snappy and funny and good

- aldolpho’s lines in spanish are mostly romantic bullshit but his first one hints that he has/had a wife who, if we’re taking the translation literally, refused to touch him. yeah I’ll bring this up in analysis

- the “pastry chefs” provide liquor for the wedding even though it has absolutely no relevance to their mission of stopping it :)

- drowsy is like. SUPER endearing towards janet and despite her bad social skills it’s super clear she cares a lot about her

- robert speaks fluent french apparently

- everyone says “ew” after aldolpho reveals his affair with drowsy despite her being a certified milf

- the body language of drowsy in the end of the show where she takes mic’s hands and breaks the barrier between reality and fiction is just so good. she was iconic the whole show but I honestly think this final bit is what won beth leavel the Tony in the end

SECTION THREE: OH NO

before diving into the way the drowsy chaperone affects his character, we need to understand what exactly it’s playing off of. to fully understand mic’s attachment to the drowsy chaperone, we need to outline what led him to isolating himself and living in fiction to the extent that he does.

mic’s father left his family at an early age and his semi estranged alcoholic mother was the one who began his love for theatre. mic grew up in a broken household and eventually moved on to land in a one sided marriage, which lasted a few months until he slipped up and expressed his discomfort with the situation, after which he and his wife split. nowadays, he lives alone in his apartment surrounded by records he uses to escape to a better life - his favorite of which being the one his mother gave him, the drowsy chaperone.

symbolism in the drowsy chaperone regarding mic’s life can be split into two main categories - mommy issues and internalized homophobia. there isn’t nearly as much mom symbolism as there is the latter, so I’ll cover that first.

drowsy covers both bases, but she definitely has some undeniable mom symbolism going on. drowsy marries aldolpho and mom dreams of being swept off her feet by a latin lover, both feel they’ve wasted their chances at love, both drink to forget, etc. this is where the idea of the drowsy chaperone being mic’s ideal way for things to work out, a positive parallel, comes into play. given that we don’t hear too much about mic’s mom other than her connections to major life events and the record itself, we can assume they grew apart in one way or another. the key difference is that drowsy finds a happy relationship for herself and retains her bond with janet, unlike what we’re led to assume mom was like.

further elaborating on the drowsy chaperone representing mic’s ideal fantasy version of events is the wedding the drowsy chaperone’s plot centers around. here’s a list of the things that didn’t stop that damn wedding:

- a minister not showing up

- the groom cheating on the bride with the bride

- the bride having a complete mental breakdown

- indirect mafia interference

- direct mafia interference

on the flip side, what little mic says about his wedding indicates it sucked absolute ass. he spent the entire ceremony in internal distress as he went through with a life changing event he, at that point, knew at least a bit that he didn’t want. I think he also implies he had severe diarrhea on the wedding day? it gets worse when you realize mic’s relationship before the wedding wasn’t any good for him either - he was playing along the whole time because it would be cruel not to, right?

throughout the show, mic is pretty clearly shown as an extremely repressed gay man. there are five specific instances that point at romantic and/or sexual attraction to men directly and another moment outside of his commentary that pretty much confirms it if you look a little bit deeper. thus, here is what I propose - to mic, the drowsy chaperone’s wedding plot represents a world where he was able to ignore that part of himself and have a happy marriage with his wife despite all the overwhelming obstacles thrown at him. however, bits and pieces of that internalized homophobia manage to show themselves throughout the drowsy chaperone anyway despite its happy ending. here’s a rundown on a few significant instances:

- by the end of the show, the “pastry chefs”, who had literally been planning to kill feldzeig, have left their life of crime to perform with him. this symbolizes how in mic’s ideal world he would have been able to turn away from what he perceived at the time as living wrongly - his homosexuality

- at the same time, the “pastry chefs” have this line, spoken in regards to janet: “if she gets married and leaves the show... there ain’t no show.” this is a take on mic’s subconscious concern that he might lose himself if he goes on with his marriage pretending everything is alright - of course, as we already know, he doesn’t listen

- “cold feets” is a pretty obvious instance of mic’s hesitation

- aldolpho’s line in spanish regarding the wife who won’t touch him flips to reflect on mic’s treatment of his own ex wife - she was alien to him as a lover, just as aldolpho was to this woman

- janet recalls her meeting robert at a point in the show and states “we spooned, briefly, then he proposed.” though mic’s relationship pre marriage was much longer than that, it must have felt that way to him - just as quick and nonsensical as janet describes

- just as janet is caught in showbiz but has a toxic love for it, so does mic with his own repressed life

- janet has a line in “show off” that alludes to her experiencing harassment/assault: “I don’t wanna be cheered no more/ praised no more/ grabbed no more/ touched no more/ loved no more” , which I believe represents the way mic perceived his intimacy with his wife - labeled as love yet unenjoyable for him

- “I look into his eyes... I get all woozy. and that’s... love, isn’t it?” is another very clear nod to mic’s misconception of love based off the only thing he’s ever experienced, relationships with women he’s had to fake

- this is the part where I tell you the lyrics to toledo surprise are a metaphor for actively suppressing gay thoughts. I’ll just leave you with “if it tries to rise; don’t let it”. these lyrics are not comprehensive enough to make a dish - trust me, I have tried. it’s also notable that they serve a double entendre as instructions on how to beat the shit out of someone, but several lyrics are also directed towards the singer/audience. for example: “it’s a snap/ try it folks/ whip your whites/ split your yolks” is an easy metaphor for the unhealthy mental gymnastics required to repress oneself so wholeheartedly

it’s also worth noting the obvious just for the sake of it - mic copes with all this by isolating himself in a safe spot where he can use musicals to escape and live his ideal fantasy, even if it’s only for a short time. there are plenty of nods to this throughout the drowsy chaperone as well. in “as we stumble along” drowsy notes that “the best that we can do is hope a bluebird/ will sing a song/ as we stumble along” - to mic, musicals are his bluebird. while mic mostly indulges in these fantasies, he knows to a certain extent the sheer amount of time he’s spending in them is unhealthy. the first line of the show is “I hate theatre” and I think that to an extent? he does. obviously mic loves theatre as a concept, that can’t be denied. what he hates is the way he’s allowed it to confine him.

with all that out of the way, let’s move on to the most important moment of the show. if you’ve ever seen the show, you’ll know exactly which scene I’m talking about immediately. I’m referring to, of course, the infamous “l-ve while you can” scene. as janet stands at the alter she asks drowsy for one final word of advice, which is partially obscured by aldolpho dropping his cane. “l-ve while you can.” it’s a simple moment, but mic reveals to us that he’s been agonizing over it for years - did drowsy say “live” or “leave”? it occurs to everyone eventually, whether a couple days after the show like with me, or years after like with bob martin’s replacement on broadway that the most likely answer is that she had said “love while you can”. it’s this moment, when you realize why mic had never seen that as an option, that the drowsy chaperone’s status as a musical within a comedy within a tragedy is solidified. mic had no love in his life - his parents hated each other and he was forcing himself into relationships in which he felt nothing. to him, living and leaving were options, but loving never was. so he locked himself away.

as the final note on the record is playing, all power in mic’s apartment shuts down and the fantasy is ruined. the superintendent arrives and further invades his space, breaking the private sanctity he had built up for so long. she fixes the power and before mic can stop it from happening, the final note of the record plays. and the super recognizes it as a musical. she makes a remark about how much her wife loves musicals and leaves, completely unaware of what she’s just done.

mic sits in silence for a while. and then he begins to sing. gradually, the cast members begin to echo their songs, dancing around him but never touching him. then drowsy appears and sings harmony to mic. and she takes his hands. the show ends with the entire cast, including mic, taking off on trix’s airplane as the curtain falls, drowsy handing mic his record as the plane takes off.

some people interpret the ending as mic committing suicide, finally deciding between live and leave. I don’t personally believe that and neither does writer and original mic bob martin, but it’s still a valid interpretation. the drowsy chaperone’s ending is ambiguous, yes, but not to that extent. no matter what you believe the ending means, it was brought on not by the interruption of the fantasy, but by whatever realization the super’s remark about her wife triggered. as I see it, there are two main options here.

option one - mic realizes he still has time to live and to love. when he was younger the prospect of living as himself was unthinkable to him, yet now he sees that while he was spending countless years alone the world grew. drowsy offers mic her hand, an invitation to finally become what he had admired in her - someone who isn’t anywhere near perfect, but is damn well trying and living life without regret. he accepts.

option two - mic realizes that while he spent years alone the world moved on without him and he’s isolated himself so much from social interaction that he’d no longer be able to make a meaningful connection with anyone outside. so he stays inside instead, never trying, always trapped between live and leave. drowsy offers mic her hand - at least he’ll have a tune to carry with him.

I really want to believe we got option one. I think option one is the intended, really, given mic ends the show with a joyful goodbye to the audience. but the way that the ending is still left open for interpretation makes it so that we can never really know - we as the audience only get to be privy to a small part of mic’s life, and we don’t get the answers we want because at the end of the day they’re irrelevant to us - all we can do is make our own choice.

#the drowsy chaperone #musical theatre #musicals #broadway #musical meta #man in chair

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camelotsheart · 4 years

Text

MERLIN CHALLENGE 2020 Day Thirteen - Favourite Cast Member Katie & Julian in 5x13 commentary

I know this is a very big stretch from the theme, but Katie and Julian in this commentary were honestly iconic. Includes: mentions of bondage, incest, so, so much subtext and just a horrendous amount of queerbaiting. I’ve compiled a list of the funniest/most important exchanges below the line.

At the start of the commentary:

J: There are no homoerotic undertones to Merlin of any kind.

K: I think so. I mean, whenever I played any scenes with Millie it was always straight in my mind.

J: No, there are definitely lesbian undertones in those.

When Merlin tells Arthur he has magic:

J: It's a very beautiful moment between two men. [Katie tries to hold her laughter]

K: ...You are not helping this commentary at all, by the way, Julian.

J: No, I'm not.

K: I think you possibly have been waiting for the sixty-five episodes to do this one commentary.

J: Yes. I've always been a bit more serious in the previous ones.

K: No he hasn't, actually.

Also in this scene:

J: ...On no level is magic metaphorical in this show.

K: It's funny, because I don't actually feel like you're being sincere.

J: I'm always sincere.

K: You're the exec. You are never sincere.

J: Believe me, I'm a fountain of truth and honesty.

K: Julian is lying right now. Lying.

When Gwen is back in the castle and Leon reports to her that Arthur is still missing:

J: We've gone to the spurned wife who wants to know where her husband is.

K: But she has Sir Leon. Why would she need...?

J: Ah... Well you see, that's another undercurrent in Merlin, isn't it?

K: Sir Leon?

J: Sir Leon.

K: Oh no. It's definitely-

J: Sir Leon and Gwen.

Also in this scene:

K: ...We know that you never gave me any love interests.

J: I gave you Morgause.

K: [She laughs] He says -- in all seriousness!

J: Incestuous lesbianism. What more can you want?

K: You cannot make a show without lesbianism, in all fairness.

J: It's gotta be said.

Also in this scene:

K: I do worry about you guys, actually. I worry that there are men sitting in a room with Merlin just trying to come up with the most ridiculous scenes that they could get past the BBC.

J: That's...

K: He's nodding.

J: Not true.

K: He is nodding! He's nodding -- it's so true!

J: It's a family show.

K: Not in your head.

When Arthur tells Gaius Merlin is a sorcerer:

K: Did Gaius know?

J: What, that he was a sorcerer?

K: That's not what I asked. About the undertones.

J: No, Richard would never think of anything like that.

K: You're right, he's a gentleman.

J: He's a gentleman... A man of genuine innocence.

When Arthur gives Gaius the royal seal:

K: The seal... He's passing the mantle to the woman-

J: Yep. That's the last vestige of his heterose-- I mean, sorry. That's the last vestige of his marriage--

K: Oh my god! [They laugh] This has descended to a level. I mean, I thought I was bad in these - playing up - but I have got nothing on Julian Murphy here. I think we should just throw it all out the window.

J: The way we directed the scene where Gaius tells Gwen is basically the thing of it.

K: I think you must just think of most of these scenes in this episode (as the thing of it), if you don't go-

J: It always helps, I swear.

K: You know, he ain't lying again. He has told me this.

J: If you want to find the emotional truth of it, it does help.

When Gaius comes back to Camelot and talks to Gwen:

J: That's a tricky one for Gaius to explain - why he's not come back to his wife.

K: You-- You're seeing an entirely different show here than a lot of people, aren't you?

J: Yeah, I know. I do.

When.... er, Julian describes it better:

J: This is the scene where Merlin feeds Arthur... I'll just let that hang in the air.

K: I will input what I can. Alex Vlahos is lost in laughter listening to this. He can't quite believe what's coming out of your mouth.

J: It's actually quite a moving scene.

K: And yet that's not what you want to comment on.

And uh, yeah... another one:

J: Now Merlin is giving Arthur a drink.

K: I think he's just giving him a drink there.

J: Yes. They just spend the whole episode on this journey. It's quite simple.

K: Feeding each other?

J: The feeding thing, I think, is in your mind, Katie.

K: You just said it then. I'm just repeating back to you what you said. Don't try and blame this on me! For a start, you guys came up with the episodes!

When Gwaine and Percival are attacking Morgana:

J: This entire sequence is actually a homage to Tom's arms.

When Morgana has tied them up:

J: Oh, Katie. You've tied up the man again.

K: I know. I just like them where I want them, you know. I don't want them to go far.

J: And as you say, thousands of girls watching Merlin want them in that position.... You've tied them both up!

K: Well, like I said - I don't want them to run away when I want them.

When Merlin uses his magic to lead Saxons on a false trail:

[Arthur: All these years Merlin, and you never once sought any credit.

Merlin: That's not why I do it.]

K: Liar!

J: Well, he knows.

K: What are you--

J: You can never be too sure about these things.

K: It's all the meaningful glances now after this DVD commentary that I'm just going--

J: I should say that Katie, just before we wrote this episode, insisted that it ended with a kiss between Arthur and Merlin.

K: That is not what I said. That's what you put into it. I had the most amazing ending.... My ending, which you didn't use, which I thought would have been amazing, is -- Arthur. Mortally wounded on the battlefield. Merlin comes up and cradles him in his arms. Merlin to Arthur: I have magic. Arthur takes his face in his hands: I know. I think I've always known.

When Arthur and Merlin rest for an hour:

[Arthur: Whatever happens--

Merlin: Shh. Don't talk.

Arthur: I'm the king, Merlin. You can't tell me what to do.]

K: Awww

[Merlin: I always have. I'm not going to change now.]

K: [laughs] oh my god....

[Arthur: I don't want you to change.]

K: [continues laughing] Do you know how much trouble we're going to get in from people saying this was a beautiful moment and all you guys can do is laugh?

J: Well I think you need to have both sides of it. And to be fair, we did genuinely think of the episode as a love story between two men. That's what I think it is. Jokes aside and innuendos aside, I remember talking to Justin and saying that's what it's about.

K: You can't deny that Merlin and Arthur love each other. On whatever love way you want to think. There is no denying it.

J: I think it's a purer love than you, say, had for your sister.

K: You say I had for my sister. [Julian laughs] Ok. I don't know how you read that into it.

J: No. We'll stop there.

K: Oh, we won't.

When Morgana rides her horse through the woods:

K: More Katie galloping.

J: I think you did that just so you could see my boobs.

K: I definitely didn't.

When The Scene happens:

J: Now we're nearing the moment. I'll show you where exactly I'd pick is the...

K: ...where it's all been building to -- almost sixty-five hours of TV. Special moment.

... [Arthur: Just hold me, please.]

J: There you are.

K: [gasps] I can't believe you put that in.

J: Well I think it's... you know, he's dying. The man he loves is dying, so he's holding him.

K: I don't think that's what you meant at all when you put that line.

J: It is!

Shameless trivialisation of ruining everyone’s holiday:

J: I don't know how the nation's gonna feel on christmas eve, but anyway.

K: Yeah, it's kind of a downer.

Katie being literally everyone in the Merlin fandom:

[Kilgharrah: No man, no matter how great, can know his destiny.]

K: Hold on a second here, hasn't the dragon been telling him his destiny this entire time?

J: Yeah, but that's the sort of annoying comment that people make when they're not just going with the flow.

K: Oh really? Oh really, is it? [they laugh] Fine then!

#no edits today #but it was enjoyable nontheless #this is the only commentary I've listened to #will listen to the others if i get time #bbc merlin #merlinchallenge2020 #katie mcgrath #julian murphy

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katsidhe · 4 years

Note

7.02 final thoughts? (Idk if this one has been requested yet)

7.02 Final Thoughts

*rubs hands* Ah, yes, the episode that got me into SPN. I could talk forever about season 7.

Fun drinking game: take a shot every time someone makes a different colorful idiom about Sam being insane. Hint: you’ll die, because I counted 25.

(I WONDER WHY Sam didn’t want to tell Bobby or Dean about his active symptoms of psychosis. Truly, a mystery for the ages.)

Even setting Hallucifer aside, this episode highlights so many of the things I high-key LOVE about season 7: the erosion of Sam and Dean’s support network (as tenuous as that already was)—take away Bobby’s house, take away angelic healing, take away the Impala, make them vulnerable and alone and crumbling under the weight of the trauma they’ve accumulated. The broken leg, Sam’s head injury and seizure in the ambulance? Strapped down, badly injured, the fates of their friends uncertain, headed into the belly of the beast? ICONIC. Over the top. Amazing.

It’s a similar kinda thing to Jody’s predicament—sure, she’s capable enough ordinarily, but if you give her surgery and drug her and leave her alone in a hospital with a liver-eating monster on the prowl, the stakes look a lot different, don’t they? I’ve seen this episode approximately one gazillion times but every time I get tense for her.

Quick thoughts on the Leviathans, which have a reputation as an underwhelming SPN villain. Perhaps because of how unsubtle and half-baked they are as metaphor for corporate greed/capitalistic consumption, perhaps because of how their promise of truly terrifying Old Ones, Cthulu-esque devourers, never quite came true (except for a bit in 7.01 and 7.02, yikes!). But honestly I’ve always liked them—I like how their organization and assimilation of knowledge drives the Winchesters deeper underground than even the Apocalypse did; I like how they made the Winchesters’ entire world into something mundanely unsafe and miserable; I like how they showcase the horror of a enemy composed of lockstep drones, the way that Heaven (and Hell, sometimes) tries to be, but never truly manages; I like Dick Roman’s gleeful ravenousness; I like their spooky mouths; hell, I even like the Dick jokes.

Bobby’s solicitousness towards Dean, and how awkwardly he talks to Sam a little later in the episode, is very emblematic of how bone-deep uncomfortable he is around an honest-to-God mental illness, and, well, around Sam’s issues in general. Which doesn’t make him a bad person, or unsupportive, necessarily. But it’s very evident that he’s got no clue what to say to Sam or how to handle him, that he’s leagues more comfortable dealing with Dean’s problems (as has often been the case regardless of Sam’s mental health).

A related, but separate point: the lengths the show goes to to emphasize “look, Dean’s not okay,” while Sam’s in the middle of a psychotic break… It baffles me a little every time I see this episode, when Bobby walks away from Sam all “yyyyeah I gotta go do some work” and then is immediately all “ok but Dean, how are YOU feeling?” It’d be one thing if Dean weren’t emotionally demonstrative, and if Sam were—if Sam, at this point in the episode, was so obviously struggling to such a painful degree that Bobby wants to make sure Dean’s not overlooking his own reactions. But that’s not really the case. Apart from some flinching, Sam’s been very matter-of-fact about the whole thing so far.

This is our first deep-dive into Sam post-Cage, a full season about he returned. And I love it to pieces, you guys. I love how these inescapable, soul-deep consequences are the inevitable answer to the moral of Sam’s story, where he interred himself with his worst nightmare, forever.

Dean after Hell is clawing for moral high ground. Dean focuses on this bleak kind of virtue, this idea of martyrdom and righteous struggle that eventually unspools and reveals itself to be fundamentally unmoored. He needs some kind of redemption for himself after what he was forced to do in Hell; he needs to own his destiny, and he needs that destiny to be meaningful and good, and he channels his violence outward in that cause.

Sam does not take any kind of high ground. He hurts... himself. He gnaws inward. No illusions about how “messed up” he is—he sidelines himself before Dean or Bobby can say a single word; he figures he needs to be on top of it, needs to get out ahead of the danger he could represent and reassure his family that he knows he’s a hazard. Sam has learned to repress and downplay and hide his traumas and his freakishness both to avoid feeling stigmatized and to avoid being a burden on the people he loves, especially on his brother. So when Dean reacts with fear (understandable) and anger (less so), Sam takes it in stride.

Hallucifer is probably my favorite thing this show has ever done. I could probably write another thousand words on Hallucifer alone—on how Sam’s using this face for coping, for compartmentalizing; both to hurt himself and to keep himself company, to sort through his pain and arrive at a place where it’s at all tenable for him to exist.

Sam’s skepticism about professional mental health treatment—his idea that this is a problem he can handle himself, that a doctor would "just stuff [him] full of pills”—is clearly one born of the family mold. This is his dismissive response to Hallucifer!Dean’s accusation that Sam won’t be able to cut it on his own. This denial, this idea that Sam knows he needs to get a handle on this, and therefore that he MUST do it himself, make a science of it, is fascinating.

On the subject of denial: Hallucifer poses a simple question to Sam: are you sure you got out? And Sam’s NOT sure. Faith that he’s free is yet another maybe-lie that Sam must tell himself with maniacal intensity this season, for the sake of his own sanity, to avoid the voice in his head telling him to shoot himself.

That Scene in the warehouse. Dean’s advice to Sam is to trust in Dean as the cornerstone of his reality. Asks him to build his whole world on his trust in Dean. What choice does Sam have? Who else can Sam rely on? What else can he do? There is no one else, nothing else. There’s only Dean, or Lucifer. It’s a dichotomy. It’s so CHILLING.

Especially in the context of what we know comes next—7.03, where Dean lies to Sam’s face, murders Amy, and uses Sam’s ~insanity~ to defuse Sam’s (justified) anger. And then, season 8, and 9, and 10, and, y’know what, the entire show.

Sam drives his thumb into his bleeding hand, and it’s SPN in a nutshell—forever choosing the claustrophobia of the path of slightly less resistance, forever clinging to the misery of a life that’s only just this side of bearable, burying yourself in the toxic fallout because the alternative is unimaginably nightmarish—using the trappings of free will, of defiance, to choose to claw holes in yourself so that someone else won’t. There is no escape.

Dean’s threat of murder-suicide on the phone is so clearly meant to be sympathetic. And yes, on a certain level it absolutely is; and then on another level, it’s, y’know, MURDER-suicide, where Dean’s taking explicit responsibility for and ownership of Sam’s life, even though Sam’s pretty clearly lucid. Dean’s assuming as a matter of course his ability and right to make that decision for Sam. How Dean views and deals with Sam’s instability in season 7 lays major groundwork for Dean’s willingness to let in Gadreel in 9.01.

#final thoughts #7.02 #sam and lucifer #sam and hallucinations #sam and dean #sam and self-harm #sam and hell #sam and trauma #sam and mental illness #sam and abuse #dean critical #sam and suicide #season 7 more like season HEAVEN #(except that spn heaven sucks ofc and s7 emphatically does not)

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kjack89 · 4 years

Text

Zoom

For the 2020 Same-Prompt Fic Challenge as set up by @shitpostingfromthebarricade, which had to use the quote, “I didn’t know you could do that”.

This is a different take on a COVID-19 self-isolation fic, mainly because I started my Quarantine AU before my state, at least, actually had a stay at home order in effect. That’ll come up at some point in that fic, but in the meantime, I thought it would be fun to come at it from a slightly different approach.

E/R, modern AU, Zoom call-related shenanigans and hijinks because why not?

Enjolras took a deep breath before clicking the link to the launch the first official virtual Les Amis meeting. The Stay at Home order had gone into effect almost two weeks, but with the chaos, Enjolras had made the decision to delay meetings. Between the Stay at Home order and navigating the schedules of those members who were essential workers, it had taken this long to find a time where they could all actually be on the Zoom call together, and even though he knew it was just going to be some of his closest friends, he still felt inexplicably nervous.

His nerves disappeared almost instantly when the first person he saw was Grantaire, hunched in the dark, a beer bottle just in view at his side. “Are you the first one on?” Enjolras asked, and Grantaire shrugged.

“It wasn’t like I was doing anything else,” he said, a little sourly, “especially considering—”

He was cut off by the tell-tale chime of someone else joining the meeting, and Combeferre appeared on screen. “Good evening,” Combeferre said, and Enjolras grinned at him.

“I know you and I just talked but it’s really nice to see you.”

Grantaire mimed throwing up. “Get a room, you two,” he said.

Combeferre flipped him off as several more people joined the meeting at once. For a few minutes, there was the usual wild cacophony of nearly a dozen people having at least a half dozen conversations at once, and Enjolras waited patiently for the general din to die down so that he could get started.

As per always, whether virtually or in person, Grantaire, Joly and Bossuet were the last ones to stop talking, and everyone else had mostly stopped when Joly asked, curiosity clear in his voice, “Grantaire, where the hell in your apartment are you?”

Grantaire glanced around himself. “Oh, uh, I’m in the closet – physically, obviously not metaphorically.”

He winked, and after a few scattered laughs from the group at large, Bossuet asked the question most seemed to be thinking. “Why are you in the closet?”

“Because my walls are paper thin and I didn’t want my mic picking up every time a train goes past?” Grantaire said, as if it was obvious.

Joly arched an eyebrow. “Yeah, but you’ve got your headphones on, so would it even pick it up?”

Grantaire rolled his eyes and sighed. “Ok, fine, truthfully, I’m hungover as fuck and the dark in the closet helps. Happy?”

“Hang on,” Feuilly said, jumping in, “It’s five in the evening and you’re hungover still?”

“What the fuck is this, twenty questions?” Grantaire snapped, looking distinctly uncomfortable. “Besides, what the fuck else is there to do in isolation besides get drunk all the time?”

Enjolras cleared his throat. “As ever-fascinating as the subject of Grantaire’s drinking is,” he said, a hint of disapproval in his voice, “how about we actually get back on subject?” His arched eyebrow was enough to silent the rest of the conversation, and he allowed himself a brief moment of triumph before continuing, “Alright, I’m just going to go ahead and mute everyone— There. Ok. So obviously the biggest thing we have to worry about is further degradation of workers’ rights in light of this pandemic. We know the right-wing talking points, we know that they’re going to pivot pretty quickly toward being ok with sacrificing poor folks, and black and brown folks, and we need to figure out a way to safely demonstrate that we will do everything in our power to stop that from happening. We’re about three weeks out from International Workers Day, so I think that means—”

He broke off as his phone chimed. “Oh, hang on a second, I’m so sorry, I forgot to put it on silent—”

Again he broke off, this time because of the text from Combeferre: You appear to have muted yourself when you muted everyone else.

He looked in horror at his screen, at the 20-odd messaged in the Zoom chat, and at the telltale microphone icon with a line through it. He closed his eyes and counted to five before clicking to unmute himself. “Was no one going to tell me sooner?” he asked with a sigh.

“In fairness, we did,” Courfeyrac said after unmuting himself, grinning. “Not our fault you didn’t bother to check the chat.”

“Besides, we’re all social distancing,” Bossuet added. “What did you want us to do, hop in a car and drive to your place to let you know you were on mute?”

Enjolras gritted his teeth. “Preferably, yes,” he said, glaring at the screen. “Though it isn’t actually necessary, considering—”

“Why don’t we just cut to the chase and go over whatever damned document you shared us on before this whole thing began?” Grantaire interrupted. “Because I’m almost out of beer and at this point, this meeting could’ve been an email.”

There was what certainly sounded like a murmur of agreement, and Enjolras bristled. “Fine,” he snapped. “Everyone, open the document and let me know when you’ve got it opened.”

“And how would you like us to let you know, dear leader?” Grantaire asked, his voice saccharine sweet. “Should we all raise our hands when we’ve got it? Blink twice if we aren’t able to get into it? Perhaps bring into song and—”

“Or you could just tell us if you aren’t able to access it,” Courfeyrac interrupted, saving Enjolras from the rant he had been a second away from launching into.

“Besides which, he can tell if you’ve clicked away from the Zoom meeting by using Zoom’s attention-tracking feature,” Combeferre added, a note of warning in his voice.

Enjolras blinked. “I didn’t know you could do that,” he said, sounding surprised. “That seems like a huge invasion of privacy! Should we be switching to another platform? I don’t want—”

“The feature was permanently removed at the beginning of April,” Jehan interrupted, sounding bored. “The easiest way is probably just to see if we’re all in the Google Doc.”

“Right,” Enjolras said, and while it was hard to tell with the lighting in his shot, it certainly looked like he blushed, just a little. “That’s what I was planning on doing.”

Joly let out a cough that sounded suspiciously like a hastily-stifled laugh. “In that case, it looks like we’re all in the doc.”

Enjolras heaved a sigh. “Very well,” he said. “Then let’s get started.”

The next twenty or so minutes of the meeting went without a hitch, and Enjolras felt himself finally relaxing, feeling much more like he would at any regular Les Amis meeting.

When they had finished with the document Enjolras sent before the meeting, he pivoted the conversation. “So obviously the federal government has been focused on mortgage relief, which is great for the owner class, but doesn’t do a hell of a lot for the renter class. I had Combeferre compile some statistics and proposed solutions, and I’m just going to share my screen with everyone to show those, give me a second—”

“Great time for me to get a refill,” Grantaire said, draining his beer bottle. “Someone chat me if I miss any other great technology SNAFUs.”

With that, the thumbnail of his image went black, just displaying a capital R, and Enjolras rolled his eyes before turning back to the statistics Combeferre had sent him. “Ok, they should be shared now, so Combeferre, go ahead and walk everyone through them, and I’ll just scroll through as you go.”

“Absolutely,” Combeferre said, adjusting his glasses, his tone already sounding professorial. “So let’s start with this chart demonstrating renters vs owners in all the city wards.”

He took over from there in earnest and Enjolras muted himself before sitting back in his chair and breathing a sigh of something close to relief. As little trouble as he had talking in front of any variety of large groups of people, he didn’t do so well in virtual meetings, and it was nice to let someone else do the talking for the moment.

A hand touched Enjolras’s shoulder and he practically jumped up, whirling around before instantly relaxing again when he saw who it was. “Jesus Christ,” he huffed. “You almost gave me a heart attack.”

“Sorry,” Grantaire said, sounding anything but. “I told you I needed another beer.”

“I know, but I didn’t think you’d stop in here on your way back to the closet.” Enjolras couldn’t quite stop the smile that twitched at the corners of his mouth. “Sorry to make you go in the closet, by the way – it was the only part of my apartment I could think of that, well, didn’t look like my apartment.”

Grantaire shrugged. “It’s honestly not bad,” he said, “though being out here is infinitely better.”

Enjolras nodded sympathetically. “Better lighting,” he offered, and Grantaire rolled his eyes.

“Better company,” he corrected, leaning down to press a kiss to Enjolras’s forehead.

Enjolras laughed, somewhat breathily, and tilted his head up to capture Grantaire’s lips with his own. “It’s not like you don’t get to see me on the screen,” he pointed out, and Grantaire gave him a look.

“That’s not the same and you know it,” he huffed.

“There’s only another half hour left,” Enjolras told him. “And then after that, I’m all yours.”

“No,” Grantaire corrected. “After that, you’ve got at least three other meetings you’re supposed to be sitting in on, so forgive my lack of enthusiasm, but—”

He let out an ‘oof’ as Enjolras pulled him down onto his lap. “Yes, but for those meetings, I don’t have to be on screen and I also don’t care all that much about those, which means that you and I can spend the entire time—” He tilted Grantaire’s chin up with two fingers, his grin matching Grantaire’s. “—doing this.”

He kissed Grantaire, deeper this time, his mouth opening against his when Grantaire ran his fingers through Enjolras’s hair and—

“Um, Enjolras?”

Enjolras pulled back from Grantaire, who groaned and leaned forward to rest his head against Enjolras’s shoulder, and reached out quickly to unmute himself. “Yeah, Combeferre, what’s up?”

There was a moment of silence before Combeferre cleared his throat delicately and asked, “You do know that when you present your screen, we can still see you, right?”

Enjolras and Grantaire froze. “Wait, what?” Enjolras asked weakly, as Grantaire repeated, “You can see— Oh, shit.”

Without warning, Grantaire practically rolled off of Enjolras’s lap, assumedly dropping out of frame as he fell heavily to the floor. Of course, judging by the cat calls and hysterical laughter that greeted them, it was far too little, far too late.

Surprisingly, Joly was one of the first to stop laughing, mostly so that he could ask, mock-stern, “Enjolras, what is Grantaire doing at your place in violation of the Stay at Home order?”

“It’s not technically in violation of the Stay at Home order,” Enjolras muttered, his face beet red.

“What in the hell is that supposed to mean?” Bahorel asked.

Grantaire reappeared on screen as he slowly struggled to his feet. “It means, uh, it means we’ve been keeping something from you,” he muttered, rubbing the back of his neck. “And when the stay at home order was announced, Enjolras thought it would make more sense for me to stay with him than to stay at my place.”

“How—” Courfeyrac started, his voice cracking. “How could you possibly keep this from us?! During a mandated isolation order?! I could have been living for this instead of rewatching Love is Blind a million times on Netflix!”

Enjolras sighed. “We didn’t want to tell anyone until we knew for a fact it was going to work.”

“And?” Jehan prompted. “Is it?”

Enjolras and Grantaire exchanged glances, a smile returning to both of their faces. “Well, we haven’t killed each other yet,” Grantaire said bracingly. “So I guess it just might be.”

“Ok, but you have to tell us—” Bossuet started, but Enjolras cut him off.

“We aren’t really going to spend the rest of the time talking about this, are we?” he asked exasperatedly.

“Why, you got someplace better to be?” Courfeyrac asked, clearly still smarting over having not been told earlier.

Enjolras considered it for just a moment. “Actually, yes,” he said. “We’ll reconvene next week.”

With that, he clicked the Leave Meeting button, turning to look up at Grantaire. “What do you say, want to go do something better?”

Grantaire grinned. “Absolutely,” he said, fumbling for his phone in his pocket, where the Zoom call was still active. “Let me just—”

Before he could leave the meeting on his phone, they could both hear Courfeyrac squawk, “Hang on, did he just hang up on us?” at the same time Bahorel demanded, “Wait, how is Marius now the host?”

Grantaire laughed as he left the meeting, sliding his phone back in his pocket before pulling Enjolras out of his chair. “Now,” he murmured, leaning in, “where were we?”

Enjolras kissed him hungrily, both of them stumbling towards Enjolras’s bedroom and quickly stripping out of their clothes and falling onto Enjolras’s bed. After a long moment, Enjolras pulled away to glare at Grantaire’s pile of clothing, from which his phone kept chirping obnoxiously. ”Who is blowing up your phone right now?”

“It’s Venmo,” Grantaire said with a laugh. “Just our friends, paying me what I’m due. Now get back here.”

Enjolras rolled his eyes but went back to kissing him before pulling away again. “Hang on, does that mean that you bet on us?”

“You bet your ass I did,” Grantaire said, grinning. “Easiest hundred bucks I’ve ever made, and when the Stay at Home order is lifted, I am using that money to take you out—”

“To a locally-owned, locally-sourced, vegetarian restaurant?” Enjolras asked, only half-teasing.

“To wherever you want to go,” Grantaire told him. “Now shut up and kiss me.”

For once, Enjolras was only too happy to oblige.

#same prompt fic challenge #exr #enjolras x grantaire #enjolras #grantaire #enjoltaire #les amis #fanfiction #modern au #les miserables #covid-19 #zoom call #hijinks and shenanigans

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vaguely-concerned · 4 years

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The Mandalorian s2 ep1 Reactions Post That’s right I’m BACK

and none of you not even god himself can stop me from rambling about space cowboy dad and tiny green baby stuff for much longer than any sane person should

the TL;DR is that I still love this show SO MUCH, beware a bunch of spoilers under the cut!

- costume design wise I LOVE how badly the armour fits Cobb Vanth

especially when you get shots with him and Din side by side for contrast:

It’s not just that it’s clearly not made for him (it seems he’s a lot lankier and more wiry than Boba is), he simply doesn’t know how to wear it, and he doesn’t know how to take care of it, because he doesn’t know what it means. Remember when Din’s breastplate got bent completely out of shape by the mudhorn and he had it repaired to the best of his ability long before they even finished with the ship? That’s why he looks so grounded and natural in it and Vanth has sort of a clumsy Spiderman-in-his-first-home-made-costume air about him. (also Boba’s helmet has a beautiful heft and solidity to it in this, they make all the beskar have a Feel and weight to it, makes it feel important)

I like that Vanth is taller than Din; everything that drives home that Din’s strength doesn’t come from being naturally physically imposing or impressive is a joy to me

- Boba’s armour seems to be confirmed to be real beskar, which gives me so much hope that they’re doing something actually nuanced and interesting with Boba and Jango’s cultural identities as Mandalorians (whether they do consider themselves that or not, for example), unlike George Lucas’ inexplicable yet unbending stance of ‘They aren’t and never were lol get fucked Fetts’

the way the triumphant heroic part of the mando music sputtered and died when the man himself showed up tho... uh-oh this might be bad news

man but that’s a stunning and surprising way to introduce a well-known character divorced from what makes them so iconic, though, just from that I’m going to trust they know what they’re doing (AND they got temuera morrison back I’m so EXCITED!!!). without the armor there’s the face of someone who shared that face with literal millions and at the same time must be looking older than his father ever got to at this point, and that’s super interesting as a starting point to me. (I... guess there’s still a chance it’s a fakeout and that it’s actually another clone, but that would be such a letdown when they’ve already given us this haha)

- an excellent [mando sighs] moment

this opening scene did a great job of re-summarizing him for the audience -- establishing again that he gives you one chance at dealing with him fairly and if you insist on continuing to be an asshole about it, you’re toast, the fact that his fighting style is so much about being able to tank blows rather than not getting hit in the first place, the horror movie monster mando setup as he stalked the dude down and strung him up, the Poetic Justice predicated on some very careful word choices, and most importantly “where I go, he goes”... all wonderful, I’m sure I’ll watch this scene back for fine details and better looks at the background characters many many times

(word seems to have spread about him and the baby for real now, which makes me VERY nervous btw)

- Pulserifle’s back! Jetpack’s back! Razor Crest’s back! Grappling line’s back! PELLI’S BACK!!!!!! Tattooine... is also back *Finn voice* Why does everyone want to go back to Tattooine????

I really enjoyed the way they fleshed out and (for lack of a better word) humanized the sand people, though, if you are going back to this desert hellplanet again that is a worthy reason to do it

- Din swearing :O!! and one of the less egregious star wars swears too, I’m fine with this

- in campaign star wars news: I guess there was sort of both a binbon and a jubna in this ep! what a time to be alive

- as usual I love the jawa. a bright spot in any day, just a bunch of lil goblin-y friends hanging out having the best time loving sparkly crystals and rescuing silver foxes.

get in loser we’re going shopping

I uh. Do you think. Hm. Is there maybe a metaphor here somewhere. Is there perhaps a hidden, one may say double, meaning, at play, right here, in this image? Who can say, it’s just niggling at me (there’s a very similar set of shots with Toro in season 1, but seemingly the show went ‘I fear we might have gone too subtle with it, let’s amp it up this time’ over the season break loool)

honestly though this dynamic really highlighted everything I love about the ways Din performs masculinity. It’s so much softer and more community/collaboration focused and more comfortable to be around than Vanth’s version -- and Vanth isn’t a bad dude by any stretch of the imagination, it’s not hard to see why he’s like that considering where he’s from, he’s just such a... man. The lone person who can protect this village! The only man who’s got what it takes! It’s all on his shoulders and no one else’s, so do exactly as he says or he’ll put a hole in you! (I think it’s telling that one of his first comments to Din is ‘I’m sure you call the shots wherever you’re from, but ‘round here, I’m the person who tell folks what to do’, because as we as the audience knows, Din very much does not call the shots of where he’s from lol) I guess it says some nice things about the tribe of Mandos Din is from that this is how he approaches things, and it says some good things about Vanth how quickly he comes around to this smarter and less confrontational/domineering style of doing things once he’s been exposed to it and sees how it works. it’s just neat

(it’s smart of Favreau to set his ~*lone gunslinger*~ character up like this, too, it makes him so much more interesting and versatile)

- With the way Din says ‘a Mandalorian Armorer sent me on my path’ it does seem confirmed that’s the equivalent of a priest role or a sort of shaman -- I wonder if he knows the name of ‘The’ Armorer or if they take on the role as a whole identity

- the sheer contrast between the two people who wanted Din to take his helmet off for them in this ep tho... wants Mando’s armour off for horrible awful reasons and got exactly what he deserved:

wants Mando’s armour off for entirely sympathetic and understandable, just culturally uninformed, thirsty thirsty reasons & also having drinks together:

(the sort of... little lick over his bottom lip he does there? keep it in your pants vanth my GODjflsadf he’s a good dude tho he understands and respects the ‘no armour removal before marriage’ thing and backs down gracefully)

- This is a nuanced thing: I don’t think I actually ship it (not in a requited way from Din’s side, anyway, Vanth I’m 100% sure about lol), but the incredible potential for out-of-context-taking of “Take it off, or I will”/”...we doin’ this in front of the kid?” is uh astounding

(anyone got the vibe Vanth sort of had something with the bartender too? no just me? well well)

- I was never really scared Din was actually dead or hurt b/c baby wasn’t scared and I figure he’d know lol, a very useful fear barometer

- “What’s the plan?” “Take care of the child” “What are you gonna do?” “I don’t know, but wish me luck *yeets his new bro out of harm’s way before diving in head first himself*” fksdjhfkjlashdfkjsldahfkasldjhfskldajhfsadkjfh WHAT a summation of Din’s entire approach to battle & life, dad please you carry a not insignificant part of my heart around with you be careful

(Also with the heavy implication that Boba was watching the whole thing... can you imagine him just looking on as Din throws himself down that gullet like a madman. There must have been some ‘o_-7 *headscratch headscratch* ???’ going on for him there)

it’s kind of sweet that din trusts vanth will take care of the baby if something happens though, they really bonded quickly huh

- the sand people who kept willingly going over to the krayt dragon’s cave are honestly braver and more admirable than anyone else has ever been, I kept just shouting in anguish as they were gobbled up, they deserved better

- can we talk about how clear it still is that Din’s just... lonely. When he thinks he’s found another Mando and he sounds almost reverent with relief... and then it gets odder and odder (’uh... drinks? I guess... does he have drinking straws with him or -- HE’S TAKING THE HELMET OFF???’ oh buddy)

I wonder if they’re building towards something about him realizing it doesn’t have to be Mandos for him to trust and bond with people longer term? Basically all the characters he’s met and we’ve watched him form attachments to and get help from are non-Mandos -- Kuiil :’^(, Cara, Omera, Cobb Vanth, IG-11 :^’’(, Greef Karga to a degree. Establishing so firmly what he’s looking for this early would be good setup for a ‘what a character thinks they want vs. what they need’ thing later on just on a writing level, anyway, Boba Fett could bring in some interesting points of view about Mandalorianness too

- baby’s happy gurgles when he sees pelli!!!!!! din speaking sand people language and petting alligator doggies!!!!!!

- pedro pascal’s voice work remains an utter joy to me. din’s measured, earnest, occasionally slightly stilted way of talking is still so good, and then he does things like inserting some more... idk life is the wrong word but that more charged and dynamic tone he took on when he said (”I thought you weren’t a gambler”) “I’m not”. *chef kiss*

- if the pulse rifle’s stun is able to do that to a fuckn krayt dragon... that’s some serious shit din is carrying around with him lol (interestingly the actual shooty pew-pew part of it didn’t seem to do much to it, but then I guess he was shocking it from the inside out and not through thick hide, so idk)

- my only real complaints about this ep: Vanth’s backstory ran a bit long, and not enough baby & dad interaction. the concept art’s got me tho:

(din often wears his original/old armour in concept art still, incidentally, don’t know what that’s about)

awwwwwww

+ omfg ;______;

- this sand people person conscientiously brushing a bantha’s teeth... blessed

- Customary flame thrower report: there was a rare useful deployment of the flamethrower. Good job Mando’s flame thrower for furthering the field of diplomacy

ETA: I CAN’T BELIEVE I FORGOT TO MENTION THIS: DIN BEING COMFORTABLE(ISH) AROUND DROIDS NOW!!!! GROWTH????!?! IG-11 WE MISS YOU??????????

#the mandalorian #the mandalorian spoilers #star wars #the mandalorian meta #meta #(I'm trying to label my meta more specifically these days b/c the general meta tag is a MESS on my blog lol)#mmmmmmmm feels good to break out the overanalysis goggles again it's time to OVERTHINK SOME SHIT my friends

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nobody-wants-ice-cream · 4 years

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Everything Wrong With The Umbrella Academy. Episode 2, Run Boy Run.

Link to the first episode!

Same disclaimer as last episode: This is all in good fun! I wanted to do a really nitpicky re-watch of the series and found some really cool and interesting things I didn’t notice before. This is meant to have a Cinema Sins-esque tone. However, I did take off a lot more sins than Cinema Sins would have because I do genuinely like the series and the people that made it possible. So all of the good things got one sin off and all the bad things got one sin added. This is a really long post, so grab some popcorn. If there’s anything that I missed, feel free to add it!

Run Boy Run

Grace started the Herr Carlson record before the kids even arrived. How are they supposed to learn if they miss the first few seconds of it? What is the point of the record if they’re not even around to hear all of it?+1

The kids all have their hands on the chairs except for Five, showing that he will do something out of the ordinary. -1

Diego is causing property damage to Reggie’s chairs and Reggie allows this. Be consistent, show! Is Reggie lenient or strict? You could make the argument that Reggie doesn’t care about the chair because he’s rich. In that case, sinning for capitalism.+1

Klaus is already into drugs at the age of 13. We can see him rolling a blunt, and doing it quite well, presumably. +1

Ben is straight up allowed to read at the table. So then what is the point of the record if the kids don’t have to pay attention to it? +1

The kids expressions when Five stabs the table. The ones that we see are pure gold. Especially Klaus’s. Well done Dante Albidone. -1

Diego’s side eye when Five starts arguing with Reggie. This is the perfect expression for “my sibling is about to get in trouble”, so props to Blake Talabis. -1

Vanya’s side eye is also good. TJ McGibbon did well. -1

We see Five jump faster than a bullet, but he’s significantly slower when jumping across the table. +1

Reggie is a dick to Five, who just wants to explore his powers. We know that it’s dangerous because we see Five getting stuck, but Five doesn’t think that that is really a possibility. Reggie only talks in confusing ice and acorn metaphors. +1

Five’s face when Reggie presents the ice and acorn metaphor. -1

Vanya and Allison both give Five a look in this scene. This is what makes Five hesitate. Two of his siblings tell him it’s a bad idea, but he does it anyway because he’s a stubborn bastard. +1

Grace’s face drops when Five starts running out the door. Allison and Vanya also look absolutely horrified. -1

“Run Boy Run” is a little on the nose. Especially once you remember that The Boy is Five’s hero name in the comics. +1

No one cares that a 13 year old popped into existence out of nowhere when Five starts traveling into the future. +1

Easter egg! There is an ice cream cart outside the academy. If you’ve read Dallas, you know why I think that’s significant. Also, it happens to be my icon. -1

Five’s look of complete disbelief and horror when he is faced with the apocalypse for the first time. -1

“Vanya! Ben!” This has created a lot of curiosity in the fandom. In the comics he left before they were named, but in the show it looks like he chose to keep Number Five. Why? +1

The apocalypse looks very believable. -1

Title screen umbrella! -1

The awesome scene with Ellen Page and Aidan Gallagher continues in the next episode. -1

Where would Five have heard that rumor about Twinkies having an endless shelf life? It’s not like he was very exposed to pop culture as a kid. +1

Vanya doesn’t keep her Violin in the case. She leaves it proped on a chair, which is basically begging gravity to come and fuck up your instrument. +1

Five plays the pronoun game and doesn’t tell Vanya about Dolores. +1

The last thing Five heard for 40 years was Reggie’s stupid metaphor. That’s a sin for the metaphor and a sin for Five’s pain and suffering. +2

Vanya gives someone with a thirteen-year-old’s liver a few shots worth of hard liquor in a tall glass. +1

“You think I didn’t try everything to get back to my family?” This quote is Five at his core. It shows his exact motivation. Aidan Gallagher really could have screwed up with this line because it’s so raw, but the delivery doesn’t suck. Well done. -1

Is that liquor real? Aidan Gallagher’s face suggests that it is and he only takes two sips of it. Also, Five takes a sip when it’s just a bit, pours more, then takes another sip, and doesn’t drink any more of it. Sin for showmakers possibly giving a kid real alcohol and sin for Five only taking a sip after pouring a lot out. +1

However, if the alcohol is fake, which I really hope it is, sin off for Aidan Gallagher’s acting. -1

Five expects Vanya to believe his crazy apocalypse story. I had a hard time believing it when we were shown flashbacks as the audience. It wasn’t until they brought in the Commission that I actually believed it. If Five had explained the Commission, just like he did to Luther, then Vanya would have had an easier time believing him. +1

Vanya calls Five crazy and then expects him to not be hurt and want to stay in her apartment. +1

Vanya takes the pills after an emotionally charged scene. Pills-foreshadowing. -1

Five’s hands are shaking when he’s looking at the eyeball. This shows both his uncertainty, with this being his only clue, and shows that he is unwilling to leave his sister again even after she called him insane. -1

Mary J. Bilge. -1

The Lunar Motor Lodge has rates by the week, day, and hour. The Commission is super sleazy for putting Hazel and Cha Cha in a place that also rents by the hour. +1

Hazel and Cha Cha are an underrated duo. The “It smells like cat piss” dialogue is honestly really funny. -1

Obvious villains are obvious. I know they’re meant to be obvious, but it doesn’t change the fact that a show with a lot of subtlety just kind of thrust Hazel and Cha Cha in there with no subtlety at all. +1

Hazel stores the briefcase away and throws a screw, foreshadowing that this will be an important detail later. -1

No one, including police, notices the blinking and beeping, neon green tracker. +1

Patch is sort of right. Five made a jump in the middle of two of the local hires, which caused them to shoot each other. -1

“The guy had an eclair and the kid had coffee”. Patch’s side eye says that she thinks Agnes is getting her story mixed up. If we didn’t see what happened, then the audience wouldn’t believe Agnes either. Great acting Ashley Madekwe. -1

Agnes doesn’t stay in the back room. She crawls out so her head can dramatically pop up over the counter after Five leaves. This is a stupid decision on Agnes’s part.+1

Agnes is seen handling American money. Somehow we as a fandom didn’t notice this. Klaus also uses American money to buy drugs later in this episode. Sinning the showmakers not specifying which state at the very least, but reluctantly because I know that’s a reference to the comics. +1

“What other detective”. Camera cuts to Diego exiting Griddys. -1

Diego is a vigilante. What he is doing impedes the law. In this instance, we want him to stop Patch’s investigation because we know that the answer leads back to Five, which would be bad for the plot. However, Patch’s annoyance suggests Diego has done this to her before. How many murderers have gone free because Diego intervenes in Patch’s cases? +1

Diego did not consent to being searched and having his personal belongings taken. +1

Ebay exists but there is no internet or smartphones. What? +1

Diego thinks that this looks like a botched robbery. No way in hell does this look like a robbery of a doughnut shop in any universe. A bank robbery, yeah sure, but not a doughnut shop. What kind of doughnut shop has the kind of money that requires multiple guys with very large weapons, Diego? +1

The way Patch is described to Five by Diego in a later episode does not match the personality she actually has. +1

A whole crowd of people had nothing better to do than to watch the cops investigate a murder scene in a densely populated city. +1

Is Luther hitting his head after he wakes up a character choice? He does it again with the model airplane. After the low ceilings on the moon for four years, you would think that he would learn to duck. +1

Emmy Raver-Lampman gives an amazing performance when talking to Luther about Claire. -1

Allison has multiple posters of herself in her room. I am sinning for her younger self’s narcissism. +1

However, this narcissism goes hand in hand with Allison as a character. Props to the set designers for making these posters and hanging them up. It adds detail to Allison’s room and really shows who she was as a character. -1

“When Claire was little I used to read her books about the moon. I’d tell her her Uncle was living up there” Allison doesn’t remember that Luther was on the moon and therefore shouldn’t know about her divorce in the first episode, but says this in the second episode. +1

Luther looks so genuinely happy at being Claire’s personal superhero. -1

The ghosts torturing Klaus. +1

That fucking animal print thing Klaus is wearing. +1

Robert Sheehan is very, very attractive. This makes up for the monstrosity Klaus is wearing. -1

“You know you talk in your sleep.” “Oh there’s no point. You’re out of drugs” I love Ben as a character so much. -1

“Shut your piehole, Ben. Said with love” smooch. I love this line. -1

“I’ve got a crazy idea. Why not try starting your day with… a glass of orange juice or some eggs”. Justin Min’s delivery of this line kills me every time. -1

Pogo is really vague about why the papers in Reggie’s box are important. If he said something about the papers detailing the Academy’s powers in explicit detail, Klaus would have tried harder to get them back. +1

We don’t see Klaus pull out the Red Journal in episode one. +1

“Liar” “Drop dead” “Low blow”. This is an iconic interaction for a reason. -1

Pogo knows that Klaus can talk to ghosts, but remains offended when Klaus tells a ghost to shut up. +1

“Really awful, terrible, depressing times” Reggie is a dick to his children. +7

Vanya sleeps with the door to her bedroom open, even though we saw her close it. So she must have gotten up to open the door and didn’t notice Five was gone. +1

Where did Five go all night? Did he sleep back in the Academy? It couldn’t have taken him this long to get to the MeriTech building, so what happened to him? He changed to a clean uniform, so presumably he went to the Academy, but why did the show vague this? Did he walk into a department store and buy/steal a clean shirt?+1

Only the plot relevant person notices Five. The front desk girl doesn’t question why he’s there. And that is her literal job. I would know, I run the front desk at a medical office. If you don’t greet the patients then you’re not doing your job, front desk girl.+1

“Must have just [click] popped out.” iconic.-1

Five decides that violence is the best course of action to get the information he needs, directly contradicting “I know how to do everything” +1

The 1938 fingerprints may be Five’s. However, police usually discard this kind of evidence because there is a very reasonable doubt. Not to mention that anyone could have touched the knife. It’s a public place. Forensic evidence is not as reliable as it is portrayed in the media. +1

Diego is an asshole to everyone, but especially to Patch. She’s right, Diego is obstructing justice. How many murderers have gone free because Diego interfered in an investigation? +1

Diego’s boiler room is way too big to be a boiler room. +1

Luther’s reflection in Diego’s mask shows that Luther wants to know what it would be like to be number two instead of number one. Luther can’t lead for shit and subconsciously wishes that he didn’t have to. -1

With an aerial shot of the Academy from the outside, we can see that Reggie never bothered to take the laundromat sign off the mansion or that Reggie sold ad space on the mansion exterior. +1

Reggie is a dick to animals. See: the animal skeletons and the taxidermy. +1

Part of the mansion is painted an ugly neon green for no reason. +1

“Sorry I left without saying goodbye”. The “both times” is unspoken. -1

Vanya apologises for calling him crazy and being dismissive, but still suggests he needs mental help. He does, but maybe suggest it later when he isn’t convinced you think he’s insane? +1

Five lies to Vanya about something stupid. If he said that he was having Klaus help him with the apocalypse, I don’t think she would have minded. +1

Why does Five have so many toys in his room? Including a baseball? +1

Klaus comes out of the wardrobe as loudly as possible. The mansion does not have sound proofing (see: I Think We’re Alone Now dance party). There is no way in hell Vanya didn’t hear him. +1

This is the last time Vanya and Five interact. +1

Five’s room is more childish than a thirteen-year-old’s room should be. It honestly looks like he was the favorite because his room has so many toys in it. Like Reggie wanted to win his favor or something. Sinning for the weird set design choice and for Reggie being an asshole. +1

The fake circumstances in which Five was born in their cover story gives me immense joy. -1

In one camera angle, if you look carefully they cut two takes of “what a disturbing glimpse into that thing you call a brain”. In the one where we can’t see his face properly, Aidan Gallagher is openly smiling. Corpsing. +1

Robert Sheehan is funny. -1

Syd the tow truck guy doesn’t really look like Sean Sullivan (actor that plays adult Five) enough for Cha Cha, a trained assassin, to not see that he isn’t their mark. +1

Hazel eating a sandwich in this scene. Also the “Italian for dinner line”. -1

And Cha Cha sees the differences between Syd and Five later! +1

“Time travel’s a bitch” “Especially without a briefcase” There's other time travel methods than briefcase or being Five? Elaborate. +1

Patrick is a dick to Allison. We understand why later, but really Patrick, you’re going to be an asshole when her father just died? Don’t get me wrong, Reggie abused the hell out of her, but still! Patrick should have let Allison talk to Claire. +1

Vanya tries to comfort Allison even though she knows nothing about the situation other than that it happened. She’s never even met Patrick! +1

Allison is clearly trying to get away from this conversation with Vanya, but Vanya presses on. +1

“Well if I wanted advice, Vanya, no offence, it wouldn’t be from you”. This is why Vanya doesn’t take Allison’s advice about Leonard. Also, Allison is a dick to Vanya. +1

This scene with Allison and Vanya is interesting. Allison is projecting her pain and taking it out on Vanya, who really should have seen and heard what happened enough to leave her alone. Both of them are the bad guy here regardless of how you slice it. I am sinning the show for this moment because they really tried to villainize Allison for this scene, but she does have some well thought out points and is in an emotionally compromised state. Or in other words, the fight between Allison and Vanya is stupid. +1

Grant/Lance/whatever gave Klaus and Five valuable office time. Doctors do not have time for this sort of crap. Shouldn’t this guy have patients? +1

Aidan Gallagher looks to the actor playing Grant/Lance/whatever as if he’s waiting for him to say his line. I see this all the time with younger kids in theatre, but they can get away with it if their character has a reason to look at that character. That being said, Five would have no reason to do this.+1

The sound effect that plays when Klaus slaps Five is really out of place. +1

Seeing Robert Sheehan slap Aidan Gallagher. -1

Klaus pauses as if he’s listening to Ben before he picks up the snowglobe. -1

The snowglobe. Robert Sheehan pretending to be Klaus pretending to be Five’s crazy dad. Acting. -1

Five looks like a proud grandfather when Klaus gets Lance to show them the records. -1

Five doesn’t pay Klaus for that brilliant acting. Also, how was Five planning to give Klaus $20. He doesn’t have any money nor do we ever see him with money. Five is a cheapskate. +1

Klaus calls Five “old man”. I thought that was just a fandom thing lmao. -1

“You must be horny as hell”. Great Klaus line, but super weird that he’s saying it to someone that looks thirteen. +1

Klaus is wearing the shirt that goes with his nicest outfit underneath Reggie’s pinstripe suit. -1

“Goodbye Dolores”, a song from the soundtrack, starts playing when Five starts talking about Dolores. This is good placement of that song because we later learn that he left her in the apocalypse when he left to work for the Commission. -1

Five is a dick to Klaus. Klaus is really trying to connect with his long lost brother, but Five jumps away. +1

That taxi driver doesn’t freak out and cause a car accident when a random kid appears in his car. +1

Also, how did Five pay for that taxi? Did he jump out of the moving vehicle too? +1

Leonard is so obvious from the start. So charming that he’s slimy. +1

Vanya can’t see this and is actually attracted to him. This may go back to that conversation with Allison when she asks if Vanya has ever been in a relationship. For all we know, the answer is no. +1

Leonard took three years of German in prison. I don't think American jails are that nice. +1

Leonard picks up another person’s instrument without their consent. As a musician, this is very, very painful. +2

Diego is paranoid, but also observant as fuck. -1

But how did he get his weapons back from the police? Are knives open carry in whatever state this is in? There are some states where Diego’s harness would be legal so it’s possible. I’ll have to look into this. Sinning the show for being vauge as fuck. +1

Luther didn’t notice the boiler room door open. +1

Diego throws weapons on his siblings. +1

Reginald Hargreeves died March 21st. The funeral is on March 24th. This is way too soon. It should have been a week or two not two days between the date of death and the funeral. Especially considering Luther suspects Reggie was murdered. And if you say that Reggie, Pogo, or Grace bribed them, then I’m sinning for bribery.+1

Diego eats a raw egg. Salmonella headass. +2

David Castaneda eats a raw egg. Why did you make him do this? It adds nothing to the character other than making Diego look dumb as hell. +1

Vanya interrupts her student while he’s playing and doing well. Whenever my teacher does that I get a minor heart attack. +1

Leonard is already lying to Vanya. He manipulates her by saying his Dad was into music and that's why he’s taking violin lessons. +1

An actual place named “Bricktown” in a place called “The City.” Sigh. +1

It is four o’clock when Leonard takes his lesson, but then after the lesson we cut to night time. What happened in those couple hours, show? Are you really saying that these characters did nothing interesting for all that time? +1

Emmy Raver-Lampman clearly isn’t smoking. Which is fine because she’s a Broadway actress and needs her voice/lungs for that part of her career. It’s weird because it shows that Allison isn't smoking. +1

Pogo scolds Allison for her language. Allison is an adult, Pogo. +1

Klaus made a drink at a young age and Reggie didn’t stop him. Or talk to him. He recorded Klaus drinking, but didn’t care. +1

The showmakers show us Allison’s face for dramatic tension instead of showing us the tape. This was a good choice and I feel it helped the narative.-1

They show a sign “Gimbel Brothers Seniors Tuesdays 10% Off.” after Five walks by. -1

The most awkward and dopey smile in existence when Five finds Dolores. -1

They play “Goodbye Dolores” after he finds her. That could have worked if they transposed it to the major key. Hello Dolores. +1

“Goodbye Dolores” transitioning into “Don’t Stop Me Now” by Queen. -1

This action sequence is great. -1

Hazel’s wrist splint. -1

Five cuts Cha Cha with a trowel. -1

The dual screen thing is cool. -1

Five literally jumps over a stand and somehow doesn’t get shot. Hazel and Cha Cha have Stormtrooper aim. +1

How did Hazel and Cha Cha leave? You would think the police would notice someone leaving through the back. +1

Similarly, how did Five and Dolores get out of this? Did he wait until he could jump and teleport outside the store? Can he teleport that far? +1

How did Diego get another police scanner so quickly? Unless that’s the scanner Patch confiscated? +1

“I gotta show you something” +1

Once again, Five should be a lot sweatier. What are these magic, sweat absorbing things you can buy in a department store and where can I buy them? +1

Five sees an eyeball and immediately picks it up for no reason. He doesn’t even know that’s Luther’s body yet. He just picked up an eye for no reason. +1

Five as a thirteen-year-old boy saw his siblings' dead bodies. Sinning for trauma. +1

Aidan Gallagher portrays this trauma well. -1

Overall Review:

I love this episode and had a hard time finding things wrong with it. I genuinely like this episode and I think that it could have stood alone as the pilot.

Some acting things I noticed, David Castaneda, John Magaro (Leonard), and Ashley Madekwe were the standouts this episode. All three brought something interesting to the table this episode and I look forward to re-watching their scenes. I wish Madekwe and Magaro all the best as I know that they probably won’t be returning for season two.

The plot thickens! Hazel and Cha Cha were introduced in a very obvious way compared to the subtle way they introduced Leonard. There is a reason I adore this episode, and it’s not just for Klaus slapping Five (though that is part of it).

Total: 52

Sentence: We saw Diego eat a raw egg. That’s punishment enough for this episode.

#The Umbrella Academy #all in good fun #luther hargreeves #diego hargreeves #Allison Hargreeves #klaus hargreeves #five hargreeves #ben hargreeves #vanya hargreeves #eudora patch

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danasmonster · 4 years

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Comparing the SKAM Remakes: SANA (Part I)

Sana (SKAM original)

Sana is constantly having to defend and explain herself to others - her friends, her family, strangers. We see this with Vilde when she says Sana can’t have sex, and Sana clarifies that by explaining that she can have sex, she just chooses not to. There is also the assumption that Sana isn’t interested in boys or that she can’t participate in russefeiring “because she’s not ‘allowed’ to drink alcohol.” We see it with her parents when she has to explain to her mom that not all aspects of Islam fit her, and with her brother when she references him discouraging her from wearing a hijab in order to fit in more and avoid stigma. And finally, she explains during her season that she has experienced watching her brother being spit on, being asked racist questions, and other rude or hateful acts because she and her family are Muslim.

The struggle to be both Norwegian and Muslim turns into a competition she gets lost in, and she ends up doing some very non-Muslim things like bully the Pepsi Max squad and lie in order to procure a russ bus. She also develops feelings for former Muslim and current atheist Yusef, which opens up an internal debate about the “Muslims only marry Muslims” rule.

With all of her bitchiness, her prickliness, her rudeness and her mistakes, I still absolutely adore Sana. She is strong, outspoken, and takes absolutely no shit from anyone. Her story is so incredibly relevant to the world as a whole because of the way a lot of people view Islam or other “restrictive” aspects/sects of Christianity or other religions. It is a reminder that ultimately we should strive to love and understand each other, whether you are a theist or an atheist, a Muslim or a Norwegian. All is love.

Everything I Love:

The opening scene with the contrast between Sana’s view from the bus with terrorist attacks and None of Dem by Robyn & Royksopp is so fun, & the look Sana gives the woman giving her a look over on the bus is pure Sana perfection

The scene when Elias called Sana a slave woman and all of his friends gave him a verbal beatdown

When we heard that Eskild was redecorating Noora’s room without her permission

The Hot in Here scene with all the Balloon Squad working out while the girl squad ogles them, and the way Sana visibly snaps herself out of her trance. Also the shot of them coming up the street with a bunch of balloons to meet the girls is iconic

The way Yousef comes over to talk to Sana while she is over in the corner being a grump on the bus - I knew there was a reason she and Isak became friends. They’re both grumpy pants.

When Sana catches Yousef dancing in her living room

The happy little look on her face when Yousef sends her a friend request on Facebook. She always smiles so freaking bright when she’s having fun with him

When Yousef showed off his carrot peeling skills

The way the Pepsi Max squad always has Pepsi

When Yousef took the rap for the vodka left out at Sana’s party, then Sana was hit with a metaphorical brick when Yousef told her he isn’t Muslim. You could see the shock on her face, and now she is conflicted because “Muslims only marry Muslims” and she clearly has already developed feelings for Yousef

When Sana and Noora drink coffee and bask in their solidarity that Vilde and Magnus are gross

When Sana and Yousef play basketball together and we see her smile - we have NEVER seen her smile like that. And then they have a heart to heart about their individual religious beliefs and it is PURE GOLD

“I just feel like Islam, or religion in general, creates a lot of anxiety in people . . . I personally feel like I’ve taken the best out of the religion and thrown away the rest. It’s like, compassion towards others, being grateful for what’s best, having compassion. That’s it. Don’t you think I can remember to be a good person without praying?” - Yousef

“For me, everything can be total chaos during the day, but the moment I start to pray, everything turns quiet and clear. Because even though there’s all this chaos, you’ll remember what really matters. It’s fine because everything has a bigger context and a meaning. Because every little part of the universe is so complex. Imagine that! Even the brain of a cockroach has greater meaning on earth. I just can’t believe all of that is a coincidence,” - Sana

Her chat with Elias was also fantastic

“What’s more important, saying you believe in Allah or behaving as though you believe in Allah?” - Elias

Watching everyone join in during “Imagine” definitely almost had me tearing up - another song added to my playlist. Honestly this scene was so sweet and touching and then everything just came crashing down. It was intense. And Sana’s face just looked freaking broken. Then when she overheard that her suspicions about being pushed out of the group because she’s Muslim were correct it was like an extra stab through the heart

The scene where she’s walking through the schoolyard was excellent - very reminiscent of Isak’s similar scene, and another way in which the two of them parallel one another

And this line is so, so true from Sana to Isak regarding why she never told Isak she knew Even before he met Isak

“I think Even should get to choose for himself how much he wants to share about his past. I mean, you might not want to share every thing about your past.”

When Sana and Jamilla have the conversation about all the different ways people fast, and Jamilla references her friend who won’t even swallow her own spit. So this friend goes around spitting all the time while she’s fasting. “She’s really confident about it, too.”

Both Sana’s expression of how she thinks the world views her and Isak’s response are very powerful

Sana: “Do you know what people think when they see me, when they see my hijab, which is the first thing they see? They think I’m wearing it because I’m forced to, not because I want to. And if I say it’s because I want to, then I’m just oppressed because I can’t have my own opinion. We talk about freedom of religion and all kinds of freedoms here in Norway, but being allowed to wear an extra piece of clothing, that’s wrong? Do you know what people do when they see Elias and I walking down the street? They spit at him because they think he’s oppressing me! He doesn’t even want me to wear the hijab because he doesn’t want me to get hate. Do you know how fucking tiring it is to walk out the door everyday knowing it’s yet another day where you have to prove to a whole country that you’re not oppressed . . . I’ve received so many dumb, racist questions in my life.”

Isak: “The dumb questions are so fucking important. People can’t stop asking the dumb questions because when they stop asking the dumb questions they start making up their own answers. And that’s dangerous. You just have to stop looking for racism in dumb questions. Even if they feel racist, it’s so fucking important to answer them.”

The Los Losers bus definitely had me tearing up

When Linn admitted to sending a used tampon to someone who flirted with the boy she liked

When we see Eskild picking up his guru mantle once more and he compares The Bible to Beyoncé . . . “The Bible says ‘The greatest of these is love’ or as Beyoncé would say ‘Love on top,’” while giving Sana advice

Noora’s face both when she saw William getting out of his car and when she got out of his after a four day sex and talk marathon

The conversation between Sana and her mom about why it is important for her to eventually marry someone who understands her beliefs and reminds her of them, not because she should be Muslim but because she chooses to be Muslim and she “would be very lonely if she were the only one in the relationship who believes.” So, whether or not she marries a nonbeliever or a non-Muslim is Sana’s choice, but there would be essential parts of Sana’s own wellbeing that would effected if she chose to go that route because her faith is an essential part of who she is.

The conversation with Noora was equally important. They may not necessarily be fated to be together, but there is a reason this person (Yousef) came into Sana’s life and avoiding him would be ignoring this sign from fate that this person is supposed to be a part of her life right now. Life is now.

When Yousef and Sana have yet another philosophical/religious discussion and Yousef proposes: “Maybe that’s why society needs religion. Democracy isn’t based on the idea that all people are different. It’s based on the idea that all people have equal worth. And that idea doesn’t exactly come from science. But I don’t think it helps to pretend there aren’t prejudices. What you have to do instead is show what Islam is.”

And The Finale!!!

When Vilde was putting on her makeup and listening to Pretty Hurts by Beyoncé, and everything else about her segment. I loved getting that glimpse into some of her life and mind for a little while. I’m still disappointed she never got to tell us her story during the original SKAM.

When Eva reminds Chris that he’s a fuckboy so they can never be together. Sure he’s momentarily disappointed and probably felt sad for a little bit, but he was really quick to move on to Emma - proving Eva was smarter than him and knew him better than he knew himself. Seriously though the scene where Penetrator Chris and Emma first see each other is fucking awesome

I LOVE LOVE LOVE that the school nurse has a big white dildo on the desk next to her while she has her chat with Chris

When we see Even stressing over making Isak’s birthday perfect

The interaction between Eskild and Linn when Eskild tells Linn she has to wear a hijab to Sana’s party because Sana is Muslim was hilarious. And then he told her they are always going to be there for each other and it got me right in the feels

And then when Eskild was proposing he, Noor, and Linn could share everything together if William moved in . . . shampoo, and William, and dish soap . . .

Then Vilde to Chris; “You know why you’re my best friend? Because no matter how hard my day is, you always find a way to make me laugh. Sometimes it makes you feel better to pretend that you’re fine.”

And the final speech!!!!

“Dear Sana, This speech is for you. And you’re getting it because what you’re inviting us to today overthrows American presidents tomorrow. We live in a chaotic world where it is difficult to understand the rules. Because why are some people poor and other people rich? Why do some people have to be refugees while others are safe? And why is it that sometimes even though you try to do something good it’s still met with hate?

It’s not weird that people give up, that they stop believing the good. But thank you so much for not giving up, Sana. Because even though it sometimes feels like it no one is ever alone. Each and everyone of us is part of the big chaos. And what you do today has an effect tomorrow.

it can be hard to say exactly what kind of effect, and usually you can’t see how everything fits together. But the effects of your actions are always there, somewhere in the chaos. In 100 years we may have machines that can predict effects of every action but until then we can trust this: Fear spreads But… But, fortunately love does too.”

I’m going to go cry now.

#skam #sanaxyousef #sana #Muslim #islam #religion #atheism #islamophobia #russ

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bittersweetsky3 · 5 years

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my breakdown of the uswnt players

ashlyn harris: big gay, “most beautiful brick wall we’ve ever seen” -kyle krieger, underrated goalkeeper, bitch™, 1/2 of “pookie”, 1/2 of krashlyn, loves babies and would be the best mom

ali krieger: kriegs, kriegy, kriegyboo, best right back in the world? yes. tough as nails and had the final touches on the ball during the world cup after not being called up for 2 years, won’t ever be seen without her mascara, softie, 1/2 of krashlyn, apparently can play forward as of the uswnt vs ireland victory tour game??? okay

mallory pugh: baby, made uswnt debut at 17, mini trackstar, i can definitely see her as a future alex morgan in terms of goals, dork, somehow managed to be on the national team and be in college at the same time

tobin heath: the coolest cat there ever was, will break your ankles and steal your soul, nutmeg queen ™, looks like she will kill you but is actually a cinnamon roll, surfer dude, dresses like a frat guy, 1/2 of harry, 1/2 of preath, came out of the womb in her tar heels jersey, loves jordan (basketball), and remember kids— you can’t copy cool.

christen press: peace? she is peace, yoga god, can run 32mph and will make you look like an idiot trying to catch her, soft but isn’t afraid to steal your soul with a nutmeg, def watches marie kondo, 1/2 of preath, stanford—actually set their all time scoring record

alex morgan: janice, radiates big gay energy but is surprisingly straight, 100 goals and counting, every goal keepers worst nightmare, looks like she will kill you but is actually soft, a big dork, pink headband ™ , the most popular of the bunch and honestly, rightly so. this woman is a fricking superstar.

emily sonnett: sonny, son, dasani, self proclaimed sit down comedian, frat daddy jr, a walking meme, uswnt professional hype man, big dumbass but we love her, kelley is training her in defense, will score goals in the most random yet most crucial of times (see portland thorns fc playoffs)

kelley o’hara: frat daddy, KO, kevin, karen from legal, worms, scare queen, middle child “we need a bitch, get kelley” -jill ellis, a medical miracle— somehow survived a concussion during the world cup final and then proceeded to drink for the next 7 days to celebrate, will never have to pay for beer ever again, chaotic, mother of her adopted crackheads (sonnett & rose), iconically kissed her girlfriend after the world cup win, stanford, great long balls for assists, has played every position except goalkeeper, brick wall

lindsey horan: THE GREAT HORAN, linessi (for her love of messi), sneaky, best midfielder in my opinion, killer foot, player with the second most number of fouls in the nwsl but also one of the most fouled, amazing assists and headers, went pro straight out of high school bc she’s just great like that, won the ball in duels 116 more times than anyone else in the league (nwsl)

tierna davidson: little t, t, baby gay™, pulls her injured girlfriend around in a wagon, stanford, calm, def a book nerd, probably the most normal out of the bunch, baby becky, under the radar but i can see her becoming big in the future—becky is training her, owns a kelley o’hara stanford jersey and loves it maybe more than anything

allie long: wine mom, 1/2 of harry, 1/2 of pookie, not much to say about her tbh, great passes, loves scaring people, hangs with kelley and alex a lot, content provider, doesn’t get a whole lot of minutes anymore but when she does get them, she doesn’t often disappoint, solid defense most of the time

sam mewis: tower of power, panic petunia, tallest women’s soccer player in history, pale besties with rose, great midfielder, will take the ball from you mid-game if you’re just standing there and not doing anything with it (see wwc final), scored in the top 1% of an IQ test the uswnt and usmnt held, loves reading and harry potter, chaotic when with rose & sonnett

rose lavelle: sweet baby rose, def the next generation of greatness, pale af and she knows it, dork, loves her dog, wilma, more than anything in the world, killer left foot, loves twitter, she’s from ohio and proud of it (i’m biased lol)

crystal dunn: dunny, constantly dancing, has played every position besides goalkeeper—sometimes multiple in one game, worked her ass off to make the 2019 world cup roster after being cut in 2015, bitch is drowning in awards (like seriously, this girl is amazing), underrated friendship with tobin

becky sauerbrunn: broon, usually rolls her sleeves, fishtail braid that she’s not afraid to whip in your face, the united states secretary of defense, loves cats and science fiction, nobody makes her bleed her own blood, got cut in the world cup final and still played the rest of the game despite needing 6 stitches, sophisticated, legally not allowed to leave us until she gets a goal

alyssa naeher: uncle, loves her crosswords, underrated, underestimated, under appreciated, saved our asses in the world cup game against england, quiet but soft

julie ertz: JJ, invented marriage, tough as nails, blue headband ™, will slide tackle anyone who enters her field of vision, she is usually bleeding by the end of a game, uses her body as a weapon, killer headers when she gets the chance, occasionally dresses like a frat guy

abby dahlkemper: bellpepper, this girl beat a sepsis infection and the chance of losing her leg. if that doesn’t say bad ass, idk what will. flies under the radar most of the time but plays some great long balls, especially for alex

carli lloyd: carlos, carla, oldest player on the team and she’s still got it, probably will retire soon :( , loves ice baths, queen of new jersey, beast from the east, can score from midfield and has, truly just legendary and did so much for women’s soccer

morgan brian: moe, bean, second most normal of the bunch, don’t really get to see her play much but when she does, she’s tricky, loves pick up soccer, even though she’s young, she’s a ‘15er, one of four to ever win the MAC hermann trophy two years in a row, kinda died (metaphorically) for a bit and everyone sorta forgot about her after the 2015 world cup but we still love her!

megan rapinoe: pinoe, sorta controversial, love her or hate her, she gets the job done, outspoken, NOT going to the white house, so proud of her younger teammates, big goals, big moments, leaves an impression, occasionally referred to as president pinoe, dating sue bird of the wmba

adrianna franch: AD, one of our goalkeepers, doesn’t get a lot of minutes but that doesn’t mean she’s not good— if you want to see her in action, watch a portland thorns fc game!! chill, funny, engaged to her gorgeous girlfriend

jessica macdonald: jmac, the only mom on the team, doesn’t play often so there’s not much to say about her but she does really well on her club team (north carolina courage), chill

let me know if i forgot anything!!

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mermaidmovieclub · 4 years

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Common Mermaid Movie Tropes (With Examples)

I’ve noticed with a lot of mermaid movies that a lot of them tend to share common tropes. I mention common mermaid tropes a lot on the Mermaid Movie Club, but thought, hey, maybe I need to come up with a handy list that’s easy to follow? Hey, that’s what blogs are for. Without further ado, a list of Common Mermaid Movie Tropes, and examples for each one. Since these are going to be part of the Mermaid Movie Club going forward, I thought I'd compile them neatly into a little list. Of course, this will be updated as I go through more movies. 😉

These are not taken from TVTropes, these are just things that I have found from watching these films/TV shows, so I just kinda made stuff up. Perhaps in due time I could make a list of tropes taken from TVTropes but that’s a loooooooooot to sift through.

(Also, this is not necessarily negative. Understand a lot of these will be interpreted differently from film to film. It's all about looking at something from a different angle, which a lot of these filmmakers do in their own way.)

1. The Only Way To Get What You Want is to Become Human Yourself

Literally what it says on the tin. The mermaid has to become human to achieve some kind of goal. Usually a romantic objective.

Examples: The Little Mermaid and most adaptations of it, Splash (1989), Aquamarine (2006)

Subverted in: The Little Mermaid 2: Return to the Sea (2000), Barbie in a Mermaid Tale (2010)

2. Teenagers Scare the Living Fish Outta Me

Mermaid as a coming-of-age metaphor. For me it comes across as a kind of "fish out of water" metaphor but in the case of one film I have to rethink that.

Examples: The Thirteenth Year (1999), Scales: Mermaids are Real (2017), Blue My Mind (2017), Barbie in a Mermaid Tale (2010)

3. You Can Take Your Mermaid on Land Adventures, When She Dries Off, She Gets Legs

Again, what it says on the tin. The mermaid can achieve a human form but only when dry. When she touches water again she reverts back to her mermaid form.

Examples: Splash (1989), H2O and all of its spin-offs, Aquamarine (2006)

Splash: Obviously there’s the iconic scene with Madison unfolding her fins in the bathtub, and rushing to dry off when Allen calls for her. There’s also the scene where Walter Kornbluth sprays her down with a hose as she and Allen leave their dinner, effectively revealing her tail to the public.

H2O: This is revealed in the first episode where Cleo gets stuck in the bathtub after her tail develops, Emma transforms while swimming in the ocean, and perhaps the most telling of all is Rikki transforming after getting hit with a sprinkler. There are many more examples as the show goes on.

Aquamarine: Had an additional stipulation that she would have to be a mermaid at night, so it was almost like a werewolf-mermaid situation.

4. Born Yesterday

Mermaid is a bit naive to human things.

Seen in: The Little Mermaid (especially the Disney one), Splash (1989), Aquamarine (2006), Siren (2018-present)

5. Human Stuff

Mermaid falls in love with a human.

Examples: The Little Mermaid and all of its adaptations, Splash (1989), Aquamarine (2006), Pirates of the Caribbean: On Stranger Tides (2011), Siren (2018-present)

6. For Science

Mermaid is pursued by scientists for science.

Examples: Splash (1989), Scales: Mermaids are Real (2017), The 3 Tails Movie: A Mermaid Adventure (2015), Siren (2018-present)

7. Hush Hush

The mermaid has to keep her mermaid identity a secret, potentially as a result of For Science, as well as You Can Take Your Mermaid on Land Adventures, When She Dries Off, She Gets Legs. The mermaid might have to avoid water to avoid being exposed.

Examples: H2O and all its spin-offs, Aquamarine (2006), Splash (1989), Scales: Mermaids are Real (2017), The Thirteenth Year (1999), nearly all of them except for some older pre-Splash ones.

H2O: Just Add Water: The mermaids even have to drink water through straws to prevent the water from touching their skin.

8. The Power of Three

There's likely a trio of mermaids. Mostly common in H2O copycat shows on YouTube.

Examples: H2O and all its spin-offs, Mermaids (2003), as I said, a lot of H2O copycats on YouTube. Aquamarine includes a main cast of three, but Hailey and Claire are not mermaids.

9. Power Up

They have superpowers. That's it that's the trope

Examples: H2O and all its spin-offs, The Thirteenth Year (1999), Scales: Mermaids are Real (2017), Barbie in a Mermaid Tale (2010)

H2O: The core mermaids (Rikki, Cleo, Emma, later Bella) all have some kind of different water-based superpower.

Scales: Siren's powers in this movie are pretty similar to those in H2O, particularly, the ability to move water. At the end she kills a hunter by dehydrating him to death.

The Thirteenth Year: Cody Palpatine Griffin emits force lightning--I mean, static electricity

Barbie in a Mermaid Tale: Royals of Oceana are capable of producing Merillia, a sort of oceanic life force.

10. I'm In the Sea, and I'm SINGING

Mermaid can sing, which checks out given the mythology honestly

Examples: The Little Mermaid and nearly all of its adaptations (especially Disney), Pirates of the Caribbean: On Stranger Tides (2011), Siren (2018-present)

11. You Should See Me In a Crown

Mermaid is part of a royal family, most likely a princess. Her father is likely Neptune or Triton or Poseidon, or some non-specific King of the Sea. (Notice that the Queen of the Sea is rarely mentioned? That's weird, right?)

Examples: The Little Mermaid and all its adaptations, Aquamarine (2006), The SpongeBob SquarePants Movie (2001), Barbie in a Mermaid Tale (2010), implied in Scales: Mermaids are Real (2017)

The Little Mermaid: It's kind of the basis for the story itself. In Disney's The Little Mermaid (1989), Ariel is the daughter of King Triton and has six sisters. Her mother, Queen Athena, is not revealed until 2008 in The Little Mermaid: Ariel's Beginning, but it's revealed that she was killed when Ariel was very young, so she doesn't exist by the time the original film takes place.

Aquamarine: Aqua's father is a non-specific king

SpongeBob: Mindy's father is King Neptune

Barbie in a Mermaid Tale: Merliah’s mother is Calissa, Queen of Oceana, overthrown by her sister Eris

Scales: Siren's birth mother is referred to as "the leader of the mermaids," and it is later revealed that they are both pureblood mermaids, which implies that Siren and Emerald are some kind of royalty. The film uses the word “leader” which is fairly vague, however.

12. Kids' Show

(I read this in my mind like the Will Ferrell/Molly Shannon “Dog Show” sketch from SNL.)

A character from a kids' franchise becomes a merperson themselves, most often to help other merfolk. This might also be reflected in a corresponding toy line.

Examples: Barbie (numerous titles), Dora the Explorer, Paw Patrol, Monster High, Sofia the First, Shimmer and Shine.

Barbie: Numerous mermaid characters exist in the Barbie Cinematic Universe (if that isn’t already a thing it is now), but at least five mermaid-centric Barbie films exist: Barbie Fairytopia: Mermaidia (2006), Barbie in a Mermaid Tale (2010), Barbie in a Mermaid Tale 2 (2012), Barbie the Pearl Princess (2014), and Barbie Dolphin Magic (2017). There have also been multiple Barbie mermaid lines throughout the years, the most recent being part of the Dreamtopia line. A number of lines corresponded to the films, such as the Mermaidia and Barbie in a Mermaid Tale lines. (I’ve got one of Kayla from the first one somewhere)

Dora the Explorer: In the 2007 TV movie Dora Saves the Mermaids, Dora became a mermaid to help the crown of mermaid princess Mariana. Dora later reunited with Mariana in the Dora and Friends episode “Magical Mermaid Adventure” (1x13) in 2015. Dora once again became a mermaid in the 2012 episode “Dora’s Rescue in Mermaid Kingdom” (7x01). I remember there being dolls for Dora Saves the Mermaids but not for the other two.

Paw Patrol: The six main pups of the Paw Patrol become merpups (it’s exactly what it sounds like) in the 2016 episode “Merpups Save the Turbots” (3x21B). Initially it’s just Marshall after he is turned by a mother merpup but later all the pups have a merpup form. I don’t remember a ton of toys for this one, but I often run into the merpup bath squirters, namely Skye.

Monster High: Lagoona Blue, daughter of a sea monster, is a part of the core team of monsters, but she’s more Mermaid-Adjacent. The first true mermaid character to be introduced to the franchise was Sirena von Boo, the daughter of a mermaid and a ghost, in the 2014 Freaky Fusion movie and doll line of the same name. Later on, the 2016 Great Scarrier Reef movie coincided with a corresponding doll line of the main monsters as mermaid-like creatures, with the addition of some new aquatic characters such as Posea Reef, Kala Mer’ri, and the two-headed Peri and Pearl Serpentine. (Mattel had a similar line called Ever After High that featured Meeshell Mermaid as the daughter of the Little Mermaid, but there was never any kind of mermaid line or movie made for it, which, come on, I wanted mermaid Raven Queen.)

Sofia the First: 2013′s “The Floating Palace” was a special episode that aired toward the end of the show’s first season. In it, Sofia meets mermaid princess Oona and Queen Emmaline, and helps them stop Cedric from taking the magical Mermaid Comb of Merroway Cove. Of course, in order to do that, she has to become a mermaid herself. Along the way, her magical amulet summons Ariel because this is a Disney Princess show and her amulet just magically summons Disney Princesses when she needs a pep talk because of course it does.

Shimmer and Shine: In the 2016 episode “Mermaid Mayhem” (2x06), Leah wishes she and her genies, Shimmer and Shine, were mermaids. If only it were that easy. Yep. There were toys. Just expect it at this point.

Subverted in: Elena of Avalor: Song of the Sirenas

13. Looks Like a Seannamon Roll But Could Actually Kill You

This is really just a trope for sirens or "darker" mermaids

Examples: Siren (2018-present), She Creature (2001), Killer Mermaid/Nymph (2014), Mermaid's Song (2018), Night Tide (1961)

14. Mermaid-Adjacent

Not quite a mermaid but similar human-fish hybrid.

Examples: The Shape of Water (2017), Creature from the Black Lagoon (1953), also the Zora race from the Legend of Zelda games even though that’s not a movie, shut up it counts

15. Gadgets and Gizmos Aplenty

There is some kind of magical trinket used by the mermaids, typically a piece of jewelry with magical properties.

Examples: The Little Mermaid 2: Return to the Sea (2000), Scales: Mermaids are Real (2010), H2O: Just Add Water (2006-2010), Mako Mermaids/Mako: Island of Secrets (2013-2016), both Barbie in a Mermaid Tale movies (2010 and 2012)

TLM2: Melody's locket, a gift to her from King Triton, projected an image of Atlantica when opened, but otherwise didn't do a lot.

Mako Mermaids: The mermaids possessed blue moon rings, which store moonlight and can be used to perform different magical functions dependent on the situation.

H2O: The necklaces worn by Rikki, Cleo, and Bella in the third season serve a similar function to the Moon Rings of Mako.

Scales: Siren Phillips was given a special necklace by Crystal which seems to serve as a kind of homing device. It's not explained in depth what it does exactly, but it performs a similar function to the Wailing Stick if I remember correctly, which was a sort of mermaid distress signal.

Barbie in a Mermaid Tale: When Queen Calissa gave baby Merliah Summers to Break, she gave Merliah a magical necklace that, years later, revealed to her and Zuma that Queen Calissa was still alive after Eris overthrew her from the throne of Oceana. Merliah is later given a necklace by Calissa that allows her to alternate between human and mermaid forms at will. In Barbie in a Mermaid Tale 2, Kylie Morgan steals the necklace out of Merliah’s hoodie when Hadley is distracted and uses it to become a mermaid herself, so it’s clearly not specifically made for Merliah to use.

If it counts, Ursula’s soul-stealing necklace in The Little Mermaid (1989) is one of these as well.

16. You Want Thingamabobs? I've Got Twenty

Girl is a hoarder, or fascinated by human trinkets.

Examples: The Little Mermaid and nearly all of its adaptations (especially the Disney one)

17. The Mermaid Elder

An old woman that’s sort of a mermaid wise woman.

Examples: The Mermaid (2016), most interpretations of The Little Mermaid apart from the Disney one

18. Foreshadowing Name

Very very very obvious mermaid name.

Examples: Barbie in a Mermaid Tale/2 (2010/2012), Scales: Mermaids are Real (2017), Aquamarine (2006), Pirates of the Caribbean: On Stranger Tides (2011)

Barbie in a Mermaid Tale/2: You really expect me to think a girl named Merliah isn’t gonna be a mermaid? Come on.

Scales: I feel like naming your kid Siren in a town full of mermaids AND where there are known mermaid hunters is just a great example of not thinking things through.

Aquamarine: Self-explanatory.

Pirates of the Caribbean: On Stranger Tides: Astrid Berges-Frisbey played main merm Syrena in this movie. There were other named mermaids in this, I think, but Syrena was the most prominent, obviously.

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yououghtaknow · 4 years

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15 + 24?

hi!! thank you so much <3

15. introduce us to your version of william

oh BABY!!!!

okay. so. the thing about william is i have always hated him. as someone who has been in a manipulative situation similar to noorhelm, just hated the man. so, i decided to create a new man. a good man. complex, but good.

enter JAMES ABRAHAM COHEN!!!!! he’s introduced to the song teenagers by mcr and is wearing a trenchcoat over his school uniform, not only because he’s edgy, but because he’s cold because he immigrated to the uk from the middle east. he is, at the beginning, a manwhore, yes. but he’s a party boy, a guitar boy, who rori sees and thinks Yes. My Future Husband. meanwhile he’s just having a drinking contest with his Boys and then talking about his favourite comic book character. he’s not a bad boy TM. he’s a Dumb Teenage Boy.

he's a genuinely nice guy. he apologises to rori as many times as he can, and only stops because she asks him to, and they become friends. he falls madly in love with liz as soon as she starts roasting him. he’s just an Understanding guy who’s made mistakes and is always trying to get better and be there for his friends. he literally let jake live in his flat for a good while.

and, my favourite thing about james is that he forced his friends to audition for a production of grease with him to see the girl he Loves So Much and ends up getting the lead role???? TWICE???? this man is danny zuko and roger davis.

also, in my personal opinion, i think james is kind of a superior arthur skamfrance. both have a disability (arthur is hard of hearing, james has autism/adhd), both have abusive family, both are in a love triangle with two beautiful girls (one of whom is a wlw chris b). and also a surprise member of the boy squad starting in season 3.

also, in a way, my william is a william/jonas/eskild combination??? which is very fun. i just love taking all these different skam dynamic, cutting them up and throwing them in a pot and seeing what looks nice.

also, ONE LAST THING, i think my william has the most reasonable reason to go to london. as it is an hour away from brighton by train and he can come back before the day’s over. because he’s a teenage boy. and we will be seeing a lot more of james in season 5. get ready for it.

24. tell us about a ship that is endgame.

i’m going to be real with you all on tumblr dot com on this night. i honestly don’t know what romantic ships are going to be endgame, because i plan the seasons i’m writing as i’m writing them, so i only have the vague framework of what i want for the endgame of skambr as a whole. so i’m just going to talk about the 3 main romantic ships that are canon as of the end of season 4. and i’m gonna Go Off.

esther/sandy:

OKAY. taking sandy’s story as a whole. she’s kissed her best girl friend. she started dating a guy she doesn’t like. she’s desperate for something new to come along. and esther has just moved back from germany. she just wants to meet someone to talk to because she’s so lonely. and boom. they run into each other one night by chance and it’s “oh my god she’s so pretty” at first sight. and then they start talking and become friends so quickly (and esther introduces sandy to the keysmash). also, nooreva should’ve been canon. i have rectified that.

but god. the way they have their conversation in s1 e4 and almost kiss but get interrupted by sophie??? god. and when they actually kiss in s1 e6 and suddenly everything’s Good until they get caught. and sandy Runs because what else can she do? she’s terrified. and esther stays. and when they see each other again, esther doesn’t say anything because she knows sandy can’t talk about it. until sandy gets outed and attacked by the football team, and esther instantly goes to protect her and puts her own feelings aside to make sure sandy’s okay. and sandy just Needed a safe place to land like esther for so long. and when they finally kiss at the christmas fair as “girls like girls” plays????? god.

and their relationship in all of the later seasons GOD. i love them. their fight and reconciliation in season 2. them just being together casually, with sandy healing from her past and learning to truly love herself, and esther opening up and having someone there to comfort her when she needs it. and the fact that they’re still friends throughout it all, because it;s not just friends to lovers. it’s friends to friends AND lovers. also when esther sang “boy problems” by crj at sandy..... ICONIC

liz/james:

GOD. okay these two are really one of my favourite dynamics i’ve ever written. because they start as “oh you’re the annoying guy my best friend’s got a crush on”. and go to “oh you’re the ASSHOLE who broke my friend’s heart”. to “oh she may have forgiven you, but i Have Not”. and james is just like “I Am Being So Nice And She Still Hates Me”. but then we see liz seeing james’s art piece at the end of s2 e1. and she connects with it so deeply. and then they have their first real conversation in the next episode and they have a lot in common. they get each other. and he sings “perfect for you” from n2n to her. and she gets so overwhelmed by the fact that her mind might be changing that she just Runs Away.

and then we get the sleepover scene and GOD. one of my favourite scenes to write. james being a good cook??? james smoking out the window and liz making fun of his guitar. and then liz beginning to play james’s brother’s piano and james making it a duet as they sing “falling slowly” from once together. and then they share a bed and instead of saying something creepy, james just says “i think we might be becoming friends”. and she texts him immediately after the prank on the holiday episode. and their first kiss. GOD. with him always calling her elizabeth and the pride and prejudice parallels and “bad idea” from waitress...... and then them spending the next day together. also, in the first kiss clip liz says that she “hates one direction”, and in the next morning clip, one direction plays as she walks with james. it’s a metaphor baby!!!!!1

and their whole political dynamic GOD. it’s actually based a lot on how my politics have changed from when i was 14, beginning to write the series, and now. with going from the centrist-liberal ideas of “all violence is bad :) racism isn’t that bad guys :)” to liz using her privilege as a rich white girl to fully bail james out of jail for assaulting the man who’s been racially harrassing him for months. and the scene where liz has her meltdown at school and james takes her home, puts her to bed, and sings her to sleep. AND THE SCENE WHERE HE COMES OUT TO HER AS TRANS GOD. also them just being nice in the background of season 3 and 4. delightful.

bree/rori:

THIS RELATIONSHIP IS LITERALLY ONE OF MY FAVOURITES TOO GOD. their DYNAMIC in the scene where bree is introduced and rori is all starry eyed over her and bree will already do Anything for her. it’s about the “i want to be her friend so bad” kind of crushes. and bree and rori getting closer and closer as the season goes on, and they get the “i bet i can make you horny” scene because i just think it’s really fun.

and GOD. the evilde plot in skam og makes me. so Mad. but here...... it’s about the internalised homophobia. it’s about the wanting one good movie kiss. it’s about the them making out to one direction in the middle of a school event. AND THEM DOING THE PRANK TOGETHER ON THE EASTER HOLIDAY EPISODE. QUEEN SHIT! and the scene where bree is drunk and talking to liz about how it feels to be in love...... that was about rori!!!! and when they played sandy and rizzo in grease together. the homoeroticism, the best friendship.

and in season 3 when nick and rori get together and bree is just standing there, jake talking to her and she looks into the camera...... god. and SEASON FOUR RORIANNA. WHICH IS THEIR SHIP NAME IN MY HEAD. GOD. them just being best friends and bree being silently in love with her because she’s happy that rori is happy with nick (who is also her friend). the scene where they “practise kissing” because rori is scared to kiss a girl onstage (we love internalised homophobia), and how bree also ignores it because she’s scared of conflict. and they’re always so there for each other. rori being there to support bree so hard when bree’s at her lowest point. bree being there for rori and ready to fight for her. bree going from waking up next to josh, to waking up alone, to waking up next to rori. them going from slow dancing to daylight by taylor swift to laughing and dancing on a crowded stage in la vie boheme.

quite genuinely? they have it all. evilde. sana/chris b. eva/chris b. noora/chris b. noora/vilde. it’s about girls supporting girls and also them kind of being cut from the same cloth as sandy/esther. one of them having internalised homophobia and running away from the kiss, and the other silently loving them until they get a yes or a no.

anyways every relationship i write is about having clear consent and respect for your partner at all times. and also about friends to lovers. and also the tenderness of musical theatre couples. oh shit now i want to talk about jake/al. well. this is my tumblr blog and you all have to deal with me.

jake/al: jake and al are currently Not Together as of skam brighton season 4 but god. i love writing their relationship so much. it’s about them meeting when al is in a manic episode and jake is deep in his depression and grief. about the nothing and the everything. it’s about the jason and peter secret gay lovers, the tony and maria falling in love on the balcony and having their first kiss at a pretend wedding, the romeo and juliet whirlwind romance that ends in tragedy. it’s about the bright orpheus al with his music and his bright life and sad, bitter jake, hating everything about himself and holding his own, but then falling in love and finding a way to build himself a new life, while al is falling down into a deep depressive episode. and then jake picks al up and gives him the tools he needs to help him step back from the ledge. and then al, who’s spent the entire season chasing after jake and the joy he gives him, turns around and walks away to better himself. and jake is okay with it, because he also needs time on his own to get better, and they agree to stay close friends, and they do!!! it’s about the gay experience of falling madly in love and then going back to be friends.

#skam brighton #isaac speaks #skam brighton spoilers #thank you so much for this <3 enjoy my infodumping that i wrote while watching bway jackbox

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helloitsbees · 5 years

Text

since the theater was COMPLETELY empty i was able to take notes during the entirety of the goldfinch. here are my thots (spoilers included):

ok limited aspect ratio im into it

the narration is uh. not very good

oddly enough I’m getting twilight new moon vibes w/ the seasons changing through the window

“HE IS A MINOR CHILD” ACTUAL QUOTE

step one: adopt child

step two: offer child a stiff drink

no kid in this movie acts like a human

“MY MOM BLEW UP OVER THAT SHIT TOO” ACTUAL QUOTE

kids are literally shoving him in the halls after his mom literally died. this movie has all the subtlety of Reefer Madness

you give the kid pills but not therapy. okay

Only Smart People Play Chess And Also It’s A Metaphor For The Protagonist’s Current Situation

why are they letting him just wander the streets of new york after what happened to him???? hello???????

“you’re the boy whose mother was killed there” i’m sure that applies to a lot of kids who were there but ok

that looks like the world’s best grilled cheese

god im hungry

“sorry, i’ve forgotten things” y’know, how Real Kids talk

“you look like someone who listens to Beethoven” thats a cold accurate read honestly

WHY DO PEOPLE KEEP OFFERING DRUGS TO THIS CHILD

does this mini flashback happen on the same day or does he literally just wear the same clothes every single day

no wait Pippa’s wearing different clothes he’s wearing the same sweater every single day

he sounds like he’s reading lines in a middle school play

okay he looks a lot like ansel elgort when he does that half smile thing, a+ casting

WHO DO I HAVE TO BLOW TO GET A CUP OF COFFEE AROUND HERE

god why is the child acting so fucking BAD

“they’ve grown quite fond of you” Y’KNOW, HOW NINE YEAR OLD KIDS TALK

SARAH PAULSON

wait she’s terrible

please stop drugging the child

the house in Vegas looks like the model home from arrested development

oh so they’re the worst. got it

what the fuck is up with ansel’s diction/accent

okay im very happy with the Complete Disregard for the potential Pippa/Theo subplot. i can hear the heterosexual shock from here

fact check, you can’t buy two drinks at once for yourself in new york it’s against the law

the music is WAY too much for the scene where he sees nicole kidman again

wait so if he lives nearby then why hasn’t he visited them at all

oh god the sister’s gonna try to seduce him isn’t she

ok good she didn’t

nobody:

absolutely no one:

not a soul:

finn wolfhard: HÄH!

cowboy hat guy looks like steve carell in foxcatcher

“THATS ME, PURE SCORPIO” and then his textbook title is literally scorpio SUBTLE

bastard and casey

“how will we know when they [the drugs] start working?” jump cut to the boys lying by a pool talking about how boris’s dad killed a guy

slfkfkfjadlgllglajaj the dad is such a SCUMBAG

“act normal” bud neither of you have been acting normal since this goddamn movie started

oh god the editing got so bad so suddenly

love that the taxi driver witnessed The Kiss and was just chill for the whole trip to the bus stop. #1 ally honestly

Theo: *gets orphaned*

music: SO YOURE AN ORPHAN

OH NO HE DID SLEEP WITH THE SISTER

“oh, darling” YKNOW, HOW REAL PEOPLE TALK

wait they’re getting MARRIED

WHY

HES PRACTICALLY HER BROTHER

w h y is the american horror story guy so slimy it’s honestly like he’s from another movie

“ooohhhhh poor brave little bird” consider being chill for like a SECOND

please don’t tell me she’s cheating on him with boris i will Scream

ok she’s not. good

that particular j cut was very very dumb

oh so she’s the worst. got it

it’s really starting to drag rn

wait pippa’s back and she’s calling him “lovely”........oh no.........

she got him a paperback and he got her a first edition SIGKJDJSHXJ ICONIC

aw she’s wearing the signet ring

the lighting is horrific in the dinner scene but only on him and not on her and it’s BOTHERING me

& why are they WHISPERING it’s a RESTAURANT

“POTTER” boy i CRIED

he took conversational russian for him......this is a LOVE story...........

the voice break in “and you love her?” man.........

ok they literally recycled the dialogue

OH SHIT IT WAS HIM WITH THE PAINTING

this is confusing and idk if it’s meant to be

Grown Man Cries Alone With Civics Textbook

oh god the narration is back i forgot about it

“is just for show” *thor voice* is it?

THE FOREHEAD TOUCH

oh shit

well

that could’ve ended better

oh yay Boris is alive

AWWWW HES SAVING HIM

ansel has a dumb crying face

okay this feels like a tacked-on ending. i haven’t read the book but this feels really jarring and different from the whole tone so I’m suspecting it’s different. I could be wrong though

wait so if its his mom’s favorite painting then why’d she go off to look at The Anatomy Lesson again

also its weird that she didn’t take him straight to the goldfinch because everybody I’ve ever know with a favorite painting has always gone straight to it the second they step foot in the museum

ROGER DEAKINS??????

#the goldfinch #it was better than i expected but still very dumb and not very good #GOODNIGHT

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