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#stagedooring shenanigans
thebowieconstricker · 4 months
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Stagedoor Sparks! (Matthew Patel x Reader) ✨🔥🔱
AN: OH MY GOODNESS YOU GUYS WERE FEELING THIS ONE OKAY-
I’m so glad to see people hyped up for my pathetic pirate boy. Please enjoy and if this goes well I may turn it into a series lol
We’ve got a gender neutral reader, idiots in love, I saw someone say pathetic x pathetic and YES, theater kid lingo, mild swearing, and your favorite cutie pie. ⚠️Also, this is heavily based on Scott Pilgrim Takes Off, so spoiler warnings for that if you haven’t seen it! ⚠️ Enjoy!
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“Scott Pilgrim’s Precious Little Musical”, was what the bright lights of the massive sign on your local theater boasted. Recently, your coworker Julie had been telling you about the ridiculous life of this ‘Scott Pilgrim’, ranting about the conga line of characters that filled his (frankly, pathetic sounding) existence. She had also alerted you to this… musical. A musical that had been written about his life.
You sighed to yourself and adjusted your bag. Making your way to the golden, elaborately designed doors, just barely dodging all the paparazzi (why was there so much paparazzi?), you somehow successfully made your way into the main lobby of the theatre. Ivory and gold filled your vision as you observed the plush red carpet that lined each of the three floors. You had visited this theater before, and it’s gorgeous grandeur never failed to amaze you.
Now, you did not at all care about this guy. Yes, you had been silently internalizing every minuscule part of this random guy’s daily shenanigans, but that was because you were being a good friend to Julie! This Scott guy seemed like a tool, and you weren't particularly interested in listening to a…?
You checked the playbill the usher had just handed you.
…THREE HOUR MUSICAL?!? You almost started laughing right there.
But anyways, you weren’t here for this Scott guy.
You were here for musical theater. You had always been drawn to the fantastical world of lights and costumes and music. Plus, this was a community production with actors from Toronto, and you were always happy to support your local theater kids.
As you finally made your way to your seat, you sat down in the plush red chairs and opened your playbill to the cast section. You didn’t see any names you recognized, but one stood out to you.
Matthew Patel - Scott Pilgrim
Obviously, Scott Pilgrim was the lead role, but what really caught your attention was the picture attached to the name. Matthew Patel, you respectfully observed, was mad cute.
The lights suddenly began to dim and you settled in for whatever was in store, keeping a keen eye out for this ‘Matthew Patel’.
~~~ Holy shit, this is the best thing you’ve ever seen.
From the moment Matthew Patel walked onstage, you were absolutely smitten. He wore a bright orange wig that clashed horrendously with his dark skin, and an oversized jacket, but he was the hottest thing you had ever seen. Also, holy shit, Matthew Patel could sing. From the first line, you were completely enraptured by his high tenor belting. As you watched him onstage, you saw literal sparks in his eyes, his excitement and passion for the stage radiating off of him.
At the curtain call, you stood and enthusiastically clapped for each of the cast members, but hooped and hollered for Matthew especially. Even though you knew he couldn’t see you from the stage, you found yourself blushing at the thought of him looking at you.
That’s when it hit you: You’ve gotta book it to stage door to meet this guy.
~~~ Matthew Patel was completely exhausted. As the curtains flew closed, he sighed and turned around to smile at his cast mates. Although he was drained by his performance, he always took this opportunity at the end of a show to look to his fellow caste mates.
And hopefully someone would invite him with their group to an after show dinner.
He walked through the crowd, giving pats on the back and thumbs ups as he made his way to his dressing room. Lots of smiles, lots of “great job!”’s but… no invitations.
Slamming the door to his room he quickly took of his wig and put on his regular clothes, deciding that he would take off his stage makeup at home (aka the makeup he regularly wore but no one cared enough to know that). His room had a window where he could look down at the stagedoor line, the line that had been non-existent since opening night. He didn’t take it personally, since this musical was for a very specific audience of people and he understood that outside of them, no one knew or cared who Scott Pilgrim was. But still, he was onstage. He was singing and dancing and his art was being celebrated. Yes, he was lonely, still, but life wasn’t too bad right now.
As he did every day, he quickly glanced out his window to check for audience members at stage door and, sure enough, no one-
Wait-
Someone was there?
He did a double take and physically walked to the window, his hands placed against the glass and his now quickening breath creating a fog.
SOMEONE WAS THERE??!?!?
From high up in his dressing room, he saw a small figure holding the bright red playbill of his show. They seemed to be moving back and forth on their feet, bouncing excitedly. From so high up he couldn’t see their expression, but could make out what he thought was a smile.
He broke out into a wide smile. Running around his room, gathering his things and throwing them into his backpack, only one thought raced through his mind: He had to get down there.
~~~ As you waited, the cold Toronto air stung against your flushed cheeks. You were still high on endorphins from the show, the songs already worming their way into your head as you tapped your feet in anticipation.
Suddenly, and without warning, a man burst out of the dark black door you were waiting out, out of breath and panting. He was so hellbent on running out the door that he ran right into you, knocking you over!
“AH-“, you both made the same sound as you fell, the man directly on top of you.
“Oh- apologies, ma’am, I uh-“
You would have said a number of rude things to this man but, seeing his face, you were starstruck.
“Matthew Patel?”
His eyes widened in shock. Carefully, he got off of you and onto his knee in front of you. Gently, he took your hand and pulled you up, the both of you now back on your feet.
“You know me?”
You couldn’t help but notice the faint blush on his cheeks.
“Of course! Well- I mean, you know, you’re Scott Pilgrim! You were absolutely incredible up there, just amazing! My jaw was the floor the whole time! I mean, your voice and your dancing and the fight scenes-“
As you rambled on and on, Matthew was unable to snap himself out of the trance you had put him in. Visually, you were breathtaking, so much so he didn’t know how he had ever found anyone else attractive. But more so, you were genuinely complimenting him. He was never complimented on his theater work. He’d get the rare one from his cast mates, but never an outside fan.
Noticing his silence, you suddenly stopped talking.
“Sorry, I don’t mean to rant, it’s just- one theater kid to another, you were so amazing.”
He shook his head at your apology. “No, don’t be sorry. You’re- you’re very kind. Thank you. And I’m sorry again for… running you over.”
You laughed- a leitmotif to rival Sondheims to Matthew’s ears- and looked at him with a goofy grin.
“Would you sign my playbill?”
“Would you like to have dinner tonight?”
The two of you spoke at the same time, and one’s question made the other blush furiously. Matthew’s entire body tensed in embarrassment that he had been bold enough to ask you out like this, not even knowing your name.
You were absolutely over the moon.
“I- uh- yes. Yes, I would love to.”
Your smile got impossibly wider, and the sparks in Matthew’s eyes that you had noted during his performance returned. With a huge grin, he reached out his hand to take your playbill. You handed it to him and a marker appeared in his other hand as he quickly scribbled his signature.
“What’s your name?”
You told him and his blush deepened. He turned back to the playbill and scribbled a bit more, then handed it to you. You squeaked in excitement and looked at what he had written.
To my biggest fan,
(Y/N)
Looking back up at him, you were certain this was the start of something new.
“So… do you like Italian?”
~~~ HEY MATTHEW FANS TAKE THIS FIC! GO, FETCH! This’ll make a lot more sense if you like musicals, so have fun! Like I said at the start, if y’all want more and I’m feeling up to it, I’ll write more! Happy holidays, folks!
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noscorpsaladerive · 5 years
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LRA Korea Write Up!!!  This is so freaking long and rambly and fangirly but here we go
So obviously spoiler alert, I’ll mark the appropriate parts with trigger warnings, and also I don’t speak any Korean so obviously I missed a lot of stuff
Okay so first off the theater and stage itself were pretty damn small especially in comparison to the 4000 seat Palais des Congrès in Paris but they def made that stage work for them.  The back of the stage was curved in and had steps going all the way around, a screen above the steps with projections, etc, and a couple of entrances for actors.  They had some minimal set pieces, but the coolest part was the like celestial pattern they had on these giant moving screens that they used for a curtain as well as for backdrops for some of the scenes.  Tbh the costumes weren’t like mind blowing like you could tell they didn’t have the biggest budget but they worked and none were so ugly or awful that it took me out of the story.
So the show starts in a similar way with Merlin and the Dragon, but it was really cool bc the part (i assume at least) where the Dragon mentions the king’s son Arthur pops up at the top of the steps!  As the knights are slowly appearing for the tournament and start fighting, Arthur actually sings part of Je me relève???  Which imo is brilliant???? Anyways it gets down to just Meleagant and as he goes up to try and pull Excalibur from the stone, he sings part of Un Nouveau Départ which is also brilliant????  This production did a great job of establishing and maintaining musical themes for characters and i was living for it.
Anyways Arthur does the thing and yay he’s king now but wait side note Han Jisang who played Arthur was SO FUCKING GOOD.  Like he captured Arthur’s transition from a boyish squire to a grown ass adult king so beautifully and wonderfully it was truly incredible.
Okay so now it’s Advienne que pourra time and holy fuck.  Holy f u c k.  Kang Hongseok was the perfect Meleagant.  I’d link it but I’m on mobile but you can see his Advienne que pourra in the King Arthur press call around the nine minute mark and he just fucking k i l l s it.  Also there were no sword dicks in the choreography so it’s automatically better.  And the projection1!!!  They had a sun up from the beginning bc the Dragon had appeared in the sun but it was still up for Meleagant but then during the bridge it’s eclipsed by the moon and it’s like ooooo symbolism for Meleagant’s feelings~~~
Side note i really really really loved the staging of this like so much of it made soooo much more sense than the french production and like I’m attached to the original because obvious reasons but that doesn’t mean it couldn’t‘ve been better.
The training scene with Gauvain was pretty similar as the original.  Merlin introduces the stag and the wolf again, and ngl the dude who plays the wolf has very nice abs so good for him for being motivated to work out like that lol.  Anyways i really liked the staging of Qui suis-je because Arthur still has his existential crisis but Merlin’s explanation of the Grail is less directed at him???  Like Arthur’s still on stage but he’s not listening and is working on training with Merlin’s brothers.  So it’s much less “I know you’re having a hard time but look at this shiny thing!” Than the french one.
They took out the Danse des guerriers battle dance number music but they did still have a dance battle!  At the top of the stairs they had Guenièvre and Léodagant being held prisoner by Méléagant and they showed Mélé like trying to be romantic ish with Guenièvre so establishing that connection was really nice. And Méléagant had a new song????  That was really short????? But i don’t think it matched any of the melodies of his other songs?????? I’m confused but intrigued.
Oooo what was really cool was how they did Arthur asking Meleagant to knight him.  Like in the french one it’s tense but i really felt the tension among the characters tonight it was sooo great oh my god.  But after Meleagant takes the sword, he sings a few lines of Advienne que pourra and then points the sword at Arthur’s neck and idk i just really liked it it was such a nice touch and maybe it was Hong Seok and the other actors reacting to him but there was a true sense of holy fuck no one knows what he’s gonna do next and Arthur had this look on his face like I’m prepared to die if this is my time and ugh i love them all so much ;alkdjfa;dk 
Okay next is Rêver l’impossible.  I liked our Guenièvre but I’d have to see her again to have a more detailed opinion of her lol.  I really loved this scene because one no pregnant handmaidens and two Arthur was being really cute and acting all in love with her and it was adorable and I love it.  Quelque chose de magique was more of the same like Han Jisang fucking killed it as Arthur like he was such a dork in love and I loved it.  And towards the end of the scene Méléagant walks on stage and looks at Guenièvre and Arthur and so you know he knows he’s lost Guinevere.
Un Nouveau Départ was great because Kang Hongseok is great and I love him.  They did have the dancers do body rolls which i found very amusing for some reason idk why a;dlkfajd;lfksd Next was my one complaint about the show and it’s that there was no transition whatsoever between Un Nouveau Départ and Au diable but maybe they had Guenièvre do that lyrically???  Still some sort of musical interlude in between would’ve been nice.  I did l o v e how they did the water for her arrival like she stood at the top of the stairs and they had blue fabric covering all the steps then they pulled it down as she started to walk down and the screen was doing these cool star projections and it was just so pretty.
RAPE TW for this next paragraph
Next was A l’enfant and Tu vas le payer.  Nothing really changed story wise but our Leia was soooo good and was such a great dancer.  And I noticed the lady playing the role of child Morgane in the story had such great expressions and body language and tbh the same can be said for the entire ensemble they were amazing. Anyways our Morgane was really amazing too her expressions were also soooo great and I’m running out of adjectives bc it’s three am a;ldkfjad;l but anyways the way things go down for these two songs is about the same in the french but the staging is different obviously like instead of the party scene it’s mostly Morgane jamming out with the ensemble then they roll Arthur and Guenièvre in on rolling platforms and then Morgane waves her arms bc magic and she does the same movements as Guenièvre so it looks like she’s controlling her which I thought was a cool way to do that.  Afterwards Arthur is obviously very distraught but instead of Merlin being like “you have bigger problems your people are dying” Arthur runs off stage to (hopefully) process what just happened so i appreciate that there’s that moment instead of just rushing on to the next thing.
Next was Guenièvre’s garden and Lancelot’s arrival, which was really cute bc her handmaidens blindfold Kay and have him try to find one of them and he ends up in Lancelot’s arms ;aldkfjsdl;k. And the way Kay tries to protect Guinevere was so freaking cute he kept throwing his arms up to protect her and she kept pushing them down then his arms would pop back up it was so cute ;ladkjfadlk
Si je te promets goes down pretty much the same, but what’s interesting is afterwards Merlin shows up and is like hey your people are dying and that’s when they have Délivre-nous!  They also had ensemble member solos instead of just one singer which i thought worked really well.  And Arthur’s moving among them and he tries to reach out to help them as they fall dying and i just love the staging so much like from the very beginning with the dude who rushes in to tell Arthur Méléagant is holding Guenièvre and her father captive you can just tell Arthur is so concerned about caring for his people and i love him so much ;alkdjf;aldk 
After that song ends Arthur’s like hey we gotta fix this shit so he creates the round table then goes into Je me relève!!  Which was a lil creepy bc that’s the exact same idea i had in my own LRA rewrite and i was like fuck did they find my blog but it fucking works y’all!!!!  And they end Act I on that song and ugh it’s so beautiful i love it
Act II starts out with Dors Morgane dors but it’s not about her mother’s rape anymore, we think she’s talking about her plans for Lancelot, Guenièvre, and Arthur but that is to be confirmed.  They then show ARthur and Lancelot kicking ass and taking names which i liked that it showed Lancelot had buddies besides just crushing on Guinevere lol
Next was A nos vœux sacrés which holy shit y’all.  Holy shit.  Both actors are so freaking good and they both hit high notes at the end of the song and i died and went straight to heaven it was sooooo amazing ;alkdjfa;ldskjfas;d also they did not paint Méléagant up like a war boy they had this like branch like mask thing??? It looked really cool omg
Next Lancelot and Guinevere had a short scene that led into L’amour quel idiot and i loved this staging so much!!!! Like instead of having him sing at their faces after the wedding he’s downstage singing and longing for Guinevere while she and Arthur are standing at the top of the steps getting ready for the wedding and i just love it so much y’all
The wedding scene didn’t have a song but Morgane sung Ce que la vie a fait de moi afterwards and holy fuck y’all i freaking died and went to heaven every time this Morgane hit a high note she was soooooo good y’all.  So fucking good.
I don’t really remember much about le Serment d’Arthur prob bc i know they changed things but language barrier so I’m not 100% sure how it changed rip
Faire comme si was good but I’m so attached to the french staging of that song i still miss it ;alkdfjsad; one thing that i really really loved and preferred in this one was Lancelot and Guinevere don’t really touch??  It’s just longing gazes and at one point they touch hands and Lancelot like freezes like oh fuck she’s touching me i can’t believe it but then Guinevere pulls her hand away and he just leaves his in the same spot for a second like he still can’t believe she touched his hand and ugh i loved it the lack of touching really upped the ante on the pining and it was sooo good a;ldfkjadfkl;
Next was another scene with Morgane and Méléagant where Méléagant starts out being all like you promised me!!! And then I *think* Morgane tells him something like be patient and explains her plan but once again Korean and changes so it’s mostly speculation
But y’all
Y’all
They had Morgane and Méléagant sing Mon combat
Like w h a t
But also y e s
I’m glad they didn’t just leave the song the way it is in the French version bc it doesn’t work very well where it is in the French one???  So I’m so happy they moved things around and tried to make things work better
Next up Merlin peaces out and Arthur?????  Sings a slow reprise?????? Of Quelque chose de magique??????? No clue what he says in the lyrics but i thought it was an interesting melodic choice to bring back in the moment Arthur loses his mentor
So Guinevere gets kidnapped and Kay’s the one who actually realizes she’s gone and who took her but Arthur decides to go after her himself???  Then it switches to Lancelot who’s looking for the Grail and they kept the phrase Wake Up in English bless them but he doesn’t find Guinevere’s handkerchief until partway through the song and Niel (the kid playing Lancelot) was really great??? Like it was so much fun watching him as Lancelot ugh
I don’t remember why but Arthur then has a reprise of Si je te promets jury is still out on what he’s singing about but will keep you posted
Yoooo nos corps à la dérive man.  So. Good.  I’m so in love with Hong Seok’s Méléagant he’s so great and i just ;lakdjf;alkdjfd but the set was so cool they had like all these white ribbons???  That Guinevere was attached to??? Which sounds weird but it was like part spider web effect part almost shattered mirror effect????  That’s not explaining it well but it looked really cool and avant garde ish and there was a significantly fewer number of random creepy skeleton projections so i was here for it
Major difference tho Lancelot shows up ready to throw down except he gets his ass kicked and is seriously injured???  And Arthur shows up but he just listens at first so I think that’s when he really figures out what’s up between Lancelot and Guinevere but then Arthur steps in and kills Méléagant (who sings a reprise of Un Nouveau Départ before being carried off into the afterlife) (rip in peace).  Arthur then leaves Guinevere and Lancelot alone while the latter dies and they sing a really sad reprise of L’amour quel idiot :(((( my son dying meant that Il est temps got cut but like they added soo many reprises and things it makes sense that they’d have to cut at least one song but still sad :(
Next Arthur talks with Morgane and I’m not entirely sure what was happening but it seemed like she was having a breakdown because of what happened and what she did to Arthur and Vanessa said that he said something like “Don’t turn into our mother” or something like that but she breaks down and spirits herself away while she and Arthur sing a reprise of Dors Morgane dors
Then it’s Tout est joué and Merlin is standing on the back of the steps while Arthur is in front of the closed screen so it was nice to have that kind of physical barrier present on stage to further emphasize that Merlin’s not gonna be helpful bc he’s now separated from Arthur rip
Next up was Auprès d’un autre which involved a lot less yelling and shit then the French version and holy shit Han Jisang fucking killed it (again) he was sooo great but Arthur lets Guenièvre go partway through the song and so the show ends with him by himself holding up Excalibur
At curtain call they sang some of Je me relève (i think) again and it was cute esp bc at the end everyone was holding a dramatic pose except Han Jisang was just quietly bopping and jamming to the instrumental outro by himself so everyone is dead still except Arthur who was just bopping along it was so cute ;alkdjf;alskdjf
Anyways it was amazing and they seemed to make changes to make the story make more sense which bless them for doing it but i loved it so much and i need to see it like a million more times it was so good a;ldskfjas;ldkfjads;lkfjasd;k
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ceciliadickson · 4 years
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P2D2
Cecilia Dickson
Halbert Barton
SOC 3-001
27 February 2020
How One Musical is Changing the Future
“For one thing, it is—by cold critical standards—the worst of the lot, with a repetitive score, painfully forced rhymes, cartoonish acting and a general approach that mistakes decibel level (literally and metaphorically) for emotional intensity” is what New York Times critic Ben Brantley wrote about the cult musical Be More Chill after it’s opening on Broadway on March 10th, 2019. Be More Chill is a musical by Joe Iconis with a book by Joe Tracz, based on the young adult sci-fi novel of the same name by Ned Vizzini. It follows high school loser Jeremy Heere on his quest to become popular by taking a pill called a with a microcomputer inside of it called a SQUIP, which implants itself into Jeremy’s brain and helps him to be more chill. Many shenanigans follow. Sound weird? It is, but that is the point.
The bad reviews did not stop at the Times. Mashable called it “a disappointment” and The Hollywood Reporter stated it “contains serious problems.” So, does it come as any surprise that the show closed five months after opening?
From the outside looking in, no. A bad Times review is a bad Times review, and a bad Times review will close a production. But a step into the Lyceum Theatre’s doors while Be More Chill played on it’s stage would suggest an entirely different story.
Excited teenagers dressed in full cosplay, standing ovations after the show’s hit “Michael in the Bathroom” belted out by George Salazar (who plays Jeremy’s best friend, Michael), a screaming stagedoor crowd that caused passersby to stop and see what celebrities where coming out (they often left disappointed), fans crying as they got to meet their favorite actors—The two pictures put together do not make much sense. What made this musical connect with this young crowd in ways that theatre critics missed, causing the show to close despite its enthusiastic audience?
Fourteen-year-old Luna discusses the wide expanse of diversity the show contains. “I especially saw this in George Salazar's performance,” she says, “with someone who's half Filipino, like me, playing such a major role in the show!” Similarly, another fan, Jenn, describes how “as a fellow Filipino who is also part of the LGBTQIA+ community, it honestly made me feel so seen for the first time” to see Salazar, a gay half-Filipino, half-Ecuadorian man, perform on a Broadway stage in a lead role. “It made me tear-up.”
The representation does not stop at race. Another fan, Skylar, says that “the fact that a character actually says ‘Oh my God, I am totally bi’ literally makes me want to sob” in reference to a bisexual character, Rich Goranski. Salazar’s character wears a rainbow pride patch on his hoodie and has the famous line, “My mothers would be thrilled!” that caused fans in the audience to scream and cheer nightly.
Beyond representation, many people love the show because of it’s message. Twenty-five year old Erika states “It gives a voice to all the weirdos and people with anxiety/depression but in a way that's also comedic and colorful and fun and people really need that!” Similarly, twenty-eight year old Kayleigh describes her experience connecting to the show. “Then, when we got to [the song] “Upgrade” and [the lyric] ‘I'm tired of being the person that everyone thinks that I am’ was sung, and I immediately began to cry in my seat because, for the entirety of my life, I've worn a facade, quieting my interests and my desires in order to make other people happy . . . I felt seen as a person.”
If representation, from race to sexuality to mental illness, is what drew people to Be More Chill, the community is where people stayed, finding their home in it’s fandom. Through being mutual fans of the show, Luna met her girlfriend, Taylor, who happily explains “also because of [Be More Chill] I have a girlfriend! She is the greatest thing that has ever happened to me.” Kayleigh and Erika have found friendship in a Twitter group chat called the “Vintage Cassettes,” a play on a lyric in the show, while Luna and Taylor have true, close friends in their Twitter group chats, all formed because of their members’ mutual love for Be More Chill.
The community of Be More Chill fans—often called ‘stans’—is unlike your average fandom scene. Kayleigh describes how “being a stan of Be More Chill means being accepting of people's identities and being there for each other,” and Luna says, “in my experience, Be More Chill stans have been a lot more welcoming than stans I've interacted with in other fandoms.” Be More Chill stans are “loud and passionate” and unashamedly so.
Returning to the question at hand of what made this show connect to its audience, it was how the show was so open and welcoming, with it’s diverse cast of whacky, fun, weird characters, it allowed people to see themselves onstage. It shows people that there is a place where they belong. Luna remarks: “As someone who has stanned theatre for more than three years, it took my discovery of George and Be More Chill just over a year ago to get me to understand that I, a mixed race LGBT+ person, do have a place in this world and in this community.” Be More Chill gave so many people one thing that every person needs, a place to belong, and people to share that place with.
And while the show is not every person’s cup of tea, especially theatre critics, the stans know that. “The show isn't perfect and doesn't try to be,” Taylor says. “Be More Chill is one of the most loved and hated Broadway musicals, which makes the fandom very different. We are all very close and very protective of the show as a whole.” But, speaking on the show’s importance, Taylor states that “Be More Chill gives people a voice that they didn't know they had.” Jenn describes how “that kind of impact is something not to be undermined.”
And it is true. Influences such as Be More Chill are important in society. The fandom behind Be More Chill has given people a family, a found family. It has inspired young people of color, young LGBT+ people, like Luna and Jenn, showing them that they have a place in this world. The show’s message and how it handles topics such as mental illness has connected to millions across the globe. The societal influence of Be More Chill is far greater than any Times review or single opinion. It’s influence has inspired young people, connecting them to friends on the other side of the world, providing them with support they often do not find at home. It is showing young people that they do belong in this world, and in doing so, it is shaping the young people— the future—of this world.
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Glossary Terms:
Cosplay: The practice/art of dressing up as a fictional character
Stagedoor: Where actors enter and exit the theatre - often, this is where fans traditionally meet the actors. Stagedooring is the act of waiting at the stagedoor after a show to meet the actors and have their programs sign, a loved tradition by many theatregoers
LGBTQIA+: An acronym referring to the lesbian, gay, bisexual, transgender, queer, intersex, asexual, etc., community
Stan: A shortened version of the term stalker-fan, which started out with negative connotations, but in recent years has come to be a positive term meaning super-fan. It can also be used as a verb to describe the act of becoming a stan. For example: “After hearing her new album, I totally stan Taylor Swift.”
Fandom: an umbrella/unifying group term for people who are avid fans of a piece of work
Found family:  A group of people not related by blood who consider themselves to be a family in every other sense of the word
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Works Cited
Brantley, Ben. “Review: Anxious Teenagers Learn to 'Be More Chill' on a Big Stage.” The New York Times, The New York Times, 11 Mar. 2019, www.nytimes.com/2019/03/10/theater/review-be-more-chill-joe-iconis.html.
Scheck, Frank. “'Be More Chill': Theater Review.” The Hollywood Reporter, 11 Mar. 2019, www.hollywoodreporter.com/review/be-more-chill-theater-review-1193609.
Strecker, Erin. “'Be More Chill' Will Probably Be a Broadway Hit. Too Bad It's Also a Disappointment.” Mashable, Mashable, 10 Mar. 2019, mashable.com/article/be-more-chill-review-broadway/.
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Lauren Boyd can currently be seen as W1 in the Broadway production of Hamilton. Lauren made her Broadway debut in Hamilton and prior to that, she played ensemble roles in the national tours of both Wicked and West Side Story.
Lauren is extremely kind toward Hamilton fans and is known for stagedooring after almost every show (she stagedoors more than any they Hamilton actor!). She is also known among fans for her backstage shenanigans which often (as with most of the cast) involve prancing Nik Walker who she refers to as her best friend who doesn’t know it yet. Lauren is also extremely close with another Hamilton cast member, Anthony Lee Medina, dubbing them “#Lanthony.”
Lauren is a Wicked super fan and has and adorable dog named Nessa Rose.
Lauren is trained in many forms of dance including ballet and enjoys teaching. She teachers a wide variety of classes each week but especially enjoys teaching children and older folks.
Interview with Lauren: https://youtu.be/b9tcN1nQf-g
Social media: @laurenmboyd
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marionhawkins · 7 years
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SARAH FINALLY GETS TO SEE THAT DAMN SR SHOW
GUESS WHAT I’M LIKE THE LAST DAMN PERSON IN THE FANDOM TO SEE IT BUT I FUCKIN SAW IT
NOTES BELOW THE BREAK
-Scott Cote owns my ass. That’s the first, and most important note.
-So me, my mom, and my sister rolled into the theatre at like 1:00 for the 2pm show. And we rolled in directly behind THE ENTIRE CAST THEY LITERALLY CROSSED A CROSSWALK IN FRONT OF US AND I WAS LIKE “omg!!! It’s them” and my mom actually said something to them and they looked back and I awkwardly said hi and it was amazing
-I purchased a hoodie bc I am always a slut for hoodies
-Con O'Shea-Creal was the Nick understudy for both shows!
MATINEE (4TH ROW)
-Was lit!!! Con’s Nick was amazing! He’s a really enthusiastic Nick- like, when he was happy, he would just be so happy and jump and stuff. It was absolutely adorable. His tap battle was maybe a bit slow, but he made up for it with just generally being amazing during it.
-Scott Cote owns my ass.
-He’s such a quality Jerry??? Like, he’s better than David (worse than Brooks but everyone is worse than Brooks) and I want to hug him. His “Goddammit” and the bit after that is so amazing (during the evening he sort of just slid down the podium for a few seconds and I loved it)
-Also his “HOMOSEXUALS” is quality he was like “HOMOSEXUALS!!! COME BACK AND GET THEM FOR THAT!!!” and then Bea was like “I’m a woman!” and Jerry just SCREAMED
-During the “Portia and Nigel meet” scene this one Puritan was talking to a random townsperson and I shipped it before the townsperson fled due to Jerry’s stiffened….resolve. (Also Scott was so good at that he literally paused for like 30 seconds)
-Also Con messed up- during the producers thing with Shylock, during the matinee he was like “he produces the show, we call him a producer!”
-He was amazing though
-Josh was really good and I love him!
-Maggie was quality!!! I love her!!!
-I…didn’t totally like the Nostra? He was a good singer but like…idk…I do not enjoy his sound effects for seeing the future.
-Clapham was Clapham. He was a good Clapham, but he was Clapham.
-Autumn was no Kate, but she was amazing.
-Adam sucks ass but it was okay! Everyone else was good!
STAGEDOOR (1)
-Josh recognized me from the crosswalk! And he was like “eyy I remember you!” And I was awkward and like “I remember you too!” And it was Bad but
-Con was really sweet!! What a dude!!
-Scott Cote. Owns. My. Ass. He literally smiled at me and cared about my existence.
-After the stagedoor me and my mom and my sis went to our car and on the way back we were behind Maggie and 2 ensemble members and I got a picture and one of the ensemble members recognized my cosplay! And then when we were walking across the crosswalk Maggie dropped her sharpie and I picked it up for her and she thanked me and it was amazing
-Then we went back to the hotel and chilled for a bit before…
EVENING SHOW (2ND ROW OF BALCONY)
-Scott Cote continues to own my ass.
-His We See The Light is so good!!!
-Also Puritan adventures- the same Puritan who I shipped with a guy last time literally mouthed a whole sermon thing and it was amazing and I loved him
-Josh’s dancing during Willpower is so Badly Good and I loved him
-Josh also had a moment where he was looking at Portia and the leather boys came out and the entire ensemble was freaking out and he turned around and he just started freaking out
-Also Con called R+J Romeo and Julie this time and that’s beautiful
-He also missed a part of GIHS and it was…bad but also okay because I love him and he was hot
-Also also also the new “To Thine Own Self” stuff is so good!!! It’s such quality!!!
-Also I was recording audio and at one point I dropped my phone and if that isn’t my entire life
-But anyway I preferred the matinee but the evening was amazing as well!!! Which led to…
STAGEDOOR (2)
-I facetimed @stuff-and-shenanigans for a moment and it was amazing as hecc
-Con recognized me! He was like “You came to see it again?” And I was like “Yeah!!!”
-I called Scott the best Jerry and he was like “Thank you!!” And then we got a picture and he like half hugged and his cheek was pressed into my hair and I cried
-I didn’t…actually cry but
-I got a picture with Adam Pascal! He stagedoored and people were screaming and it was really interesting because people were like…really excited. About him. And screamed.
-Also shoutouts to the girl with the girl who was facetiming Hayley! She was really cute!
-Literally Scott Cote nearly hugged me and I am still spinning from that
-I really love Scott Cote
-God Bless Scott Cote
-also there was a picture of Titanic the Musical and that owned my ass
-things/people that own my ass: -Scott Cote -Titanic -Con O'Shea-Creal -This entire damn show. This was one of the absolute best days of my life.
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noscorpsaladerive · 5 years
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All right LRA Korea Write Up Part Two aka I have now seen this version of this musical five times on y go moflos
Okay this is going to be organized into general notes then by actor then stagedooring because my notes are a mess so that’s how it’s gonna go down
Also warning I wrote this on an airplane after very little sleep so it’s gonna be loopy alright let’s go
Details I hadn’t noticed the first time we saw it: During A l’enfant, all of the actors in Morgane’s play are women, which to me makes sense given her backstory so that was a cool detail.  On the screen behind them they have shadow puppets acting out the story too which was also a cool detail.
For Tu vas le payer, they did keep a bit of the gender bending happening like everyone was wearing these overskirt things so I appreciated that nod to the original production.
Fave staging ever goes to Délivre nous like hot damn.  Not only does Arthur walk among the people, but for the last verse and chorus Arthur is center stage in a white spotlight while everyone is gathered around the edges of it and they’re reaching for him and act as if they’re banging on a glass wall trying to get his attention and it’s so freaking good and brillant y’all
Okay now for stuff by actor starting with the Arthurs:
Han Ji Sang !!!!!  My dude!!!!  We only saw him the one time but I still LOVE his transition from boyish squire to grown ass man king.  His curtain call bopping is also my fave.  I think my fave thing was how he responded to the people (as in Arthur’s subjects), like it really seemed like it was coming from someone who used to be one of them but now finds himself in a position of power over them
Pretty Arthur aka Hoonjeong:  his was the most reserved Arthur??  Like his singing was so lovely and he did act it very well but in a lot of ways he was more timid but not necessarily in a bad way.  He just was a more reserved Arthur.
Noodle Arthur aka Seungjo:  MY NOODLE ARTHUR HAS RETURNED FROM WAR!!!!!! His performance reminded me the most of Flo’s (not DVD Flo but live Flo) but Seungjo took the noodle like fifty steps further and it was BEAUTIFUL. Like he and Kay are in shenanigans together from the beginning and he’s hugging Kay a lot and he’s so damn cute y’all. Seungjo is a very like physical actor???  He would grab Merlin’s staff (wow that sounds like a bad innuendo I’m sorry i’m tired y’all) and would bang it in the ground to establish authority like right before going after Méléagant and Seungjo would grab Merlin’s cloak when he was unsure or angry and oh my god this dude with Guenièvre. Oh my god.  During Rêver l’impossible he’s like adjusting his clothes and running his hands through his hair because he’s gotta look good for the beautiful woman and when he finally speaks to her he’s on his knees like he doesn’t think he’s worthy of her or like he’s in awe of her and when he starts to head off with Merlin but Guenièvre’s like “Mais le roi est fatigué” this noodle just does a 360 around Merlin and he’s so smiley and cute and at one point during quelque chose de magique Guenièvre dances with the ladies then Arthur does a lil dance with the boys and while Guenièvre’s dancing Seungjo claps and waves at the boys to get their attention like “come on we gotta dance to impress!!!”  Also Seungjo gets really into the kissing like not just on the mouth (although he does smooch a lot more than the other Arthurs) but he kisses Guenièvre’s hands and is constantly whispering and giggling with her in the background of scenes it’s so damn cute y’all. 
But like for act two he’s all serious and the physical element of his acting is still there but it’s never comical in a bad way just either cute or heightening the emotion of a scene.  Like during Ce que la vie a fait de moi Arthur and Guenièvre go down the line of wedding guests to greet them and Seungjo hugs Kay and bounces up and down with him and when Léodagant gets down to bow to Arthur Seungjo gets on his knees and makes his father in law stand back up and ugh i love it ;lakdjf;ladksjfsa;dkl.  Oh omg when Gauvain is training him Seungjo’s like ugh come on give it a break then he’s like oh hey what’s over there? Then he attacks Gauvain and it’s so cute ;lakdjf;adslkjfsdk. Also Seungjo had the best “cette femme est ma femme et c’est la reine!!” Like the other Arthurs didn’t emphasize it that much but he really did and ugh i love him.  Seungjo was also on the floor a lot whenever Arthur was stressed which is a Mood but it also makes me want to protect him.  Like his face after Tu vas le payer he looked so scared and confused I wanted to run up on stage and just like wrap him in a blanket or something.  Like Seungjo’s voice is beautiful but it’s not vocally my fave but his acting is what really pushed him to the top of my Arthur list.
Okay so for the Morganes:
Soojin!!!!!!! I’m love!!!!!!  She did a great job of making Morgane evil but you still want to pity her and vocally she’s incredible and just w o w
Lisa overall was almost as good as Soojin in my opinion.  Her voice is gorgeous and especially the last time we saw it she was sooooo into it and having fun but she makes a couple of choices that I just can’t get on board with like at one point during Dors Morgane dors she like goes for a high note but it comes out like a screech?????  Not a huge fan.  The way she acts her final scene too just didn’t quite make sense to me either but still I’m overall a fan of her.
The Guenièvres:
Miyeon was having such an off night the first time we saw her bless her heart but the second time I really loved her????  She has a pretty deep voice which I love and she was like crying during Auprès d’un autre???? Like wow way to tug on my heart strings.
Jisoo was a good Guenièvre!!  Like she has an absolutely lovely voice but I can’t think of anything like super spectacular but I did really enjoy her performance.  Her L’amour quel idiot reprise was more heartbreaking like she’s almost ugly crying and it was so freaking sad :((((
The Lancelots:
Niel was better than we were expecting!!  I think this is his first musical and he did so well!!!  He did some almost growl like things in Wake Up which sounds weird but it worked really well.  He was maybe my least fave if I had to rank them because the poor boy has such a nasal voice which is just how his voice is but that’s also not my fave thing in the world rip.  Something I really loved was during Faire comme si he catches Guenièvre’s arm and holds her hand for a second (which all the Lancelots do) but he holds his hand there after she lets go for a second as if he can’t believe he got to touch her.  He’s also the only one who tries to kiss Guenièvre as he’s dying but their lips don’t quite touch sad emojis
Giant Lancelot aka Byeonggeun:  Holy shit this boy is big.  Like he’s so tall???? And so broad?????  We only saw him once so we don’t remember too much bless his heart.  I liked him though!!
Pretty Lancelot aka Jihoo aka my actual son:  First time we saw him i LOVED his voice but he had some volume control issues??? We weren’t sure if that was the mic or him but the second time I kept saying in my head “ça c’est mon fils!!!!!!!”  Vocally he is by far my favorite and I just adore him he’s my son now
Now the Méléagants:
Chungjoo:  We saw him the last time we saw the show and I really like him as a performer but not as Méléagant. His second act was better than his first but his high range isn’t quite there for me personally but holy fuck his lower range is absolutely gorgeous and I want him to play Jack in Jack the Ripper oh my god.  Acting wise he was good, he played Méléagant unhinged from the beginning instead of just for act two like the others.  He was also very touchy feely with Guenièvre during Nos corps à la dérive (not in a weird way, just in a grab shoulders and face way) whereas the other two were almost too scared to touch her, which like neither choice is good or bad it’s just different
Pretty-agant aka Chanho:  first of all his eyebrows?????? Amazing.  Second of all his voice????? Even more amazing.  His high notes sounded so easy and he was so damn into it like he did the Un Nouveau Départ body rolls and the Mon Combat hip sway (which the others did not do) and something we loved after seeing him was his act one at first seemed a lil boring???? Like his voice was too clean???? But his second act he was becoming more unhinged and his voice rougher so it wasn’t boring it was just acting.  But he was just so damn good oh my god and his performance reminded me the most of Fabien’s which isn’t necessarily good or bad it’s just a thing.  Something that I loved that Chanho did was he reached for things??? Like after he couldn’t pull out Excalibur he held his hands out like “i almost had it” then he reached for it again and as he was leaving the stage after Un Nouveau Départ when Au diable is starting Chanho reaches for Guenièvre and I love
Lucheni-agant aka Hongseok:  I love him so much I just ;alkdjfa;ldkjfd. Like honestly his high notes weren’t as good as Chanho’s but it still worked and it wasn’t screechy which is good and I just adore him he’s so nice ;lakdjf;alkdjfa. Like idk how to explain it but his Méléagant is just so captivating for me???? Like I already mentioned this but when he has Excalibur after Arthur hands it to him there was really such a strong sense of oh shit what’s gonna happen.  It was also super fun seeing him as Méléagant after seeing him as Lucheni.
Omg I almost forgot the second time we saw Hongseok as Méléagant there was a Mishap.  So before Mon combat Morgane explains the kidnapping plan to Méléagant and Leia is supposed to attach Lancelot’s cape around his neck.  Except the cape clasp didn’t stick, and Hongseok couldn’t get it to clasp.  He threw it away at one point then picked it back up and tried to sling it over his shoulder but it kept falling off and finally he was able to throw it offstage but it was funny bc during the kidnapping scene itself after he reveals his identity Hongseok just ripped the cape off entirely and didn’t just take the hood off he looked so done with that cape ;aldkfjadklsjf
Okay now stagedoor times!!
We stagedoored for Seungjo twice, and the first time there were sooooo many people there for him and he looked so small and overwhelmed and mildly alarmed like he didn’t know what to do with all these people????  He kept smelling the flowers people gave him and he was so quiet and shy then he almost couldn’t get out because the fansites were almost in the way ;aldkjfds
The second time he was way more prepared and people kept going up to him in front of everyone and giving him gifts and Vanessa was like “come here!!” And I thought she meant to the end of the line so I could see because short but nope she meant in front of everyone but I stayed back because shy and I can’t speak Korean but she went up and gave Seungjo some Reese’s and said that we’d seen the show in France a lot and he’s the best Arthur and he laughed like he couldn’t believe but his laugh was so beautiful and he’s such a cutie I love him and will protect him.  He also posted a pic of his gifts from that night and you can see Vanessa’s Reese’s and he also used #thanks in English for the first time which we’re choosing to believe is bc of us/mostly Vanessa
We stagedoored for Hongseok three times, twice at King Arthur and once at Elisabeth which I’m gonna write about here lol.  The first time Vanessa told him how many times I’d seen the show in france and he looked concerned??? Impressed???? Idk but he took that to mean I was French lol but he makes the best face in pics with fans I love it.  We told him we were seeing him as Lucheni that weekend which seemed to just confuse him ;alkdjfa;ldkjfasd Next when we saw him after his last show in Elisabeth (which I’m not exaggerating when I say I would sell my soul to see him as Lucheni again) he remembered us and was like “American and French right??” But Vanessa told him I’m American and I’d just lived in France.  All of his other fans were very impressed with Vanessa’s height lol.  We also got to see his wife and new baby and they were all so cute!!!  Hongseok also brought rice cakes to his fan club which was so sweet.
Third time was after King Arthur again which that theater’s stagedoor is actually in the first floor lobby by the bathrooms so people usually stagedoor in the lobby or in front of the actual theater entrance on the second floor and you just linger until you see the person you’re waiting for but as soon as Hongseok came out that night he headed straight for me and Vanessa because he knew exactly who we were there for lol.  Vanessa told him he’s amazing again in Korean then he was like “I can speak a little English” and Vanessa was like “wanna practice??”  And he was like “Practice? Sure!” With a little bit of an oh shit what did I get myself into face but dude you were the one who pulled out the English not us lol.  So we mostly just squealed about how awesome he is and I was just like “I’ve seen this show so much and you’re my favorite” and we got a selfie again then after the other fans talked to him Vanessa told him we were going back home and we wouldn’t see him again so he went to shake our hands but Vanessa is brave and was like “Could we get hugs?” So he hugged us and his sweater was very soft and he’s just so sweet and I wanna go see him in more shows because he’s such a great performer ;lakdjf;lakdjfad
Anyways long story short I love and miss this show so much and if you’re going to Seoul while it’s still running PLEASE go see it!!!!
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noscorpsaladerive · 5 years
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LRA Korea was so fucking good and really made me fall in love with this musical again (as if I’d ever fallen out of love with it lol) and I’ll post a more detailed review later but Kang Hong Seok as Méléagant was freaking incredible I’m so glad I got to see him (and that I’ll be seeing him as Lucheni in Elisabeth this weekend lajslsjfl). He was super sweet but now he thinks I’m French because Vanessa told him I saw the show in France lol
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