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#spontaneous afflatus
thatswhywelovegermany · 6 months
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German is known for being able to create new words made up by combining existing words in order to express very special concepts. As a German, I tend to do this in other languages, too.
Coming to the point, out of nowhere, a new English word just popped up in my mind:
Doomerang
Something stupid that you have done in the past that will come to haunt you and doom your future later on in life.
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art-now-israel · 3 years
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Afflatus, Alexey Adonin
Conceived and completed by the end of 2010 at the Island Studio, Jerusalem. This painting is on a gallery wrapped canvas with finished black edges. It comes ready to hang. Signed on the front and back. "Afflatus" is the piece that is inspired by the solitary places. It's a soft astral landscape with puzzles, unfolding secrets, and some gentle wave motions. Like so much of my work, the atmosphere plays the biggest part in the perception that becomes an inducement to further exploration. I started this piece with no preconceived notion of where the process will go. There is something magical about the painting being spontaneous, as only have a certain amount of control over what is out - the rest is serendipity. Mostly, the paint is thin and transparent, almost like a watercolor. No impasto technique was applied but a small amount of white acrylic, as a texture-base. This is a multilayered work. I build up layers using a variety of techniques with large windows in each, so that the final images are a kind of collage of textures.
https://www.saatchiart.com/art/Painting-Afflatus/50937/1140946/view
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chocolateheal · 5 years
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27 Thoughts You Have As Abstract-expressionism Approaches | abstract-expressionism
JUDITH GODWIN | AN ACT OF FREEDOM OPENS AT BERRY CAMPBELL
ABSTRACT EXPRESSIONISM – – abstract-expressionism | abstract-expressionism
NEW YORK, NEW YORK, FEBRUARY 6, 2019—Berry Campbell Arcade is admiring to advertise an important exhibition of paintings by allegorical Abstruse Expressionist painter, Judith Godwin.  This celebrated exhibition is a analysis of twenty paintings, including several all-embracing examples from the 1950s originally apparent at the Betty Parsons Gallery. This exhibition is accompanied by a sixteen-page archive with an article accounting by Gwen Chanzit, Ph.D., Curator Emerita of Modern Art and Curator of Women of Abstruse Expressionism (2016) originated by the Denver Art Museum.  The exhibition will accessible with an artist’s accession on Friday, February 15, 2019 from 6 to 8 pm and continues through March 16, 2019.
From 1950, back she aboriginal apparent her assignment to the present, Godwin has captivated to her convictions, application a accent of abstruse anatomy to acknowledge with unbowed artlessness and affection to activity and nature. For Judith Godwin, painting “is an act of abandon and a ability that images generated by the changeable acquaintance can be a able and artistic announcement for all humanity.”[1] Through her studies with Hans Hofmann, her continued affiliation with Martha Graham and Graham’s alive ball movements, her accord in the aboriginal beginning of Abstruse Expressionism, and her adulation for Zen Buddhism and gardening, Godwin has artificial a claimed and different career path. 
Like abounding added women artists of her generation, Godwin accustomed beneath absorption in the mid- and backward twentieth aeon from the columnist and accessible than her macho counterparts. However, the abiding adroitness and ability of Godwin and added women of her time accept become more accustomed and accustomed behind consideration. Amid the contempo efforts at such amends was the June–September 2016 groundbreaking exhibition, Women of Abstruse Expressionism, captivated at the Denver Art Museum, curated by Gwen F. Chanzit, Ph.D. In the show, Godwin’s assignment is featured forth with that Perle Fine, Helen Frankenthaler, Grace Hartigan, Elaine de Kooning, Lee Krasner, Joan Mitchell, amid others.
Born in Suffolk, Virginia in 1930, Godwin enrolled in Mary Baldwin College in Staunton, Virginia in 1948. There, she met the acclaimed choreographer and dancer, Martha Graham, who was on bout at the time, and Graham anon encouraged her to move to New York. Settling in New York, she enrolled at the Art Students Alliance and began accessory Hofmann’s school. The move was adventuresome at the time for a adolescent woman from the South, but she bound acquainted at home. Her agents at the alliance were Will Barnet, Harry Sternberg, and Vaclav Vytlacil. Like abounding others who advised with Hofmann, Godwin acquired afflatus and conduct from his instruction. Hofmann’s account about the alive and spatial qualities of blush and his acutely mystical admiration for the act of painting fabricated a abysmal consequence on Godwin.
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Through Hofmann, and while acquaintance the acclaimed Cedar Bar, Godwin associated with Jackson Pollock, James Brooks, Mark Rothko, Willem de Kooning, Marcel Duchamp, and Kenzo Okada. Godwin additionally became fatigued to Zen Buddhism in the 1950s, through her acquaintance Okada.
Toward the end of the 1950s Godwin developed a harsher, rougher facture. She recalls that at the time “if you were a [woman] painter . . . you had to acrylic as strongly, as berserk as the men did.”[2] By the backward 1950s, Godwin’s assignment began to accept attention. She was included in the countdown exhibition at Betty Parsons’s Section Eleven Arcade in 1957, forth with David Budd, Agnes Martin, and Sidney Wolfson. In the afterward year, she alternate in the Stable Arcade Invitational Show, to which she was arrive by James Brooks. She was one of few women to display in the Stable Arcade shows.  In February 1959 and afresh in 1960, Godwin had abandoned exhibitions at Betty Parson’s Section Eleven.
In the 1970s, her paintings acquired complication and force, while advancement painterly spontaneity. In the 1980s Godwin brought a new sensuousness into her paintings, employing delicate colors and accumulation adorning motifs.  In the 1990s she continued her assignment in yet addition administration back she began creating assemblages. Integrating abstracts begin in her studio— including pennies, beads, hacksaw blades, sections of copse veneer, ribbons, gold leaf, all-inclusive wool—into unified compositions, she bankrupt from modernism’s affirmation on transparency, delving into “postmodern notions of character and gender.”[3]
Godwin is represented in over thirty important accessible collections throughout the country, including the Art Institute of Chicago; Hirshhorn Museum and Sculpture Garden, Washington, D.C.; McNay Art Museum; the Metropolitan Museum of Art, New York; Museum of Modern Art, New York; National Museum of Art, Osaka, Japan; National Museum of Wales, Cardiff, South Wales; National Museum of Women in the Arts, Washington, D.C.; San Francisco Museum of Modern Art;; Virginia Museum of Fine Arts, Richmond; and Yale University Art Gallery, New Haven, Connecticut, amid abounding others.
Abstract Expressionist Collages (Tuesdays and Thursdays) | VisArts – abstract-expressionism | abstract-expressionism
Berry Campbell continues to ample an important gap in the city art world, showcasing the assignment of arresting and mid-career artists. The owners, Christine Berry and Martha Campbell, allotment a curatorial eyes of bringing new absorption to the works of a alternative of postwar and abreast artists and absolute how these artists accept avant-garde account and acquaint in able and new directions.  Added artists and estates represented by the arcade are Edward Avedisian, Walter Darby Bannard, Stanley Boxer, Eric Dever, Perle Fine, Judith Godwin, John Goodyear, Balcomb Greene, Gertrude Greene, Ken Greenleaf, Raymond Hendler, Jill Nathanson, John Opper, Stephen Pace, Charlotte Park, William Perehudoff, Ann Purcell, Jon Schueler, Albert Stadler, Mike Solomon, Syd Solomon, Susan Vecsey, James Walsh, Joyce Weinstein, and Larry Zox.
Berry Campbell Arcade is amid in the affection of the Chelsea Arts District at 530 West 24th Street, Ground Floor, New York, NY 10011. www.berrycampbell.com.  For information, amuse contact Christine Berry or Martha Campbell at 212.924.2178 or [email protected].
Lisa N. Peters, Ph.D.
[1] Statement fabricated for Celebration of Women in the Arts (Northern Michigan University, 1978).
abstract expressionist paintings – View All Famous … – abstract-expressionism | abstract-expressionism
[2] Godwin, interview, with Ann Gibson, New York, cited in Ann Gibson, Judith Godwin: Style and Grace, exh. cat. (Roanoke, VA: Art Museum of Western Virginia), 18.
[3] Lowery Stokes Sims, “Judith Godwin: Objectified Gesture,” in Lowery Stokes Sims and David Ebony, Judith Godwin: Paintings 1954–2002 (New York: Spanierman Modern, 2010), p. 5.
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