I know I’ve been posting a lot of studio pics lately, but it’s because…well, I love it. Many of the world’s great analog studios are threatened by the march of time, but here in Memphis we are lucky to have some of the most significant recoding spaces in the world still in operation and making records every day. @samphillipsrecording is the studio Sam opened in 1960 after he sold Sun. They cut “Wooly Bully” by Sam the Sham there. The Yardbirds cut their version of “Train Kept A-Rolin’” at Phillips. It’s where John Prine made his “Pink Cadillac” album, with Knox, Jerry, and Sam producing. And I was fortunate to get to make a record of my own there a decade ago with the late Roland Janes, a special experience I will always treasure. So I’m especially honored to be playing some guitar on the sessions for the upcoming Jerry Phillips original project, and I can’t wait for everyone to hear the killer rock and roll tunes he’s been writing. They’ve made a lot of exciting changes at Phillips recently, and I’m really happy it worked out for @electraphonic to be behind the desk - which is now the Spectra Sonic console that was originally at Stax Studio B, which can be heard on Isaac Hayes’ “Black Moses” album, to name just one. It is newly-refurbished and sounds fabulous. And there’s nothing like tracking live with reverb in your headphones from an actual echo chamber down the hall. Like the song says, “ain’t nothing like the real thing baby.” It’s also especially cool to get to work with the homies on all this, @dannybanksdrummer and the multi-talented @thewilsonmc, who brought along his camera last week for our session with @commonwealther, and got these nice shots. But more on that in a later post…stay tuned… #memphis #memphismusic #memphisstudios #recordingstudios #studios #analogrecording #analogstudios #spectrasonic #stax #staxrecords #samphillips #samphillipsrecording #sunrecords #samthesham #theyardbirds #yardbirds #johnprine #jerryphillips #isaachayes #blackmoses #rolandjanes #thescottmiller (at Sam Phillips Recording) https://www.instagram.com/p/Cltsb6VARge/?igshid=NGJjMDIxMWI=

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Spectrasonics社の製品を複数読み込んだら「STEAM Folder not found.」が出た時

最近BFでKeyscape買って浮かれてたらTrilian使えなくなってて、設定し直したらKeyscapeが使えなくなって…を数回繰り返してたら直ったので書いておきます

まずエラー起きてた原因なんですが KeyscapeをDドライブ直下にインストールすると、Keyscapeのデータの場所は

D:\Keyscape\STEAM\Keyscape\[データ]

になります

以前からインストールしてたTrilianの場所は

D:\Trilian\STEAM\Trilian\[データ]

だったんですが、両方のSTEAMフォルダーの中に両方の名前のフォルダーができていて

D:\Keyscape\STEAM\Keyscape\[データ] 　　　　　　　　　　　\Trilian\[空] D:\Trilian\STEAM\Trilian\[データ] 　　　　　　　　　\Keyscape\[空]

でした

ソフト内でのパスの表示がおかしかったので、たぶんSTEAMの場所はそれぞれ共有されているみたいで別々にはできないみたいです 一つにまとめたら直りました

D:\Spectrasonics\STEAM\Trilian\[データ] 　　　　　　　　　　　　　\Keyscape\[データ]

読み込めるようになったってだけなので過去のプロジェクトファイル開けるかはやってないから分からない…不安です

Spectrasonics Omnisphere 2.8 Crack is created for virtual stringed instruments and has a plethora of incredible features that help you.

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Up to 20 oscillators per patch can be either DS Synth or sample-based.

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🎈Happy 23rd birthday to the single "Sonne", released on this day in 2001 (12th February) 🎂

Sonne was written on request by the boxer, Vitali Klitschko in 2000, because he wanted a new song for his entrance to a fight. Rammstein wrote the song while having in mind, that he lifts up his arms in the ring during "hier kommt die Sonne" and was written in two days.

Paul: "Someone rushed into the rehearsal room and said: "Hey, Klitschko needs a song! Klitschko needs a song! After two days we were done. We have never done a song as fast as "Sonne". We dropped everything."

The song was supposed to premiere in 2000 for Klitschko's champion fight, but he lost the fight before, so it wasn't used. Klitschko ended up using a different song, because Rammstein's song "was a bit too hard"

The female vocal sample that I'm sure we've seen everywhere on TikTok, is taken from the sample CD Spectrasonics Symphony of Voices.

© spectrasonic

i don’t know if i can directly reply to your answer so i’ll just send one of these again, i asked that vst question

with "back then" i meant 2006-2010 and are the sound&recording features up anywhere? i would look through those gladly (although i can’t read japanese) if you don’t want to

You're good, this is the best way to respond~ They aren't up anywhere yet, I'm in the very early stages of figuring out a new spot to host stuff (not closing the blog itself, just Tumblr has become a bit of a hassle to use anymore for archival purposes and I want something that feels more "permanent" and easier to navigate...). Anyway.

In the 2006 FRUITS CLiPPER/CLM feature: Native Instruments Battery 2, Native Instruments FM7, Arturia ARP 2600V (damn the thing this was replicating was gorgeous), Arturia Minimoog V, DISCODSP Discovery 2, Novation V-Station, Spectrasonics Trilogy.

[They ignored the lad for the entirety of 2007, which is insane, but.]

MORE! MORE! MORE! feature from '08: I wound up having to skim some of this and didn't find much... He says he was still using "the usual Native Instruments and Arturia," something made by Waves (S&R just notates it as "plugins by Waves" as they were listing what was shown in studio photos), and he mentions "only using the hi-hat from XLN Audio Addictive Drums." (As a side note when asked about what pitch correction software he used, he said he changed it depending on what he felt like, between Melodyne, Auto-Tune, Yamaha Pitch-Fix and "free software.")

[His 2009 feature was for FLASH BEST so nothing new, though there is a paragraph of him talking about Hatsune Miku. This is what ya'll are missing out on by not voting for it in the poll lol...]

PLAYER feature from '10: Wow the white text on a black background for this is killing my eyes!! Steinberg HALion Symphonic Orchestra & still says Native and Arturia are his ride-or-dies, Spectrasonics Trilogy and Trilian and that's it.

You've mentioned that you make music, what's your DAW of choice? And do you have any particular favorite plugins/instruments you like to use?

logic pro x is Da Goat for music production far as I'm concerned, but I used to be a huge Sekaiju fan when I did pure MIDI sequencing. I still sometimes use it for sketching

my favorite instrument of all time is the Korg Trinity Plus, I use it all the time in every production and I would never ever wanna be without it <3 second fav is Roland 88Pro cause it's how I got started making something more complex than bleep bloop and its SO easy to use. my fav soft synth tho is probably Omnisphere? really nice bit of software with tons n tons of sounds to use, it's great for when I need to fill a niche and all my hardware is in use

ig for context my full setup is Roland RD600, SC88Pro, SC55, Yamaha Motif, VL70m Turbo, MU90, Korg Trinity Plus for hardware. and software, Korg M1, Wavestation, Roland JV800, SRX Orchestra, Spectrasonics Omnisphere, Trillian, Stylus RMX, Keyscape