What if the Ferryman warms up to V1 quicker than they forgive Gabe so when the two have to fight something/someone the Ferryman's idols priortitise V1 for the blessing instead of Gabe. He would be so upset! Maybe they try to teach V1 to carve it's own idols (out of wood, they don't trust it with the real stuff)
How would the Ferryman warm up to V1 in the first place? Did they just want to figure out why Gabe fell for it in both senses of the word?
(reference to this!)
ANON YOUR MIND....i can absolutely see this being the case because the ferryman is in a very difficult and unique position with regards to these two. i went into detail in that previous ask on their issues with gabriel after his fall, but with v1, initially all they see is the machine that corrupted him. in some ways, they want to shift the blame entirely so they can preserve something of gabriel's image in their mind, but they come to know v1 for the exact reasons you say - they want to understand what happened. gabriel was a paragon, a luminous angel fully dedicated to god. how did v1, in a matter of hours, change his entire perspective, how did it not only turn him blasphemous but capture his love and affection as well? the ferryman by turns is insulted, angry, jealous, and the only way they can deal with that is to get to know and possibly understand v1 even if all they can feel for it at first is disgust.
the ferryman is guarded in approaching v1, a bit concerned for their own faith if it was able to so thoroughly shake gabriel's, but v1 is difficult to engage initially. it shows a mild curiosity before ignoring all of the ferryman's attempts at conversation, stark expression giving nothing away before it leaves to find better stimulation. of course. it's not made to be social, it doesn't seek out companionship nor prioritizes it in any fashion as a war machine. and while the ferryman can observe it, can begin to see behaviors they never expected to find in its curiosity and playfulness, it does nothing to answer their questions nor lessen their frustration with it. they have to engage with it on its terms, how gabriel must have when they met and when it changed him...and honestly the ferryman's anger has mounted long enough despite their uncanny ability to bottle their emotions. their challenge to v1 is the first time they see it respond fully to them, instantly drawing its weapons without moving to a more proper setting or even waiting for the word "go". it's not a complete surprise though, and the ferryman braces against it as they know implicitly that this machine must have defeated gabriel since that's the only way it would be standing now.
and as this is v1's true language, the ferryman finds themselves astounded by what it says: there is true art in its movements, boundless creativity guiding its whole body, a fervor that before they could only understand as religious but now put into battle. this is what gabriel saw, what he felt. so small but lightning fast, learning every second of the battle and adjusting, adjusting, tailoring all its movements, weapon choices, strategies to its opponent and its opponent alone. special-made, a battle just for two. how odd, feeling like you're the only one in the world when it locks onto you. and for v1, its interest in the ferryman takes hold when it sees how they fight, the strength and precision they manage despite appearing so frail and retiring. why didn't they show it this first? why waste time trying to talk? they can spark its need for physicality, a partner in battle that can hold its attention and make it work for its victory. v1 does end up battering the ferryman perhaps too much, but it stops when they fully yield and thank it for showing them just what they needed to see. they take the time to patch themselves up and think on what it showed them, wondering if that was enough to steal gabriel from heaven.
however...now they've attracted its attention lol v1 begins to investigate the ferryman, reversing their previous roles - they keep catching it out of the corner of their eye, scuttling around behind them, watching them with its brightly glowing optic that somehow looks much more inquisitive now. they start talking to it again to bring it closer, explaining the maintenance of their ship or singing low songs to it which it sometimes gives responses to with little electronic chirps. and despite knowing what it did to humanity, to hell, to gabriel, the ferryman was human once and well...there's an undeniable, deeply human pull toward a curious little robot. they begin to show it their artwork, how they paint and sculpt, absolutely handing over the tools to v1 at some point to watch it roughly carve the most rudimentary little figures of things its seen, people it knows. slowly it grows on the ferryman, watching the passion it approaches everything with, how it's impatient but how it delights in novel experiences, how brightly intelligent it is, far beyond the ferryman's capabilities in many things...despite everything about it that should be to the contrary, it's charming in its own ways. made by humanity, but not human, not fair to condemn by the same measures. the ferryman, religious as they are, does not believe that it can necessarily be held accountable with how it is removed from god - sinful men made this, and it had no say in its purpose.
this moral reasoning is what breaks down the barrier between them and ultimately leads to the idol problem. while gabriel knows by then that v1 has taken an interest in the ferryman, he doesn't understand how it's reciprocated until v1 is blessed by an idol to both of their shock. v1 adjusts quickly to it - invincible, unstoppable!!!! it can perform all the most ridiculous tricks, the ones it's only simulated (to poor results) because nothing can touch it!!! it cleans up the rest of the battle single-handedly as gabriel stays rooted to the spot, only moved when he's rudely checked by an enemy as if only to remind him he doesn't have the privileges v1 currently does. and i think this is point at which gabriel comes to really understand how hurt he is by the ferryman's rejection, how he felt so secured and entitled to their devotion that he believed the ferryman would totally forgive him if given enough time...but this shows how badly wounded their relationship is, how terribly hurt the ferryman has been in a way gabriel should have known. his natural emotionality wants to lash out but he knows he must control it, the feeling selfish and unfair to the ferryman or to v1 - instead he needs some time to self-reflect, to deconstruct even more of that angelic self-righteousness he still carries, and find it in him to truly be humble if he wants to mend this rift (which he has time for, as v1 is arguing with the terminal that THOSE POINTS COUNT. GIVE ME MY POINTS!!!!! and the terminal REFUSES to cash out bc v1 essentially used cheat codes)
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there's something to be said for ugly emperor's child and slaaneshis in general, I think. beauty as a form of mediocrity. sure there's the perfectionism and golden ratio faces and that, in itself, being extremity. no one perfectly fits the golden ratio or whatever, no one is 100% attractive. it's uncanny valley. and so, in a way, "traditional", "researched" beauty can be appealing to them. but I'm far more interested in the inverse and, to my mind, the more common thing they're a fan of -- being ugly as sin. features that might be considered conventionally attractive taken to unattractive extremes (square jaw? try having a head shaped like a cube), visible and intense "undesirable" traits, etc. where's the pleasure in everything looking the same, all monotone shades of golden ratio faces and "ideal" WCRs and WHRs? the researched ideal WCRs and WHRs don't even fall into extremity! too extreme and people don't find it attractive anymore!
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Entering the manic pixie dream girl OC design era,
Anyway, this is Juta! (they/them) (pronounced kinda like yuta)
My 193cm (6′4″) tall quarter-elf aasimar who glows and has horns (and also, as i decided after finishing this art, wings. eventually.)
Anyway, they are actually the child of another one of my ocs that i have NOT made an intro post for yet, but TLDR Senna went thru the adventurer to baroness to queen pipeline and ALSO he married an angel (long story), and so that is how Juta was born :)
The giant centipede’s name is Honeybunch! She’s actually Senna’s magical companion, whom he sent to keep an eye on his baby once they decided to embark on an Adventure like their papa<3
Honeybunch has been Juta’s babysitter since childhood, and they even used to ride this giant bug like some kids do with big dogs.
One of Juta’s character traits is that they ABSOLUTELY cannot blend in. anywhere. especially in the dark
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