social call at the Montgomerys'

OF CRYSTAL ROSES (EXTENDED AUTHOR’S NOTE OF CHAPTER VI. OF CASTLES)

-- TO READ THE CHAPTER ITSELF, SEE HERE ON AO3 --

well, well, well. here we are. spoiler alert, gryffindors make plans they don’t stick to, lolz. all the good intentions in the world, i had. study, i said i would. yet, here were find ourselves, eighteen thousand words later. this appears to be how i roll. slept about five hours last night, too, so apologies if i’m slightly non-sensical/rambly. this chapter ought to be sponsored by deliveroo and teapigs tea, a brand of tea that appeared in my local supermarket a few moths ago and that i steadily refused to buy because - can tea really be worth this much? low and behold, once you’ve tried it once, it appears to be addictive. i’ve, while writing this chapter, worked my way through about four packs of their different teas - they are just this good. i have a job interview tomorrow so wish me luck in gaining employment which will hopefully fund my expensive habits.

now, before we get into the nitty gritty of the chapter, itself, i just needed to say this: i cannot thank everyone enough for the incredible response on last chapter. i’d kind of grown accustomed to getting a couple of reviews for each of them and to writing in my little corner of the internet but boy, you guys are bloody legends! i am so overwhelmed with gratitude for everyone who commented, kudo-ed and generally gave love to this fic in general. i really didn’t expect such a response and it’s meant the world to me. i think it’s probably also the reason why i’m posting so early because i kept being like, god, i can’t leave this many people waiting in this cliffhanger hell. i think this chapter ends on a more positive note (although, i’ll let you judge), one that might be more conducive of a few weeks’ wait (more on that below), haha.

this being said, as i explained on here before, i come from very tiny fandoms where basically everyone knows each other and the number of people reading would usually fit in my flat. the fact that over 80 people are now subscribed to this fic just blows my fucking mind. you’re all magnificent and i love you. i try to respond to all the comments so let’s keep chatting if you feel like it (although, no pressure - comment if you want to, but do know that it makes me very happy when you do :)). you’re all fabulous and i wish you all the best!

anyway, spoilers for castles, chapter vi under the cut.

guys, guys, guys, i am so tired. i’ve spent four days editing almost 20,000 words and my brain is fried. but, we are officially at the halfway point of this story, yaaaay!!! my plan, at this point, is that we’ll have six chapters on each side but even if i do end up splitting this one later (more on this below) i’ll end up with seven chapters on each side so either way - yay to the end of act 1!

i think that’s also why i tried to turn this chapter around this quickly. to me, i always kind of saw this fic as having two parts. part 1: the immediate post-war aftermath with the heartache and the love-fast/burn-fast start to harry/ginny. part 2: a slow and actually healthy rebuild of their relationship, and of the world around them. i have genuinely been writing towards that last harry/ginny scene in this chapter for months. it feels like such a relief to finally have that weight off my shoulders. and i actually do think it’ll allow me to focus on study later. act one is finished, and act two can wait a bit, i suppose.

now, obviously, given that i already apologised last time, part of me still wants to apologise for the length of this chapter, even more so, actually. it sits at about 18,000 words which, by nanowrimo’s standards, is over a third of a full book, wtf. yet, you guys also said last time that you didn’t actually mind long chapters, so perhaps i shouldn’t beat myself up too much?

as i said in the a/n, this is a little bit of different set up than chapter v. though. i know exactly where to split this. as you’ve probably seen by now, there’s a very natural split point after harry has his breakdown on the couch with ginny, before Christmas properly "starts." the reason i didn’t split this one there, though is: a) selfish: i needed to get this out. stop working on it. i need to study. when it’s out, i’m not thinking about it anymore. it would have been a bit non sensical to split this just for the sake of it and post two chapters at once, which means i probably would have held onto the second part for another couple of weeks, and fuck that. additionally, b) you may not have noticed this but: the chapter titles rhyme. why did i bring this additional difficulty upon myself, i do not fucking know. especially because i will soon run out of one-word construction materials to draw from, lol. as a result, though, i need an even number of chapters to close out this story and because i’m sort of planning six chapters from now to the end (more on that below) i can’t really split this one right now. like, if i end up with another overlong chapter in the next few months, i probably will take that opportunity and go back and split this one, just for readability. but at this stage, at this stage, because i don’t know how many chapters i’ll have for act two (six or seven), i’m keeping this chapter like this for the time being. i kind of hope i end up with seven chapters on the other side and am able to split this one down the line, but we will see. in the meantime, my most sincere apologies to the folks who read fanfiction before bed and it’s now 4 am by the time you’ve finished this. i’ve been there before, believe me.

from a personal standpoint, though, i have to say, this chapter (compared to the last one) was incredibly easy to write. i think i’d spent so much time imagining and writing these scenes in my head as kind of a culminating point for the first half of the story, that it quite simply poured out. i did have a little bit of an everything is shit crisis yesterday and today, but sure look, that always happens. overall, i am quite happy - i think - with the end result.

now, when i say "easy to write" i mean, technically, easy to find words to write down what was in my head. i do not mean: easy to write on an emotional level. oh boy. i’m generally not a crier. i have been asked, a number of times, by people who said my writing made them cry: do you cry when you write, too? and my answer was always ‘no’. i don’t judge, but i’m just not that kind of person. i know people who cry every day but personally, we are in the middle of a pandemic, my father recently passed away, i’ve lost my job and am studying for an exam my life is pretty dependent upon, and i haven’t cried in months. yet, i swear, there were a couple of times, both writing this and editing it, when i had to step away from the screen because i could feel a lump in my throat. that had never happened to me before. i didn’t, like, bawl or anything but god i felt it. i don’t know if it’s because it’s my first time killing an oc, someone who was really mine but boy. giulia. i kept trying to find ways not to kill her, or apologising to her. to me, she’s tom’s last victim and that really, fucking hurts. if you’re hurting too, i don’t really know what to tell you. i’m sorry, i suppose. her death was needed for … plot purposes, lol. god, i’m the worst haha.

re:harry/ginny: i must say i really like where they end up, at the end of this. i had planned this to a certain extent. i was always under the impression that they would talk over christmas, but not get back together. however, the reason why they weren’t getting back together, in my head, was initially quite different. i initially didn’t have ginny dating someone else. i think i mentioned i was toying with the idea in the a/n for last chapter, but at the time i wasn’t truly sold on it. then, i ended up writing the scene i’d originally planned for them and it didn’t quite fit. what i’d planned, at the time, felt rather ooc for ginny when actually on paper. on the other hand, harry, under my fingertips, kept trying to kiss her and i kept hitting the delete button. i swear, i know it sounds weird to people who might not be writers but sometimes, your characters really do seem to have their own agendas. when i caved, let him kiss her, then the scene took on a different meaning, and, i hope, a better one. i think something clicked there and it feels like a good place for act one to end. obviously, they’ll get back together cause this follows cannon so you know, not much suspense there. it’s more about the how than the what, to me.

re:ginny’s letters: this idea came to me a while ago, actually. i was thinking that they’d need to talk about what happened last year, but i was kind of struggling on the how. having character a tell a story to character b is always a bit difficult, in writing, because it can quickly end up being boring. like, when ginny tells harry about christmas last year and lupin, in this chapter, telling that in dialogue is already rather long an laborious, and it’s overall such a short story. for harry, it’s easy. i’m in his head so he can just say ‘he told her about the hallows’ and the dialogue can be about their reaction, rather than the events itself. but ginny, she needs to share facts, as well as feelings. and doing that through long monologues just didn’t appeal. first, it’s quickly boring and second, it’s also kind of ooc. she’s not giulia, you see.

i did entertain the idea of completely skimming past it. ‘she told him about last year and he was horrified.’ - moving on. but, i don’t know, that didn’t feel quite right either, because i think they need to exchange, and talk, and that just felt like a copout. also, to be honest, it’s a very difficult story to tell. like, i’ve seen people in fics being like ‘so, harry sat down all of the weasleys and told them everything the trio did in seventh year,’ and i’m like that’s so difficult, though. sitting someone down and telling them all about your trauma, with little preamble, just setting it all out there, i can’t imagine ginny (or, frankly, most people) actually doing that, you know? we reveal bits of ourselves bit by bit, not all at once.

then, it hit me: she’s a writer, isn’t she? at least, she is canonically in first year, with not only the diary but also the poems, then writing for the prophet. obviously, the diary thing would have riled her up a bit but i do think in the end, she would probably have been like: no, i won’t let him take writing away from me, you know? so yeah, letters. daily letters. you won’t see all of them in next chapter, but probably quotes from the most important ones, things that harry reads. that’s where he gets his facts about her story last year, and then they can focus on their feelings about it. fab! something to look forward to, haha.

now, re: the future. as i said, we are entering act two. act two will gradually become more "fun" and fluffy, i suppose, but i won’t lie, we will be keeping the same happy/sad vibe that a lot of you have commented on with this fic. it exists for a reason (as i said, life is about sex, but it’s also about funerals). as i said before, this fic is, above all, an exploration of what ‘all was well’ actually means.

this being said, this isn’t an 8th year fic. there is a very specific future pov from which this fic is being narrated, and that’s in october 2027 (i know, precise). obviously i have 28 years to get through in act two so that will affect the way that the timeline is designed. it will obviously be more spread out, especially in the later chapters. this being said, while i have about a million of ideas for all the space in between and a very clear view of what the last chapter will be, the exact layout of each chapter is still slightly blurry. i haven’t sat down to put all my ideas in chronological order yet, as well as into some sort of chapter structure, which is also why i can’t really tell if it’ll be six or seven chapters in the end. all of this to say, there’s still quite a bit of work to be done.

this means that, as i said in the a/n, i don’t think you’ll get next chapter until at least, may. please don’t think that this means i’ll be abandoning this fic or anything, it’s just that i’ll be doing work you probably won’t see. i’m probably going to take the rest of march off writing to study (bar maybe a roar-series Harry&Hermione friendship one shot? maybe) then take april to plan and write as much of the next chapters i possibly can. ideally, by the end of april i can have a first draft of the whole thing. i desperately want to write as much as i can now that I’m jobless in the hopes that when i do find a job (again, interview tomorrow, pray for me), i can just have editing to do at the weekends. but we all know i relate to harry on a very deep level when he says ‘when have our plans ever worked, anyway?’ so we will see, haha.

anyway, these were all the thoughts off the top of my head, re: this chapter. if you have any questions or other things you’d like me to ramble about, feel free to send in questions, my ask box is always open. i know i probably think about this fic (and hp) way too much but i’m an extrovert and my hobbies used to include travelling, pints at the pub, dating and, well, there’s none of that anymore, is there, lol? the uk has stolen our vaccines (fucking brexit) so here’s to being obsessed with fictional worlds i wish i could live in for a while longer,

i will now go and endlessly refresh my email for reviews and kudos, like the attention seeking basic bitch i am haha.

have a fab evening, everyone!

More bullshit from Mod A in regards to Xion.  Mod M is more reasonable (although I question if toxic male fandom does hate anything that reads like fanfiction at first glance...I think that if it reads like the kind of fanfiction they like, then they’ll eagerly accept it. I like to consider myself equal opportunity in this regard: if it reads like any kind of bad fanfic, then I dislike it.)

I’m with @riniuchihaa here. For me, Xion, far from being the best KH character, was the first glaring neon warning sign that the series was going off-course, that an original character was being created for the sake of it despite not being able to impact much of anything given her placement, and then was not ever let go of even though the excuse given as to why she was forgotten by KH2 should have rendered it impossible for her to appear in the series again.

“not a damsel in distress, action girl or sex object”

Is she not those things, though?  She has to be rescued or protected several times throughout the game. She wields a Keyblade and can even be better at it than Roxas if she’s absorbed enough of his strength. And there are a lot of creepy guys online that will argue that she is sexy, particularly with KH3′s model of her suggesting that she’s not wearing anything underneath that coat, which is open all the way to just above her chest. By KH3, she’s even taken Namine’s “plot device to make convoluted shit happen” status. If anything, people take issue with her being all of those things, and not even being them as well as other KH girls. She’s very derivative with little to add for herself.

“she’s a regular human being with a regular human emotional arc”

I would actually say that of Xion in the manga.

In the game, I think this is a case of projecting. Xion’s personality and arc are written as such a blank slate, with more people talking about Xion and what she’s going through than her and it being onscreen, that it’s easy to project on to. But when looked at objectively, there isn’t much humanity to it at all.

Ask yourself this: what is Xion like when she’s not around Roxas and Axel, doing missions and eating ice cream? What are her likes and dislikes, her own personal hobbies or aspirations? What are her feelings on matters completely unrelated to her friends?  For the life of me, I can’t come up with an answer. The closest I can get is with the text of her Secret Reports, where she honestly shows more character than she actually shows in the game itself (but then, that’s the same with Roxas and his Diary entries.) 

Before her identity crisis kicks in, all of Xion’s scenes are shared with Roxas and/or Axel, in the context of missions, ice cream, and being good friends with them, simply going along with whatever they’re doing and saying. Any feelings of inadequacy she feels during periods of time where she’s “malfunctioning” are skimmed over, and again is talked about more by other people than by her. Once her identity crisis happens, any scene she has apart from Axel and Roxas either still works them in somehow (they are consistently her biggest motivations in her own personal conflict, the only reason she’s conflicted about her existence is because of them since they give her a reason to exist) or just focuses on her freaking out about the fact that she’s a replica whose personality was formed based on the fragmented memories of another person that leaked into Xion through that person’s Nobody, which makes her less fit to exist than those who aren’t meant to exist. Yeah, totally a regular human emotional arc right there!  Can’t count the number of times in the history of the human species that people have had to go through that!

Kairi in KH and Namine in COM actually felt like human beings with emotional arcs in spite of their extraordinary circumstances. Xion feels more like KH2′s Kairi and Namine, where I get the basic trope behind their personalities and development, but can’t really pin them down as three-dimensional and realistic. That’s Xion - the writing for her is very trope-y, not human. The main points of how she was written were three-fold: as a plot device (a means of getting Roxas from point A to point B), as a wish-fulfillment character (she’s basically Tomoko Kanemaki’s self-insert), and as an exploration of a theme (the “What Measure is a Non-Human?” theme that Kanemaki is obsessed with). The humanity being inferred in regards to her being a trans girl case study was not at all intended to be there, and it can only happen because she was sketched thinly enough for it to be applied to her. 

“complains that she’s taking too much space or stealing the spotlight”

I’m sorry, but this is a valid complaint. When it was announced there was going to be a game about Organization XIII set between COM and KH2, everyone was wanting and expecting more development and focus on the members who had already been firmly established, most of whom were in desperate need of such development and focus. So to suddenly have Xion introduced and be the major focus of the game, whether she’s actually on-screen or not, would be very jarring and disappointing. 

What’s worse is all the games she pops in after Days, as not only does it destroy the established rules of canon in regards to her fate, but she ultimately steals the spotlight in an even more harmful way in KH3: Kairi, the original KH girl, who had been receiving build-up for YEARS as a Keyblade-wielding Guardian of Light, is literally screwed out of this role in favor of Xion, her Mary Sue copycat whom no-one asked for to begin with and whom many people weren’t keen on having return, as not only did it destroy the main thing she had going for her (her nature as a tragic character) but it robbed Kairi of development and focus that, again, she was in desperate need of. But Xion got over 30 more votes than Kairi in a Japanese popularity poll, so...priorities?

“Xion’s story is about the right to define her own existence, to live as her own true self, etc.”

No, that’s not what Xion’s story was about. It was about her learning that she had no right to her existence because it was actively hurting the existences of others, including her best friends’, and that the right thing to do is to disappear. I take some issue with how it played out (mainly that Xion accepts this way too easily and becomes a “Too Good For This Sinful Earth” type who does the right thing for the sake of her friends even when a more angry, selfish and conflicted Xion would’ve been more engaging and human, and that Riku is OOC in his treatment of her considering his treatment of Roxas), it was still incredibly tragic and it owned that. So for that tragic story to be undone in favor of a “lol, just kidding, Xion can exist and get a happy ending with her friends after all, no tragedy here!” way of appeasing the fans who called foul and raised a stink about it (especially in Japan) will never sit right with me, especially when the writing doesn’t even TRY to justify it. It just happens for the sake of it.

“It has a lot to do with the fact that Xion is a young girl whose story expects us to genuinely empathize with her”

OK, here’s a tip: it is rarely EVER a good idea to expect your audience to all feel a certain way toward something and try to force that reaction. “Death of the Author” is a thing, which is why you’re best not taking sides or playing favorites when making a story, you’re better off putting your personal feelings aside and just letting things play out, allowing people in the audience to make up their own mind. When the story pushes for the audience to genuinely empathize with Xion, with lines by others such as “poor Xion!”, then it’s not surprising that the opposite effect happens: some fans don’t like or empathize with her because they resent the hamfisted attempts at being told that they should. 

“That’s like saying Kairi didn’t matter in KH1 because Sora forgot her in COM”

That’s a false equivalence if I ever saw one. KH came out before COM, and Sora didn’t forget her so much as she was replaced by someone else, Namine, in his memory, which drove that story’s conflict. Its resolution was Sora learning the truth and remembering Kairi again. Kairi is still a factor in COM, a very important factor at that. Days came out after KH2, where there isn’t even a hint of Xion, she is not a factor in that game because she wasn’t invented yet. Sure, Xion matters to Days, but that mattering doesn’t feel like it amounts to much when she isn’t seen, heard from or mentioned for the entirety of the game it was leading up to.

“But so what?”

So, it feels incredibly unnatural to have a character jammed into a pre-existing timeframe and pre-existing dynamic prior to KH2, with mass amnesia being used as a plot device to explain away why she wasn’t present in any way in KH2, only for every game taking place after KH2 (and thus after Days was made) to suddenly start featuring Xion again, with the mass amnesia plot device being casually discarded. What’s worse is how canon rules were obliterated so that Xion could return in KH3 and reverse the tragedy element that made her story effective to begin with, at the expense of characters like Kairi who have been around longer than Xion and who desperately needed exposure more than Xion. Seriously, in addition to the point I already raised about Xion taking Kairi’s place, just think about this: characters that were created as a trio, Sora, Riku and Kairi, are no longer a trio, just the duo of Sora and Riku, while characters that were created as a duo, Roxas and Axel, are now a trio thanks to Xion. It feels like a slap in the face to all the fans who liked Kairi and the Destiny Trio, and it’s a big reason as to why Xion’s inclusion in the series feels like a mistake to those fans and thus why she’s such an off-putting character to them.

The only statements made here that I agree with is that Xion sadly wouldn’t have gotten as much hate if she was a badass, older male character, that her being forgotten due to memory magic isn’t really a mark against her since that’s a cheap plot device that happens to a lot of characters in the series, and that you can’t really do the story of 358/2 Days without her since she’s so integral to it...but on that note, the story of 358/2 Days didn’t need to happen. The KH series during its early days was meant to be Sora, Donald and Goofy’s story, so leaving the period of time where they were asleep a blank made perfect sense. We never needed to know about Roxas’ time in the Organization beyond what was said and shown in KH2, and to this day I honestly wish we hadn’t.  In game form, anyway. The manga is great, it can stay!