And Another One - Casualty Hiatus Thoughts - 2/?

I'm still ill but I went into uni anyway like the brave little soldier that I am! (Every night, I decide that all the work that I need to do can be done “tomorrow” but we’re rapidly running out of those until the deadlines. I have lost my train pass and student ID. All I’ve listened to all day is the demo version of Geyser by Mitski. Vague sense of doom.) I got myself some Tesco Finest cookies on the way home. I’m just complaining here. 

I'm back for more already, seems like I've opened the floodgates but this one won't be as lengthy as the other one was. Genuinely sorry I can’t shut up. I thought I was done for a while but I put an episode from series 36 on in the background thinking that I'd be able to do stuff while it played but got distracted by my opinions.

Potentially all over the place again, though this one does manage to be mostly about the series 36 mother-hell storylines. So there's a theme. Warning - I started going off about Dark Room which has a lot of transphobia in it and that’s part of what I talked about.

I really don’t know how I feel about the resolutions of Sah and Teddy’s storylines with their mums. Okay, we already know I'm about to be going on about Sah and Teddy's mother problems storylines but I'm sure there are other characters who this is/isn't applicable to - feel free to let me know about it. As a recap: it’s kind of hard for me to figure out how to describe exactly what happens at the end of Friends Like These, but if anyone has ever seen that quote that’s like “I tried to ask my parents to leave the room, but not my life”, Teddy asks Gaynor to leave the room and she leaves his life. A couple months later a patient situation causes Teddy to call his mum (and that is not brought up again when he gets trapped in a mine in the next episode) and also we are left to assume that all is fine now. Pretty simplistically, in Enough, Sah and Jools talk it out after Kevin has another stroke and then they are also just portrayed as being okay forever by the end of that episode. 

I can absolutely believe that these characters, sad and work-stressed and not always the most emotionally mature, would forgive their mothers. I don’t even disagree with it happening on a story level because I think it could make for a really good development in those stories, or even just a less-than-happy ending. What I don’t enjoy is how these endings are presented as being happily-ever-afters and that everything is supposed to be fine now because they’ve forgiven/reconciled with their mothers who haven’t really done anything to deserve it. Jools is objectively neglectful, and telling Sah they were always enough does not make up for that. I think Gaynor’s behaviour is emotionally abusive; she’s controlling his life, emotionally manipulating him, she’s trying to even limit his contact with people other than her (and she has been doing this, he “wasn’t allowed friends”). Unless I'm wrong, we don’t see or hear from Gaynor at all between Friends Like These and We Need To Talk About Ollie. I don’t doubt they love their kids but that doesn’t make them good parents, and it’s not on their kids to be doing the work to improve the relationships. If we’re getting these forgiveness endings then Jools and Gaynor need to put more effort into proving they’ve changed. Or (and I'd probably find this more interesting cause I'm mean). Forgiveness needs to be presented as something that isn’t this simple happy ending because it doesn't feel like that in these circumstances. I respect the potential misery of the undeserved forgiveness, I love misery for them, especially when they’re both in mother-hell together, I am mean. But if you want to give them a happily-ever-after, keep them away from their mothers or make their mothers do the work. 

They make Sah be the bigger person way too much, actually. In Dark Room, why does Sah have to be nice to Scott when Scott deserves to get re-beaten to a pulp? I don’t care that his mum is also terrible. Not only did he bully them when they were teenagers, he tried to ruin their whole life as a fully grown adult. Their mum is terrible as well and you don’t see them acting like that. They don’t need to be the bigger person and try to help Scott and his also terrible mother, they need a weapon of mass destruction. Also, why is Sah’s deadname used so excessively in series 36? Or at all? Ever? I’m sure there were ways around the audience ever needing to actually know what it was, even if they felt like the story required the implication of characters using it. Another potential Casualty hot take, maybe? I don't think Sah's dad is all that great of a parent either. Obviously it is entirely Jools' fault that Sah has to be his carer at such a young age, he had no control over that and Jools is definitely the worse parent, but getting back with Jools without telling Sah, cancelling plans with Sah to go on dates with Jools, excusing Jools’ pretty transphobic remarks and acting like Sah has to forgive Jools because he has really isn’t great. They were right when they said “it’s not just you she left”. IT’S! NOT! JUST! KEVIN! SHE! LEFT! It annoys me that Casualty is like ‘this action will have consequences’ about that scene because Sah is right. The only person I truly like from Sah’s pre-joining-Casualty life is Bill Phillipsen (and his dead wife) and he died. I knew you very briefly/not at all but I miss you Bill and Jean <\3

This post is absolutely the post for me to start getting into the connections between the mother-hell storylines but I won’t in full. They are kind of this pair of opposites, not just on this wider level of overinvolved mother vs uninvolved mother, there are a lot of patterns I’ve noticed in the episodes and the dialogue. I’d find them all now but it's 2am and I need to be awake at 8am at the latest so I’m putting off compiling that list for another day. Some faves that I can remember off the top of my head: opposite Jan advice scenes, Gaynor really struggling to say she’s proud of Teddy even though he really wants her to while one of the first things Jools tries to say to Sah is that she’s proud of them and they tell her not to, “you won’t see me back if I go” vs “I’m back now if it’s not too late”. I really like these connections, that's why I'm so passionate about what I don't agree with in these storylines.

I didn't mention this in my last post but I got my hands on a bootleg of The Play That Goes Wrong with Milo Clarke as Max and it's very enjoyable. I've been meaning to watch TPTGW at least since I watched both series of the show, probably longer, and I succumbed to the Casualty brainrot and and had to see his version. All I'll say: He really knows how to play aunt based nepotism and situations that could be solved with polyamory.

Based on when one of the episodes is set to air, I don’t think we’ll see Casualty back until about December 30th, unless we are gonna have another break between episodes once it comes back. I don’t really care that much and also, Christmas/New Years episode? The most recent Christmas episode was that one where they were like “what if it was last year?” back in 2021 and that’s always been a weird choice to me. I just want a silly little festive one, normal Casualty episode featuring carol singing and tinsel and the implication of a really intense staff party (we will never get the Sah/Teddy Christmas party of my dreams, not this year cause they’re in the current situation, not last year cause no Christmas episode and also the stuff with Jan was happening then, not the year before…). The only thing that bothers me about the hiatus is the inevitable time skip, so much time will have elapsed in universe by the time it comes back so I feel like we will have missed a lot of the immediate aftermath of stuff that happened at the end of Driving Force.