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behold, the product of yesterday's lotr au discussion (for @spacegirlsgang)

Nicolò has not spoken to him in days.

He hasn't spoken to anyone. He walks silently at Yusuf's side, hand always on his sword, eyes always on the horizon. When there are people who need it, he helps, tends wounds and lifts the younger ones onto horses and hands out food. He still does not speak, and Yusuf worries for him.

They have already lost Quynh, and Sebastien. Dizzy and Jay may well be dead by now for all they know, and Nile and Lykon… he does not really want to think about it for long. He only hopes they are alive. And now Andromache, too, is gone, and Nicolò will not speak, and Yusuf cannot help feeling very, very alone without him. It is strange: Yusuf would have thought, just a week or two ago, that he would have been glad never to see Nicolò again. Now, the thought terrifies him.

When they make camp that night, Yusuf takes his place by the fire with his sword across his lap and prepares to keep watch. Nicolò joins him, after a while, but instead of taking a seat and silently watching the horizon as Yusuf has come to expect him to, he speaks.

"You should rest," he says, voice hoarse as if – well, as if he hasn't used it in days. He carries two bowls of stew, one of which he passes to Yusuf.

"So should you," Yusuf responds. He's exhausted, but neither of them have slept much – he's not sure Nicolò has slept at all since they lost Andromache.

"I do not need to sleep like you do," Nicolò says, which almost makes Yusuf laugh.

"Bullshit," he says. "Even you can't go this long without needing to rest."

Nicolò doesn't say anything to that. Doesn't even meet Yusuf's eyes, but Yusuf can tell how tired Nicolò truly is, and suddenly he cannot bear it anymore.

"We cannot keep on like this," Yusuf says. "This is not – if we're all that's left, I cannot do this without you, Nicolò."

Nicolò is quiet, for a while. When he finally speaks, he says, "Try to rest, Yusuf. I will keep watch tonight."

Yusuf waits. Nicolò does not move, nor show any sign of conceding. Just as stubborn as Andromache – well. He doesn't let himself finish that thought.

He waits a little longer, but Nicolò remains silent.

"Wake me for the second watch, then," Yusuf says, finally. Nicolò does not nod, but Yusuf no longer has the strength in him to push. He falls asleep quickly.

When he wakes, it is morning, and Nicolò is nowhere to be seen. Yusuf can only hope he found someone else for the second watch, and that he did not stay awake all night, but he would not be surprised if the latter were true.

During the day, they keep to their regular routine – Nicolò's silence and Yusuf's attempts to find anything to do that isn't think too much – but that night, when Nicolò finds him, he sets his sword down by his side and asks, "Will you wake me for the second shift?"

Yusuf nods quickly, too quickly, and Nicolò smiles, though it is small. It's the first time Yusuf's seen him smile in days.

He wakes Nicolò for the second shift and sleeps after that, and the next night, Yusuf takes the first and Nicolò the second.

It's a start, at the very least.

–

The day after they reach Helm's Deep, Nicolò is the first to see the rider.

He does not realise who it is at first: the figure is too distant. They wear a cloak with the hood pulled low over their face, and lean heavily over their horse, as if injured.

Nicolò's first thought is that it is a scout. His second thought, which he discounts quickly, is that it is Andromache, which. It cannot be. He does not dare imagine it.

When the figure keeps approaching, he shouts a warning to the guards on the walls. Yusuf, who had fallen asleep beside him, his back against the stone, startles awake. "What is it?" he asks, still half-asleep.

"I do not know, yet," Nicolò responds. He gets to his feet. Yusuf follows a moment later.

"I see it, now," Yusuf says, furrowing his brow. Nicolò's hand goes to his bow, just in case. If it is a scout, he will deal with them quickly.

Then, suddenly, Yusuf's eyes go wide, and he curses. Taps Nicolò twice on the shoulder, and runs along the wall, down the stairs, towards the gate, shouting at the guards to open it.

Nicolò looks again, then, and realises what Yusuf has seen. The rider's weapon is just visible over their right shoulder, and Nicolò knows the carvings on its handle, knows them because they are the twin of the carvings on the hilt of his hunting dagger, because both weapons were forged by the same person.

He is moving before he truly has time to process the thought. The gates are opened far too slowly, creaking with the movement, and by the time he can see the rider again she is sitting straighter in the saddle, a wide grin on her face, urging her horse forward. It is only Yusuf's hand on his arm that keeps him from running through the gates to greet her; when Nicolò looks back at him, his smile is bright enough to rival the midday sun.

Andromache.

Finally, she is there, riding through the gates like a king returning to her kingdom, like she had planned this all along, like Nicolò hadn't seen her fall from a cliff only a few days ago. She dismounts easily, before the horse has even fully stopped, and then he is running, and she is meeting him halfway and gathering him into her arms and laughing, even as he thinks he starts crying.

Then Yusuf is there too, and Nicolò has to step back but cannot bring himself to go far, and Andromache hugs him too, while Yusuf laughs, bright and loud.

"Where have you been," he is saying, and "I thought you were dead, Andromache, I thought we had lost you," and she laughs again and cups the back of his neck with one hand and says, "I'm okay, Nico, I'm okay."

"So," Andromache says once Yusuf steps back, too, her grin sharp despite how exhausted she must be. "Tell me what I've missed."

.

long tag ramble below u have been warned

while only a minority share this view, i do find it somewhat tone deaf when people claim jay's ending is the best outcome for an abuse survivor -- either directly or indirectly implying everyone in the holt house was an abuser that jay, their sole little victim, had to get away from. for starters, none of his endings are happy ones. not even the fugitive path where he's holed up amongst nature, has a dog, and is bathed in solitude. maybe if you close your ears to what jay's saying during that scene you could see this as good for him, but his dialogue is stifled with an achingly loneliness, a sadness. this idea that he craved being alone in the wilderness is not one jay paints himself, it's only something that's said by tyler ; someone who clearly doesn't understand the younger on any level, much less grasps his desires. yes, jay wanted out, he likes nature, though no human can stew in their own space for years without this affecting them mentally. and that's not even taking into account that his entire life is over! he can't travel, he can't visit other countries or get lost in other areas of wood lands or plains, jay is infinitely stuck where he is. it's not a prison cell but it's a cage nonetheless, as the old saying goes : a golden cage is still a cage, after all. he tells zoe these beautiful sights have grown dull on him, laments about missing his family, vanessa, and is so chained by his want for connection he reaches out to a desert dream victim of all people. like, what about this muted cynicism, this barren home, seems happy? maybe he wanted this, some whimsical dream of this, before. now though? it's not what jay thought it'd be, and he lacks any power to change it. this is not some amazing ending for abuse survivors, it's still sad in a melancholy way, simply because jay is visibly unhappy with said circumstances.

but moving on to this, ah, ‘poor little victim in a lion's den’ narrative ... what? i think a lot of people fail to grasp how complex the holt household is in terms of toxicity and abuse. something that's very common nowadays due to how much people project rather than see what's in front of them. and don't get me wrong! projection is fine, you do you, we all consume and parse through media differently -- but this narrative is, by canon evidence, rather fictional. to be completely blunt, jay is not the only victim stuck in the holt house ?? the abusers have always been bear ( physical abuse, verbal degradation ) and sharon ( passive in the face of her kids' abuse, emotional manipulation ) ... and we are literally told point blank by the story itself and another character that these two favored jay immensely compared to their other children. now i'm obviously not saying that he has not faced trauma, he has! favoritism in a house like this does not shield you from the toxicity, sometimes that favor makes things worse, but he was protected to an extent, in ways tyler and dale were not. those two very clearly faced the brunt of bear's physical abuse ; for each other, for jay, and just overall caught their dad's ire more because they stood up to him. tyler takes a beating, a sight that's not at all new by his grim acceptance of this and the fact he states he's been doing this since young :

so, this is normal for tyler. getting beaten by his dad ( which isn't even mentioning the horror story bear can tell to ash, about how he literally threatened to cut tyler's ear or finger off ) and having his mom overall turn a blind eye to it, even going as far as to dismiss this fighting as childish behavior rather than what it is. and dale? we don't see much of him and bear in general, yet the second he steps up to defend tyler, with something as measly as a shove back, bear wastes zero time in hitting him so hard he's practically out of commission for the rest of the fight. he didn't even think about it, merely swung at dale as hard as possible on instinct alone before tyler hastily stepped up to defend him. what happens when jay tries stopping the fight, though?

both parties grab for him so they can toss him out of the way so he doesn't possibly get hurt. you can speculate bear was only doing this in order to finish his punishment on tyler, he'd deal with jay later whatever, although why not punch him like dale? why, out of all the moves on his belt, does he do the more merciful option? bear, who is nothing if not made of violence and has been molded to respect it? his fist that's raised in the air isn't for jay, since the next frame is jay shoved out of the way and him hitting tyler again ... hell, in dialogue where bear and jay are sitting on their porch, the youngest can even say bear beats on tyler and dale specifically. why not say ��you beat on us”? like, the game is heavily implying that while jay is traumatized, there are some methods of abuse he simply did not face. one of them being the physical abuse prominent at home. and no, i'm not counting whatever pranks dale's pulled on jay ( like shooting him six times with a bb gun lmao ) because honestly? that's just older brother behavior, and we know that despite the morbid pranks, he still looked out for jay in the ways that counted. like protecting him from pa and to an extent tyler, something which, again, jay says himself!

back on topic a bit, the notion people seem to have of jay and his family seems overly simplified to me. people just looked at dale being his usual asshole self and went ‘abuser’, people looked at tyler's rather drastic and not usually like himself reactions to a high stress situation and went ‘abuser’, and that's a bit ridiculous to me. can't say i'm shocked! since so many people nowadays just see someone mean to their favorite character and decide woobifying said fave while demonizing their opposing force is exactly what canon intended. as dusk falls couldn't be a game more clear about it's main theme of family and the fact there's no purely good or bad people in this world, two statements that correspond directly to the holt family. are they bad for each other? probably! but that's a different discussion compared to, say, every single soul in that house violently abused poor jay and they should reap the consequences of that. dale and tyler, like their beloved younger brother, are also victims of abusive parents and a toxic home life. in turn, they both show signs of this abuse in ways that aren't entirely sympathetic or easy to swallow, especially when they've been dealing with it longer than jay and have never had their parents' favor the way he did. i see people get angry at tyler for the famous cabin scene, but nobody turns a critical eye to sharon ; who for all intents and purposes is watching this unfold without a care. she never physically stops tyler and her attempts to kill the fight are weak compared to her previously steely commands. and, honestly, the fact that tyler was that stressed about sharon getting on that bike so she can be protected, when she's the most capable out of the three of them, is way more strange than tyler's outburst -- when he's in a high stress situation, his baby brother's dead, and his life as he knows it is over. a life he didn't even have to begin with, since it was stolen due to his abusive upbringing.

whether this excuses what he did or not is entirely up to the player! i personally don't think it does, though i also understand where this is coming from and the game makes it clear this is not usual tyler behavior. throughout other people's views it's hammered into us that tyler has a cool head relatively, is the most sensible and smart out of his brothers. so, no, i do not think he was choking jay out all the time for his misplaced resentment -- i think his obvious disliking came from his stilted interactions with jay, and his lack of bond with him at all. we see in book one two times he reaches out to jay, demanding that he eats ( a minor, small thing to fret and worry about ) as well as panicking when he sees jay away from the rest of them during a shoot out. dale constantly looks out for jay as well, going as far as to take the heat from romero if they get caught and something as small as taking blame for jay's mistake in the barn scene. are his brothers more prone to violence and apathy? sure! yet they clearly love jay regardless. abusive households are not easy and see through. in fact in many cases the different levels of abuse the kids suffer does breed life altering resentment later on, envy that can damage these bonds permanently. honestly the holt family intrigues me deeply because of how well written they were as a unit, the effects of abuse and toxicity subtle and not overt in a ‘psa message’ kinda way. and these horrible relationships and ideals shared do not negate from the even more horrible fact that there is love in this messed up family, even bear clearly loves his sons, but that doesn't make it better. it almost makes it worse, seeing all the good intentions and care. knowing it doesn't excuse what they've done to each other nor does it make them better. they're a picture perfect family of an ugly wound! which is fascinating! i only wish more people saw that wonderfully shown depth rather than this bland and lukewarm take on the holts overall.

jay is a victim, he is traumatized, he deserved to one day spread his wings and put some distance between himself and his family ... but he was not the only one who deserved that ending, and he was not the only victim there. he was merely the only one with easy to parse trauma responses.

.

she had leftover paint from the last show, one minute, and a dream

One day I’m going to write an Ochako character piece where she gets sick of standing in Deku’s shadow and breaks off their relationship in order to find herself - only for the media to begin constantly linking her to other Hero’s in the hopes of causing/unearthing drama.

She loses herself, succumbs to the idea that she’ll only ever be as good as the males she’s attached to and sinks…

It’s funny, she thinks, for someone who can control gravity - she sure does feel heavy.

Almost made myself cry at work today because I was thinking about Mike and Abby's relationship

In another life itd be cool if i had a night time only roommate who like came out of a wall and was a human version of an owl (not vibes but horrible lab accident) and we chatted and socialized when i have insomnia and cant sleep so its like. A positive opportunity instead of a failure that will be pointed out 150 times tomorrow

i'm having more side quest ideas

Ghilan’nain’s Trial

Here’s a bit of headcanon lore that was on my previous blog, but was deleted when I deactivated it. I still think it’s cool and @solas-backpack-mug just asked about it, so here it is! Again.

I did remember that it wasn’t a trial to receive one’s vallaslin but a trial to become a scout specifically, but it doesn’t really matter, since my Lavellan (Neilar) would have to take it either way. I’m pretty sure halla-keepers would have a different trial, though.

Ghilan’nain’s Trial is a rite of passage in Clan Lavellan. There’s a Trial for every Evanuri; June’s would be a test of craftsmanship, Mythal’s would be a test of your judgement skill, etc. You must take one of these trials to be considered an adult and have the right to wear vallaslin; the one you take is determined by the vallaslin you choose and/or your future profession in the clan.

Ghilan’nain’s trial follows the myth about her ascension, where she is bound, wounded and left for dead in the forest. The ones undergoing the trial are woken in the middle of the night, bound and blindfolded, and then taken into the wilderness outside the clan’s camp.

There, they are given the choice of one handicap: either to keep their blindfold on, to keep their hands tied, or to keep their feet tied. With this handicap, they must make their way back to camp, relying only on their own survival skills. The trial-takers aren’t abandoned; the clan’s scouts will be watching over them from afar to protect them from danger, but asking them for help means admitting defeat.

Successfully making the journey back proves one capable of finding their way home no matter the circumstances, wounded or blinded or bound, which marks them as a capable guide for their people and a worthy follower of Ghilan’nain.

I really was on some anime shit when I looked at everything that is the Durge origin and went "what if I made this about the power of love"

if my dog dies tonight im actually so done

I can’t believe I live in a three dog household where Arlo is the least problematic and the most angelic of the bunch

What's your interpretation of the weird/annoyed look Five gets on his face when Tegan announces that she wants to rejoin the TARDIS at the end of Arc of Infinity? I know it was probably meant to be played for laughs, but it annoys me every time i watch that episode and i'm curious what headcanons people have about it.

My favourite thing I've read about it pointed out that the cybermen specifically used Tegan as a weakness against five, that she's what it took to manipulate him (and through no fault of either of them, Adric's death was part of those consequences.) The novelisation really goes in to the descriptions of the doctor transfixed with the blood running down Tegan's chin from her bitten lip, the building tension as the cybermen get closer and closer to killing her and he's shaking trying to hold himself back from admitting his hearts are so easy to twist, just by threatening his friends. (Does Nyssa ever leave the TARDIS when it's on the spaceship? The cybermen don't even know she exists til they come onboard do they?)

As for why he looks so annoyed? hmmm. Does anyone want someone around that constantly needles them? Really, I think pre Arc of Infinity that even though Tegan had chosen to stay, they still had that power imbalance or even just tension between them that she had not come on board willingly. So five is expecting that to be the continuing, I don't know, continuing manner between them and it hadn't been good. It had its moments (mainly in the audios) but as an arrangement it was not ideal as friends to explore the universe together, all that terrible beauty and awesome monsters.

But it doesn't continue on in that manner - oh they bicker and make faces at each other, sure, but Tegan's conscious decision to step back onto the TARDIS irons out those imbalances, removes that bitterness and the past of her aunt's death. So when he makes that wee face, it's in expectation of the previous status quo. And never let it be said that Tegan's one to do exactly what's expected of her.

Anyway I really hope this makes sense and I may add some more thoughts later but it's 1:50 am Christmas Eve and I couldn't sleep for thinking about this.

----

It's 2am I'm back. I feel like there's also this uneasiness in five about tegan, that mirror that no one likes being held up to themselves. Their similarities but the starkly different ways they express them must be exhausting to five. and here she is back again. To push and prod and challenge and be brashly beautifully glorious. wait. that last bit was the two am shipper coming out. Anyway they draw strength and resolve and anger from each other and Tegan was vital to five, from his first moments till his very last.