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saintsofvoid · 3 years

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This has been gnawing at my hand for awhile so I'm just gonna get it out there. The whole Kerry Eurodyne and Us Cracks fiasco and why he got so pissed about it. Looking at his relationship to his music in his past, it runs a lot deeper than just a group doing a cover of his song.

First thing I wanna point out is this like a wash of the timeline shown between the TTRPG and CP2077. I'm mixing them, but I'm favoring the dates of events from the TT more so because the actual history of events we get in 77 is from Johnny’s memories, which aren't exactly reliable. That being said, this is just my idea for why Kerry went 0-100 on the Us Cracks girls based on his past. Also shout out to @caffeinatedrogue for bringing up some valid points in this post.

There's a couple things to note about Kerry’s relationship with his music; he didn't do it for the money, the fall out with Johnny after 2013 incident, and what he confesses in game about the fear of being in shadows another corpo sellout.

From the top its important to know that Kerry signed away all authorship of the songs by Samurai to Johnny, meaning he wasn't credited or paid for the songs themselves, only when preforming unless they had background deals going on. So when Samurai was first starting out Kerry wasn't making anything off the songs. He had a passion for the music itself, and the message he could write into the lyrics. They all wanted to change the world, just had different ways of going about it. Kerry wrote about a number of injustices he saw and experienced, but more often than not the lyrics were just tied back to tearing down the Corpos, and that was something he had to live with. Can lead a horse to water but can't force it to drink. Didn't help that Johnny pushed his own version and agenda onto a lot of the songs, and because they were his songs by technicality, couldn't argue against it. This would lead to him having an on and off relationship with Samurai until the band's break up in 2007.

After going solo Johnny and Kerry still did tours and help each other on albums, occasionally even have the other featured on songs. However, do to Kerry having signed away authorship for the old Samurai songs those were still Johnny’s. Which brings us to April 13, 2013 - Assault on Arasaka. Johnny was the diversion for the attack, knowing the fans of Samurai he hosted the event under the bands name, playing Samurai songs. After this Kerry became more aggressively possessive over his music, Johnny knowingly abused his trust of using Samurai songs Kerry wrote and composed to lead a riot that killed 18 people and wounded over 50. Johnny denied leading the riot, or even starting saying it was all on the fans. The denial alone was enough to get the attention of Solos and Netrunners, people even like Rache Bartmoss who would claim Silverhand was a corporation all his own, playing by corpo rules.

So at this point, Kerry has no control over any of his previous music. Through the acts of Johnny, anything related to Samurai was tied to the riot. Lyrics were falling on forever deaf ears and the original stories and meanings were washed to time. He didn't just write songs, they were part of him, they were his stories, his sacrifices just as much as everyone else's. That trust was broken, and no one knew, and they would just continue to say Kerry Eurodyne was chasing after the legacy of Johnny Silverhand.

So he was going to make them eat those words. Made a name for himself that toppled over anything Johnny or Samurai ever accomplished. But it wasn't enough, always someone pointing out the flaws, the failures, the lyrics still being lost to the masses. These were things he couldn't control, things he had to work through. Then came the situation with Us Cracks and his song User Friendly, and that control he had was gone. His song, his lyrics, taken without him knowing, promoted and used. Blowing up the van, and holding the girls at gun point was just a smidgen overboard but its understandable. People have a tendency to be driven to destruction when they feel they have no control in their lives. Destruction is something they create, something they control.

Once its all explained and find out they both got duped by labels and managers, its a new start. Finds out the girls aren't to blame and they actually respect his work, they value his opinion and input on their stuff enough they send him demos. The fact that they called off the gig and the whole tour because they know what it means to Kerry, no matter the millions lost. Pushes back the shadow and doubt put on him all the way in 2013. Shadow he had been running from ends up having a light shined on it.

The music is his now, and everyone worth a damn respects that.

#kerry eurodyne #cyberpunk 2077 #cp2077 #cp77 #I HAVE A LOT OF FEELINGS #i swear I didnt actually read into this until my second playthrough #was like wait this is hella personal #s.screamsheets

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saintsofvoid · 3 years

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Psychofans & Mediacorps

(Backstory and lore on some psychofan encounters and the attempted kidnapping of Kerry Eurodyne along with some related events with Johnny Silverhand. Written as a Screamsheet because I was bored, and this all isn’t 100% since actual events aren’t always fully disclosed. Word count: 2976. Sources at the end.)

Being a world famous Rockerboy is really all it’s chalked up to be, doesn’t mean there isn’t its fair share of snags along the way. Fame and glory comes with a heavy price tag many don’t realize as they’re building their way to the top. Blinded by having your name in the lights, seeing hundreds of thousands of fans all eagerly waiting to just get a glimpse of you. Night City Legend Kerry Eurodyne commented, “It’s scary. I mean, to think that one hundred thousand people are selling their souls to see you, and you’ve got them hanging on your every word.” The very fans that would kill for a chance to see their idols live, are the very same that would put them on Trauma.

Not just the fans either. Corporate is everywhere, in everything. Fight the system through lyrics while making them richer all the same. Media giants like N54 and DMS buying up the whole show to beat on their chest about who has the most control. The issue comes with their greed for it, keeping those who give them wealth on short leashes. Best offers, benefits, prestige of having a higher name attached to yours. But when friendship runs deeper than the quick climb to fame, other options of “persuasion” may occur. Aggressive strategies to keep themselves on top, because the company always come first.

We’re going to start this article off on arguably a lighter topic, that being the psychofans. I say arguably because they can do just as much damage as the corporations, but it's usually a bit more controlled. We'll hit on that later. There’s the usual rush security, jump fences, steal an axe, the almost seemingly normal chaotic fan behavior you can expect at most high profile gigs. Don’t lie, there’s always one in the audience.

The sudden rise to fame with Samurai also helped play a part in this erratic behavior, Eurodyne had previously stated, “One minute we’re chugging through our old numbers in some small, no name club to the same crowd; the next we’ve sold out Wembley Stadium and there are a hundred thousand killing each other to get a look at us.” This wasn’t much of an overstatement either. Samurai’s rapid rise to fame took a mere three weeks after signing to Universal Music to reach the number one spot on EuroRadio charts. Everyone wanted a piece of Samurai then, and following the break up in late 2007 that craving didn’t soon die out.

A number of incidents have happened, being on world tours is a crazy place. Never really know how fans are going to act until you’re in the thick of it. Most these incidents happen backstage, after gigs, or just by random chance coming across someone on the streets, in the open. One particular incident was documented in 2020 in the following of Trauma Team’s Rich “Meatball” Cramer M.D., Lifeline Trauma Inc., Night City Branch #23.

Broken card call, 15:55, to the Grand Illusion Dance Hall and Bar. Patient being none other than one Rockerboy, Kerry Eurodyne. Compared to the rest of the logs of the night this was a breath of fresh air for the Lifeline agents, not so much for Mr. Eurodyne who was being assaulted by a gang of young female fans. Teargas was dispensed and our Rocker was extracted from the scene. Kerry was in good health at time of extraction, footing the bill of the call to the studio as well as a new set of clothes. Lawsuits were never charged as the fans left enjoying the chaos.

Another lesser known act back in 2043-44, while performing in Memphis TN an assailant got backstage and put a knife to Kerry’s throat. Intentions of the attack are unknown. Could have been a psychofan making demands of an idol, or someone who knew the net wealth of the name Kerry Eurodyne at the time? Either way the incident ended without bloodshed, Kerry was able to talk the assailant down and promptly knock him out with a stiff pour of that high life tequila. The rest was handled by the venue’s security. Unfortunately events like these are almost common for the stardom lifestyle.

Lives are kept under public scrutiny 24/7. “Be prepared to have your private life open to the world,” Rockerboy, Johnny Silverhand, had mentioned in a column from Advice From the Pros. Name in the lights simply means just that, private life is on show as well and nothing can truly be kept secret forever. Kerry Eurodyne had added, “Cover your ass on your social life, the mediacorps are capable of setting you up bigtime in compromising situations… Make sure you know who you’re hanging out with, and something about their friends.” Not just fans and so called friends you need to watch out for, but the very people you sign yourself away with.

Rockers Kerry Eurodyne and Johnny Silverhand are no stranger to this cold truth. Even mediacorps you don’t sign with will have motives, and often resources, to try and gain a signature. Corporations will often go after the output/input or family of the Talent instead of the Talent itself. However, big companies like DMS, the rival to N54 News, also have other methods to “persuade” a contract breach and change. Both Kerry and Johnny were targeted by this particular company, though this time it was Eurodyne dragging Silverhand into trouble.

After the time Samurai had broken up for good, late 2007 early 2008 Kerry was looking for a decent solo deal. This was a gamble for most Labels at the time, Johnny was the frontman of Samurai, Kerry’s true talent had yet to really flourish into the Legend we know today. At this stage in their careers they were just some new-boy artists, that had a couple songs and albums that made it big. A lot of bands will have their handfuls of top sellers and then disappear into a faded memory. However, media giant DMS saw promise in Kerry, and they quickly came out with an offer for the young Rockerboy that would put him right back on the road to stardom.

Kerry was going to take the offer until Universal came up with an offer that wouldn’t just set him up but Johnny as well. The two decided that the offer Universal had was too good to pass up, and with good reason. Universal not only was packaging the two Rockerboys together as independent solo artists, they were offering a better deal as a whole. Since Universal already knew them from Samurai, and knew what the two could produce, formalities of signing a new band was skipped. Re-signing with Universal gave them guaranteed concessions normally only offered to major bands or superstars.

DMS didn’t come back with a counter offer, they came back with threats. Eurodyne, and those close to him, started to receive threats from the mediacorp, these quickly escalated to hired thugs harassing and assaulting everyone in the Rocker’s inner circle, as well as himself. A common tactic for many corporations to get what they want. However, Kerry wasn’t folding to their pressure, sticking with his decision with Johnny to sign to Universal. At this point the signatures were received and Kerry’s talent was the official property of Universal Music once again. This only made the situation worse, and turned into a rather rare occurrence for the music scene.

Major corporations have a number of outlets that they have at full disposal to get what and whom they want, when they want. DMS is not unique in this fact, but they do have one of the more unique techniques. DMS is creative, deadly, and, for a corporation its size, dangerously agile. They are known for their aggressive and ruthless recruiting tactics, and they do not take “no” with grace.

Eurodyne’s fate, to DMS, was sealed the moment they selected him, no matter his choice. DMS starts with a fair offer, most of it coming with the prestige of having their name backing you and their benefits package. In the case of Eurodyne, where this was not enough, DMS will call on their Special Recruiting Division, which is devoted solely to recruiting and converting people who are reluctant to sign to DMS. A fancy way of saying they send in their black ops section to perform extractions on those who are bound by contract or reluctant to leave their current company.

Extractions are illegal, but the government is in the pocket of these corporate giants. Though they hardly ever send their own people, so even if the extraction does fail the proof of finding out who sponsored the extraction is normally too timely, over looked, or asking corpses. Most these companies hire Solos to get the job done, a number of groups exist in this profession alone. Extractions are unsettling common in the corpo world that counter extractions are budgeted into company spending plans. As well many big companies have jealousy protection, and pre-planned countermeasures to prevent extraction attempts of their employees or Talents.

Now, you may be asking yourself, “If they didn’t want to work for them before, what would kidnapping them do?” Well, DMS and other companies thought about this issue as well. How do you force someone to work for you? Blackmail is the obvious answer, to the Talent, to their friends, their family, etc. It's a simple fix that will get a result, but can’t guarantee the product. Its proven effective though, reputation is everything- threats to destroy that are not taken lightly. For a company like DMS, they have a one up on this if they can't get the Talent to see eye to eye with their terms. “Talent Indoctrination”, TI for short, otherwise known as brainwashing to the common choom. It's a program used for winning over people who express resistance to “joining the DMS family” even after extraction.

TI is only a rumor outside of the highest levels of the corporation, and those who have been subjected to it. Luckily, TI section failures are rare, unluckily survival of TI section failures is even rarer. DMS, however, is willing to risk TI only on targets with a high enough revenue generation potential. Executives are more at risk than artists, given artists are seen as disposable and the average commercial shelf-life of a DMS Music artist is only a couple years. Most only making it an average of two before they’re dropped back to performing at clubs and bars for the same hundred fans, if that.

This was the threat Kerry was under, one that became very real one fateful day when the Rockerboy was abducted by a group of hired muscle from the corporation. While Kerry was successfully kidnapped and relocated, the extraction itself failed due to intervention of Legendary Solo, Morgan Blackhand. Blackhand was able to capture all five kidnappers, alone, and turned them over to the Federal Authorities. Beaten, battered, and bruised but all five were alive when they were handed over. This act alone humiliated DMS, who was only found later on in investigation to have been the group’s sponsor. Its not unheard of extractions being foiled, but for a company like DMS it was a shot to their pride since Kerry would know it was them that called it. The real humiliation of it comes from the fact Blackhand snagged them all alive, allowing the truth to be exposed to the public, tarnishing that royal reputation of theirs, though no legal action would be taken.

Embarrassing a huge company like that puts a major target on your back. Legality they could care less about, but reputation is not something any corporation wants to gamble with. Morgan Blackhand would become a target for a later date, DMS wasn’t done with Kerry Eurodyne yet. Now, though, their attention was brought to one of the key elements for why Kerry declined their original offer; Johnny Silverhand.

“They were threatening Johnny and I with things like government investigations and stuff. By the time that threat was made, we’d already signed with Universal…” Eurodyne recalled during an interview. It was true, DMS had dug not only into Kerry’s past life but Johnny’s as well. They were at the stage of “If we can’t have you, no one will.” While Eurodyne’s rap sheet was arguably cleaner, DMS was preparing to go full out, and all in to find anything they could. What they had as their ace was Silverhand’s military past, and they knew they could find the same information about Eurodyne as well or paint him for it. Both Rockers had served during the 2000’s Central American Conflict, Johnny’s desertion was all they needed to start the fire.

DMS was preparing to take this knowledge to the government, and at that point they could say and paint anything on Kerry as well. Their careers were about to end before they even began. Short on time, they did the only thing they could do, they went to Universal Music. With the counter threat of exposure of DMS’s corruption and abusive power over their Talents, Universal made their position clear. This was a PR move, DMS could go to their pocket government agents to have the Rockerboy’s locked away for life, but Universal was going for their public appearance. The ends didn't justify the means, DMS backed down.

Lawsuits were dropped, threats ceased, no more extraction attempts were made on either rockstar. They were given freedom to produce their albums and do tours under the protection of Universal. It wouldn’t be for another several years down the line when DMS would rear its ugly head back into their lives. Well, only in passing.

Denny, the former drummer of Samurai, had a new band called Mastermind that was being recorded by DMS Music. “She knows how I feel about them, but the contract they’ve got is suitable for her, so I’m not going to interfere as long as she is happy.” Kerry had stated on the matter back in late 2013, “Even now you won’t find Johnny or I saying anything remotely positive about DMS… I’m just glad no one was listening when I made certain comments or some of my fans might have taken those rash words to heart and we might have had some serious problems.” A tongue in cheek response to the 13 April 2013 Arasaka Riots led by Johnny Silverhand, under the old band's name of Samurai. Rioters killed 18 and wounded 51 on that night, gutting the Arasaka complex. An event that would only deepen the wedge between the two Rockerboys, yet redefine them entirely.

Silverhand, however, would be blackmailed again later on in 2009 by EBS Records to leave Universal and sign a solo contract with them. EBS had found out that Johnny was an AWOL U.S. Marine who had deserted during the Second Conflict. The blackmail attempt was quickly dropped as Johnny came clean himself, revealing all his secrets and shining light on the plight of veterans of the covert war, with his now famous album Sins of Your Brother.

One thing the Rocker was known for was starting changes with his music, back in late 2012 Silverhand had an assassination attempt on his life believed to be sourced from Biotechnica do to their belief of controversal opinions to their practices heard on his album Clone Wars. Being forced to take several months of seclusion to let the heat die down before going on tour himself.

Given all of this, and much more, they had been relatively lucky. Maybe not with the fans, Eurodyne still faces the masses though in some more creative ways now. Having his biometric data copyrighted, and agreements with NCPD to monitor CCTVs for any unauthorized replications. Hasn't stopped some from trying, going as far as faking nudes that broke headlines awhile back only to have frisky imaginations shot down by his management. As far as Johnny goes, I don't think anything beats the rumor that was circulating sometime after the events of Arasaka Tower back in 2023. The idea some obsessive fan sneaked past security of the city to dig through the rubble, locating his body to put on ice and keep like some kind of memorabilia? It sounds crazy, but everyone in Night City knew what kind of fans Samurai, and more importantly, Johnny Silverhand had. Made it completely possible and people didn't really doubt that it could be true.

With corporations though, the two Rockerboys dodged a bullet. Multiples if you were keeping count. Others haven't been so lucky. A number of stories of Talents being threatened and giving into demands, multiple assassination attempts to end someone's career, Talents being kidnapped and tortured, so far as one account of a musicians hands being crushed to prevent preformances. From the outside being a Rockerboy looks like a party scene, and a lot of it is, but as the longest living in the scene will tell you, keep a Solo and a Netrunner you trust close on personal pay.

Events come full circle, once you make it to the big time stardom, the public eye notices everything, hangs onto every word. Talents like Silverhand and Eurodyne control the masses in the same way the corporations do. The audiences look to them for guidance, though in some cases the lessons are lost in translation. With everything from greedy labels making backdoor deals behind their Talent’s backs, something Kerry Eurodyne and Us Cracks went through this year, to psychofans making their own demands, to corporate reputation wars. Being a Rockerboy never gets easier, but few have hardly ever survived the test of time as Kerry has. An uphill battle from his earliest beginnings, to sitting on the Rockerboy throne of Night City, well into 2077 and still holding the title of "God of Rock" without a fault.

Sources and Quotes:

Rockerboy Source Book

Backstage with Kerry Eurodyne page 7-9

Extortion. Bribery. Kidnapping. Brainwashing. And Other Nasty Tricks. Page 44-45

Cyberpunk 2.0.2.0. The Second Edition

Silverhand Update: Clone Tour Begins page 225

One Night with the TRAUMA TEAM page 231

Live & Direct

Diverse Media Systems “Technotainment” page 81-82

Solo of Fortune Vol II Source Book

American Angels: One of Europe’s Best Rates the Top U.S. Pros. page 63

Cyberpunk Red

Welcome to the Dark Future page 239

Cyberpunk 2077

Spector Melee Vendor Westbrook

Gig: Psychofans Gaston Slayton's computer

Shard Glam Now! - The Mag For Those Who Love This For Themselves

#johnny silverhand #kerry eurodyne #cyberpunk 2077 #cp2077 #cp77 #s.screamsheets #this was honestly pretty fun #included sources in case anyone wants to pick up the books #hope you enjoy and maybe learn a thing #took liberty on frills to make it more like an actual sheet piece rather than just lore/facts #years are the only thing i fudged a bit #2003-2013 is a hella confusing time in cp and it doesnt make any sense when you do the math

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