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#rules can be broken intentionally not just because someone doesn't know them
scarefox · 5 months
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are you really into each other when you didn't point a gun into each others faces and show how much you are not afraid of the other?
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(also the way Prom holds the gun save, while Nont has his finger on the trigger because he's edging on danger and destruction. lowkey threatens Prom with that, but Prom trusts Nont to not hurt him)
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the-faceless-bride · 1 year
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Best friends
Katsuki.B x Reader
Summary: you and Katsuki are besties and one day you just couldn't keep your feelings anymore... (just fluff)
You and Bakugo have been friends for quite some time now. You guys were like this powerful, inseparable duo that ruled UA high. But when you didn’t come to school today, he became confused and anxious. You never miss a day of school and that’s a fact. After classes, he decided he’d go to his dorm and check up on you. He knocked on your dorm room rather loudly.
"Who is it!?" you called out.
“Open up, nerd!” You hear a furious Bakugo from the other side of the door.
You sigh "what do you want Katsuki!?"
“Answer me damn it! Why weren’t you in class today?!”
"I'm... Just not feeling well"
“You could have at least given me a notice!” You hear a loud grunt come from Bakugo. It was so loud it sounded like he was right at the door, ready to blow it up.
"You aren't gonna leave me alone are you?"
“No! I won’t ‘leave you alone’!” He shouted at you. You could tell he was beyond angry. Bakugo only gets like this when someone he cares deeply about got hurt or if something happened to them. You know this, and you also know that you have to calm him down. How do you do it?
You sniffle and wipe the tears from your eyes before opening the door come on in Katsuki.
Bakugo’s eyes immediately widened when he saw you crying. He immediately came into the dorm room and shut the door behind him, then he came up to you and wiped the tears off your face “What happened?!” he sounded worried, not even the slightest hint of anger was in his voice now. At this point he forgot all about being mad and just wanted to help you in any way he could.
"I- I'm not sure I want to tell you about it"
“Why not?” he looked confused. His heart started to sink when he remembered a similar look you had on your face when you two were younger, when your father hurt you. Bakugo did his best to try and calm himself down but it wasn’t working. He just had to know “Did someone hurt you? Tell me what happened. I want to help you” His words were gentle and the worry in his voice could be heard plain as day.
"No, no one hurt me. Well... Not intentionally"
His eyes widened as he sat on the bed next to you "W-what do you mean, ‘not intentionally’?” once again, a bit of worry could be heard in his voice. He grabbed your hand to try and comfort you “Did you get hurt by an accident? Are you bleeding?” He seemed to be growing worried again. His heart almost always skips a beat when you got hurt, wether it be an accident or not. He hated the sight of you being sad, being hurt, or even just being in pain.
"No! I! Katsuki I'm in love with someone and they don't love me back!"
As soon as you said this, Bakugo’s eyes widened. This is definitely not what he was expecting. His heart stopped beating for a few seconds, it was as if he was in complete shock of what you had told him. His ears got a bit red as he looked at you “And who is this person you love?” He asked very quietly
"It doesn't matter... He only sees me as a friend.."
“No, it does matter. And it matters because it’s making you feel sad. Please, tell me who you like, and maybe I can help you.” Bakugo didn’t realize it, but he seemed to be starting to get upset. The thought of someone breaking his best friend’s heart made him angry, because he cares about you so much. You’re the only one he trusts and the thought of that trust being broken makes his blood boil.
"Katsuki... It's you..."
A look of complete shock took over his face and he had a hard time processing what you just said. When you said this, he stayed completely still and his eyes were wide. You could see a tear form in his right eye. Finally, after a few seconds, he broke the silence and looked at you. His eyes were filled with tears “R-really?” He could barely get the words out, it was clear though by the way he said the words, he was happy to hear what you just told him
"Yes... I know I'm not the best... I'm not big or fast or strong... I know you would never see me the way I see you..."
His entire face quickly turned very red. He had never gotten this red before, even when he got very angry. He sat in silence for a few seconds, before finally he spoke. His voice was filled with nothing but happiness and that happiness just kept growing. You could see a giant smile spread across his face and his entire face was extremely red. He couldn’t believe that you just said that you loved him. He slowly came closer to you, tears were still streaming down his face “A-Am I dreaming!? Is this real?” His words were filled with pure excitement.
"Huh? Katsuki? Why are you crying?"
“I-I know I get angry and yell at you a lot, and that’s because I have a big ego and I always think I need to be the best. But I care about you, way more than you can even imagine. You just said that you loved me and that made me so happy and I’m so grateful to be your best friend!” Tears of happiness still filled his eyes. His heart was beating so fast, you’ve never seen him like this. His face was red, he was crying tears of joy.
"You... You love me?"
“Of course I do! I’ve always loved you! I’ve always tried not to show it because I’m afraid that you won’t like me back but, you just said that you like me too, so I’m not afraid anymore. I love you so much I can’t put it to words” He was smiling so widely, he’s never been this happy before in his life. He grabbed your hand again, tears were still streaming down his face and he now looked so happy
"So we... Be boyfriend and girlfriend? And hold hands, and kiss, and go on dates, and have moments just for us?!"
His eyes lit up when you said all of this. He was practically jumping up and down with excitement, tears still streaming down his face. He was so happy you finally had feelings for him too “Is this actually happening? Am I dreaming right now?! Of course we can, I want nothing more than that!” He was incredibly happy...
A/n: the beginning is taken by a chat.ai, couldn't think of a start. And I was curious of it would help.
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franki-lew-yo · 3 years
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The Romantic (2009, R, Gothic Fantasy/Horror), aka the most forgotten animated film in the world
What if I told you there was a movie under serious threat of becoming lost media with no clear reason as to WHY it's been lost other than no one has apparently watched it besides me and a few people on Reddit? What if I told you that movie wasn't half bad and would no doubt have some interest peeked if anyone DID know about it?
The name of that movie is The Romantic.
It was released in 2009 and it's Rated R for nudity and sex scenes [insert Robbie Rotten meme here], though none of it too graphic. It was a pet project created by animator Michael P. Heneghan, originally starting as a flash project for his animation class before he expanded it into a feature film. The film was inspired by movies such as The Dark Crystal and Labyrinth, but what I see every time I look at it is a touch of Jhonen Vasquez, Tim Burton, and Roman Dirge- the guy behind Lenore the Cute Little Dead Girl. It's flash animation especially remind me of the puppet-rigged toons of the 2000s (again like Salad Fingers or Lenore). It's not bad, it's just not inherently 'feature film' quality flash, nor is it exceptionally artistic like Sita Sings the Blues in it's simplicity. Like, really, if you happen to find this thing it's not the worst animated project at all it's just amateur for a professional production. I've seen worse flash movies. Heck, if The Romantic were released in separate parts on youtube or Newgrounds as a series (ala Homestuck) I'm sure it would have been really successful and totally in it's element. But it wasn't.
Because next to no one has seen it and I'm lucky to have not only ever seen it when it was available for free but have also found it recently (hush hush, I ain't telling you how) I'm going to actually give you all a plot synopsis under the cut. There will be some details I leave out and I think I've spelled some characters names wrong. It's a bit of a surrealist film as well, so you might need some things explained.
Spoilers ahead:
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The Romantic is set in an autumnal, surrealist world inhabited by humans and monsters and ruled by three gods; Po the goddess of love; Pik the god of Hate; and Pjorrc the god of time though Pjorrc was made to live inside a pumpkin moon as everything he touched rabidly aged and died.
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((Tapestry art featuring the main three gods of the film.))
A young man (called “Romance” or “The Romantic” by the other characters) performs a bull sacrifice in order to summon Abbledepopa, the unseen creator of the other gods and ‘storyteller’ of the world. The sacrifice does not conjure Abbledepopa but, when Romance spares a monster that was ready to eat him, the monster tells him of a profit named Patience. Patience is a foul-mouthed dwarf living alone with an army of babies who points Romance in the direction of Po.
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((Romance outside of Patience's house.))
Romance wants the god’s help because he has fallen out of love with his girlfriend. Po grants him his desire and restores his love only for Romance to return home and find his girlfriend with another man. Blinded by heartache and rage, Romance kills her. He then swears vengeance on the gods for ‘making’ him do it. In the midst of this vow, a corrupt prophet called Fat Daddy kills the queen of Vauxhaul (Romance's home) and her guards, and forges a new body for his newborn son with their bodies. Fat Daddy rallies the townsfolk behind him in supposedly finding the Queen’s murder into follow a new religion called "The Poetic End".
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((Romance (right) besides the monster he spared at the beginning of the movie.))
Patience accompanies Romance on his quest and tells him to take Po’s mask, which hides her true face, once he kills her. Romance buys Po’s trust by weaving her a tapestry that tells her story: in the dawn of time Po and Pjorrc were in love. However, Pjorrc gradually became distant and Po became resentful when their daughter, Love, earned Po's original title as the god of romance and love.
In the present day, Romance sleeps with Po for over a year before finally killing her and taking her mask. He and Patience return to his home of Vauxhul only to be chased out by Fat Daddy’s personal army. They flee to Marshallton, the town nearest to the god Pik.
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((Romance's hometown of Vauxhul. ))
The king of Marshallton, King Crookie, tells Romance of a prophecy he, Patience, Fat Daddy and all the gods are a part of and that the world is soon to change. Romance then fights and successfully kills Pik when he shows the god of hate his reflection in a mirror King Crookie gave him, but not before losing his hand to Pik.
When Romance comes down the mountain he learns from Patience that nine years have passed since his fight with Pik began. Patience reveals to Romance what Pik saw in the mirror that allowed Romance to take the killing blow; after Love had grown up and married, Po asked Pik to tell her where her husband was always running off to. Pik reluctantly revealed Pjorrc was disguising himself as a human and married a mortal woman. Po found Pjorrc and his pregnant second wife, forcing Pjorrc to leave his human family behind, but not before asking his wife to name their son “Patience”. In retaliation for his treachery, Po proceeded to sleep with fifty men and produce the fifty bastard children in Patience’s house.
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((Fat Daddy, the main villain.))
Marshallton and the entire rest of the world has fallen to the rule of Fat Daddy, who captures Romance and Patience. Fat Daddy tortures Patience into telling him how to get to Pjorrc but is unable to convince Romance to take part in his ‘new world’ or give him Po’s mask. Romance and Patience escape and leave the village to be torn apart by the fifty babies Po had, now transformed into veracious monsters after Patience didn’t feed them for the past ten years. Romance confronts Patience when he realizes the latter is Pjorrc’s son. Patience calls Romance out on his mantra of vengeance and points out that all his decisions are his own, not the gods, and instructs him to seek Love herself in Po’s basement. Patience then attempts to confront Pjorrc but is cornered and killed by Fat Daddy before he can do so.
In Po’s basement, Romance finds Love nailed to a wall, her face torn off and half eaten by her deformed husband. Love tells Romance that Po ripped off her daughter’s face in rage over Pjorrc’s infidelity and Pjorrc did not intervene fast enough. Po then threw Love into her basement, turned Love’s husband into a monster, and wore her daughter’s face as a mask - which Romance had broken into pieces moments ago after Patience had shown him his face in King Crookie’s mirror. Romance then finds Pjorrc hanging himself. As he dies, Pjorrc tells Romance to take the hand Fat Daddy had cut off and sew it onto himself, which will in turn help Romance defeat Abbledepopa.
Romance traverses the wasteland and does not find Abbledepopa, but instead a golden loom. Having seen all the destruction he and others had caused, Romance sits upon the loom and accepts his fate as the new ‘storyteller’ of the world, as he begins weaving a new one...
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I mentioned before the animation quality of the film and why maybe that caused people to overlook it. The only other thing I could complain about on a technical level with The Romantic is it's sound design. Some of the voices and music is a little too quiet and so all these key details I had to go through the film a few times to really piece together. But that leads me to the thing I like about this movie and I'm sure others would to: the lore.
It's very hard to create a new fantasy world w it's own customs, religions, history and rules out of the blue as any YA Harry Potter/Hunger Games ripoff book could tell you. The Romantic is so unique in how it handles the pantheon and culture of these three gods and their kin; really only four or five characters throughout the entire story aren't connected to the gods or prophecy in some way, as there's the main three gods, Abbeldepappa, and the prophets Patience, Love and Fat Daddy, who make up your main cast besides Romance. There's a lot that's intentionally left unexplained and other info that must be explained, like Pjorrc and Po's marriage and Romance's feelings towards the gods, if we want to understand the former. The movie is paced pretty well and knows when to follow up on what, it's just that again some of those animation and editting shortcomings might make it hard to understand...but I don't think THAT hard. Look, if someone can enjoy Starchaser: The Legend of Orin or even better surrealist world-building films ((Fantastic Planet comes to mind)), then I say there's no reason The Romantic wouldn't have a following. There's no other way I can articulate why and what doesn't work about the story except just to recommend you watch it yourselves, but before I get into that I want to talk themes...because I love the themes and tone of The Romantic.
I revisited The Romantic a week before I made myself watch Centaurworld and The Owl House for the first time...and what a week that was~! The Romantic has the vibe of those kinds of shows along with Adventure Time and Infinity Train ((so I hear, I haven't watched the latter)). It's surreal and you'll only marvel at 'woooah wut an acid trip' for so long before you get into the vibe of the universe. It also reminded me substantially of the Broadway musical Hadestown and not just because this movie is also a self-contained, somewhat self aware fable about the relationships between humans and gods - it's very raw in how the characters talk. It's very emotional and blunt in how kind and how cruel they can be, and it doesn't make excuses or really worships any one of them. Romance himself is the world's most likable Incel: he murders a woman he thought he needed to love and blames his emotions on the gods of those passions...except the gods AREN'T the manifestations of love, time, and hate - they simply dictate and oversee it in the lives of men. It's a dynamic I really like in religious works where Gods are powerful but not all knowing or puppet masters to everyone's design- they have morality too and there is only so much you can blame and get from them.
"You made your gods into excuses and your excuses into gods!"
-Patience. This here is a cool quote. I like this quote.
No matter what, The Romantic is not gonna be a film for everyone. We all have our tastes - I think I'm drawn to it and accepting because I've come to love these kind of worlds that used to keep me up at night - these trippy 70s inspired fantasy landscapes given a whole Avatar: The Last Airbender degree of worldbuilding and character worth. It also doesn't feel exploitive in it's violence, it's sexuality, it's grimmness - it doesn't feel like it's trying to hard or going over the top because it happens to be an adult animated film, something that I love in movies like 9 or Hair High but really turns me off in stuff like Sausage Party or Wizards. Whatever go watch The Romantic...
if you can.
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When I first saw this film in 2016 it was actually very accessible and was even uploaded to youtube by the creator himself. I don't know WHAT happened to Michael P. Heneghan, but simply put, the man's disappeared...like...REALLY disappeared.
Lookit his IMDB. He has The Romantic and a wapping two other projects to his name. His Twitter isn't very helpful either. He last updated in early 2020 and he says next to nothing about The Romantic. It's so odd that he would one day be happy with the film enough to host it on Vimeo and Youtube but then just cop out.
According to a Reddit user: "On Valentines Day 2011, Heneghan released the film for free online through all kinds of platforms including direct download, bittorrent, Vimeo, and even directly through Archive.org. He even joked about releasing a 300 gig uncompressed version.
I know I watched it on Vimeo probably as recently as 2016. Now I can't find it anywhere. The website is dead, the Vimeo video went private, even the archive.org version has been taken down. It really looks like he wanted to wipe it off the face of the internet. His newer website mentions it, but again, the Vimeo link is dead and even that website is closed for business."
It's weeeird. What happened Michael?
And yes, obviously, other people worked on the movie.
No - I can't find out anything about them either.
I'm betting on three theories at the moment: 1) this film is an SCP or some Candle Cove weirdness with only me and a handful of people ANYWHERE remembering it, 2) something weird is going on w Michael Heneghan and it involves too something about this film. It was a scam or a scheme or a hidden agenda weirdness, 3) Heneghan's doing okay he just doesn't like this film anymore and wants it hidden while he takes a break.
Look, I get it Michael! What was once our life's worth can become cringe as you improve as an artist - you're not the person making the stuff you were ten years ago...but you should still have the film kept alive somehow. Someway.
I'm seriously the only person to have ever made fan art of this movie on the internet. That just doesn't happen, and I don't think I like being in a fandom of one. The Romantic is a testament to the power of design and storytelling > animation quality itself. Too often I see people equate good animation with smooth animation, with a budget with squash and stretch. These animations are good but art is diverse and there's so many kinds of films out there, the value of the medium can't just be in one style/form. There's a lot of honestly wonderful pieces of art out there if you know where to look and you're willing to see where it leads you.
Don't let The Romantic be the most forgotten movie of all time. Reblog this post. Show it to your friends. PM the animation community reviewer people like Saberspark and someone who isn't Saberspark and smuggle them a copy.
Keep telling the story...
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vavuska · 4 years
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AUGUST 9, 2020
Body positivity and false myths about health.
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Introduction
Today, the revered ideal body consists of a tall, slender physique known as the thin-ideal. This idealized image that has been constructed by the media via magazines, movies and advertising campaigns is having adverse effects on the lives of many women, such that more than half of the women are troubled by certain aspects of their appearance and are not accepting of their bodies as a whole. The preoccupation or obsession with their physical appearance has trapped Western women into subscribing to unhealthy narratives such as "I must be thin to be accepted and loved", "A thin body will make me happy", "Dieting will help me lose weight" or "Thinness equals beauty". These nagging voices often overrun women's lives and are linked to various psychological disturbances such as depression, eating disorders, anxieties, countless addictions, BDD, as well as low self-esteem (Rieves & Cash, 1996), relationship difficulties, and sexual dysfunctions (Dworkin & Kerr, 1987).
In addition to noting that people with perceived obesity (again, not medically diagnosed, just perceived) will experience microaggression, bullying, discrimination in housing, employment, education, and healthcare, Phelan notes that their interactions with healthcare professionals is directly affected by size bias.
In these studies by the Mayo Clinic, primary care physicians reported spending less time with obese patients, less communication, and open belief in stereotypes: this patient is lazy, undisciplined, and less likely to adhere to medical advice.
These negative interactions statistically raise a patient’s chances to: delay cancer screenings and routine care, avoid routine check ups, and are more likely to have unreported diagnostic errors.
This isn’t healthy. This isn’t saving or changing any lives. This is having the opposite effect, and it is happening precisely in the places where we are suppose to be receiving “help.”
What is body positivity?
Body Positivity is a social movement rooted in the belief that all human beings should have a positive body image, in doing so it challenges the ways in which society presents and views the physical body. The movement advocates the acceptance of all bodies no matter the form, size, or appearance.
I personally like the 4 Principles of Body Positivity conceptualized by Body Positivity Activist:
ACCEPTANCE OF WHAT IS: Our bodies as is (healthy, sick, skinny, fat, missing a leg, cancer survivors, and black, white, purple, blue and everything else,) deserve respect, visibility, acceptance and have intrinsic value.
REJECTION OF “BEAUTY” STANDARDS: Body-shaming of all types has been shown to yield detrimental long-term psychological effects such as negative body image, depression, anxiety, and a multitude of eating disorders. It serves no benefits, so we reject it entirely.
ACCEPTANCE OF CHANGE: Changes to our bodies—sickness, ailments, aging, pregnancy, surgery, accidents/trauma, putting on weight, losing weight, ALL of it—should be accepted, and should not diminish the value, respect, visibility of our bodies.
TOTAL INCLUSIVITY: Body positivity is inclusive of all bodies, not just those considered to be “fat” or obese,considering most humans are socialized to have negative perceptions of their bodies.
In short, body positivity and its principles are about acceptance, inclusivity, and respect. First aspect to notice: these are all social ideas, not medical ones. Why naysayers of body positivity consistently bring up the promotion of obesity when fat bodies are displayed is a mystery to me.
The second aspect of its definition one must notice: body positivity does not “promote” any body type. It is simply stating that all body types have intrinsic value. We certainly agree with this as a society. If you intentionally hurt someone’s body--again, regardless of the look, age, or state of that body--we consider that a crime. Body positivity simply concurs with this logic.
Lastly, body positivity by definition does not purport that evolution, change, and/or a healthy lifestyle is unacceptable. You can be body positive and be healthy. In fact, body positivity promotes taking care of yourself.
1 - “Your weight is entirely within your control, you are just being lazy”
As a random guy wrote on Facebook: “Body positivity is appreciating things that are beyond your control, like the colour of your eyes, skin colour, hair texture, height, etc. Weight is entirely within your control...if you eat a lot, you will get fat. Body positivity enables gluttony which is a slap to the face for underprivileged people everywhere in the world.”
That's not entirely true: gaing wight could be caused by hormones (pregnancy, menopause, ecc), genetics (for e.g. Peter Will syndrome) other medical condition linked to endocrines such as Cushing's syndrome or a malfunction of thyroid (hypothyroidism).
The involvement of genetic factors in the development of obesity is estimated to be 40–70%. Some of these obesogenic or leptogenic genes may influence obese individuals response to weight loss or weight management.
To date, more than 400 different genes have been implicated in the causes of overweight or obesity, although only a handful appear to be major players. Genes contribute to the causes of obesity in many ways, by affecting appetite, satiety (the sense of fullness), metabolism, food cravings, body-fat distribution, and the tendency to use eating as a way to cope with stress.
The strength of the genetic influence on weight disorders varies quite a bit from person to person. Research suggests that for some people, genes account for just 25% of the predisposition to be overweight, while for others the genetic influence is as high as 70% to 80%.
Obesity or overweight is not concerned about gluttony. It could depend on a lot of factors: physical and psychological. It is proved that people with depression or anxiety may experience weight gain or weight loss due to their condition or the medications that treat them. Depression and anxiety can both be associated with overeating, poor food choices, and a more sedentary lifestyle. Over time, weight gain may eventually lead to obesity.
Body positivity is about being conformable in our skins. Appreciating what we are and what we have. Body positivity does not promote any form of body, differently of what our media do.
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2 — “You cold loose some weight, if you put in some dedication”
This one deleted the previous comment in which he used abused, starving people in Auschwitz to promote a diet, but I have his second one: “I meant that the problem with losing weight is just calories you eat vs calories you burn, of course the amount of calories you burn depend on hormones and a lot of other things. However, everyone can burn more calories by exercising. The Auschwitz prisoners were just an example that it is possible to lose weight, no matter the circumstances, if you REALLY put your mind to it. How you go about increasing the gap between the calories you consume and the ones you burn is up to you. Also, long term, even a 100kcal deficit per day can help you lose weight. You dont have to starve yourself to lose weight.”
Loosing weight is not always a good thing and it is not as easy like those people think.
Muscle does weigh more than fat because it is a denser product. On average, the density of fat is 0.9g/ml. The density of muscle is 1.1 g/ml. Using the averages, 1 liter of muscle weights 1.06 kg or 2.3 lbs., while 1 liter of fat weights .9 kg, or 1.98 lbs. An easier way to think of it might be: if you have an equal volumn of fat and muscle, fat is going to weigh about 80% of what the muscle weighs. This can vary due to numerous factors including race, being extremely lean or being extremely obese according to “Exercise Physiology” by William D. McArdle, et al.
The ‘take away’ points are:
Yes, muscle weighs more than fat. But….. do not assume because you started working out and you are not losing weight it is because you are increasing muscle.
The higher percent muscle you have on your body the smaller your clothing size because muscle takes up less space than fat.
On the other hand, if you are loosing weight, don't presume you are necessarly loosing fat, you could also lost muscles and this is not a good thing.
For that guy, don't eat is the solution to every weight problem. This leads to a thing called anorexia (which is one of the most painful consequences of the idealization of a “perfect body shape” myth portrayed by media). And, again, this guy really thinks that abused starving people are a good example to promote a diet. He seems to doesn't know how work human body and that if you don't eat as much to sustain your body, you will begin to feel always tired, weak and such because your body doesn't have enaugh energy to consume. We will see this in the next point.
3 — “You better have a diet”
I use the word "diet" in this context to refer to any set of restrictive food rules (barring true medical and ethical concerns). If you are feeling guilt and shame about your food choices, it is likely that you are approaching the experience of eating from a "diet mentality."
The word "diet" often has a negative connotation, so many people prefer to say they are making a “lifestyle change.” But if your lifestyle change entails rigid food rules that invoke guilt when broken, you are probably on a diet, even if in disguise. And the truth is, the diet industry wants us to "fail" so that we will continue to purchase their products. When you jump on the latest fad bandwagon, you support a multi-billion dollar industry that profits by convincing us we are inherently flawed.
Diets do not help you maintain weight loss long-term. The idea that people fail at diets because of a lack of willpower is a myth perpetuated by the diet industry. Powerful biological factors essentially ensure that your attempt at dieting will fail. Researcher Traci Mann, who has studied dieting for more than 20 years, found that there are metabolic, hormonal, and neurological changes that contribute to "diet failure."
According to Mann, "When you are dieting, you actually become more likely to notice food. . . But you don't just notice it—it actually begins to look more appetizing and tempting." Mann also stated that as you begin to lose weight, "the hormones that make you feel hungry increase" and "the hormones that help you feel full, or the level of those rather, decreases."
For the average adult in a resting state, the brain consumes about 20 percent of the body’s energy. The brain’s primary function — processing and transmitting information through electrical signals — is very, very expensive in terms of energy use.
The exact percentages are difficult to ascertain, but we have pretty good estimates of where that energy is going, though it varies by the area of the brain. In the cerebral cortex of mice, about a quarter of the brain’s energy goes to maintaining the neurons and glial cells themselves — the processes that all cells go through to remain alive. The remaining 75 percent is used for signaling — sending and processing electrical signals across the brain’s circuits. These numbers seem to be very similar in humans.
The brain is an energy-hungry organ. Despite comprising only 2 percent of the body’s weight, the brain gobbles up more than 20 percent of daily energy intake. Because the brain demands such high amounts of energy, the foods we consume greatly affect brain function, including everything from learning and memory to emotions.
Just like other cells in the body, brain cells use a form of sugar called glucose to fuel cellular activities. This energy comes from the foods we consume daily and is regularly delivered to brain cells (called neurons) through the blood.
As Mann explains, when you diet, "Your metabolism slows down. Your body uses calories in the most efficient way possible... When your body finds a way to run itself on fewer calories there tends to be more left over, and those get stored as fat."
Thus, it is no surprise that studies show that 95 percent of people will "fail" at diets. Most people can lose weight in the short-term; however, over time the majority will regain the weight they lost—and potentially gain even more. Working to suppress your weight below your natural body weight is ultimately a fruitless effort—in fact, it's an utter waste of time.
4 — “Being overweight or obese means being unhealthy”
Studies have found that anywhere from one-third to three-quarters of people classified as obese are metabolically healthy. They show no signs of elevated blood pressure, insulin resistance or high cholesterol. Meanwhile, about a quarter of non-overweight people are what epidemiologists call “the lean unhealthy.” A 2016 study that followed participants for an average of 19 years found that unfit skinny people were twice as likely to get diabetes as fit fat people. Habits, no matter your size, are what really matter. Dozens of indicators, from vegetable consumption to regular exercise to grip strength, provide a better snapshot of someone’s health than looking at them from across a room.
According to an article in The Nutrition Journal by Dr. Linda Bacon and Lucy Aphramor, "Most epidemiological studies find that people who are overweight or moderately obese live at least as long as normal weight people, and often longer."
So, you can be under or normal weight, but that's doesn't make necessarly much more healthy than a overweight people. You can't say that a person is not "healthy" by judging on their physical appearance.
Some feminist points of view
Now, aks yourselves why so many cisgender etherosexual men are so upset from seeing plus size models in media? Do they really care about stranger's women heath?
NOPE!
Oh. Maybe is because they are the ones who lose something in seeing women considered not attractive for their physical appearance being accepted and admired?
YES.
Female beauty standard in media are designed for heterosexual male consumption.
As women gain economic and political power, their beauty should matter less.
Feminist scholars have contended that cultural norms and expectations encourage girls and women to be attentive to and psychologically invested in their physical appearance, which can undermine their well-being and contribute to eating dysregulation, depression, and other psychological difficulties (Cash, Ancis, & Strachan, 1997). Mary Wollstonecraft (1792), who is considered to be the founder of feminism, asserted that women's preoccupation with appearance was due to impoverished education, domestic subjugation, and vain pursuits toward which women were directed by their culture. The feminist perspective reaffirms the declaration that a woman's self-worth, ability, and livelihood are not centred on her physical appearance.
Wayne Dyer (1976/1995) elaborated on this: “many women have accepted the cultural dispatches and behave in ways that they are supposed to when it comes to their bodies. Shave your legs and underarms, deodorize yourself everywhere, perfume your body with foreign odours, sterilize your mouth, make up your eyes, lips, cheeks, pad your bra, spray your genitals with the appropriate bouquet, and falsify your fingernails. The implication is that there is something unpleasant about the natural you, the essentially human you, and only by becoming artificial can you become attractive.”
Peterson et al. (2008) posit that feelings of powerlessness may lead a woman to rely on external evaluations of her body as well as to control her eating behaviours. In contrast, feelings of empowerment may decrease the likelihood that a woman will internalize society's messages regarding attractiveness and hence develop schemas that highlight the importance of appearance. Overall, what is suggested is that feeling empowered in one's life may translate to reduced self-objectification and, in turn, to a decrease in negative evaluations of body image.
As this gross guy said:
“Those women aren't thin they look healthy, your problem with them is that their not grossly obese, I've got news for you, most men don't find grossly obese women attractive. Women decide what they want to look like and that happens to be appealing to men, the media has nothing to do with it, women have been beautifying themselves in order to attract men for millennia.”
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Young-Eisendrath (1999) elaborates on the psychological damage done by this: “the belief that we must be thin in order to be successful results in feelings of insecurity about ourselves and our abilities. Obsessive control of the female body leads not to power but to shame, self-consciousness, confusion, illness, even death by eating disorders. Longing to be reassured of our worth and validity, we submit to humiliating advice from experts who tell us what and when to eat, and how to exercise, as if we were children.”
In summary, the obsession with physical appearance often distorts reality, making individuals vulnerable to a host of psychological difficulties, including depression and anxiety, and even abuse (Hooks, 1995). Seeking the ideal body type, which is thinner genetically than 95% of women, is also harmful, as the anxiety it creates about weight is focused upon unnatural thinness rather than health (Williams, 1998).
Body positivity protects women from negative feelings about their bodies: women are encouraged to refute the message of the importance of thinness and develop more empowering self-definitions based on other attributes such as their intelligence or creativity. Feminist ideology thus emphasizes that a woman's self-worth should not be determined by her physical appearance.
This male obsession about our weight, saying that we are not "healthy", is just another way to cotrol our bodies, girls!
Lisa Turner, a food writer and nutrition consultant, summed it up best: “Losing weight is not your life's work, and counting calories is not the call of your soul. You surely are destined for something much greater, much bigger, than shedding 20 pounds or tallying calories. What would happen if, instead of worrying about what you had for breakfast, you focused instead on becoming exquisitely comfortable with who you are as a person?”
Some final conclusions
So telling to every people "you are fat, lazy, ugly and need to exercise for your own health" is not only harmful but not even ever correct for all the reason above.
The person you are insulting online could be “overweight” because has a condition, is highly depressed for past suffering experience (I know girls with past of sexual abuse who used to eat to find comfort for a pain that her cannot express in other ways). Or maybe not. To make it easier for you to understand, you must stop to judge people we don't know on their physical appearance, body shape or weight and we must try to be polite, so you will not get yourselves into embarrassing situations saying stupid things like "oh, sorry... I didn't know you had this thing...", after giving unrequested health suggestion to strangers or insulting them?
Have you ever consider how harm can do on others your “caring about strangers” health? What YOU are doing is causing eating disorders and low self-esteem on others. Body positivity helps to accept ourselves and not to spend our time into stupid considerations about our bodies.
THAT'S WHY WE NEED BODY POSITIVITY!
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A little list to summarize:
Don't give unrequested health suggestion: they don't ask and you are not their doctor;
Every person need to be accepted and respected as they are;
Obesity bias adversely affects a person’s likelihood to get help;
Your body works better when you thinking happy thoughts about yourself;
Negative body image DOES promote obesity. And anorexia. And a lot of other bad stuff.
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