#putrika
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Sri Radhika Stotra 108 Names of Srimati Radharani
by Srila Raghunatha Dasa Goswami
aviksatmesvari kascid vrndavana-mahesvarim
tat padamboja-matraika gati dasyati katara
patita tat-saras tire ruda tyartha-ravakulam
tac chri-vaktreksanavaptyai namanyetani sanjagau
Some maidservant, unable to find her Mistress, has fallen on the bank of Radhakunda, crying in great anxiety, being very eager to take exclusive shelter of Her Lotus Feet, glorifying Her by singing the following names of Her Mistress:
radha gandharvika gosthayuva-rajaika-kamita
gandharva radhika candrakantir madhava-sangini
Radha, 2. Gandharvika, 3. The only girl desired by the prince of Vraja, 4. Who is worshipped by the Gandharva-angels, 5. Whose luster is like the moon, 6. Who accompanies Madhava.
damodaradvaita-sakhi kartikotkirtidesvari
mukunda dayita-vrnda dhammilla mani-manjari
Damodar’s unrivalled girlfriend, 8. The queen who bestows fame on the Kartika month, 9. The crestjewel of Mukunda’s ladyfriends.
bhaskaropasika varsabhanavi vrsabhanuja
ananga manjari jyestha sridama varajottama
Who worships the sun, 11. Who belongs to King Vrsabhanu, 12. Who is born from King Vrsabhanu, 13. Ananga Manjari’s older sister, 14. Sridama’s younger sister, 15. The greatest
kirtida-kanyaka matr-sneha-piyusa-putrika
visakha-savayah prestha visakha jivitadhika
Kirtida’s daughter, 17. Who is the nectarean object of Her mother’s affection, 18. Who is of the same age as Visakha, 19. Who is dearer than life to Visakha.
pranadvitiya lalita vrndavana viharini
lalita prana-laksaika-raksa vrndavanesvari
Who is none other than Lalita’s very life, 21. Enjoys in Vrndavana, 22. Who saves Lalita’s life lakhs of times, 23. Queen of Vrndavana.
vrajendra-grhini krsna-praya-sneha-niketanam
vraja go-gopa-gopali jiva-matraika-jivanam
Who is as dear to Mother Yasoda as Krsna, 25. Who is the only life of the life of the cows, cowherdsmen and cowherdgirls of Vraja.
snehalabhira-rajendra vatsalacyuta-purva-ja
govinda pranayadhara surabhi sevanotsuka
Who is the object of King Nanda’s affection, 27. Who gets parental affection from Balaram, 28. Who is the object of Govinda’s love (Govinda is eager to serve His surabhi cows).
dhrta nandisvara-ksema gamanotkanthi-manasa
sva-dehadvaitata drsta dhanistha dhyeya-darsana
Who is very eager to go to Nandisvara for serving Krsna, 30. Who is regarded as non-different from her by Dhanistha and seen in her meditations, (Dhanistha is Yasoda’s maidservant).
gopendra-mahisi paka-sala-vedi prakasika
ayur-varddha-karaddhana rohini ghrata-mastaka
Who is seen in Mother Yadosa’s kitchen, 32. Whose cooked grains increase Krsna’s life, 33. Whose head is smelt by Rohini.
subala nyasta sarupya subala priti-tosita
mukhara-drk sudha-naptri jatila drsti-bhasita
Who has bestowed a form equal to Hers to Subala, 35. Who is very fond of Subala, 36. Who is nectar in Mukhara’s eyes, 37. Who is afraid to see Her mother-in-law, Jatila.
madhumangala narmokti janita-smita-candrika
paurnamasi bahih khelat prana-panjara sarika
Who smiles like the moonbeams after hearing Madhumangala’s jokes, 39. The she-parrot of Whose heart is caught in Paurnamasi’s cage.
sva ganadvaita jivatuh sviyahankara-vardhini
sva ganopendra padabja sparsa-lambhana harsini
Who is the only life of Her friends, 41. Who increases the pride of Her relatives, 42. Who is very happy to touch Upendra’s feet with Her friends.
sviya vrndavanodyana paliki krta-vrndaka
jnata vrndatavi sarva lata-taru-mrga-dvija
Who has placed Vrnda in charge of Vrndavana’s gardens, 44. Who is known by all the vines, trees, deer and birds of Vrndavana.
isac candana samghrsta nava-kasmira-deha-bhah
java-puspa pritha-hari patta cinarunambara
Whose body shines with fresh vermillion ground with some sandalpaste, 46. Whose silken dress shines more reddish than the java flower.
caranabja-tala-jyotir arunakrta-bhutala
hari citta camatkari caru nupura nihsvana
Whose lotus footsoles make the surface of the earth shine crimson-red, 48. Who astonishes Hari’s mind with the sweet sound of Her anklebells.
krsna-sranti-hara sroni pitha-valgita ghantika
krsna sarvasva pinodyat kucancan mani-malika
The nice sounds of whose waistbells remove Krsna’s fatigue, 50. The pearl necklace on whose firm, raised breasts is everything to Krsna.
nana-ratnollasad sankha-cuda caru bhuja-dvaya
syamantaka-mani bhrajan mani-bandhati-bandhura
Whose two beautiful arms are adorned with conchshell bangles inset with various jewels, 52. On Whose wrist the beautiful Syamantaka jewel shines.
suvarna darpana-jyotir ullanghi mukha-mandala
pakka dadima bijabha dantakrstaghabhic chuka
The shining of Whose face defeats that of a golden mirror, 54. Whose teeth, that shine like ripe pomegranate seeds, attract the parrot-like Aghabhit (Krsna).
abja-ragadi srstabja-kalika karna-bhusana
saubhagya kajjalankakta netranandita khanjana
Whose ruby earrings are shaped like lotus buds, 56. Whose wagtail-like eyes are anointed with beautiful eyeliner, giving great joy to the eyes.
suvrtta mauktika mukta nasika tilapuspika
sucaru nava-kasturi tilakancita-bhalaka
Whose nose, that is beautiful as a sesame flower, is adorned with a round pearl, 58. Whose forehead is adorned with beautiful tilak made of fresh musk.
divya veni vinirdhuta keki-pincha-vara-stutih
netranta-sara vidhvamsakrta canurajid dhrtih
Whose divine hairbraid is worshiped by peacock feathers (being defeated in beauty), 60. The arrows of Whose glances destroy the patience of Krsna, Who defeated the Canura wrestler.
sphurat kaisora-tarunya sandhi-bandhura-vigraha
madhavollasakonmatta pikoru madhura-svara
Who is blooming teenage beauty personified, 62. Who pleases Madhava, 63. Who maddens Madhava with Her sweet, cuckoo-like voice.
pranayuta-sata prestha madhavotkirti-lampata
krsnapanga-tarangodyat smita-piyusa-budbuda
Who is more attached to Madhava’s great glories than to millions of lives, 65. Whose nectarean smiles provide bubbles on the waves of Krsna’s glances.
punjibhuta jagallajja vaidagdhi-digdha-vigraha
karuna vidravad deha murtiman madhuri-ghata
Who is the very form of cleverness, embarrassing the whole world, 67. Whose body melts in kindness, 68. Who is abundant sweetness personified.
jagad-gunavati-varga giyamana gunoccaya
sacyadi subhaga-vrnda vandyamanoru-saubhaga
Whose glories arre loudly sung by all the great ladies of the world, 70. Who is incessantly praised by beautiful ladies like Saci.
vina-vadana sangita rasalasya visarada
narada pramukhodgita jagad anandi sad-yasah
Who is expert in singing and playing vina in the rasa dance, 72. Whose pure glories are sung by sages headed by Narada, giving joy to the world.
govardhana-guha geha grhini kunja-mandana
candamsu-nandini baddha bhagini-bhava-vibhrama
She is the housewife in the caves in Govardhana, 74. She decorates the kunja, 75. She has a sisterly relationship with Yamuna, (Yamuna is the daughter of the sun and Radha is thedaughter of Vrsabhanu, the sun in Taurus).
divya kundalata narma sakhya-dama-vibhusita
govardhanadharahladi srngara-rasa-pandita
She is adorned with the wreath of divine Kundalata’s friendship, 77. She is the professor in amorous rapture, giving joy to the holder of Govardhana.
girindra-dhara vaksah srih sankhacudari-jivanam
gokulendra-suta-prema kama-bhupendra-pattanam
She is Laksmi on the chest of the holder of Govardhan, 79. She is the life of the enemy of Sankhacuda, 80. She is the settlement of Cupid for the love of the son of Gokulendra.
vrsa-vidhvamsa narmokti sva-nirmita sarovara
nija kunda-jala-krida jita sankarsananuja
Who made Her own pond after the killer of Arista mocked Her, 82. Who defeats Sankarsana’s younger brother in sports in Her own pond.
mura-mardana mattebha vihara-mrta-dirghika
girindra-dhara-parindra rati-yuddhoru simhika
She is the ambrosial pond of enjoyment for the intoxicated elephant who defeated Mura, 84. She is a powerful lioness fighting amorous sports with the king of lions, the holder of the best of mountains.
sva tanu-saurabhonmatti krta mohana madhava
dor-muloccalana krida vyakuli-krta kesava
Who enchants Madhava with Her intoxicating bodily fragrance, 86. Who agitates Kesava by playfully showing Her armpit.
nija kunda-tati kunja klrpta keli kalodyama
divya malli-kulollasi sayyakalpita vigraha
Who expands Her artful plays in the kunja on the bank of Her own pond, 88. Who makes a bed of divine jasmine flowers there with joy.
krsna vama-bhuja nyasta caru daksina gandaka
savya bahu-lata baddha krsna daksina sad-bhuja
Who places Her beautiful right cheek on Krsna’s left arm, 90. Who holds Krsna’s right arm with Her left vine-like arm.
krsna daksina caruru slista vamoru-rambhika
girindra-dhara drg-vaksor mardi-sustana-parvata
Whose beautiful, broad, banana-like left hip touches Krsna’s right hip, 92. Whose nice, mountain-like breasts are being massaged by the Holder of Govardhana.
govindadhara piyusa vasitadhara-pallava
sudha-sancaya carukti sitali-krta madhava
Whose leaf-like lips are scented by the nectar of Govinda’s lips, 94. Whose beautiful words distribute nectar, cooling Madhava off.
govindodgirna tambula raga rajyat kapolika
krsna sambhoga saphali-krta manmatha sambhava
Whose cheeks are colored by the pan from Govinda’s lips, 96. Who realizes Krsna’s fancies of amorous enjoyments.
govinda marjitoddama rati-prasvinna sanmukha
visakha vijita krida-santi nidralu-vigraha
The profuse perspiration from whose face is wiped off by Govinda, 98. Who is being fanned by Visakha when She falls asleep after playing with Krsna.
govinda-carana-nyasta kaya-manasa jivana
svapranarbuda nirmanchya hari pada-rajah kana
Who has placed Her life, body and mind at Govinda’s lotus feet, 100. Who worships the dust of Hari’s lotus feet with billions of hearts.
anumatracyutadarsa sayyamanatma locana
nitya-nutana govinda vaktra-subhramsu-darsana
Who curses Her eyes for every second that they do not see Acyuta, 102. Who beholds Govinda’s ever-fresh moonlike face.
nihsima hari-madhurya saundaryadyeka-bhogini
sapatnya dhama murali-matra bhagya kataksini
Who is the only enjoyer of Hari’s endless sweetness and beauty, 104. Who can only blink at the fortune of Her co-wife, the Murali flute.
gadha buddhi-bala krida jita vamsi-vikarsini
narmokti candrikotphulla krsna kamabdi-vardhini
Who takes Krsna’s flute after defeating Him in a gambling match, 106. Who increases the ocean of Krsna’s desires by the full moonbeams of Her joking words.
vraja-candrendriya-grama visrama-vidhu-salika
krsna sarvendriyonmadi radhetyaksara-yugmaka
Who is the moonlike resting place for all the senses of the moon of Vraja (Sri Krsna), 108. The two syllables of Whose name Ra-dha madden all of Krsna’s senses.
idam sri radhika namnam astottara satojjvalam
sri radhalambhakam nama stotram caru-rasayanam
yo dhite parama pritya dinah katara-manasah
sa natham acirenaiva sa natham iksate dhruvam
Whoever recites these 108 names of Sri Radha, that consists of all beautiful, nectarean Radha-nama, with great love, humility and eagerness, will certainly and swiftly behold Her Master.
iti srimad raghunatha dasa gosvami viracita stavavalyam
sri radhika-stottara-sata nama stotram sampurnam.
Thus ends Sriman Raghunatha Dasa Gosvami’s Sri Radhika’s 108 names-prayer.
(text pasted from https://theharekrishnamovement.org/)
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Big Bao presents: LAZY SUSAN
October 13, 2022
Erby Place Car Park, Parramatta
feat.
Rainbow Chan
Yeo
DJs: Putrika, Small FRY, DJ Escape Room
Produced and curated by Small FRY for City of Parramatta a part of Parramatta Lanes
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2,3,4/65
"Vaisampayana said, 'It is known that the spiritual sons of Brahman were the six great Rishis (already mentioned). There was another of the name of Sthanu. And the sons of Sthanu, gifted with great energy, were, it is known, eleven. They were Mrigavayadha, Sarpa, Niriti of great fame: Ajaikapat, Ahivradhna, and Pinaki, the oppressor of foes; Dahana and Iswara, and Kapali of great splendour; and Sthanu, and the illustrious Bharga. These are called the eleven Rudras. It hath been already said, that Marichi, Angiras. Atri, Pulastya, Pulaha, and Kratu--these six great Rishis of great energy--are the sons of Brahman. It is well-known in the world that Angiras's sons are three,--Vrihaspati, Utathya, and Samvarta, all of rigid vows. And, O king, it is said that the sons of Atri are numerous. And, being great Rishis, they are all conversant with the Vedas, crowned with ascetic success, and of souls in perfect peace. And, O tiger among kings, the sons of Pulastya of great wisdom are Rakshasas, Monkeys, Kinnaras (half-men and half-horses), and Yakshas. And, O king, the son of Pulaha were, it is said, the Salabhas (the winged insects), the lions, the Kimpurushas (half-lions and half-men), the tigers, bears, and wolves. And the sons of Kratu, sacred as sacrifices, are the companions of Surya, the Valikhilyas), known in three worlds and devoted to truth and vows. And, O protector of the Earth, the illustrious Rishi Daksha, of soul in complete peace, and of great asceticism, sprung from the right toe of Brahman. And from the left toe of Brahman sprang the wife of the high-souled Daksha. And the Muni begat upon her fifty daughters; and all those daughters were of faultless features and limbs and of eyes like lotus-petals. And the lord Daksha, not having any sons, made those daughters his Putrikas (so that their sons might belong both to himself and to their husbands). And Daksha bestowed, according to the sacred ordinance, ten of his daughters on Dharma, twenty-seven on Chandra (the Moon), and thirteen on Kasyapa. Listen as I recount the wives of Dharma according to their names. They are ten in all--Kirti, Lakshmi, Dhriti, Medha, Pushti, Sraddha, Kria, p. 136 [paragraph continues] Buddhi, Lajja, and Mali. These are the wives of Dharma as appointed by the Selfcreate. It is known also throughout the world that the wives of Soma (Moon) are twenty-seven. And the wives of Soma, all of sacred vows, are employed in indicating time; and they are the Nakshatras and the Yoginis and they became so for assisting the courses of the worlds.
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This segment features artists who have submitted their tracks/videos to She Makes Music. If you would like to be featured here then please send an e-mail to [email protected]. We look forward to hearing from you!
Xena Glas
Xena Glas is a creator attempting to explore new areas of the artistic world and unravel her human experience through her work. Interested in art of all forms including music, visual art, and poetry, Xena loves experimenting, pushing boundaries, and creating interdisciplinary and thought provoking art. Her music flows through different styles including experimental electronica and indie folk. Often, she finds inspiration in causes dear to her, including mental health, autism, sexuality, and human rights. Her influences and favorite artists include Moses Sumney, Burial, James Blake, Haley Heynderickx, and Lianne La Havas. Her EP Body is out now. "My EP Body describes my experience as a woman with autism, each track dedicated to a different body part and portraying my unique experience with the world,” says Xena. “The title track describes reclaiming my body from objectification and victimization from society and using it as my own source of creativity." Listen below.
Xena Glas · Body
Riches
Intercontinental collaborators, Catherine McCandless and Wynn Holmes, are welcoming 2022 with the release of their second song featuring production from Dan Lissvik (Studio/Atelje). ‘Light Of Dawn’ uses the metaphor of a maypole dance to bring sunlight and celebration into the repetitive and insular routines of our pandemic lives. A child-like, desirous, and imaginative voice sings above pastoral folk, harmonizing with Riches darkness. This song serenades the wash of the creative headspace over the lost and meaningless one. The duo say of the song: "'Light Of Dawn' began as deeply, classically folk, it's lyrics of utter devotion creating a tone that was quite romantic. We sought a discordant tone, achieved by pitching the vocals into a child-like voice, which added an element of darkness to the sweetness of this track. We hope that you enjoy its transcendence." Listen below.
Riches · Light of Dawn
MYTRIZA
Stockholm-based musician MYTRIZA discovers her songs by going through portals to theor worlds. She weaves together electronic dance elements with choir, world instruments and cinematic flavours, with imagery from nature, fairytales, myths and long forgotten magic. A true selfmade artist, she creates and engineers everything herself, and she playfully combines different art forms into a limitless and unique expression. She has just dropped her new single 'Lavender'. 'Lavender' is an eclectic eletro-pop track with ethereal vocals, deep bass and big synths. Her debut single 'Motion' and now 'Lavender' are the first two songs from her upcoming album State of Wonder which will be released later this year. Listen to ‘Lavender’ below.
MYTRIZA · Lavender
Mear
Mear is an indie pop collaboration between singer-songwriter Frances Miller and electronic composer Greg Harrison. Together their music combines catchy melodies and poignant lyrics with their shared love of experimental music. “In 2014, I lost the ability to do a lot of things I'd previously taken for granted,” explains Frances. “I wrote ‘The Order’ during my early experiences living with a post-viral chronic illness, at a time when I was grieving the loss of my health. I found I couldn't read for more than a few minutes a day and a short walk around the block could leave me bedridden. ‘The Order’ was an attempt to voice some of the pain and loneliness of that; of not understanding what was happening to me. This single is from our upcoming full-length album, which will be released on April 22. Being diagnosed with a chronic illness is often a long and painful journey full of misdiagnosis and gaslighting, "when nothing's right and nothing's wrong." The song's title is a reference to the loss of control that comes with no longer being able to count on your body.” Listen below.
Mear · The Order
Lou Mclean
Lou Mclean has released her new single ‘Shelf Life’. It marks a fresh musical direction for the singer-songwriter. Gone are the confessional folky ballads of last year’s ‘Locked Down in Leith’: ’Shelf Life’ is a blast of perfect, political pop. In a collaboration with production by Berta Kennedy, Lou tells a story of glossy objectification through a riot grrl pop lense. This song is representative of the emerging sound of ScotPop: fresh, feminist and fun. “Lockdown really allowed me to develop as an artist, and find a network of women in Scotland outside of my own scene, through groups like PopGirlz Scotland,” she says. “The concept for the song came from a writing prompt set out in the GRS SongCircle” (Mclean co-founded the venture with Lorraine Rahmani in 2017). In a space of women and non-binary songwriters, we get to be completely, authentically ourselves. We don’t have to soften our experiences, debate our existence or creativity.”Listen to ‘Shelf Life’ below.
Ex-Nemesis
Based in south-east London, UK, Ex-Nemesis is an up-and-coming singer-songwriter and producer marrying pop, rock and indie influences. Her desire to stay anonymous has allowed her to delve deep into the joys and anxieties of navigating your late teens/early 20s in this day and age. After years of recording demos on GarageBand then Logic Pro X in her bedroom, she has decided to start sharing her musical journey with the world. ‘Lessons’ is her debut single, out now. “I started writing 'Lessons' in June 2020 as my birthday was approaching and I was reflecting on the last few years,” says the artist. “'Lessons' is about feeling behind in life. Feeling like everyone your age is moving on with their lives but you are still stuck in the same place. But it isn’t meant to be a sad song. More of an acceptance of a flawed past and the celebration of a hopeful future. You can’t go back in time, so you might as well forgive yourself for the mistakes you've made.” Listen below.
Ex-Nemesis · Ex-Nemesis - Lessons
ASHERAH
ASHERAH is the electronic pop alias of Miami-based singer, songwriter, producer, and composer, Ariel Morer. Produced in collaboration with left-field electronic music composer, Medulasa, ASHERAH’s debut EP, Ephemeral, is a coalescence of unexpected creative forces telling a highly personal tale of the grief process, through shimmering echoic sound design and haunting vocals with nods to Purity Ring, Lights, and Grimes. ASHERAH’s debut single, ‘Holy,’ is out now and her subsequent EP, Ephemeral, is due out March 11, with cover art by 3D artist Mea Adoryan. Listen to ‘Holy’ below.
Allie Lune
Allie Lune is a Spanish-Colombian multi-instrumentalist and singer-songwriter whose poetic musings have a wholesome and youthful charm. She began writing music as a young teenager, experimenting with her self-taught guitar skills and exploring the world of putting together poetry and sound. Having developed her musical abilities since her days of writing soft songs in her bedroom in southern Spain, Allie’s heartfelt lyric writing and sweet, memorable melodies are nothing short of captivating. She aims to reach her listeners’ hearts through her music, encapsulating the hardships of becoming an adult but without taking herself or the world around her too seriously. Born in the UK and raised in a multicultural household, Allie’s inspiration can be found in a number of different artists, such as George Harrison, Natalia Lafourcade and Cariño. She is most heavily influenced by the indie popscene in Spain, as her own music sits happily in the ‘tontipop’ genre. She writes in both English and Spanish. Allie’s debut single, titled ‘all the things i would do’, is out now. This song offers warmth and optimism and is sure to resonate with anyone who has been in love. Written in late 2019, it illustrates the honeymoon phase of a relationship with lighthearted and witty lyrics as well as a catchy melody. Listen below.
Nikkita
Hailing from the suburbs of Perth, budding artist Nikkita brings a raw sense of honesty to the pop EDM landscape with her debut single ‘Looking Up,’ out now. Toeing the line between somber storytelling and anthemic banger, ‘Looking Up’ feels like the song we all need when the difficult edges of aloneness set in. Borrowing from the influences of Flume, Vera Blue and Alison Wonderland, Nikkita wraps her heartfelt words in the heavy undulating synths and thudding beats of future bass. It is chaotic, yet uplifting, countering muted isolation with an air of hopeful defiance. It is a song you can both walk listlessly to and lose yourself dancing to. Recorded between Viking Studios and Grove Studios, Nikkita spent a year trying to unlock the true sound of her debut single before collaborating with Izaac Wilson (DZ Deathrays, Tia Gostelow, Chillinit, Huskii). Nikkita's melodic brilliance and Izaac's unique textures and tones combined to unleash a brooding dance track that builds to euphoria. The results are simply spellbinding. Listen to ‘Looking Up’ below.
Nikkita · Looking Up [Debut Single] - Nikkita
Putrika
Following the success of her first single release, Jakarta-born and raised, Sydney-based Alt-Soul Electronica music producer, singer and songwriter Putrika, is thrilled to release her second single ‘Rain On Tuesday’. It is a song about slowing down when you are moving fast. “’Rain on Tuesday’ was created on a rainy Tuesday morning during lockdown last year in my home studio in Sydney, Australia. Growing up in a big city like Jakarta and currently living in Sydney, there is always an urge to move fast. This song is about appreciating the time and learning how to slow down”, Putrika explains. ‘Rain on Tuesday’ is a combination of multi-layered synths, percussive and groovy beats, ambient soundscapes combined with soulful vocals. Listen below.
Putrika · Rain on Tuesday
Check out more of our latest submissions in the playlist below!
#submission saturday#xena glas#riches#mytriza#mear#lou mclean#ex-nemesis#asherah#allie lune#nikkita#putrika
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Jivitputrika Vrat 2020 Date, Time & Significance - Times of India
Jivitputrika Vrat 2020 Date, Time & Significance – Times of India
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Jivitputrika Vrat 2020 will be observed on Thursday, September 10 this year. Jivitputrika Vrat, also known as Jitiya Vrat, is a significant fasting day in Hindu religion in which mothers observe Nirjala vrat throughout the day and night for well-being of their children.
Jivitputrika Vratis observed on Krishna Paksha Ashtami in the month of Ashwin as per Hindu lunar calendar. The festival…
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#Jitiya date 2020#Jitiya vrat#Jivit putrika Vrat 2020#jivitputrika vrat#jivitputrika vrat 2020#Jivitputrika Vrat Katha
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Jivitputrika Vrat 2020 Date, Time & Significance – Times of India Jivitputrika Vrat 2020 will be observed on Thursday, September 10 this year. Jivitputrika Vrat, also known as…
#Jitiya date 2020#Jitiya vrat#Jivit putrika Vrat 2020#jivitputrika vrat#jivitputrika vrat 2020#Jivitputrika Vrat Katha
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Neresi mesela?
Naga Putrika ve Juliet Rooms&Kitchen mesela.
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The Putrika/ Automatons
Putrikā (पुत्रिका) refers to the “wooden dolls” as mentioned in the Kathāsaritsāgara.—Miniature things were typically endearing in the world of Sanskrit courtly literature, and here the automaton and the toy have strong aesthetic (and linguistic) convergences. In fact the terms used for both the mechanical and magical automata reveal that they were first and foremost conceived of as dolls, puppets, or figurines. One is reminded of the damsel Somaprabhā’s little basket (karaṇḍikā) of wooden dolls (dārumaya... putrikā) brought to entertain her friend Kaliṅgasenā in Somadeva’s eleventh-century Kathāsaritsāgara. These wooden putrikās—perceptively translated at one point by Tawney as “toys”—are further described by Somadeva as both “magical” and “mechanical” (māyāyantra-putrikā), for with the pull of a pin (kīlikā), they performed amazing tasks like flying through the air to fetch garlands or water or dancing and conversing on command.
Their (viz., the wooden putrikās’) speaking capacities are reminiscent not only of the speaking automaton in Bhoja’s Śṛṅgāramañjarīkathā but also of contemporary tenth-and eleventh-century story cycles (some involving Bhoja) dealing with the famous throne of King Vikramāditya of yore that was furnished with speaking figurines or dolls (puttalikā) on its base.
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Just realized that putrika(Sanskrit) can also means puppet, finally having some name for fantasy robots/automatons in ToTS
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Ujjayi Naad and Bhu Mahabhoot
Ujjayi Naad
This can be a manifestation of Rudra and Rudra on the same time, Rudra manifests from it
This face of Para Shiva which is going through southwards known as as Aghora. Aghora implies that which is not horrible or wrathful and thus this denotes the peaceful
face of Sadashiva. This face is of a Neela Varanam or blue colour. Aghora face represents the macro-component of Fire and it is the aspect of harmful regeneration i.e.
the method of rejuvenation. This face has the sound of Ahum or it holds the Ahum Naad inside itself. Ahum denotes the I’ness of Maker’s Makings along with the I’ness
which is held by each animate and inanimate microcosm.
It was from this face that Rudra Deva had self manifested, and thus Rudra is a Swayambhu or in different words, Rudra is self manifested deity who has no mum or
dad or relationship. Rudra of Vedas can also be the same as Allah of Islam.
Aghora holds the Gyan Shakti or power of supreme data. As a result of this motive, no aspirant can ever arrive at Atma Jnana or self information by bypassing Aghora
face of Sadashiva. Gyan Shakti can also be addressed as Goddess ‘Saraswati’ who in a while had self manifested into a attributed kind (or Sagun Sakaar Awastha) from
the mouth of Lord Brahma or the creator of allness.
from this face had been originated the Aghora Pravara, Atharvan Shaakha, Vartulakara Homagundam (altar of sacrificial hearth which is round in form), Nagopaveetam
(the sacred thread of the snake), Varna Mala (50 letters of the Sanskrit alphabet) and Dakshinagni (the hearth of and from the south) . This face destroys all sins, evil
along with granting riches (of wealth of data and material).
Aghora represents the sleep state or Sushupti’ degree of consciousness.
Among the five primary sounds of the ‘Mridanganam’, ‘Thom’ sound was manifested from Aghora. Among the many seven Swaras (notes or sounds) of music
Panchama (pa)’ has manifested from Aghora. Among the many 5 ‘Talas (rhythms)’ of conventional music and dance ‘Shatpeeta Putrika Tala’ has manifested from this
Aghora face of Sadashiva. Among the ‘Pancha Bhootam (5 components)’ Aghora is ‘Agni (fireplace)’.
Among the many chakras (or plexus’s) of our body Aghora denotes and also guidelines over the ‘Anahata Chakra (heart plexus)”. Aghora denotes the seed letter ‘SI’, in
the ‘five sylabled or Panchakshari Mantra (NaMaSiVaYa)’.
As per Agama Siddha lore, out of the 28 Shaiva Agamas which were revealed by the 5 faces of Sadashiva, this Aghora face revealed Nisvasa, Svayambhuva, Vijaya,
Agneya (or Anala) and Vira, and gave them to Rishi Bharadvaja who transferred this information to 2 celestials who later on have been liable for propagating this
knowledge on Earth.
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Ujjayi Naad and Brahmand Yoga
Brahmand Yoga
This can be a manifestation of Rudra and Rudra at the same time, Rudra manifests from it
This face of Para Shiva which is dealing with southwards is named as Aghora. Aghora means that which isn't horrible or wrathful and thus this denotes the peaceful
face of Sadashiva. This face is of a Neela Varanam or blue color. Aghora face represents the macro-aspect of Fireplace and it is the facet of destructive regeneration i.e.
the method of rejuvenation. This face has the sound of Ahum or it holds the Ahum Naad within itself. Ahum denotes the I’ness of Maker’s Makings in addition to the
I’ness which is held by each animate and inanimate microcosm.
It was from this face that Rudra Deva had self manifested, and thus Rudra is a Swayambhu or in other phrases, Rudra is self manifested deity who has no guardian or
relationship. Rudra of Vedas can be the same as Allah of Islam.
Aghora holds the Gyan Shakti or energy of supreme information. On account of this purpose, no aspirant can ever arrive at Atma Jnana or self knowledge by bypassing
Aghora face of Sadashiva. Gyan Shakti can be addressed as Goddess ‘Saraswati’ who afterward had self manifested right into a attributed form (or Sagun Sakaar
Awastha) from the mouth of Lord Brahma or the creator of allness.
from this face had been originated the Aghora Pravara, Atharvan Shaakha, Vartulakara Homagundam (altar of sacrificial fireplace which is spherical in form),
Nagopaveetam (the sacred thread of the snake), Varna Mala (50 letters of the Sanskrit alphabet) and Dakshinagni (the fire of and from the south) . This face destroys all
sins, evil along with granting riches (of wealth of data and materials).
Aghora represents the sleep state or Sushupti’ stage of consciousness.
Among the many 5 basic sounds of the ‘Mridanganam’, ‘Thom’ sound was manifested from Aghora. Among the many seven Swaras (notes or sounds) of music
Panchama (pa)’ has manifested from Aghora. Among the five ‘Talas (rhythms)’ of conventional music and dance ‘Shatpeeta Putrika Tala’ has manifested from this
Aghora face of Sadashiva. Among the ‘Pancha Bhootam (5 parts)’ Aghora is ‘Agni (hearth)’.
Among the many chakras (or plexus’s) of our body Aghora denotes and in addition guidelines over the ‘Anahata Chakra (coronary heart plexus)”. Aghora denotes the
seed letter ‘SI’, in
the ‘5 sylabled or Panchakshari Mantra (NaMaSiVaYa)’.
As per Agama Siddha lore, out of the 28 Shaiva Agamas which were revealed by the 5 faces of Sadashiva, this Aghora face revealed Nisvasa, Svayambhuva, Vijaya,
Agneya (or Anala) and Vira, and gave them to Rishi Bharadvaja who transferred this data to 2 celestials who afterward had been accountable for propagating this data
on Earth.
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SOOKSHMA SHARIRA YOGA AGHORA
Kaivalya
This can be a manifestation of Rudra and Rudra at the same time, Rudra manifests from it
This face of Para Shiva which is dealing with southwards is named as Aghora. Aghora means that which isn't horrible or wrathful and thus this denotes the peaceful face of
Sadashiva. This face is of a Neela Varanam or blue color. Aghora face represents the macro-aspect of Fireplace and it is the facet of destructive regeneration i.e. the method of
rejuvenation. This face has the sound of Ahum or it holds the Ahum Naad within itself. Ahum denotes the I’ness of Maker’s Makings in addition to the I’ness which is held by each
animate and inanimate microcosm.
It was from this face that Rudra Deva had self manifested, and thus Rudra is a Swayambhu or in other phrases, Rudra is self manifested deity who has no guardian or relationship.
Rudra of Vedas can be the same as Allah of Islam.
Aghora holds the Gyan Shakti or energy of supreme information. On account of this purpose, no aspirant can ever arrive at Atma Jnana or self knowledge by bypassing Aghora
face of Sadashiva. Gyan Shakti can be addressed as Goddess ‘Saraswati’ who afterward had self manifested right into a attributed form (or Sagun Sakaar Awastha) from the
mouth of Lord Brahma or the creator of allness.
from this face had been originated the Aghora Pravara, Atharvan Shaakha, Vartulakara Homagundam (altar of sacrificial fireplace which is spherical in form), Nagopaveetam (the
sacred thread of the snake), Varna Mala (50 letters of the Sanskrit alphabet) and Dakshinagni (the fire of and from the south) . This face destroys all sins, evil along with granting
riches (of wealth of data and materials).
Aghora represents the sleep state or Sushupti’ stage of consciousness.
Among the many 5 basic sounds of the ‘Mridanganam’, ‘Thom’ sound was manifested from Aghora. Among the many seven Swaras (notes or sounds) of music Panchama (pa)’
has manifested from Aghora. Among the five ‘Talas (rhythms)’ of conventional music and dance ‘Shatpeeta Putrika Tala’ has manifested from this Aghora face of Sadashiva.
Among the ‘Pancha Bhootam (5 parts)’ Aghora is ‘Agni (hearth)’.
Among the many chakras (or plexus’s) of our body Aghora denotes and in addition guidelines over the ‘Anahata Chakra (coronary heart plexus)”. Aghora denotes the seed letter
‘SI’, in
the ‘5 sylabled or Panchakshari Mantra (NaMaSiVaYa)’.
As per Agama Siddha lore, out of the 28 Shaiva Agamas which were revealed by the 5 faces of Sadashiva, this Aghora face revealed Nisvasa, Svayambhuva, Vijaya, Agneya (or
Anala) and Vira, and gave them to Rishi Bharadvaja who transferred this data to 2 celestials who afterward had been accountable for propagating this data on Earth.
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Ujjayi Naad and Mahamanava
Mahamanava
It is a manifestation of Rudra and Rudra at the same time, Rudra manifests from it
This face of Para Shiva which is facing southwards is named as Aghora. Aghora implies that which is not terrible or wrathful and thus this denotes the peaceful face of
Sadashiva. This face is of a Neela Varanam or blue color. Aghora face represents the macro-component of Fire and it's the facet of destructive regeneration i.e. the
method of rejuvenation. This face has the sound of Ahum or it holds the Ahum Naad inside itself. Ahum denotes the I’ness of Maker’s Makings in addition to the I’ness
which is held by each animate and inanimate microcosm.
It was from this face that Rudra Deva had self manifested, and thus Rudra is a Swayambhu or in different phrases, Rudra is self manifested deity who has no parent or
relationship. Rudra of Vedas can also be the identical as Allah of Islam.
Aghora holds the Gyan Shakti or power of supreme knowledge. As a consequence of this cause, no aspirant can ever arrive at Atma Jnana or self knowledge by
bypassing Aghora face of Sadashiva. Gyan Shakti can be addressed as Goddess ‘Saraswati’ who afterward had self manifested right into a attributed form (or Sagun
Sakaar Awastha) from the mouth of Lord Brahma or the creator of allness.
from this face had been originated the Aghora Pravara, Atharvan Shaakha, Vartulakara Homagundam (altar of sacrificial hearth which is round in shape),
Nagopaveetam (the sacred thread of the snake), Varna Mala (50 letters of the Sanskrit alphabet) and Dakshinagni (the fireplace of and from the south) . This face
destroys all sins, evil along with granting riches (of wealth of knowledge and materials).
Aghora represents the sleep state or Sushupti’ stage of consciousness.
Among the five fundamental sounds of the ‘Mridanganam’, ‘Thom’ sound was manifested from Aghora. Among the seven Swaras (notes or sounds) of music Panchama
(pa)’ has manifested from Aghora. Among the many five ‘Talas (rhythms)’ of conventional music and dance ‘Shatpeeta Putrika Tala’ has manifested from this Aghora
face of Sadashiva. Among the ‘Pancha Bhootam (5 elements)’ Aghora is ‘Agni (fire)’.
Among the chakras (or plexus’s) of our physique Aghora denotes and likewise rules over the ‘Anahata Chakra (coronary heart plexus)”. Aghora denotes the seed letter
‘SI’, in
the ‘5 sylabled or Panchakshari Mantra (NaMaSiVaYa)’.
As per Agama Siddha lore, out of the 28 Shaiva Agamas which have been revealed by the 5 faces of Sadashiva, this Aghora face revealed Nisvasa, Svayambhuva, Vijaya,
Agneya (or Anala) and Vira, and gave them to Rishi Bharadvaja who transferred this data to 2 celestials who in a while were chargeable for propagating this knowledge
on Earth.
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Ujjayi Naad and Chakravart
Chakravart
This is a manifestation of Rudra and Rudra at the same time, Rudra manifests from it
This face of Para Shiva which is going through southwards known as as Aghora. Aghora signifies that which is not horrible or wrathful and thus this denotes the
peaceful face of Sadashiva. This face is of a Neela Varanam or blue coloration. Aghora face represents the macro-factor of Fire and it's the aspect of damaging
regeneration i.e. the process of rejuvenation. This face has the sound of Ahum or it holds the Ahum Naad within itself. Ahum denotes the I’ness of Maker’s Makings
along with the I’ness which is held by every animate and inanimate microcosm.
It was from this face that Rudra Deva had self manifested, and thus Rudra is a Swayambhu or in different words, Rudra is self manifested deity who has no dad or
mum or relationship. Rudra of Vedas is also the same as Allah of Islam.
Aghora holds the Gyan Shakti or energy of supreme data. Due to this reason, no aspirant can ever arrive at Atma Jnana or self information by bypassing Aghora face of
Sadashiva. Gyan Shakti can be addressed as Goddess ‘Saraswati’ who in a while had self manifested into a attributed form (or Sagun Sakaar Awastha) from the mouth
of Lord Brahma or the creator of allness.
from this face have been originated the Aghora Pravara, Atharvan Shaakha, Vartulakara Homagundam (altar of sacrificial fire which is spherical in shape),
Nagopaveetam (the sacred thread of the snake), Varna Mala (50 letters of the Sanskrit alphabet) and Dakshinagni (the fire of and from the south) . This face destroys all
sins, evil in addition to granting riches (of wealth of data and material).
Aghora represents the sleep state or Sushupti’ level of consciousness.
Among the five basic sounds of the ‘Mridanganam’, ‘Thom’ sound was manifested from Aghora. Among the seven Swaras (notes or sounds) of music Panchama (pa)’
has manifested from Aghora. Among the 5 ‘Talas (rhythms)’ of traditional music and dance ‘Shatpeeta Putrika Tala’ has manifested from this Aghora face of Sadashiva.
Among the ‘Pancha Bhootam (five components)’ Aghora is ‘Agni (fireplace)’.
Among the chakras (or plexus’s) of our body Aghora denotes and also guidelines over the ‘Anahata Chakra (coronary heart plexus)”. Aghora denotes the seed letter ‘SI’,
in
the ‘5 sylabled or Panchakshari Mantra (NaMaSiVaYa)’.
As per Agama Siddha lore, out of the 28 Shaiva Agamas which were revealed by the 5 faces of Sadashiva, this Aghora face revealed Nisvasa, Svayambhuva, Vijaya,
Agneya (or Anala) and Vira, and gave them to Rishi Bharadvaja who transferred this information to 2 celestials who afterward have been liable for propagating this
knowledge on Earth.
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·
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My inward path … An experience …
Khuda
It is a manifestation of Rudra and Rudra at the similar time, Rudra manifests from it
This face of Para Shiva which is facing southwards known as as Aghora. Aghora means that which is not horrible or wrathful and thus this denotes the peaceful face of
Sadashiva. This face is of a Neela Varanam or blue shade. Aghora face represents the macro-component of Fire and it's the facet of destructive regeneration i.e. the
method of rejuvenation. This face has the sound of Ahum or it holds the Ahum Naad within itself. Ahum denotes the I’ness of Maker’s Makings along with the I’ness
which is held by every animate and inanimate microcosm.
It was from this face that Rudra Deva had self manifested, and thus Rudra is a Swayambhu or in other phrases, Rudra is self manifested deity who has no mum or dad
or relationship. Rudra of Vedas can be the same as Allah of Islam.
Aghora holds the Gyan Shakti or energy of supreme knowledge. Resulting from this motive, no aspirant can ever arrive at Atma Jnana or self data by bypassing Aghora
face of Sadashiva. Gyan Shakti can also be addressed as Goddess ‘Saraswati’ who in a while had self manifested into a attributed type (or Sagun Sakaar Awastha) from
the mouth of Lord Brahma or the creator of allness.
from this face had been originated the Aghora Pravara, Atharvan Shaakha, Vartulakara Homagundam (altar of sacrificial fire which is spherical in shape),
Nagopaveetam (the sacred thread of the snake), Varna Mala (50 letters of the Sanskrit alphabet) and Dakshinagni (the hearth of and from the south) . This face destroys
all sins, evil in addition to granting riches (of wealth of data and materials).
Aghora represents the sleep state or Sushupti’ stage of consciousness.
Among the many five fundamental sounds of the ‘Mridanganam’, ‘Thom’ sound was manifested from Aghora. Among the many seven Swaras (notes or sounds) of
music Panchama (pa)’ has manifested from Aghora. Among the 5 ‘Talas (rhythms)’ of conventional music and dance ‘Shatpeeta Putrika Tala’ has manifested from this
Aghora face of Sadashiva. Among the ‘Pancha Bhootam (5 parts)’ Aghora is ‘Agni (fireplace)’.
Among the many chakras (or plexus’s) of our physique Aghora denotes and likewise rules over the ‘Anahata Chakra (heart plexus)”. Aghora denotes the seed letter ‘SI’,
in
the ‘5 sylabled or Panchakshari Mantra (NaMaSiVaYa)’.
As per Agama Siddha lore, out of the 28 Shaiva Agamas which had been revealed by the 5 faces of Sadashiva, this Aghora face revealed Nisvasa, Svayambhuva, Vijaya,
Agneya (or Anala) and Vira, and gave them to Rishi Bharadvaja who transferred this information to 2 celestials who afterward have been accountable for propagating
this knowledge on Earth.
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·
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Rudra … The One … But in many …
Buddha ALA
This is a manifestation of Rudra and Rudra on the same time, Rudra manifests from it
This face of Para Shiva which is dealing with southwards is named as Aghora. Aghora implies that which is not horrible or wrathful and thus this denotes the peaceful face of Sadashiva. This face is of a Neela Varanam or blue shade. Aghora face represents the macro-component of Fire and it's the side of damaging regeneration i.e. the method of rejuvenation. This face has the sound of Ahum or it holds the Ahum Naad inside itself. Ahum denotes the I’ness of Maker’s Makings in addition to the I’ness which is held by every animate and inanimate microcosm.
It was from this face that Rudra Deva had self manifested, and thus Rudra is a Swayambhu or in different words, Rudra is self manifested deity who has no mum or dad or relationship. Rudra of Vedas is also the identical as Allah of Islam.
Aghora holds the Gyan Shakti or power of supreme information. On account of this reason, no aspirant can ever arrive at Atma Jnana or self data by bypassing Aghora face of Sadashiva. Gyan Shakti can also be addressed as Goddess ‘Saraswati’ who afterward had self manifested into a attributed type (or Sagun Sakaar Awastha) from the mouth of Lord Brahma or the creator of allness.
from this face were originated the Aghora Pravara, Atharvan Shaakha, Vartulakara Homagundam (altar of sacrificial fireplace which is spherical in form), Nagopaveetam (the sacred thread of the snake), Varna Mala (50 letters of the Sanskrit alphabet) and Dakshinagni (the fireplace of and from the south) . This face destroys all sins, evil in addition to granting riches (of wealth of knowledge and materials).
Aghora represents the sleep state or Sushupti’ degree of consciousness.
Among the 5 fundamental sounds of the ‘Mridanganam’, ‘Thom’ sound was manifested from Aghora. Among the many seven Swaras (notes or sounds) of music Panchama (pa)’ has manifested from Aghora. Among the 5 ‘Talas (rhythms)’ of traditional music and dance ‘Shatpeeta Putrika Tala’ has manifested from this Aghora face of Sadashiva. Among the ‘Pancha Bhootam (5 elements)’ Aghora is ‘Agni (fire)’.
Among the many chakras (or plexus’s) of our body Aghora denotes and also guidelines over the ‘Anahata Chakra (coronary heart plexus)”. Aghora denotes the seed letter ‘SI’, in
the ‘5 sylabled or Panchakshari Mantra (NaMaSiVaYa)’.
As per Agama Siddha lore, out of the 28 Shaiva Agamas which had been revealed by the 5 faces of Sadashiva, this Aghora face revealed Nisvasa, Svayambhuva, Vijaya, Agneya (or Anala) and Vira, and gave them to Rishi Bharadvaja who transferred this data to 2 celestials who afterward were chargeable for propagating this data on Earth.
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