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piratewithvigor · 3 years

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My first thought in regard to every band that gets played on my radio station

ACDC: Every dad’s favourite band

Adams, Bryan: Every mom’s favourite singer until Michael Buble came along

Aerosmith: haha they thought Vince Neil was a lady

Alice Cooper: he’s a Game Of Thrones fanboy and I have proof

Alice In Chains: my sister doesn’t like them because she decided AC were Alice Cooper’s initials ONLY

Allman Brothers Band: good music for dropping acid to

Allman, Gregg: That’s too many Gs for one name

Animals: House Of The Rising Sun, or who even cares

Argent: Sometimes Hold Your Head Up is really catchy

Asia: Tuesdays

Autograph: one of the members went on to be a pharmacist

Bachman-Turner Overdrive: There are just so many pop culture jokes about Taking Care Of Business that whatever I say won’t be as funny

Bad Company: with their song; Bad Company, off their album; Bad Company

Benatar, Pat: Always getting her confused with Patti Smith

Black Crowes: I like them for Lickin, but it doesn’t seem to exist outside of one shoddy video on youtube and my old CD

Blackfoot: this band name feels kind of racy

Black Sabbath: Dio was not better or worse than Ozzy; just different

Blondie: I like Call Me, but Blondie confuses me stylistically

Blue Oyster Cult: MORE COWBELL

Bon Jovi: Hello, childhood trauma, I missed you

Boston: ONE GUY. ONE GUY DID IT ALL AND NO ONE KNOWS

Bowie, David: Don’t let your children watch The Man Who Fell To Earth, or David Bowie’s will end up being the third penis they see in life

Browne, Jackson: Another musician ruined by Supernatural

Buffalo Springfield: Jack Nicholson was at the riot they sing about

Burdon, Eric: no ideas, brain empty

Bush: ditto

Candlebox: ditto once more. Who are these people?

Cars: This band feels so gay and so straight at the same time, I can only assume they’re the poster children of bisexual panic

Cheap Trick: I played Dream Police on Guitar Hero so fucking much because it was the only song anyone who played with me could keep up with

Chicago: Chicago 30 exists, but they do not have 30 albums. Fucking riddle me that

Clapton, Eric: 6 discs in one Greatest Hits is too many. That’s called “re releasing your discography”

Cochrane, Tom: For some reason, everyone thinks Rascal Flats did it better

Cocker, Joe: Belushi did it right

Collective Soul: who?

Collins, Phil: If his biggest hits were done by MCR, they would be emo anthems, but because he’s 5′6″ and from the 80s, they’re not

Cream: *Vietnam flashbacks on the hippie side*

CCR: *Vietnam flashbacks on the war side*

CSNY: David Crosby; meh

Deep Purple: THEY’RE SO MUCH MORE THAN SMOKE ON THE WATER

Def Leppard: the only music for when you’re a heartbroken bitch but also a sexy one

Derek And The Dominos: Clapton and ‘Layla’ broke up

Derringer, Rick: Tom Petty if he was from the midwest

Dio: You thought it was an anime reference, but it was me, Dio

Dire Straits: You can tell how bigoted a radio station is based on how much of Money For Nothing they censor

Doobie Brothers: I have yet to smoke weed, but I listen to the Doobies, and I think that’s pretty close

Dylan, Bob: I take back everything I said about him in my youth

Eagles: Hotel California isn’t their best song, but the memes that come from it are second to none

Edgar Winter Group: @the--blackdahlia

Electric Light Orchestra: Actually an orchestra and sound a fuckton like George Harrison

ELO: I really hesitate to ask what happens with the 7 virgins and a mule

Essex, David: no prominent memories of him

Fabulous Thunderbirds: cannot spell

Faces: Who on earth thought that was a good album name?

Faith No More: I got nothing

Fixx: One Thing Leads To Another is a damn bop

Fleetwood Mac: I ain’t straight, but I’m simply not enough of a witch to enjoy them to full potential

Fogerty, John: He got sued cause he sounded like himself

Foghat: Slow Ride slowly becoming less coherent feels like a drug trip

Foo Fighters: He was just excited to buy a grill

Ford, Lita: deserved better

Foreigner: dramatically overplayed

Frampton, Peter: a masterful user of the talk box

Free: dramatically underplayed

Gabriel, Peter: leaving Genesis changed him a lot

Genesis: if someone likes Genesis, clarify the era, because yes, it does matter

Georgia Satellites: sing like you have a cactus in your ass

Golden Earring: Twilight Zone slaps, but it doesn’t slap as hard as this station thinks it does

Grand Funk Railroad: Funk

Grateful Dead: I like their aesthetic more than their music

Great White: there are so many fucking shark jokes

Greenbaum, Norman: makes me think of Subway for some reason

Green Day: the first of the emo revolution

Greg Kihn Band: RocKihnRoll is literally the most clever album name I’ve ever seen

Guns N Roses: They have more than three good songs, but radio stations never recognize that

Hagar, Sammy: I’m still trying to figure out where he lived to take 16 hours to get to LA driving 55 and how fucking fast was he driving beforehand?

Harrison, George: He went from religious to rock, and if he had continued rocking, he would have gotten too cool

Head East: I respect people who use breakfast foods as album names

Heart: Magic Man and Barracuda are played at least once every goddamn day. They’re not even the best songs!

Hendrix, Jimi: I have both a cousin and a sibling named after Hendrix references

Henley, Don: Dirty Laundry gives me too much inspiration

Hollies: Somehow sound like they’re both from the 60s and the 80s at the same time

Idol, Billy: he’s doing well for himself

INXS: Terminator vibes

Iris, Donnie: knockoff Roy Orbison

James Gang: too many funks

Jane’s Addiction: if TMNT had a grunge band representative

Jefferson Airplane: *assorted cheers*

Jefferson Starship: *assorted boos*

Jethro Tull: The only band to make you feel not cool enough to play the flute

Jett, Joan: icon

J. Geils Band: I requested them on the radio once and it got played

Joel, Billy: he really did just air everybody’s business like that

John Cafferty And The Beaver Brown Band: literally wtf is that name

John, Elton: yarn Elton sits in my basement, unstaring. Please someone take him from me

Joplin, Janis: Queen

Journey: Stop overplaying Don’t Stop Believing. It takes away from the rest of the repetoire

Judas Priest: literally started the gay leather aesthetic

Kansas: another fucking band Supernatural stole

Kenny Wayne Shepherd: the man confuses me to the point where he isn’t in the right place alphabetically

Kiss: Mick Mars and I will simply have to disagree on the subject

Kravitz, Lenny: runaway vibes

Led Zeppelin: Fucking fight me if you don’t think they’re the most talented band (maybe not the most talented individually, but collectively, no one comes close)

Lennon, John: My least favourite Beatle for reasons

Live: I got nothin

Living Colour: slap a decent amount

Loverboy: do you not get TURNT the fuck up to the big Loverboy hits? Who hurt you??

Lynyrd Skynyrd: Sweet Home Alabama is a Neil Young diss track

Marshall Tucker Band: no opinion

Manfred Mann’s Earth Band: VERY STRONG OPINIONS THAT THEY AREN’T GOOD

McCartney, Paul/Wings: Power couple

Meatloaf: I have nothing but respect for a man who willingly named himself Meatloaf

Mellencamp, John: voted cutest lesbian of 1987

Metallica: I liked their appearance on Jimmy Fallon

Midnight Oil: I get them confused for Talking Heads a lot

Modern English: who?

Molly Hatchet: Hollies vibes, but also Georgia Satellites vibes

Money, Eddie: DAN AVIDAN, IF YOU SEE THIS, COVER TAKE ME HOME TONIGHT

Motley Crue: Stan Mick Mars and John Corabi. They’re the only ones who deserve it

Mott The Hoople: no one loves them except for David Bowie

Mountain: props for naming an album ‘Climbing’

Nazareth: I want to make a John Mulaney joke here, but I can never come up with one

Nicks, Stevie: witch queen

Night Ranger: I get them confused with Urge Overkill

Nirvana: Kurt Cobain was the ally grunge needed

Nova, Aldo: he’s Canadian, at least

Nugent, Ted: *serves a ghost as jerky*

Offspring: nothing here

Osbourne, Ozzy: this bitch crazy

Outfield: Your Love is kind of a sketchy song, but it slaps hard

Palmer, Robert: low quality Eddie Money

Pearl Jam: *grunts in Eddie Vedder*

Petty, Tom: I have so many feelings about Tom Petty and they are all good

Pink Floyd: which one is Pink?

Plant, Robert: solo career is a crapshoot, but his voice is unparalleled

Poison: I want them to write a song called ‘Alice Cooper’

Pretenders: I want to say good things, but I have nothing to say

Queen: A doctor of astrophysics, a screaming girl, a disco queen and a diva walk into a bar. It’s Queen; they’re there to play a gig

Queensryche: neutral opinion

Quiet Riot: they got big because of a song they hated. I love that

Rafferty, Gerry: the second-sexiest sax opening in all of music

Rainbow: Ritchie Blackmore created something very magnificent

Ram Jam: one good song and they didn’t even write it

Ratt: I’m sure they have more than Round And Round, but I don’t know it

RHCP: funky, but if you have paid money to hear them, you’re going to The Bad Place (I don’t make the rules)

Red Rider: basically Golden Earring

Reed, Lou: Walk On The Wild Side would be such a cool song if it wasn’t so dull

REM: American Tragically Hip

REO Speedwagon: Props for having a dad joke as an album title

Rolling Stones: Never in my life could I imagine the drummer being named anything but Charlie

Rush: How to make being uncool the coolest fucking shit

Santana: The world needs more Santana

Scandal: There’s something really funny about The Warrior being my brother’s “song” with his girlfriend

Scorpions: Was Wind Of Change written by the CIA? Only the spotify podcast I got an ad for once could say

Seger, Bob: A different variety of Eric Clapton (frankly a better variety, but that’s just me)

Simple Minds: we ALL forgot about you

Skid Row: Sebastian Bach is prettier than all of us

Soundgarden: music that makes you feel like you dunked your head underwater

Springsteen, Bruce: my arch-nemesis. Maybe someday, he’ll find out about it

Squeeze: according to my friends, the stupidest band name ever, but they’re theatre kids, so you know

Squier, Billy: If he can make it through 1984 alive, you can make it through whatever bad day you’re having

Stealers Wheel: Yet another band who I always mistake for George Harrison

Steely Dan: my house’s nickname for the Robber in Settlers Of Catan

Steppenwolf: Either makes me think of Jay & Silent Bob, Jack Nicholson, or that time I had to cut 6lbs of onions

Steve Miller Band: when you’re in the right mood, they slap hard

Stewart, Rod: my soundtrack to summer 2015

Stills, Stephen: Love The One You’re With Is Catchy, but the lyrics are questionable

Stone Temple Pilots: the only band to write a song about goo you smear on yourself

Stray Cats: an obscene amount of merch is available for them

Styx: Supernatural would have ruined them for me too if I hadn’t been into them previously.

Supertramp: I hunted for Breakfast In America for two years and it was worth every hunt

Sweet: I will never understand my two-month obsession with Ballroom Blitz when I was 15, but it was legit all I listened to

Talking Heads: you may find yourself in a pizza hut. And you may find yourself in a taco bell. And you may find yourself at the combination pizza hut and taco bell. And you may ask yourself; ‘how did I get here?’

Temple Of The Dog: I keep confusing them for Nazareth

Ten Years After: somehow still relevant

Tesla: not the car or the dude

The Beatles: Evokes a lot of opinions from people. Mine is that I love them

The Clash: I showed my sister the ‘Lock The Taskbar’ vine ONCE and it still kills her

The Doors: evokes teenage terror from deep within my soul

The Guess Who: Canada’s answer to confusing question-themed band names

The Kinks: kinky

The Police: wrote the theme of 2020 and everyone somehow forgot it was about a teacher resisting becoming a pedophile

The Ramones: playing all of their songs in a row wouldn’t take more than 2 hours

The Romantics: you don’t think you know them, but if you’ve seen Shrek 2, you have

The Who: If someone can explain Tommy to me, I’d be glad to hear it

The Zombies: I think they happened because of the 60s

Thin Lizzy: Could the boys maybe leave town?

Thorogood, George: blues, but make it modern

Toto: the most memed song behind All Star

Townshend, Pete: just makes me think of the end of Mr. Deeds

T-Rex: Mark Bolan is an icon

Triumph: The no-name brand of Rush

Tubes: like the yogurt

Twisted Sister: they did a christmas album and my mom does NOT hate it

U2: U2 Movers; we move in mysterious ways

Van Halen: RIP Eddie

Van Morrison: honestly, who’s named Van?

Vaughn, Stevie Ray: Steamy Ray Vaughn

Walsh, Joe: The Smoker You Drink The Player You Get

War: Foghat, but even groovier

Whitesnake: the most successful band to be named after a penis

Wright, Gary: the 90s thanks him for writing the song every movie used for the “guy sees cute girl and it’s love at first sight” scene

Yes: To Be Continued

Young, Neil: The best part of CSNY

Zevon, Warren: the album cover of Excitable Boy makes me deeply uncomfortable for reasons I don’t understand

ZZ Top: has been the same three guys since 1969. Lineup unchanged.

3 Doors Down: They feel a little modern to be on a classic rock station, but whatever

38 Special: Why 38?

#I made this instead of doing homework #Classic Rock #Meme

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nikfix · 6 years

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Cranking Up the Gain with Neverdie’s Tani Cariño and Bren Pasamba

(Photo source: http://www.redhorsebeer.com/index.php/blogs/article/5-local-releases-to-watch-out-for)

NEVERDIE might be over, but hopefully, posting my gear feature about them isn’t too late. I’ve seen these guys around, and I’m really impressed with what they‘ve done as a unit. They brought the house down the moment they played the first set in their second to the last April 14 at Saguijo, Makati. They played their last gig the week after at Mow’s, Matalino, Quezon City. The energy and power these guys shared onstage is something I strive to have with the gigs I play. In this gig, I made some new friends with guitarists Tani Cariño and Bren Pasamba.

(This interview was done last month, the week after Garage Morning’s gig with them)

Fun Fact: their bassist Lip Dalangin is my trusted luthier, as well as with my band Garage Morning.

How did you start making music and playing guitar?

Tani: I started in the late 90’s after my older brother taught me how to play “Basket Case” by Green Day. I guess after that it’s never been the same.

Bren: Originally I wanted to play the drums, but a kit was too expensive and our house at the time wasn't big enough to have space for one... or handle the noise. So as a compromise my mom borrowed an old classical guitar for me instead. But my first real guitar was a Rockstar classical guitar where I learned and played Eraserheads songs.

How did your band start out?

Tani: Neverdie started out as a skate crew. After accumulating enough guys in the crew we decided to form a band. I guess after the last show, we’ll go back to being a skate crew.

Bren: I wasn't supposed to be part of Neverdie initially, just a seessionist. But since my schedule was more flexible, I got in haha.

Who are your main influences? And how did they inspire you to play better?

Tani: I’m a huge Blink guy so my first primary influence would be Tom DeLonge and Mark Hoppus. I also took a bunch of ideas from Rufio, Mock Orange and Moneen. More recently, I’ve been influenced by bands like Title Fight, Transit, You Blew It! and The Menzingers.

All these bands are quite melodic in the midst of grit which is what I lean more into. I love the melodic stuff and I always try to listen to new bands so I can get new ideas from them. My foundation for riffs are the Tom DeLonge influenced ones then I just expand from there.

Bren: As a kid my main influences were Ely Buendia and Tom DeLonge haha. But as I grew older and started discovering more music (thanks to Myspace and Limewire) it introduced me to those who influence my music and playing now. From the top of my head: Taking Back Sunday's John Nolan, Brand New's Jesse Lacey, George Harrison, Nothing's Brandon Setta, Title Fight's Jamie Rhoden, Mong and Diego from andwich, Steve and Pakoy from Typecast, David Gilmour, and Kevin Shields, the guys from You Blew It!, The Flatliners, Joyce Manor, and lastly Beast Jesus' Francis Maria and Raphael Pulgar are my inspirations to play although I'm aware it doesn't show in my playing haha. Listening to the songs they've made just inspire me to play in general, nothing in the terms of technique or technicality, pero their playing gets me in the mood to play.

Tell us more about your music.

Tani: Aside from Neverdie, I also play in Irrevocable and Lindenwood. Unfortunately, both Neverdie and Lindenwood are currently calling it a day for different reasons. I personally felt that us in Neverdie just overstayed our welcome. We decided to just finish the band off and start a new band with a slightly different sound. It’ll be our last show / 2nd full length release on April 21 at Mow’s.

As for Lindenwood, our vocalist just decided he wanted to try different things outside of music. Maybe at some point we’ll be back but at the moment it’ll be good for us to take a break. We put out a full length last year.

I’m currently active in Irrevocable which is a band my girlfriend is also in. Featuring members of Nyctinasty (now 3/3), Behind Bears, Beast Jesus, Past Forward, The Oemons, Browse in Bridge and Disquiet Apartment. We have a Singapore show and an album release coming up. We’re planning more fly shows after that so I hope we pull through!

Bren: Neverdie has and always has been a pop punk band though we are and have been influenced by math rock, emo, post-hardcore, hardcore, etc. So whatever happens after, it will be in the same spectrum. As for my future plans, hopefully I get a job soon after my masters because I've been eyeing so many guitars and pedals online haha. GAS is too strong.

Tell us about your guitars. Which is your favorite one and why?

Tani: I’ve been a Tele player for the longest time but I’ve recently started using Rickenbackers for many reasons. I like how not a lot of people use them and they sound different. I do have to work harder to make them sound amazing but it’s always a great pay off. They’re durable as well because of the all maple build. Here’s my current lineup of guitars:

1) 2000 Rickenbacker Fireglo 330 – My first Rick. I was actually supposed to trade a bunch of guitars for a 60’s American Vintage Tele but when I saw this in the room of the guy I was trading with, I asked him I could grab this instead and he agreed. Rickenbacker stopped using Bubinga for their fretboards so I’m stoked I was able to grab one. I also got lucky with this one because it has the Toaster pickups.

2) 2014 Rickenbacker Blue Boy 330 – If you ask me, it looks more like a Seafoam Green 330. This one has the High Gain pickups and the newer Caribbean Rosewood fretboard. I like Bubinga but I actually prefer the color and feel of the Caribbean Rosewood more plus it’s sustainable.3) 2007 Rickenbacker Blue Burst 360 – I actually had to ask around for this guitar because I saw the dude from Oh Flamingo! use it. He borrowed it from a friend and I sent that dude a message. This one has the High Gain pickups and Bubinga fretboard. To me, if my 330s feels like a Gibson 335 then this one feels more like a Les Paul.

3) 2007 Rickenbacker Blue Burst 360 – I actually had to ask around for this guitar because I saw the dude from Oh Flamingo! use it. He borrowed it from a friend and I sent that dude a message. This one has the High Gain pickups and Bubinga fretboard. To me, if my 330s feels like a Gibson 335 then this one feels more like a Les Paul.

4) 2008 Fender Custom Shop Custom Classic Telecaster – My first Custom Shop. I fitted a Miles Anodized Gold pickguard in it. It has the premium ash 1 pc body and the flamed maple neck. Serial number says it’s made in 2005 but the paperwork says it’s 2008. Easily the best Telecaster I’ve ever owned.

5) 2015 Fender Mexico Classic Series 72’ Telecaster Custom – A birthday gift from my folks. I got this in Tom Lee HK. It’s heavily modified at this point. I added Graphtech string trees, Graphtech 3 barrrel saddles, 1 meg pots on the neck, a Bareknuckle flat ’52 on the bridge. I might get a Wide Range neck pickup that’s spec’d more like the vintage ones down the road.

6) 2011 Fender Mexico Blacktop Telecaster – Another birthday gift from my folks. I got this in Tom Lee HK as well. Also, heavily modified at this point. I added Graphtech string trees, Graphtech 6 saddles, Graphtech Nut, Tesla PAF on the neck, Seymour Duncan Prails on the bridge, anodized black Miles pickguard, Ernie Ball knobs. I have a Bareknuckle humbucker sized P90 on the way and I’ll be fitting it on here. I’m also thinking of swapping out the tuners for the locking ones.

7) 2014 Miles Interloper – I have a guitar business called Miles (currently in hiatus) and this is the first prototype. It’s a Jazzmaster body with a telecaster neck. Fitted with a roller bridge, tune-o-matic stoptail, one volume knob and, Seymour Duncan Jazzmaster Antiquities. Pine body and a maple neck with a kamagong fretboard. I used this on the road so much. It’s pretty beat up so it’s retired at this point.

As for favorites, at the moment it’s both 330s and the Custom Shop Tele. All guitars are fitted with DiMarzio Cliplocks and Elixir Nanoweb strings.

Bren: Initially I was a Les Paul guy until Tani forced everyone in Neverdie to get Telecasters. Prior to that I always dreamt of getting a Les Paul though my first guitar was a Strat copy (which I think is the most common starting point for beginners?). But I discovered and fell in love with Offset guitars, particularly Jazzmasters. I love how they look and feel being a bigger guy. I have a White and tort Squier VM Jaguar, a Red and Tort Squier VM Jazzmaster, a Black and tort Riverhead Jazzmaster, a Miles Guitars Interloper (Telemaster), a Black on Black MICSIS Custom Jazzblaster, and a Black and Gold Fender Blacktop Jazzmaster, my "Number 1", on my rotation. But my current favorites are my Stratocasters. I fell back into them a year ago thanks to Nothing. Whenever I feel like switching things up I use either my Black on Black MIM Fender Squier series Stratocaster or a Cream on tort MIJ Fender Stratocaster. I bought a white on mint SX Stratocaster on a whim because I loved the color haha though I've never used it. Still on the hunt for a Telecustom haha.

Let’s take a look at your pedalboard. What effects do you use live?

I used to run with a bigger pedalboard but after doing one fly show wherein I had to pay for my overweight baggage, I decided it wasn’t worth it anymore especially since I always bring my amps to non-fly shows anyway. Nowadays, I just run with a boost, a small reverb that’s maxed out to act both like a delay and a normal reverb depending on the situation, an amp based OD (or parametric EQ), a tuner and a wireless rig.

For this year, the mainstays on my board are the following:

Shure PGX14 Wireless Unit – My dad gave this to me as a birthday gift back in 2006 if I’m not mistaken. It’s the piece of gear that I’ve had the longest and still use to this day.

Korg Mini Tuner – I’ve been using regular sized Korg Pitchblacks for awhile now so going with the mini tuner just made sense especially since I downsized. I absolutely hate clip on tuners for live use so I just prefer pedal tuners as they react faster.

Vitoos ISO8 – I only got this last week. It’s my first time using an Isolated PSU since I recently got a pedal that requires it. Most PSU’s are made in China so I had no issue with getting a relatively unknown brand. It’s my second Vitoos PSU and I’ve always had a great experience with them. Also helpful when you need to play shows in other countries that don’t use the same power voltage you normally do since it’s rated internationally. Get one at Guitar Pusher. Highly recommended!

Orange Two Stroke – Another pedal I just got this year. I’ve been eyeing this one for awhile now but I couldn’t pull the trigger just yet because It was so confusing to use then one day I just decided to go for it and I’ve been using it ever since. It’s a great Parametric EQ / Clean Boost pedal which dials my tone better and makes use of my amp more. Orange amps are typically dark amps so I use this to raise a bit of the high mids. Probably the most versatile pedal I have because it can do so much it’s insane. You can place it anywhere on the board, you can use it for acoustic or bass, you can turn your single coil guitar into a humbucker or vice versa, you can use it as a regular OD or boost pedal, etc etc. Highly recommended!

For my boost, I switch between a bunch of Wamplers (Euphoria, Pinnacle, Plexi Drive), a 65 Pedals Colour Boost and, a JHS Superbolt. For future fly shows, I might use two Wamplers instead of the Two Stroke. One for boost and the other to act as my preamp since I can’t bring my amps with me. I also have an Orange Amp Detonator which is an ABY pedal. I haven’t used it live but I will if I’m suddenly lacking one guitar player in any band I am. I also use Lava cables.

I also have a separate board at home. I just plug in my live board beside it. For my home board I have a NUX JTC Looper on that for practicing and writing songs. I also have one of the ODs above on it as well so I can play with different tones at home.

Bren: From the guitar I go into my Devi Ever Hyperion to my Snark Tuner then to a Diamond J-Drive MK3, to a TC Electronic Flashback X4, to a TC Electronic Hall of Fame Reverb. This is where my board really ends, but I have 2 loopers at the end: a TC Electronic Ditto and a Boss RC-3. The Ditto I use at home when just playing around, and the RC-3 I use live as a sampler, for comic relief haha.

I’ve seen Tani bring this amazing Orange TH30 Head with a 4x12 cab. What amps do you use at home and live?

Tani: It’s actually a 4x10 cab and I love how it looks like a 4x12. I only started using 10”s last December 2017. I find that the 10” speakers have more detail compared to a 12” so that’s what I’ve been using recently.

I still use my TH30 head and 4x10 cab at home as well as an Orange CR120 head, Orange Dual Terror and an Orange 2x12 open back cabinet. My tube driven Orange heads are setup to have more head room. I placed a 12AT7 tube in the first gain stage rather than a 12AX7 to give the amps a bit more breathing room. All the Orange gear I have sound great both on stage and at low volumes. Tough as nails too.

Bren: I currently have an Ibanez TSA15H paired with a Miles 1x12 Cabinet with Eminence Red White and Blues and an Orange Tiny Terror with an Orange 1x12 Cabinet. I primarily use the Oranges, and mix it up with an Orange Micro Terror as a back-up when I'm feeling lazy. I also have an old Kustom 2x12 Cabinet but it is too bulky to bring to shows.

What are you listening to right now?

Tani: A new record by a band called Fiddlehead released last week called “Springtime and Blind” featuring members of Have Heart and Basement. Scott Sellers of Rufio also put out something new called “The Judge”.

Bren: I've been listening to The Wonder Years’ new album since it came out. Then on rotation I have Daniel Caesar, Citizen, Basement, Modern Baseball, Code Orange and Knuckle Puck when driving. Also Hop Along's new album is good too. I also discovered this new band yesterday called Any Name's Okay, they're good haha. Yeah so far they're who I listen to on a daily basis nowadays.

What advice can you give to your fellow guitar players and musicians who want to play like you do?

Bren: My advice for other players and myself is stop comparing your playing to other people. It'll help you find your own "voice", but it'll help you relax as well as a person and as a musician. Just relax and be comfortable in your own skin... or fingers haha. Learn from those you watch and who's around you, don't compete because it really isn't a competition haha.

Tani: Never skimp out on tuners. Get a high quality pedal tuner because the cheaper ones just don’t react as fast. The more time you tune on stage, the less time you have to play so make sure to get one that tracks well. I’ve had a good experience with the Snark Tuner pedal. I think that’s the cheapest tuner pedal that can track almost as well as a Pitchblack.

Avoid displaying guitars in your room. Keep them in a case when not being used. Always check everything in your gear if it works before the show. Bring a back-up of a back-up because you never know if something will go wrong. Study your gear well to a point that you know if it’s making noise, you can instantly pinpoint the problem. Buy a can of contact cleaner. If it’s making noise, it’s most likely dirty. A quick spray of contact cleaner will usually do the trick.

Practicing regularly with the band is important but it’s also important to practice how to setup and tear down your rig the fastest way possible. I absolutely hate it when bands take so long to setup and tear down.

If you’re going to try and play like someone, don’t just pick one and try to keep an open mind so that you can find your own style in playing.

Most importantly, have fun. If you’re in a band that writes original songs, don’t focus on profit or even if people will like it. Write songs that YOU will like.

#neverdie #music #opm #band #tani cariño #bren pasamba

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