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simplegenius042 · 17 days

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Music Monday

Tagging @socially-awkward-skeleton @direwombat @adelaidedrubman @strangefable @strafethesesinners @josephslittledeputy @josephseedismyfather @cassietrn @g0dspeeed @aceghosts @turbo-virgins @starsandskies @shellibisshe @wrathfulrook @carlosoliveiraa @rhettsabbott @onehornedbeast @voidika @imogenkol @yokobai @derelictheretic @minilev @shallow-gravy @titiagls @afarcryfrommymain @megraen @softtidesworld @inafieldofdaisies @purplehairsecretlair @florbelles @ladyoriza @la-grosse-patate @skoll-sun-eater @cloudofbutterflies92 @red-nightskies @sleepyconfusedpotato and @thewanderer-000 + anyone else who wants to join in.

Three songs for one OC (or rather one group), one WIP and on companionships. Respectively for Wings And Horns, A Radioactive Calamity Of Love, Bombs & Gore and The UnTitledverse. Listen and read below:

Wings And Horns is an Original Work I'm planning to write, which involves a pair of angels chasing after a pair of extremist demons who are trying to destroy the "Soulmate System"; a divine system designed to romantically pair souls together throughout lifetimes and reincarnation. Archangel Metatron and his companion, an Angel of Death named Azriel, are tasked with preserving the system, while a Demon from the Sloth Ring known as Xiang Ba'al and his adopted daughter, a Sinner soul by the name of Jezebel, start a campaign to abolish the Soulmate System due to the flaws that had personally affected Jezebel. "Carousel" encapsulates everyone's place in the system, how while it is well-meaning and capable of bringing joy to some, it does leave others at a disadvantage and gives a lack of choice in their destinies.

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"'Round and 'round like a horse on a carousel, we go Will I catch up to love? I could never tell, I know Chasing after you is like a fairytale, but I Feel like I'm glued on tight to this carousel

Come, come one, come all You must be this tall To ride this ride at the carnival

Oh, come, take my hand And run through playland So high, too high at the carnival

And it's all fun and games 'Til somebody falls in love But you've already bought a ticket And there's no turning back now

'Round and 'round like a horse on a carousel, we go Will I catch up to love? I could never tell, I know Chasing after you is like a fairytale, but I Feel like I'm glued on tight to this carousel

This horse is too slow We're always this close Almost, almost, we're a freakshow

Right, right when I'm near It's like you disappear Where'd you go? Mr. Houdini, you're a freakshow

And it's all fun and games 'Til somebody falls in love But you've already bought a ticket And there's no turning back now

'Round and 'round like a horse on a carousel, we go Will I catch up to love? I could never tell, I know Chasing after you is like a fairytale, but I Feel like I'm glued on tight to this carousel

Why did you steal my cotton candy heart? You threw it in this damn coin slot And now I'm stuck, I'm stuck Riding, riding, riding

'Round and 'round like a horse on a carousel, we go Will I catch up to love? I could never tell, I know Chasing after you is like a fairytale, but I Feel like I'm glued on tight to this carousel."

Next song I'd say is less for the OC in The UnTitledverse I chose this for, by the name of Madame Callaghan, who is the director of C.Y.P.R.U.S, a multiverse organization that kidnaps children and trains them to be assassins and hitmen (amongst other unfavorable things), but more so for both Madame Callaghan and her expectation and relationship with her "children" as well; Mordecai (The Huntsman), Urijah (The Nihilist), Theodore or rather Theo (The Copycat) and lastly Candace (The Combatant). I tried to encompass the main figureheads of C.Y.P.R.U.S with this one.

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"Time of the essence Do not let me down (Down) So many people in one place It's time for us to make a presence

Time is of the essence I won't let you down (Down) So many people in one place Oblivious, just like you say

So just trust me this one time I know you won't regret it I know you are sick, but so am I

And I will be there for you Through time as it tick, tick, ticks

And I will be there for you

My darling, I know there's certain things that you should know I know this comes with a price that I'm willing to pay Be ready Something terrible is coming (something terrible is coming) (Tick, tick, tick, tick)

Everything I've worked for, and everything I do You know that there's a reason that I do these things for you I do it for the thrill, I do it for the fun You've taught me there's a twisted usefulness in everyone Let me prove my point, it will not disappoint Just give me the word, I am ready, I am poised Isn't this what a true friend would do? I promised I would be there for you."

This song relates to Marissa "Ress" Bishop and Ortega "Ore" Brantley's bond with their Fallout companions in A Radioactive Calamity Of Love, Bombs & Gore. Ore has been around long enough to make companions during the events (though slightly altered) of Fallout (1997), 2, 3 and New Vegas, while Ress has been around to bond with her companions in Fallout 3, New Vegas and 4. After Fallout (1997) and Fallout 2, Ore takes an "keep at arms length" approach with human companions in 3 and New Vegas, because he's outlived the likes of Elrand Brant (The Vault Dweller), Ian, Tycho, Katja and likely John Cassidy and Vic as well (either to age or circumstances) including Elrand's granddaughter Finidy Mona (The Chosen One), whom had been killed by Ore's father, Arcane Urias. Ore mostly connects with non-human companions as they are either a Ghoul or a Super Mutant and have a longer lifespan, until he makes a connection with Ryder (Courier Six). Meanwhile, Ress has the luck of gaining companions and keeping in contact with them in less than a decade, and due to her upbringing with the Bishop Crime Family, has a need to socialize and keep her companions close. She understands that due to her father, Urias', biology she'll likely outlive most others just like Ore, so she takes it upon herself to make as much meaningful relationships as possible to remember fondly over. The reason Ore and Ress gravitate towards these companions is either due to a sentimental reason or even because nearly all companions are as odd and outcasted as the brother and sister are.

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"Hey, everybody loses it Everybody wants to throw it all away sometimes And hey, yeah, I know what you're goin' through Don't let it get the best of you You'll make it out alive

Oh, people like us, we've got to stick together Keep your head up, nothin' lasts forever Here's to the damned, to the lost and forgotten It's hard to keep high when you're living on the bottom

Oh, whoa, oh, whoa We're all misfits living in a world on fire Oh, whoa, oh, whoa Sing it for the people like us, the people like us

Hey, this is not a funeral It's a revolution after all your tears have turned to rage Just wait, everything will be okay Even when you're feelin' like it's goin' down in flames, oh."

#music monday #wip: wings and horns #oc: archangel metatron #oc: azriel #oc: xiang ba'al #oc: jezebel ba'al #the untitledverse #oc: madame callaghan #oc: mordecai callaghan #oc: urijah callaghan #oc: theodore “theo” callaghan #oc: candace callaghan #c.y.p.r.u.s #series: a radioactive calamity of love bombs & gore #fallout #oc: ortega “ore” brantley #oc: marissa “ress” bishop #fallout companions

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