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higgins5 · 6 years

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Imagine the foxes as musicians

So here me out, I know we all love this made up (oh who are we kidding it's totally real) sport, but imagine the foxes as musical protégées

Like okay obviously Kevin is gonna be a fanatic about whatever he does, so imagine he would just get so into music- like he'd make sure he aced those Music theory classes and the moment someone plays a C# instead of a C natural there would be a shit storm. He'd go off on them for days about how “you can't even read a simple note? Are you blind? Get out of my orchestra!”

And he would definitely be that over eager kid who like learns every instrument, but he most prefers piano or violin because he's got those long nimble fingers and is a complete show off, so obviously he'd choose the instrument with the most solos and always plays the melody. And the moment one of his first violins squeaked he'd stop playing and then everyone would know it was over.

He'd definitely be that one annoying kid who likes to try and take over the orchestra too. You musical people know who I'm talking about. That one kid who always gets in with the director and tries to conduct like every piece and gets frustrated if you can't go like 200 when you are sight reading.

And Riko breaking his playing hand would still be the end for him, he wouldn't know what to do, he wouldn't play violin for a while but he'd bounce back faster with piano

Andrew and Renee would def play the base or be on percussion

It's perfect for them, they are the backbones of the orchestra, the tempo keepers. Like in goal, as a goalie inevitably decides how the game will play out, they decide the fate of the orchestra. Will it be a colossal failure because they decided to speed up or would it be a success because they maintained the rhythm!

Renee would try to keep everything together and always in tune and never miss a beat. The base has such a passionate tune when given the melody and it can be so dark and brooding. It reflects her past in a way, the instrument itself does not look menacing, especially when not its full size but the moment it is played you are hit with the power this instrument can project.

And omg Andrew would have a field day of screwing with Kevin, because obviously he lives to be an irritant to him. He makes it too easy. He'd purposefully miss notes or play off key or even change the tempo entirely. And Kevin would go off and off and off and then Andrew would just look at him with his bored expression and be all “yeah, you done yet?”

Plus, like being in goal where you can survey every player and move the basest or the percussion views the entire orchestra. Renee would be able to see the foxes and andrew would be able to keep an eye on his family and troublesome boyfriend

And speaking of boyfriends, Neil would definitely have at first played Cello or Viola and then switched to Violin (or maybe even guitar if you're goin rocky for your orchestra) when he joined the foxes

It makes sense with cannon because playing these, while similar is quite different than violin. And it would give the excuse of basically starting over because he can't read the clef!

But Neil would totally just be a master at music and Kevin would eat it up, he'd demand Neil accompany him in a solo and he would want to play duets with him

And Neil’s father would be like some crazy known artist who owned a record label who was known for doing some bad shit on the side and he'd always fear that if he got into music he'd be found out but it was so easy to pick up instruments and play them and he was in love with the way you could speak without words. A dance with your fingers and ears.

He would be that kid who just couldn't wait to get to music class, like could care less about any other subject, wouldn't matter if he failed so long as he was able to play

And andrew would hate his obsession but also understand it because he knew how the music could make him feel and Andrew would make sure to always play the piece correctly when Neil was sitting first chair or playing a solo because he just loved he way his body would move with the music or he'd bob his head or his foot counting. He would just watch as his face lit up

Aaron and Nicky would definitely be cellists because apparently I have something for small minyards with giant instruments

But they would always sit next to each other and bicker over who would play the top notes and who would play bottom and Nicky would totally make a comment about how he's a bottom so Aaron can play top and Aaron would just look at him like you did not just tell me this

And they just seem like cellists to me. Cellos have such a beautiful sound and they can pull such deep and rich notes out of their instruments. They're like the protectors of the group to a lesser degree and I think being these guardians of the violas just match who they are. They protected the others on the field and will close off people from the orchestra.

Matt and Seth would be Violists, a great but sadly overlooked instrument because the violins outshine them.

Matt fits the bill because he's a supporting man, he doesn't need to be in the spotlight, he doesn't need the glory so long as his family is happy and safe. He would back up the violins and keep them going

Seth just feels like a violist, I mean in cannon he talks about how he has the same opportunities as the great Kevin Day but isn't given anything! Like violas have such a hard time finding solos, let me tell you

But also they'd totally be violists because violas have such a nice and rich sound that is grossly overlooked until it is actually given a melody. Their personalities are just ones people don't quite think twice about but once they do something great instead of being so subtle, once they make themselves known they amaze you and make you wonder how you never saw them before

Now, Allison and Dan would totally be violins but more than likely play second violin as opposed to Neil and formerly Kevin playing firsts. Because the girls have the showy personalities to keep up with a violin but also they tend to know how to reel it back in. They don't need to demand attention because they already do by walking in. And I mean everyone knows a violin.

Riko would totally be a Cellist and a Violinist, combine the showiest instruments and the ones with the most solos and be enraged when the symphony thought Kevin was better so break his hand because Kevin got to be concertmaster instead of him

And omg the stick ball thing could still be a thing because the wand you use to conduct! I mean obviously there is no ball involved but that's okay

Plus with this you get to imagine Waymack as one of those crazy music conductors who go wild and like headbang like in the trans siberian orchestra

((Sorry I really only did traditional orchestral instruments and not like full orchestra, but my forte (haha music Joke, I'll see myself out now) is more on the orchestral side. If you have any disputes I'd love to hear))

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spiralatlas · 7 years

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Pax 2017 Panels day 1

Today was an unrivaled success. I didn’t break anything.

Western Dating Sims: Beyond Tsunderdome

Are we having fun: Playing games critically

The State of Queer in games

Western Dating Sims: Beyond Tsunderdome

Barbara Kerr https://ms45.itch.io/ Jack Crnjanin Pritika Sachdev Cassiel Kelner localiser, translates from Japanese to English Shakari former insomniac now indie Jess Zammit games critic Queerly represent me

Not a competition between Western and Japanese dating sims, both are good. But there are trends.(The panel talked a bit about Japanese games too anyway)

Main difference: more established genre in Japan, less accepted in the West.

Basic framework: generic main character. Selection of different kinds of love interests, often very tropey. Situations range from mundane to fantastical.

Kenka Bancho Otome Dating sim where you are crossdressing as your brother at a fighting school and have to beat the boys to get them to respect. (Not available in English but checking the spelling lead me to an anime adaptation on Crunchyroll, no idea if it’s any good)

Often don't have much family, no mention of that background.

Freshman and Sophomore cute have f/f. (Couldn’t find links for these, sadly)

Saying exactly what somebody wants to hear until they kiss you- is that bad?

Everyone showered DAO characters with gifts.

Desire in the west to mirror the complexity of real relationships.

Examples mentioned: Cute Demon Crashers, Lady Killer In A Bind.

Strategic dating is good:

predictable

choose a character you will definitely like

"Game-Like"

clear differentiation between characters

learn how to interact with people

Kindness Coins: dating sims are safe. I can't be hurt, if I get scared I can shut it down. Safe space. Explore sex, relationships, communication.

Counterpoint: Strategic dating is bad:

predictable

replicates shitty real life behaviour "I was nice to you, you should date me", like blaming FPS for violence

Not much fun for the developer

Complex games justify complex mechanics

Tusks: gay orc dating sim. Can enable NPC autonomy. harder than he expected.

Queer relationships (Queer and gay used as synonyms a lot this panel :/) Producing your own games allows you to reflect yourself Coming Out On Top: straight dev, lots of consultation. A bit tropey in parts but not too bad. Tusks: complex variables & approval w queer orcs Lady Killer In A Bind BDSM safety warnings in loading screens The Crown and The Flame it's good to be the queen. Pixelberry just lets you bang anybody. Kind of have to pay to follow the f/f path fully in some games.

Further recs:

Astoria Fate's Kiss: greek gods and mythological figures. Equal partnership with Hades. Medusa's story is full of queer characters, often you feel like the only queer character in a game, normalises it. Alex is non binary.

Brooktown High cheesy typical highschool game. Can be a boy or girl but have to be m/f. A bit dated, so bad that it's good. PSP game.

Pixelberry Choices: can date m or f, choose stuff about PC.

Dream Daddy is a very straight gay game but fun.

Date or Die.

A game about dating Japanese warlords that may or may not be Destiny’s Princess

The Arcana

Paris the City of Love

Fire Emblem: Fates

Great Personality

There was a liveplay of part of Dream Daddy. The audience voted overhwhelmingly to talk to Damien first.

Are we having fun: Playing games critically

Rami Ismail: @tha_rami Alayna Cole: @AlynaMCole Dakoda Barker: @JiroJames David Hollingworth: @CPTHollingworth Jess Zammit: zammitjess

Distinction between playing for work and fun?

We do this because we like games, except for the games we do in fact hate.

Rami: Started making games before he started playing, modding code in simple ways in QBASIC (this is also how I got started).

Alayna: Being paid in neocoins to make people's profiles. Didn't realise until after highschool that coding skills could be used to make games.

(And then I stopped keeping track of who said what)

Took a while to realise it could actually be a job.

Having been a critic changes the experience, doesn't make it less fun just different. Same with reading or watching tv when you're a writer.

Yonder the cloud catcher chronicles: playing to review took away from her enjoyment because she had to get a review done quickly when it's supposed to be played in a slow, relaxing way.

As a creator he’s looking for shortcuts and tricks. Walks back and forth to test out where he thinks a loading point is. "Did you see that cool action scene?" vs "Did you see that cool slow zoom??"

Played intro area of Mario Odyssey. This is so good I’m angry, time to pack up the games industry.

"I wish I could do that"

Used to be a rule never to give 10/10. Now they do it if they just really love a game.

Have to put a game down to play the next one, it’s frustrating.

Criticism doesn't have to be finding flaws but can be figuring out how it works. Creator’s job is to trick the player into believing that the world of the game is real and the plot is important.

What does it mean to you to play games critically?

Looking at the game means looking at the creator. What are they trying to do or say? How do they execute it? Even AAA games have a group of humans behind them.

Rami cheerfully ruined games for everyone eg FIFA goalies perform worst at the end to give more last minute wins. Every game with percentages is lying. If you are told it's 50% accuracy people expect not to lose more than one time in a row. Humans think stuff is "fair" when it's in their favour.

"It's a platformer where you shoot things...about love." How is that mechanic making you feel love?

Bad games can be informative. Earth Defense Force. Defending cities from giant ants. "I want ants. 1000!" "That can't work with the frame rate" "AND LASERS."

Every bit of a game is controlled. Someone chose every detail to be the way it is. Ask why it is the way it is.

Good to question the choices people see as default. "Did you notice every character is a white dude?" Things that are considered important vs things that are just made "the default"

Is there a conflict as both critic and developer? Even the positive feedback made him feel bad, he just focused on any negative aspect. Conscious as a reviewer of not attacking the developer themselves. Still write spiteful humourous reviews, but avoid attacking developer, know there are things they can do better.

Giving feedback is hard. Rather than questioning intent, help them achieve their intent better.

By the time you get most negative feedback, you know about the flaws, have heard about it all before. Let people be angry for three weeks, then fix. Half the time they end up fine with it.

People who play a game a lot will say it's too easy, if you listen to them you’ll make a game that puts off new players.

A player might say "this weapon is too strong" but they mean "the boss is too easy" or "you get the weapon too early". Listen, but not too hard.

Multiplayer game, teams supposed to be balanced, but one team kept winning. Turned out one had louder guns, made them more aggressive so they won. FEEDBACK IS HARD.

Who you are giving the feedback to makes a big difference. A student, a friend, a developer you want to help, asked to write a snarky review.

Games CAN be fun, but expecting them to be JUST that is reductive. Games can let you feel something, find catharsis.

We are affected by everything we engage with.

Games are part of a wider industry. Pays peoples wages, needs to be looked at critically.

Even if it's just fun for you, someone else might have a different experience from the same game. I won't tell you what games are for you and you don’t tell me what games are for me.

If you're at PAX you spent money to be here, you care.

"just" for fun implies “fun” is not a great value.

Knowing his game helped someone in hospital deal with pain.

If you want to be a good game maker, play lots of games and see how they're made. Keeping a journal of every game he plays.

If you are playing a game and feel something, figure out why.

When giving a student a game, give them a challenge like "explain X to me", so they have guidance, a direction to go in.

Thinking critically in a fun way: fun to write reviews when you're angry. Critical isn't negative, just more active.

You can't force players to engage in any specific way, just make the game and let them do their thing.

Some players will get really angry anyway so just make your game.

Hype can work against you as a reviewer, makes it hard to be objective if the game disappointed you. Can also be hard to say you loved a game if everyone else hated it.

Balance frustration with a sense of achievement. Frustration is a tool, as is a grind. The “random” drops aren’t entirely random: if you haven't gotten anything good in a while it'll give you something nice, and if you get a good drop too early it gets held back. Testing, see how people feel. If people aren't complaining you're doing something wrong. If everyone complains about all classes it's balanced.

Nanojam 3.0: Wacky Live Game Design

Jason Imms, Rami Ismail, Paul Verhoeven, Leonie Yue, Maize Wallin, Lucy Morris

So a little before this started my body went NOPE NOPE NAP TIME, and while I did manage to drag myself in near the end I wasn’t up to taking notes. I had a great time though, it was hilarious. The panel got given silly ideas for games and brainstormed them together, while an artist drew illustrations.

The State of Queer in games

Ashton McAllen @acegiak Saf Davidson @wanderlustin Charlie Francis kennedy @CharliethGfish Alayna Cole @alynamcole queerly represent me Jess Zammit @zammitjess David Hollingworth @cpthollingworth

What have the panelists played in 2017 that was really good queer rep:

Horizon Zero Dawn subtle, sidequests, feels very natural

Tacoma lesbian couple part of the main cast. Very cute, positive and real.

Miss Fisher's Murder Mystery has cute background f/f couple.

Life is Strange Before the Storm isn't very gay yet but is going to be.

Mighty Games added queer couple to the background of Charming Rooms, support for marriage equality in update in Shooty Skies. Good place to work, big "Vote Yes" sign on the window.

Dream Daddy: lets you choose your previous partner and how child was born, cool as an adopted person. (Also makes it easier to play trans character)

Pyre: choose pronouns

Lady Killer In A Bind lets you skip sex scenes, has an option in the menu you can change at any time.

Night in the Woods. Background m/m couple.

Little moments that people enjoyed:

Heartstruck app dating sim (you ate the daughter of a president) LI actually SAYS she is bi. (not sure if the same as Lovestruck?)

Hacknet Labyrinths: Incidental queer content is good, rather than PLOT TWIST THEY'RE TRANS.

Criminal Case Pacific Bay: Background f/f in a hidden object game.

Recs from audience:

Overwatch made Tracer a lesbian, but only in extended content. In that case not so bad because of the nature of the game. All back stories are extended content (compare to harry Potter). She has a line in the game where she mentions her girlfriend.

Tides of Torment Numenara: 2 body types and 3 pronouns.

Stumbling blocks and salt:

Mass Effect Andromeda: had trans character tell you her deadname. At least they fixed it.

Where are the explicitly ace and bi characters??

Lost phone turns out to be owned by trans woman, feels really vouyeuristic, inspiration porn. No agency or voice.

Why isn't there more incidental queerness??? So easy!!

Don't rec stuff to us JUST because it's queer if it's not something we'd enjoy.

Only representation is aliens and robots.

Even in most games with incidental queerness it's a tiny drop in a sea of heteronormativity.

South Park lets you pick your gender etc and you get attacked for whatever it is. The fact it happens to cis people won't make it less awful for trans characters. Game designers need to talk to people with diverse POVs and have diverse teams.

Why not 3 body types, or sliders? Saints Row is the bar.

Encountered none as a reviewer of AAA games over 2017 (was playing as a dude in Mass Effect Andromeda and got bored before encountering any queer content)

Can make Shelob a sexy woman but not add queerness to Tolkein??

Annoyed that it's SO notable that a character has a gender neutral pronoun option.

As a trans person I am escaping my shitty life as a trans person, I don't need that in a game.

List of demands:

Gender neutral pronoun options if there’s a gender/pronoun choice. Charlie will help you.

Bisexual anything.

Asexual humans.

Robots having sex.

Incidental queers.

Explicitly non binary characters, not necessarily androgynous.

#panels #conventions #pax 2017 #pax #recs #queer

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vdbstore-blog · 7 years

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New Post has been published on Vintage Designer Handbags Online | Vintage Preowned Chanel Luxury Designer Brands Bags & Accessories

New Post has been published on http://vintagedesignerhandbagsonline.com/my-big-fashion-moment-i-wore-jogging-bottoms-on-my-first-date-fashion/

My big fashion moment: 'I wore jogging bottoms on my first date' | Fashion

What I wore when… I went on my first date

Pearl Mackie, 30, plays Bill Potts, companion to the 12th Doctor in BBC1’s Doctor Who. She is wearing white Adidas jogging bottoms, a white vest top and white shell-top Adidas trainers.

I used to wear jogging bottoms a lot when I was teenager. I wore them on my first date, when I was 15. He became my first boyfriend. We went to the McDonald’s at the end of my road and I got a strawberry milkshake and he ordered a banana one, and I was like, “Mate, why you getting banana?” We went for a walk, then sat in the park, and it was really sweet.

The high street is full of all this stuff again now, but I can’t imagine wearing jogging bottoms on a date.I’ve got about 25 pairs of trainers under my bed. I wore a pair of yellow trainers to my Doctor Who audition. I felt Bill would wear something bright.

There are things in her wardrobe I wish I could take, like her red Urban Outfitters jumper or her jeans (I’m quite curvy and they were taken in to fit, so they’re better than any other jeans ever). But they save everything to exhibit at the Doctor Who Experience.

I don’t take clothes too seriously. My wardrobe is a collection of mostly insane items. My idea of a classic white shirt is my grandad’s old white shirt from the 1940s that does up with cufflinks. I like vintage a lot. I bought an amazing Moschino jacket on the Depop app. It’s really bright and fun, and covered in Las Vegas-style pinballs and cars. I went through a phase of buying leather jackets, which sounds expensive, but most of them were about 30 quid. I’m a hoarder and often feel like I need to have a big clear-out. My friends and I often do clothes swaps. The trouble is, I come away with even more stuff.

What I wore when… I became a full-time artist

Tali Lennox: ‘I’m obsessed with nostalgia.’ Photograph: Amanda Hakan for the Guardian

Model Tali Lennox, 24, showed her first solo exhibition, Ashes And Confetti, at New York’s Chelsea hotel in December 2016.

I found this kimono at Chelsea Flea Market in New York. It’s a really junky, filthy, old-school market. The clothes are pretty scuzzy – old, beaten-up jackets you wouldn’t really want to touch – but last year I found this silk robe and I’ve been wearing it ever since. I used to paint in a T-shirt and stained tracksuit bottoms, and wouldn’t change for about three days, which I found quite liberating after doing a lot of modelling. Then I thought, if I’m going to be a reclusive artist, I’d rather wear something that feels more elegant.

I have a super-colourful wardrobe. Guy friends of mine will get lost in there and come out wearing a little sequined crop top. I love dressing up friends in my clothes and I have a little set-up in my apartment where I photograph them.

I’m obsessed with nostalgia and buy only vintage clothes. I don’t enjoy spending a lot of money on fashion, when you can find a whole outfit for less than £50. I don’t often wear high heels, but I have this great pair of rhinestone-studded platform shoes that my mum [singer Annie Lennox] gave me. I also have some of her vintage jackets and I’m a big fan of costume jewellery, which she has a lot of. She loves giving me stuff, so it’s a win-win situation.

Lately, I’ve been drawn to sparkly colours and pink. I wear a lot of Eric Schlösberg, a New York designer, who is kitsch, weird and unafraid of colour. Maybe it’s to do with the loneliness that comes with painting, but it makes me a happier person. If I’m in a bad mood, I wear pink. It makes you feel better.

What I wore when… I started working at Radio 1

Clara Amfo: ‘I wanted to wear something that would make me feel good.’ Photograph: William Selden for the Guardian

DJ Clara Amfo, 33, presents Radio 1’s weekday mid-morning slot.

I love a tour tee. I collect vintage ones: Prince, Tina Turner, Whitney. You need to have bought it from the gig, or at least be a massive fan. My pet hate is when people wear band T-shirts but have no concept of the music. I’m really particular; I will research tour dates and cross reference them with what I see on eBay, because people often sell fake ones.

I bought this OutKast T-shirt when they played Wireless in 2014. When I started my weekday BBC Radio 1 show in May 2015, I was really nervous, so I chose jeans, trainers and this T-shirt, out of comfort. I wanted to wear something that would make me feel good. Even though I’d been at Radio 1Xtra for two years, I didn’t really know what to expect in the way of attention. I thought, let me wear something that feels like me, just in case there is a snapper outside the building.

Part of the appeal of working in radio is that you can roll into work looking like crap. Other days are full hair and makeup situations. When I interviewed Jay-Z for Radio 1’s Live Lounge Month, I wasn’t going to put on a ballgown for him; but Beyoncé is Beyoncé, and I just thought, there’s a chance she might see this on iPlayer.

The night before, my friend Shirley Amartey, who is a stylist, lent me a load of clothes. Her catchphrase is: “For God’s sake, try it on!” I opted for a Weekday bomber jacket, high-waisted jeans from Asos, trainers and a plain white T-shirt. I would never in a million years wear a Beyoncé T-shirt if I was going to meet her. Can you imagine?

What I wore when… I got my dream job

Isamaya Ffrench: ‘This belt signifies something powerful.’ Photograph: William Selden for the Guardian

Makeup artist Isamaya Ffrench, 27, began her career face-painting at children’s parties and is now creative artist consultant for Tom Ford Beauty.

This belt is so not me, but preparing to meet Tom Ford, I just thought: “Cinch that waist!” I found it at an Alexander McQueen sample sale where I go every year to find nice, smart stuff; the rest of the time, I’m in sportswear. This belt signifies something quite powerful, because it’s not a belt that holds up trousers, it’s a belt that accentuates your feminine qualities.

I was surprised to be considered for this job, given my background is quite wacky. But once we started talking about our personal tastes, there was a lot of crossover. Our sense of humour is the same. At one point, I was showing Tom my work on my phone and he took it off me and I said: “Wait! Don’t scroll left, there are nudes!” I like to think that’s what got me the job.

I really admire women who dress up. I think about buying those clothes, but would never wear them. I’m drawn to functional pieces such as La Sportiva and Undercover, anything a bit hard – you can’t wear Gucci loafers when you’re dragging three makeup kits between New York and London. I go out of my way to buy things that aren’t designer. I’ve not seen anyone else wearing Adidas goalie trousers or Salomon trekking trainers.

My first big red carpet event was the British Fashion Awards last year. I borrowed vintage Fiorucci trousers with high-waisted chaps, and they gave me the worst camel toe. I was also wearing the Vivienne Westwood platforms that Naomi Campbell wore when she fell over on the catwalk in 1993. And I fell over. I thought, things can’t get any worse. It’s only up from here.

What I wore when… I reopened the Whitechapel Gallery

Iwona Blazwick: ‘This was the most exciting moment in my career, so I had to be comfortable.’ Photograph: William Selden for the Guardian

Iwona Blazwick OBE, 61, has been director of the Whitechapel Gallery (which launched the careers of David Hockney and Gilbert & George) since 2001, overseeing its expansion in 2009.

I bought this black MaxMara number for the reopening. It was the result of eight years’ work, and £13.5m in fundraising. The thrill of the evening was bringing three generations of artists together, from Bridget Riley to Paul Noble to Goshka Macuga, against the backdrop of a tapestry of Picasso’s Guernica, arguably the greatest history painting of the 20th century.

This was possibly the most exciting moment in my career, so I had to be comfortable. When you’re head of an organisation, you can’t run around looking sweaty, you’ve got to look cool, which is a challenge. I have at least 10 black dresses. It’s a bit like having a school uniform; however much I try to change, I always buy the same thing. A typical day might start with a studio visit in Hackney (they’re full of paint, so you have to watch where you sit), followed by a meeting with the Arts Council, then I might have to speak at a dinner. I’ll add something sparkly – Swarovski rings come to my rescue.

If I had the budget, I would love to wear Céline. When I was a baby curator in the late 80s, I wore horrendous giant shoulder pads, like something out of a sci-fi movie. It was a master-of-the-universe moment for women wanting to assert themselves, but it didn’t look very good in retrospect. I still treasure stuff I bought in the 70s from the Biba store in west London. It had the rudest, most over-privileged shop assistants in the world, but it was achingly cool.

Thomas Ruff: Photographs 1979-2017 is on show at the Whitechapel Gallery, London, until 21 January 2018.

Makeup for Clara, Pearl and Isamaya: Bobana Parojcic. Hair for Clara: Virginie P Morera. Hair for Pearl and Isamaya: Laurence Close at Carol Hayes Management. Hair and makeup for Iwona Blazwick: Sam Cooper at Carol Hayes Management

• Commenting on this piece? If you would like your comment to be considered for inclusion on Weekend magazine’s letters page in print, please email [email protected], including your name and address (not for publication).

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