David Elkind - The Hurried Child - Addison/Wesley - 1981 (cover by Marshall Henrichs)

I've been going through old USAG magazines because of reasons, and I've come across the preliminary report of the task force on eating disorders. I knew this committee existed — after the death of Christy Henrich, Nancy Thies Marshall was asked to put together a committee to come up with better resources for coaches and athletes to deal with the female athlete triad. (This program would meets its end in the early 2000s when the organization got a new CEO.)

The magazine lists the people who were on the committee. I'm mildly surprised by some of them, namely the medical people who don't have any indication of prior connections to the sport. But among the people in this group are:

Kelli Hill

Donna Strauss

Shannon Miller's mom

I am filled with confidence.

Grizzly bear rag player piano

Silks And Rags (Waltzes) THANE, LOGAN (NAT E. Trombone Johnsen (Ragtime Cakewalk) STONE, FRED S. Sponge SMITH, CHRIS AND EUROPE, JAMES REESE Ballin’ The Jack (Fox Trot) SMITH, LEE OREANĬampin’ On De Ole Suwanee (Characteristic March, Two Step, Polka or Cakewalk) SNYDER, TED Wild Cherries (Rag) STARK, E. Lumb’rin’ Luke (Cakewalk and Two Step) SILVERMAN AND WARD, That Hand Played Rag SIMON, W. PHILIP Jungle Time (A Genuine Rag) SEYMOUR, CY Holy Moses (Rag) The Whitewash Man (March and Two Step) SCOTT, JAMES A Summer Breeze (March and Two Step) Sleepy Sidney (Ragtime Two Step) SCHWARTZ, JEAN Dusky Dudes (Cakewalk) Too Much Raspberry (Fox Trot) SCHEU, ARCHIE W. The Eight O’Clock Rush (Rag) RUSSELL, SYDNEY K. M., Walkin’ On De Rainbow Road (March, Cakewalk and Two Step) ROBINSON, J. The Pride Of Bucktown (Ragtime March) ROBERTS S. The Junk Man Rag ROBERTS, JAY The Entertainer’s Rag ROBERTS, ROBERT S. Pork and Beans (One Step or Two Step Trot) Funny Folks (Ragtime March and Two Step) PRATT, PAUL Colonial Glide PUCK, HARRY The Foot-Warmer (One Step or Two Step) ROBERTS, C. Trouble (Rag) NIEBERGALL JULIA LEE, Horseshoe Rag NORTHUP, JOSEPH Cannon Ball (Characteristic Two Step) O’HARE, WILLIAM CHRISTOPHER Levee Revels (An Afro-American Cane Hop) POWELL, W. Whistling Rufus (Characteristic Two Step, March or Polka) MORRISON, WILL B. Rastus on Parade (Characteristic Two Step March) Rags To Burn MILLS, KERRY At A Georgia Campmeeting (Characteristic Two Step, March or Polka) The Pippin (A Sentimental Rag) MATTHEWS, ARTIE Pastime Rag No. I Got The Blues (Characteristic Ragtime Two Step) MARSHALL, ARTHUR Ham and Eggs (A Ragtime Two Step) On Easy Street (Ragtime Two Step) MAGGIO, A. That Madrid Rag LODGE, HENRY Temptation Rag LYONS, BOB AND YOSCO, GEORGE Spaghetti Rag MACEACHRON, J. BODEWALT Creole Belles (Ragtime March)ĭixie Girl (Characteristic March and Two Step) LENZBERG, JULIUS Haunting Rag Sensation (A Rag, arranged by Joplin) LAMPE, J. Tiger Rag (One Step) LAMB, JOSEPH American Beauty Rag Shake Yo’ Dusters (Piccaninny Rag, Two Step) LA ROCCA, D. That Teasin’ Rag (Rag and Two Step) KAUFMAN, MEL B. Swipesy (Cake Walk) JORDAN, JOE Nappy Lee (A Slow Drag) Something Doing (A Ragtime Two Step) JOPLIN, SCOTT AND LOUIS CHAUVIN Heliotrope Bouquet (A Slow Drag Two Step) JOPLIN, SCOTT AND MARSHALL, ARTHUR Lily Queen (A Rag and Two Step) Weeping Willow (A Ragtime Two Step) JOPLIN, SCOTT AND SCOTT HAYDEN Felicity Rag (Ragtime Two Step) The Chrysanthemum (An Afro-American Intermezzo) Dill Pickles (Rag and Two Step)ĭoc Brown’s Cakewalk (The Original Kansas City Rag) JOPLIN, SCOTT A Breeze From Alabama (March & Two Step) Why We Smile INGRAHAM, HERBERT Poison Ivy (Rag) JANZA, MARK Lion Tamer (A Syncopated Fantasia) JENTES, HARRY Bantam Step (Fox Trot or One Step) JOHNSON, CHARLES L. Ragtown Rags HUMFELD, CHARLES Who Let The Cows Out? (A Bully Rag) HUNTER, CHARLES Just Ask Me (A Ragtime Two Step) I’m Alabama Bound (Ragtime Two Step) HOFFMAN, MAX Rag Medley Queen Raglan (Cakewalk and Two Step) HOFFMAN, ROBERT A Dingy Slow Down "Cleanin’ Up” in Georgia (Cakewalk Patrol or Two Step) HAHN, TEDDY The Amazon Rag HENRICH, A. Jinx Rag (arranged by Matthews, Artie) GILES, IMOGENE Red Peppers (Two Step) GLOGAU, JACK The Aeroplane (Ragtime Two Step) GUY, HARRY P. BENNET) Sweet Pickles (Characteristic Two Step) FRANKLIN, BERNARD Blackville Society (Cakewalk Two Step) GIBLIN, IRENE Chicken Chowder (Characteristic Two Step) GIBSON, L. Oh! You Devil (Rag) DOBYNS, GERALDINE Possum Rag EUROPE, JAMES REESE The Castle (Doggy Fox Trot) FLORENCE, GEORGE (AKA/THERON C. The Shovel Fish (Rag) COZAD, IRENE Eatin’-Time Rag CRABB, DUANE Fluffy-Ruffles (Two Step) DABNEY, FORD C. You Tell ‘Em Ivories COOK, WILL MARION Cruel Papa! (Fox Trot) COOK, HARRY L. The Mazie King Midnight Trot CONFREY, ZEZ Coaxing the Piano Russian Rag (Interpolating the world famous Prelude by Rachmaninoff) Policy King (Two Step) BURGESS, MATTIE HARL Rag Alley Dream COBB, GEORGE L. The Chevy Chase (Fox Trot) BOLEN, GRACE Smoky Topaz (March and Two Step) BOTSFORD, GEORGE Chatterbox Rag A Cyclone In Darktown (Rags) BLAKE, EUBIE Fizz Water (Trot and One Step) Worlds Fair Rag BARGY, ROY Blue Streak (Rag Fox Trot) МультфильмĪDLER, BERNARD Dat Lovin’ Rag (Two Step) ANDERSON, WILLIE Keystone Rag (Rag) ARNDT, FELIX Nola (A Silhouette for the Piano) AUFDERHEIDE, MAY Dusty (Rag)

2017年7月10日

【新入荷・新本】

Maurice Stein and Larry Miller Blueprint for Counter Education Expanded Reprint, Inventory Press, 2016

7 7/8 × 10 5/8 inch slipcase containing two 7 5/8 × 10 1/8 inch softcover books and three 45 × 37 1/4 inch posters

Design by Marshall Henrichs (original materials) and Project Projects (new materials)

価格：7,000円（税込み）

http://www.inventorypress.com/

If the basic measure of an avant-garde classic is appreciation long after its initial appear- ance, then Blueprint for a Counter Education, an extraordinary 1970 tome created by Maurice Stein, Larry Miller, and Marshal Henrichs, scores. Perhaps one of the most extraordi- nary books ever issued by an American com- mercial publisher, in this case Doubleday,

it came in a slipcased box 8 1⁄2” by 11” that contained a single perfect-bound book and three posters, each 37 1⁄2” by 45”, that were folded into the open-ended package.

As its subject was the radical thought new in the late 1960s, Blueprint became a guide to certain advanced ideas based upon the post- Marxist immigrant philosopher Herbert Mar- cuse on one side, and the Canadian Catholic media guru Marshall McLuhan on the other. Perhaps the book’s implicit agenda was con- necting admirers of the former, commonly called New Leftists, with the latter’s, remem- bered as Hippies. Not just read, Blueprint was treasured, as great books commonly are. Its editors at Doubleday were Janet Kafka and Bill Whitehead, both in their twenties at the time and both now long gone (an LGBT liter- ary award is named after the latter; a book prize after the former). Invited to work within commercial publishing, Kafka and Whitehead sought to do books that would have been unimaginable to their elders, and this was their monumental achievement. Their names should not be forgotten.

Nearly fifty years later, Blueprint for Counter Education has been reprinted, intact, likewise in an open-sided box, with the addition of second perfect-bound paperback containing an inter- view with its original two authors, both now retired professors of sociology. The new book also contains appreciative essays by Harvard professor Jeffrey Schnapp and documentary filmmaker Paul Cronin, as well as drafts of the posters and commentaries about them.

Most of the original book consists of repro- ductions of covers and tables of contents from books and little magazines important at the time. While many of the featured books are still in print, nearly all of the lat- ter now gone. The original book concludes with a remarkably rich conventionally listed bibliography that, like the images, appears without editorial annotations. The theme was literature that an educated young per- son should know about—and indeed some of us did.

What is also reflected here is the radical curriculum of a then new institution which was funded by the estate of Walt Disney (who had died only a few years before): California Institute of the Arts, commonly called not CIA, thankfully, but Cal Arts. Stein was hired as the founding dean of “The School of Critical Stud- ies,” to recall an epithet that would have been unimaginable only a few years before, but

has become more common since. That origin accounts not just for its focus on the intersections of art, design, and sociology, but also for its limitations—measured by disinterest in, say, the musical and literary avant-garde at the time (for example, neither John Cage or Allen Ginsberg are acknowledged here). Oh yes, and for all the interest and love the book gener- ated, Stein was dismissed from Cal Arts soon after its publication.

I was thirty when Blueprint was first pub- lished, and the copy that I still own is an- notated. Finding tape residue on the back of one of the posters, I assume that I pasted it to the wall of my East Village apartment at one time. Owners of the new edition may well do likewise, as these posters alone are worth the price of the book.

—Richard Kostelanetz

“Maurice R. Stein and Larry Miller’s Blueprint for Counter Education is one of the defining (but neglected) works of radical pedagogy of the Vietnam War era. Originally published as a boxed set by Doubleday in 1970, the book was accompanied by large graphic posters that could serve as a portable learning environment for a new process-based model of education, and a bibliography and checklist that map patterns and relationships between radical thought and artistic practices—from the modernist avant-gardes to postmodernism, from the Bauhaus to Black Mountain College, from Theodor Adorno and Walter Benjamin to Buckminster Fuller and Norman O. Brown—with Herbert Marcuse and Marshall McLuhan serving as points of anchorage. Blueprint for Counter Education thus serves as a vital synthesis of the numerous intellectual currents in the countercultural debate on the radical reform of schools, universities and ways of learning. To accompany this new facsimile edition of the book and posters, an 80-page booklet features a conversation with the original Blueprint creators, Maurice R. Stein, Larry Miller and designer Marshall Henrichs, as well as essays from Jeffrey Schnapp, Paul Cronin and notes on the design by Adam Michaels of Project Projects.”

Blueprint for Counter Education by Maurice Stein and Larry Miller, designed by Marshall Henrichs at Hippie Modernism: The Struggle for Utopia at UC Berkeley Art Museum #hippiemodernism #bampfa